By by. For Guitar. CD; Guitar (Suzuki); Method/Instruction. Published by Alfred Music Publishing

By Various. For Guitar. Waltons Irish Music Books. Softcover. 64 pages. Hal Leonard #WM1303. Published by Hal Leonard

Guitar solo

SKU: GH.GE-11464

Composed by Benjamin Staern. Duration 15 minutes. Gehrmans Musikforlag #GE 11464. Published by Gehrmans Musikforlag (GH.GE-11464).

ISBN 979-0-070-11464-6. A4 inches.

Work note by the composer:

When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone.
The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work.
Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line.

The work is divided in three parts.
I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other.
The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end.

II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere.

III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible!

Benjamin Staern

Composed by Jeffrey Van. Guitar part. Published by E.C. Schirmer Publishing (EC.8461A).

By by. For Guitar. CD; Guitar (Suzuki); Method/Instruction. Published by Alfred Music Publishing

By Thierry Tisserand. For guitar. Classical. Grade 2. Score. 16 pages. Published by Editions Henry Lemoine

Book Only. By Will Schmid and Greg Koch. Guitar Method. Size 9x12 inches. 48 pages. Published by Hal Leonard.

Special Deluxe Edition with DVD and 2 CDs. Music Sales America. French Edition, Spanish Edition, Blues, Jazz, Instruction. Music Sales #DV10043N. Published by Music Sales

By William Bay. For Guitar (Classical). Solos. Bill's Music Shelf. Baroque. Intermediate. Book. 80 pages. Published by Mel Bay Publications, Inc

Composed by William Bay. Flatpicking, Lute, Baroque, Contemporary, Technique, Theory and Reference, Solos. Achieving Guitar Artistry. Book. 76 pages. Published by Mel Bay Publications, Inc

By Charpagne Carbajo; Dalle Ave. For guitar solo. 1.5. Solo part. 36 pages. Published by Les Productions d'OZ

By Roland Dyens (1955-). For guitar solo. Intermediate. 4 pages. Published by Les Productions d'OZ

Composed by Lily Afshar. Squareback saddle stitch. Classical. Book. 116 pages. Mel Bay Publications, Inc #30832. Published by Mel Bay Publications, Inc

Carcassi,Carulli,Diabelli ,Giuliani,Haydn,Schubert, Sor,et al. By Various. Edited by Klaembt. For Guitar. Published by C.F. Peters.

By Dominique Charpagne. For guitar solo. Level: 3. 12 pages. Published by Les Productions d'OZ. (DZ 505)

By Alexander Vinitsky. For Guitar (Classical). Solos. Made Easy. Jazz. Level: Beginning. Book/CD Set. Size 8.5x11. 32 pages. Published by Mel Bay Publications, Inc.

By Laurindo Almeida, edited by Ronald Purcell. For Guitar (Classic). Trios. Brazilliance Music Pub. Classic. Level: Intermediate. Book. Size 8.75x11.75. 112 pages. Published by Mel Bay Publications, Inc.

Original John Dowland Lute Solos Transcribed for Classic Guitar. Composed by Steve Siktberg. Guitar: Classical and Lute,Style,Classical,Earl y Music / Renaissance,Featured Products,Solos. Book and Online Audio. 84 pages. Published by Mel Bay Publications, Inc

A Compendium of Chord Substitutions. By Adam Kadmon. For Guitar. Classical. Soft Cover. 29 pages. Published by Carl Fischer.

Guitar Solo

SKU: IS.G6761EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6761EM. Published by Metropolis Music Publishers (IS.G6761EM).

ISBN 9790365067619.

This sonata (WeissSW No. 48, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIII is a large and mature piece. It probably dates to the last period of the life of Weiss. The Sonata has seven movements: Prelude, Allemande (andante), Courante, Bourée, Sarabande (andante), Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other Preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. They may have been added later in the copying process. The Prelude of this particular Sonata is regarded as spurious, in respect to composition, a rather weak addition. I have included the Prelude in this Edition, leaving it to the guitar player to judge whether it fits with the musical style and idiom of the Sonata or not. Originally, the Sonata is written in F sharp minor, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a major second lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 2nd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 1st fret.

By Jody Fisher. For Guitar. Guitar Method or Supplement. Jazz. Book. 96 pages. Published by Alfred Publishing.

By Jody Fisher. For Guitar. Guitar Method or Supplement. Jazz. Book & CD. 96 pages. Published by Alfred Publishing.

By William Bay. For Guitar (All). Chord Book. Encyclopedia. All Styles. Multiple Levels. Book. 144 pages