(Suite from Volume Alpha). Composed by Daniel Rosefeld. Arranged by Ralph Fo...(+)
(Suite from Volume
Alpha).
Composed by Daniel
Rosefeld.
Arranged by Ralph Ford.
Concert Band. Concert
Band;
Score. Pop Young Band.
Form:
Suite. Video Game. Grade
2.5. 24 pages. Published
by
Alfred Music
Orchestra (2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5522-07 Version ...(+)
Orchestra (2.2.2.2 -
2.2.0.0 - timp - str)
SKU: BR.PB-5522-07
Version 1833 - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Thomas Schmidt-Beste.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). To all
extents and purposes,
Germany is the land of
artists, wrote
Mendelssohn in 1831 while
on his travels in Italy;
but Italy, he added, is
the land of art.
Everywhere he went in
Italy, the 22-year-old
composer found impulses
for his symphony.
Symphony; Romantic. Study
Score. 96 pages. Duration
28'. Breitkopf and
Haertel #PB 5522-07.
Published by Breitkopf
and Haertel
(BR.PB-5522-07).
ISBN
9790004212530. 6.5 x 9
inches.
To all
extents and purposes,
Germany is the land of
artists, wrote Felix
Mendelssohn Bartholdy in
1831 while on his travels
in Italy; but Italy, he
added, is the land of
art. Indeed, everywhere
he went in Italy, the
22-year-old composer
found impulses for his
symphony: I have to save
the work until I have
seen Naples. But although
the country fired his
inspiration: It will be
the merriest piece that I
have ever written, he did
not actually write the
Italian Symphony there.
This did not occur until
early 1833, when
Mendelssohn obtained a
commission from London,
where he then conducted
the first performance in
May 1833. Begun the
following year, his
revision of the piece
remained fragmentary, and
the composer no longer
performed the work
himself. The familiar
London version thus
represents the only
closed form of the work
which the composer
presented to the public.
This is the version of
the Italian Symphony that
is now appearing in the
Breitkopf Urtext
collection based on the
Complete Edition.
(Exercises for the Instrumental Conductor). Arranged by Robert Spradling. Carl F...(+)
(Exercises for the
Instrumental Conductor).
Arranged by Robert
Spradling. Carl Fischer
Band Books Series.
Student Book. 96 pages.
Published by Carl Fischer
Orchestra SKU: HL.14025900 Composed by Bernard Herrmann. Music Sales Amer...(+)
Orchestra
SKU:
HL.14025900
Composed
by Bernard Herrmann.
Music Sales America.
Classical. Studyscore.
Music Sales #NOV750028.
Published by Music Sales
(HL.14025900).
0.453
inches.
Herrmann
wanted to write a musical
portrait of his friend
and colleague Alfred
Hitchcok, so choose
motifs from the movie The
Trouble With Harry, one
of Hitchcock's more
personal and humorous
films. This
single-movement work for
Orchestra employs some of
the more familiar
elements of Herrmann's
compositional style:
short musical phrases
repeated and then
repeated again in other
positions, sharp use of
dynamics among them. From
the first note, the
creepiness begins.Bernard
Herrmann was among the
very greatest of all
composers of music for
cinema and there are many
who avow that he was the
greatest of all. A very
short list of the films
for which this
award-winning
composercreated
soundtracks includes
Citizen Kane, The Man Who
Knew Too Much, Vertigo,
Jason and Argonauts,
Fahrenheit 451, Obsession
and Taxi Driver. He had a
long and fertile
association with Alfred
Hitchcock during the most
productive period of
Hitchcock's career and
with Orson Welles from
the time of the Mercury
Theatre on the Air. In
addition to his
conducting and composing
work for the
entertainment world,
Herrmann wrote concert
pieces, including a
symphony, opera and
cantata.
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP...(+)
Orchestra 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin
SKU:
AP.36-A213048
Composed by Richard
Strauss. Full Orchestra.
Kalmus Orchestra Library.
Part(s). LudwigMasters
Publications #36-A213048.
Published by
LudwigMasters
Publications
(AP.36-A213048).
ISBN
9798892705271. UPC:
659359875526.
English.
Richard
Strauss (1864-1949) wrote
his VIOLIN CONCERTO IN D
MINOR, Op. 8, between
1881 and 1882, and it
remained his only foray
in that genre. Composed
while a teenager and
still in school. While
still very much a product
of the Romantic era
tradition, the work is
not considered as
distinctive as the works
he would produce only a
few years later, and
Strauss himself later
ridiculed the work.
Still, with inventive and
bold writing in the solo
and hints of his mature
harmonic style to come,
there is much to enjoy in
the work, including its
warmth, youthful
sincerity, and lyrical
expression, so that it
should not be dismissed
as mere juvenilia, either
by contemporary audiences
or Strauss himself. The
chamber version of the
concerto was first
performed in Vienna on
December 5, 1882, with
the dedicatee Benno
Walter on the violin
while Strauss played his
own piano reduction. The
premiere for the
orchestral version would
take place seven years
later in Cologne on March
4, 1890, with Walter
again performing the solo
with an orchestra
conducted by Franz
Wüllner.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP...(+)
Orchestra 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin
SKU:
AP.36-A213001
Composed by Richard
Strauss. Full Orchestra.
Kalmus Orchestra Library.
Score. LudwigMasters
Publications #36-A213001.
Published by
LudwigMasters
Publications
(AP.36-A213001).
ISBN
9798892705264. UPC:
659359870385.
English.
Richard
Strauss (1864-1949) wrote
his VIOLIN CONCERTO IN D
MINOR, Op. 8, between
1881 and 1882, and it
remained his only foray
in that genre. Composed
while a teenager and
still in school. While
still very much a product
of the Romantic era
tradition, the work is
not considered as
distinctive as the works
he would produce only a
few years later, and
Strauss himself later
ridiculed the work.
Still, with inventive and
bold writing in the solo
and hints of his mature
harmonic style to come,
there is much to enjoy in
the work, including its
warmth, youthful
sincerity, and lyrical
expression, so that it
should not be dismissed
as mere juvenilia, either
by contemporary audiences
or Strauss himself. The
chamber version of the
concerto was first
performed in Vienna on
December 5, 1882, with
the dedicatee Benno
Walter on the violin
while Strauss played his
own piano reduction. The
premiere for the
orchestral version would
take place seven years
later in Cologne on March
4, 1890, with Walter
again performing the solo
with an orchestra
conducted by Franz
Wüllner.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP...(+)
Orchestra 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin
SKU:
AP.36-A213002
Composed by Richard
Strauss. Full Orchestra.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A213002.
Published by
LudwigMasters
Publications
(AP.36-A213002).
UPC:
659359873225.
English.
Richard
Strauss (1864-1949) wrote
his VIOLIN CONCERTO IN D
MINOR, Op. 8, between
1881 and 1882, and it
remained his only foray
in that genre. Composed
while a teenager and
still in school. While
still very much a product
of the Romantic era
tradition, the work is
not considered as
distinctive as the works
he would produce only a
few years later, and
Strauss himself later
ridiculed the work.
Still, with inventive and
bold writing in the solo
and hints of his mature
harmonic style to come,
there is much to enjoy in
the work, including its
warmth, youthful
sincerity, and lyrical
expression, so that it
should not be dismissed
as mere juvenilia, either
by contemporary audiences
or Strauss himself. The
chamber version of the
concerto was first
performed in Vienna on
December 5, 1882, with
the dedicatee Benno
Walter on the violin
while Strauss played his
own piano reduction. The
premiere for the
orchestral version would
take place seven years
later in Cologne on March
4, 1890, with Walter
again performing the solo
with an orchestra
conducted by Franz
Wüllner.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Film Suites Orchestre [Conducteur] Oxford University Press
By William Walton (1902-1983). Arranged by James Brooks Kuykendall. For Orchestr...(+)
By William Walton
(1902-1983). Arranged by
James Brooks Kuykendall.
For Orchestra. Reference
Material. William Walton
Edition. Full score. 320
pages. Published by
Oxford University Press
Orchestra SKU: PO.PME11S Composed by John Ritchie. Perfect. Score. Promet...(+)
Orchestra
SKU:
PO.PME11S
Composed by
John Ritchie. Perfect.
Score. Promethean
Editions #PME11S.
Published by Promethean
Editions (PO.PME11S).
Rich with
kaleidoscopic images,
Papanui Road gives a
vivid 'snapshot' of
bustling central
Christchurch during the
1950s—one that
encompasses not only the
cityscape but much of the
composer's own experience
and spirit. The composer
writes: Having lived
near Papanui Road for
most of my
life—having cycled,
driven and walked on it,
having shopped, eaten and
prayed in or on it, I
feel at home there. As
young people say, it has
'vibes' for me. It
certainly has memories...
This concert overture
tries to hint at the
bustle, the vitality and
the peace of Papanui
Road; an impression
rather than a picture...
For all its pictorialism
this concert overture is
a serious, even a solemn
and nostalgic work. Its
aim is to evoke memories
and the atmosphere of an
important, busy
thoroughfare in the
composer's home town.
Scenes
historiques op.25,
op.66. Composed by
Jean Sibelius. Edited by
Kari Kilpelainen. Linen.
Complete Works.
Late-romantic; Early
modern. Complete Works.
228 pages. Breitkopf and
Haertel #SON 625.
Published by Breitkopf
and Haertel (BR.SON-625).
ISBN 9790004803271. 10
x 12.5 inches.
In
1998, at the end of the
20th century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts ... are models of
scholarly editions, and
should be required
reading for all
bibliography and
music-editing courses.
... In sum, the JSW is a
remarkable project: the
scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. ... For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. ... JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Eulenburg Audio Score 72. Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-...(+)
Eulenburg Audio Score 72.
Composed by Nikolay
Andreyevich
Rimsky-Korsakov
(1844-1908). Sheet music
with CD. Eulenberg Audio
plus Score. Jetzt neu:
Studienpartitur plus
Audio-CD zum gunstigen
Preis. In bewahrter
Qualitat:
lesefreundliches Format,
ausgezeichnetes
Druckbild, hochwertiges
Papier. Classical.
Softcover with CD. 272
pages. Eulenburg Edition
#EAS172. Published by
Eulenburg Edition
Orchestra SKU: PO.PEP05S Works for String Orchestra. Composed by L...(+)
Orchestra
SKU:
PO.PEP05S
Works
for String Orchestra.
Composed by Larry Pruden.
Perfect. Collection -
Full Score. Promethean
Editions #PEP05S.
Published by Promethean
Editions (PO.PEP05S).
ISBN
9781877218057.
Pref
ace to the Collected
EditionOver the span of
his composing career,
Larry Carrol Pruden
(1925-82) completed some
60 works, including music
for piano, chamber
ensemble, orchestra,
stage and film. The scope
of the ten-volume
Collected Edition
incorporates every work
that the composer is
known to have considered
complete, and a very few
incomplete works which
the editors felt
warranted inclusion. The
works in the latter
category are either
virtually complete or
have been deemed worthy
of inclusion due to the
significance that the
composer is known to have
attached to
them.Throughout Pruden's
output, whether the music
is modest in scale and
purely functional (civic
fanfares and radio
advertising jingles, for
example) or more extended
and overtly serious in
tone (such as the larger
works for orchestra and
strings), his vivid
response to urban society
and rural life in New
Zealand is revealed. With
Douglas Lilburn, John
Ritchie and others, Larry
Pruden belongs to the
earliest generation of
New Zealand composers to
discover a genuine
vernacular, and in his
music is reflected the
trail-blazing spirit of
the pioneers, their
passion for creativity
and their rebelliousness
of spirit.The scores in
the Collected Edition are
based on Pruden's
underlying autograph or
holograph manuscripts,
which have been consulted
extensively throughout
the editorial process.
Comparison has been made
to all extant forms of
each title, published and
unpublished. In some
cases, several variants
exist, and the goal has
been to determine as far
as possible the
composer's final
intention and to convey
this comprehensively in
the published score.
Emendations have been
made to account for the
composer's revisions and
for certain errors and
inconsistencies, and each
volume includes a short
commentary and editorial
notes on the source
materials.In consultation
with the Estate of Larry
Pruden, Promethean
Editions appointed an
Editorial Panel and an
Advisory Panel to oversee
publication of the
Collected Edition. The
role of the Editorial
Panel has been to
undertake the research
into the composer's
archival and manuscript
materials and to make the
necessary editorial
decisions and ensure the
accuracy of the musical
and textual content of
the Edition. The Advisory
Panel has been
responsible for
monitoring the overall
approach to the project
and for ensuring the
maintenance of a wider
perspective.
Orchestra (Score) SKU: HL.283507 Orchestra Score. Composed by Bent...(+)
Orchestra (Score)
SKU:
HL.283507
Orchestra Score.
Composed by Bent
Sorensen. Music Sales
America. Classical.
Softcover. 49 pages.
Duration 780 seconds.
Edition Wilhelm Hansen
#KP01914. Published by
Edition Wilhelm Hansen
(HL.283507).
Exit Music for
Orchestra was composed by
Bent Sorensen in 2006-07.
Exit Music was
commissioned by the
Bergen International
Festival for the Bergen
Philharmonic Orchestra,
and is dedicated to Per
Norgard on the occasion
of his 75th birthday.
Programme note It began
with a dream, as it
always does when I
compose. I dreamt that I
was standing in an open
doorway on a hill in an
otherwise open landscape.
I do not know what was
behind the door, but in
front of it - towards the
landscape - I saw my
music disappearing. I
stood looking for the
music, and started to
hear it, to remember it
in time with its
disappearance. The dream
continued to recur as
strange pictures in my
daydreams, and I
continued to try to write
down the music that had
vanished. It was also the
dream that gave the piece
its title- Exit Music.
Exit Music is based on
three simple songs (the
songs that vanish through
the doorway): a little
lullaby, which continues
to reappearin fragments;
a strange polyphonic pop
song that refers to a
section of my opera Under
the Sky; and a passionate
little love song, which
concludes the piece on
the strings, very quietly
and in unison. These
simple songs are then
constantly overpainted by
enervating repeated motes
in fairly simple rhythms,
which push the songs out
of the room. (Bent
Sorensen).
Orchestra - Grade 2 SKU: AP.40455 I. River Hymn, II. Waltz of the Hill...(+)
Orchestra - Grade 2
SKU: AP.40455
I. River Hymn, II.
Waltz of the Hills, III.
Barn Dance. Composed
by Bob Phillips.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Folk;
Traditional. Score and
Part(s). 140 pages.
Alfred Music #00-40455.
Published by Alfred Music
(AP.40455).
UPC:
038081460147.
English.
Beautiful,
original melodies abound
in all sections, but the
violas and cellos really
get a chance to shine in
this suite comprised of
three movements: River
Hymn, Waltz of the Hills,
and Barn Dance. In C
Major, this piece is
ideal to teach F and C
natural. The movements
are brief and can be
performed individually or
as a suite. Remaining
true to the early
Americana feel of the
piece, the last movement
is an upbeat, old-timey
tune! Correlates to Sound
Innovations Book 2, Level
2. This title is
available in MakeMusic
Cloud.
Ouverture JS 145,
Baletscen JS 163.
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Linen. Complete
Works. Late-romantic;
Early modern. Complete
Works. 196 pages.
Breitkopf and Haertel
#SON 627. Published by
Breitkopf and Haertel
(BR.SON-627).
ISBN
9790004803295. 10 x 12.5
inches.
In 1998, at
the end of the 20th
century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts … are models
of scholarly editions,
and should be required
reading for all
bibliography and
music-editing courses.
… In sum, the JSW
is a remarkable project:
the scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. … For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. … JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Romantic opera in
three acts. Composed
by Franz Schubert. Edited
by Walther Durr. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
II, Volume 6. 3 part
volumes. Opern, dt.
(German Opera). Complete
edition, Score. D 732.
Duration 2 hours, 30
minutes. Baerenreiter
Verlag #BA05540_00.
Published by Baerenreiter
Verlag (BA.BA05540).
ISBN 9790006497126. 33
x 26 cm inches. Text:
Franz von
Schober.
In late
September or early
October 1821 Schubert and
his close friend, Franz
von Schober, vacationed
in the countryside of
Lower Austria. Their
first stopover was at
Ochsenburg Castle, which
belonged to the Bishop of
St. Pölten (a close
relative of
Schober’s), after
which they moved on to
St. Pölten itself.
Roughly a year earlier,
two stage works by
Schubert had been
performed in Vienna: the
one-act singspiel Die
Zwillingsbrüder and
the melodrama Die
Zauberharfe. The
librettos were both
written by the seasoned
Viennese playwright Georg
von Hofmann, who blamed
the press for the
indifferent reception the
two works were given by
the audience. Schubert
and Schober now decided,
it would seem, to write a
grand romantic opera
uninfluenced by the
workaday world of the
theatre and beholden
solely to their own ideas
of what an opera should
be.
Not until 24
June 1854 was the opera
finally performed in
Weimar, under the baton
of Franz Liszt. It only
achieved success,
however, in an
arrangement by Johann
Nepomuk Fuchs that was
staged on many German and
Austrian stages in
1881–2, allegedly
with brilliant
acclaim.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra - Grade 2 SKU: AP.41194S Featuring: We're Off to See the Wiz...(+)
Orchestra - Grade 2
SKU: AP.41194S
Featuring: We're Off
to See the Wizard / If I
Only Had a Brain (A
Heart, the Nerve) / Ding
Dong! The Witch Is Dead /
Over the Rainbow.
Composed by E.Y. Yip
Harburg. Arranged by
Ralph Ford. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Beginning String
Orchestra. Form: Suite.
Movie. Score. 20 pages.
Alfred Music #00-41194S.
Published by Alfred Music
(AP.41194S).
UPC:
038081478739.
English.
Celebrate
75 years of wizarding!
We're Off to See the
Wizard, If I Only Had a
Brain (A Heart, the
Nerve), Ding Dong! The
Witch Is Dead, and Over
the Rainbow will delight
all generations. This
title is available in
MakeMusic Cloud.
By Robert W. Smith. By Robert W. Smith. For Full Orchestra. Full Orchestra. Belw...(+)
By Robert W. Smith. By
Robert W. Smith. For Full
Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Level: Easy to
Medium Easy (grade
II-III). Conductor Score
& Parts. 142 pages.
Published by Alfred
Publishing.
Orchestral Score. Composed by John Powell. This edition: Paperback/Softcover...(+)
Orchestral Score.
Composed by
John Powell. This
edition:
Paperback/Softcover.
Sheet
music. Study score.
Composed
2010. 412 pages. Omni
Music
Publishers #OMNI 50792.
Published by Omni Music
Publishers
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all
SKU:
PR.816600040
Composed
by Wolfgang Amadeus
Mozart. CD Sheet Music
(Version 1). Full Scores
to all of the major works
for orchestra by Mozart -
parts not included.
Classical Period. CD
Sheet Music. 2000
printable pages.
Published by Theodore
Presser Company
(PR.816600040).
UPC:
680160600045. 5.5x5
inches.
This disk
contains study scores of
all 41 of Mozart's
Symphonies, as well as
Concertos for Winds and
Strings (Piano Concertos
are on a companion
CD-ROM), Serenades, Opera
Overtures, Divertimentos,
and other works.
About CD Sheet
Music (Version
1)
CD
Sheet Music (Version 1)
was the initial CD Sheet
Music series distributed
by Theodore Presser. The
CDs include thousands of
pages of music that are
viewable and printable on
Mac or PC. Version 1
titles are a great value
at 40% off, as we make
room in our warehouse for
the newly enhanced CD
Sheet Music (Version 2.0)
series.
Eulenburg Audio Score Series. By Georges Bizet. This edition: EAS105. Eulenburg ...(+)
Eulenburg Audio Score
Series. By Georges Bizet.
This edition: EAS105.
Eulenburg Audio Score
(Pocket Scores CD).
Study score and CD. 176
pages. Published by
Eulenburg.
Eulenburg Audio Score Series. By Edvard Grieg. This edition: EAS139. Eulenburg A...(+)
Eulenburg Audio Score
Series. By Edvard Grieg.
This edition: EAS139.
Eulenburg Audio Score
(Pocket Scores CD).
Study score and CD. 92
pages. Published by
Eulenburg.
Orchestra SKU: HL.14042598 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra
SKU:
HL.14042598
Composed
by Poul Ruders. Music
Sales America. Classical.
Softcover. Composed 2013.
Edition Wilhelm Hansen
#WH31776. Published by
Edition Wilhelm Hansen
(HL.14042598).
ISBN
9788759827482.
Prog
ramme Note Poul Ruders
WIND-DRUMMING
WIND-DRUMMING was written
in 1979 on a commission
from The Danish
Percussion Ensemble. The
piece is a clash of two
kinds of
sound-associations, the
mystic, exotic impact of
Latin-American drumming,
and the more well dressed
reputation of Western
concert-instruments, in
this case a wind-quintet
(w. electric flute). The
two instrumental camps
either melt into one soft
humming ritual or are
split wide apart, the
winds tearing their way
through the undergrowth
of rainforest-drumming.
There is more than one
way of getting on to
WIND-DRUMMING: obviously
it is about the
confrontation of two
incongruent ways of
living, a lament on the
damage done tothe
tropical rainforests of
the world by modern
civilisation. One can
hear it plainly as a
direct rhythm-show, a
downright number or a
joyous homage to the most
exiting kind of
folkloristic music at
all: the carnal spell of
the Brazilian Samba. Poul
Ruders.
Symphonies. Composed by Jean- Philippe Rameau (1683-1764). Edited by Thomas Sou...(+)
Symphonies. Composed by
Jean-
Philippe Rameau
(1683-1764).
Edited by Thomas Soury.
This
edition: urtext edition.
Paperback. Score,
anthology.
Baerenreiter Verlag
#BA08895_00. Published by
Baerenreiter Verlag
Second Edition. Composed by Danny Elfman. This edition: Paperback/Softcover. S...(+)
Second Edition. Composed
by
Danny Elfman. This
edition:
Paperback/Softcover.
Sheet
music. Study score.
Composed
1989. 392 pages. Omni
Music
Publishing #OMNI 50797.
Published by Omni Music
Publishing
Selections from American Suite by Antonin Dvorák. Arranged by Brendan Mcbrien. ...(+)
Selections from American
Suite by Antonin Dvorák.
Arranged by Brendan
Mcbrien. Orchestra. Full
Orchestra. Full
Orchestra. Form:
Transcription. Romantic.
Grade 4. Conductor Score
and Parts. 200 pages.
Published by Alfred Music
Publishing (