String orchestra SKU: M2.MOS-10014-70 Orgelstuck fur eine Uhr. Com...(+)
String orchestra
SKU:
M2.MOS-10014-70
Orgelstuck fur eine
Uhr. Composed by
Wolfgang Amadeus Mozart.
Set of string parts.
Möseler Verlag #MOS
10014-70. Published by
Möseler Verlag
(M2.MOS-10014-70).
ISBN
9790203735670.
Ein
Stuck fur ein Orgelwerk
in einer Uhr lautet eine
undatierte
handschriftliche
Eintragung Mozarts
(zwischen Dezember 1790
und 5. Januar 1791) in
sein Verzeichnuss aller
meiner Werke, etwas
spater finden wir unter
dem 3. Marz 1791 Ein
OrgelStucke fur eine Uhr.
Gemeint sind die beiden
ublicherweise als
Fantasie bezeichneten
Werke in f-Moll, KV 594
und KV 608, die Mozart
mit grosser
Wahrscheinlichkeit fur
eine mit einem Uhrwerk
verbundene mechanische
Orgel - also einen
Orgel-Automaten - im
Mausoleum Laudons der
Mullerschen Kunstgalerie
geschrieben hat. Wer
unter diesen so harmlos
wirkenden Titeln eine
ebenso harmlose, hubsche
und unterhaltende Musik
erwartet, wird schon
durch die Tonart der
beiden in Mozarts letztem
Lebensjahr entstandenen
Musiken uberrascht sein -
vielmehr noch durch ihre
konzentrierte Form und
Ausdruckstiefe. Stucke
fur ein mechanisches
Orgelwerk zu schreiben
war durchaus eine
Aufgabe, der sich viele
der grossen Meister des
18. Jahrhunderts
unterzogen. Wir haben
kostliche Miniaturen fur
eine Flotenuhr von
Handel, Haydn, Beethoven
u.a., die heute in der
Regel auf einer Orgel
wiedergegeben werden.
Umso verwunderlicher ist
es, dass Mozart mit
diesen beiden
Kompositionen eine ganz
andere Musik geschaffen
hat: gross dimensioniert
schon in der Ausdehnung,
die der Lange eines
Sinfoniesatzes
entspricht, erst recht
aber in ihrer
inhaltlichen
Ausarbeitung! Vom
dusteren Adagio am Beginn
der Fantasie KV 594 uber
das triumphierend
auffahrende Allegro bis
zum ersterbenden Ende
wird der Horer
gleichermassen wie in der
entgegengesetzt
aufgebauten Fantasie KV
608 von dem mit
dramatisch-heroischem
Impetus anpackenden
Themenkopf uber das durch
2 Fugen von allerhochster
Meisterschaft umrahmten
innig beruhrenden Andante
bis zum letzten Ton in
Atem gehalten. War es die
vermutete Bestimmung der
Kompositionen als
Trauermusik oder Mozarts
Beschaftigung mit Handel
und Bach, die so
ungewohnlich ergreifende
Musik entstehen liess?
Unuberhorbar ist
jedenfalls ihre Nahe zu
seinen letzten grossen
Kirchenmusiken, der Messe
c-Moll und dem Requiem!
Wolfgang Helbich in
seinem Vorwort zu den
beiden Fantasien fur eine
Uhr.
Die Zauberflote Orchestre à Cordes EMB (Editio Musica Budapest)
Composed by Wolfgang Amadeus Mozart (1756-1791). Set (Score & Parts). Co...(+)
Composed by Wolfgang
Amadeus
Mozart (1756-1791). Set
(Score & Parts).
Composed
2009. Editio Musica
Budapest
#EMBZ14657. Published by
Editio Musica Budapest
Arranged by Deborah Baker Monday. For string orchestra. Orchestra. FJH Beginning...(+)
Arranged by Deborah Baker
Monday. For string
orchestra. Orchestra. FJH
Beginning Strings. Grade
1. Score and set of
parts. Duration 1 minute,
15 seconds. Published by
The FJH Music Company Inc
Clash Of The Triads! Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Kendor Music Inc.
Arranged by Deborah Baker Monday. For string orchestra (88555) with optional 3rd...(+)
Arranged by Deborah Baker
Monday. For string
orchestra (88555) with
optional 3rd violin/viola
TC (3 copies) and piano.
Playground String
Orchestra Series. Grade
1.5. Score and set of
parts. Duration 2
minutes, 45 seconds.
Published by Kendor Music
Inc (KN
String orchestra SKU: M2.MOS-40008-70 Composed by Wolfgang Amadeus Mozart...(+)
String orchestra
SKU:
M2.MOS-40008-70
Composed by Wolfgang
Amadeus Mozart. Corona -
Werkreihe fur
Kammerorchester. Set of
string parts. Möseler
Verlag #MOS 40008-70.
Published by Möseler
Verlag (M2.MOS-40008-70).
ISBN
9790203742081.
Zu
den Pflichten der
Hofkapellmeister und
Hofkomponisten gehorte
stets auch die Lieferung
von Tanzmusik fur die
Hoffeste. Bei Artaria in
Wien erschienen 1791
Mozarts Zwolf deutsche
Tanze, welche in den k.
k. Redoutensalen
aufgefuhrt worden sind;
eine Zusammenstellung von
Tanzen aus KV 600, 602
und 605. Die sieben
Salzburger Menuette hatte
Mozart bereits als
Dreizehnjahriger
geschrieben, die Sechs
Landlerischen stammen aus
dem Jahr 1791.
String orchestra SKU: M2.MOS-40008 Composed by Wolfgang Amadeus Mozart. C...(+)
String orchestra
SKU:
M2.MOS-40008
Composed
by Wolfgang Amadeus
Mozart. Corona -
Werkreihe fur
Kammerorchester. Score.
Möseler Verlag #MOS
40008. Published by
Möseler Verlag
(M2.MOS-40008).
ISBN
9790203740087.
Zu
den Pflichten der
Hofkapellmeister und
Hofkomponisten gehorte
stets auch die Lieferung
von Tanzmusik fur die
Hoffeste. Bei Artaria in
Wien erschienen 1791
Mozarts Zwolf deutsche
Tanze, welche in den k.
k. Redoutensalen
aufgefuhrt worden sind;
eine Zusammenstellung von
Tanzen aus KV 600, 602
und 605. Die sieben
Salzburger Menuette hatte
Mozart bereits als
Dreizehnjahriger
geschrieben, die Sechs
Landlerischen stammen aus
dem Jahr 1791.
String orchestra SKU: M2.MOS-40033 Mit Adagio und Fuge c-Moll. Com...(+)
String orchestra
SKU:
M2.MOS-40033
Mit
Adagio und Fuge
c-Moll. Composed by
Wolfgang Amadeus Mozart.
Corona - Werkreihe fur
Kammerorchester. Score.
30 pages. Möseler
Verlag #MOS 40033.
Published by Möseler
Verlag (M2.MOS-40033).
ISBN
9790203740339.
Durc
h die Verbindung mit dem
Baron van Swieten kam
Mozart in intensiven
Kontakt mit den Werken
von Johann Sebastian Bach
und Georg Friedrich
Handel und dadurch zur
Auseinandersetzung mit
der Fugenkomposition als
musikalische Form und
stilistisches
Ausdrucksmittel. Die Fuge
KV 401 (der Schluss ist
von Maximilian Stadler
erganzt) ist original fur
Klavier zu zwei Handen
(wegen seiner enormen
Schwierigkeit spater fur
Klavier zu vier Handen
eingerichtet). Adolf
Hoffmann hat sie, analog
Mozarts eigenem Beispiel
(s.u.), fur
Streichorchester
instrumentiert. Ein
strenges Werk, das
Anklange an den
Contrapunctus I in Bachs
Kunst der Fuge aufweist.
1788 hat Mozart seine fur
zwei Klaviere komponierte
Fuge KV 426 fur
Streichorchester
eingerichtet (KV 546) und
ihr ein Adagio
vorangestellt, das zu
seinen erschutterndsten
Kompositionen zahlt. Die
franzosische Punktierung
der Anfangstakte deutet
bereits die grosse
seelische Spannung des
Satzes an. Aus Mozarts
letzten Lebensjahren
stammt die Fantasie KV
606, ein Stuck fur ein
Orgelwerk in einer Uhr,
die strengen Satz und
Sonatenform verschmilzt.
Sie ist ebenfalls von
Adolf Hoffmann fur
Streicher
instrumentiert.
String orchestra SKU: M2.MOS-40033-70 Mit Adagio und Fuge c-Moll. ...(+)
String orchestra
SKU:
M2.MOS-40033-70
Mit Adagio und Fuge
c-Moll. Composed by
Wolfgang Amadeus Mozart.
Corona - Werkreihe fur
Kammerorchester. Set of
string parts. Möseler
Verlag #MOS 40033-70.
Published by Möseler
Verlag (M2.MOS-40033-70).
ISBN
9790203742333.
Durc
h die Verbindung mit dem
Baron van Swieten kam
Mozart in intensiven
Kontakt mit den Werken
von Johann Sebastian Bach
und Georg Friedrich
Handel und dadurch zur
Auseinandersetzung mit
der Fugenkomposition als
musikalische Form und
stilistisches
Ausdrucksmittel. Die Fuge
KV 401 (der Schluss ist
von Maximilian Stadler
erganzt) ist original fur
Klavier zu zwei Handen
(wegen seiner enormen
Schwierigkeit spater fur
Klavier zu vier Handen
eingerichtet). Adolf
Hoffmann hat sie, analog
Mozarts eigenem Beispiel
(s.u.), fur
Streichorchester
instrumentiert. Ein
strenges Werk, das
Anklange an den
Contrapunctus I in Bachs
Kunst der Fuge aufweist.
1788 hat Mozart seine fur
zwei Klaviere komponierte
Fuge KV 426 fur
Streichorchester
eingerichtet (KV 546) und
ihr ein Adagio
vorangestellt, das zu
seinen erschutterndsten
Kompositionen zahlt. Die
franzosische Punktierung
der Anfangstakte deutet
bereits die grosse
seelische Spannung des
Satzes an. Aus Mozarts
letzten Lebensjahren
stammt die Fantasie KV
606, ein Stuck fur ein
Orgelwerk in einer Uhr,
die strengen Satz und
Sonatenform verschmilzt.
Sie ist ebenfalls von
Adolf Hoffmann fur
Streicher
instrumentiert.
String orchestra SKU: M2.MOS-40163 Sinfonien 4-6. Composed by Wolf...(+)
String orchestra
SKU:
M2.MOS-40163
Sinfonien 4-6.
Composed by Wolfgang
Amadeus Mozart. Corona -
Werkreihe fur
Kammerorchester. Score.
Möseler Verlag #MOS
40163. Published by
Möseler Verlag
(M2.MOS-40163).
ISBN
9790203741633.
Die
Mailander Sinfonien, KV
155-160 schrieb Mozart
wahrend seiner dritten
Italien-Reise, Oktober
1772 bis Marz 1773, die
er zusammen mit seinem
Vater unternahm. Im
Mittelpunkt der Reise
stand die erste
Auffuhrung der Oper Lucio
Silla in Mailand. Am 28.
Oktober schrieb Leopold
Mozart in einem Brief aus
Bozen ... Der Wolfg.
befindet sich auch wohl;
er schreibt eben fur die
lange Weile ein Quatro
... und am 6. Februar
teilt er aus Mailand mit
... der Wolfgang schreibt
ein Quartetto .... Lange
Zeit wurden die erwahnten
Quatros als
Streichquartette
angesehen. Erst in der
Auflage des
Kochel-Verzeichnisses von
1965 wurden drei der
sechs Stucke als
Divertimenti
klassifiziert und zwar
aufgrund der von Mozart
eigenhandig vermerkten
Instrumentenverzeichnung
Violini / Viole /
Violoncello / Basso bzw.
Violini / Viole / Basso.
Eine Ausgabe als
Orchesterquartette ist
von daher, auch wegen der
musikalischen Faktur der
Stucke, gerechtfertigt.
Die Werke stehen in der
Tradition Samartinis; sie
sind eine
Weiterentwicklung der
Salzburger Sinfonien, KV
136-138.
String orchestra SKU: M2.MOS-40162 Sinfonien 1-3. Composed by Wolf...(+)
String orchestra
SKU:
M2.MOS-40162
Sinfonien 1-3.
Composed by Wolfgang
Amadeus Mozart. Corona -
Werkreihe fur
Kammerorchester. Score.
Möseler Verlag #MOS
40162. Published by
Möseler Verlag
(M2.MOS-40162).
ISBN
9790203741626.
Die
Mailander Sinfonien, KV
155-160 schrieb Mozart
wahrend seiner dritten
Italien-Reise, Oktober
1772 bis Marz 1773, die
er zusammen mit seinem
Vater unternahm. Im
Mittelpunkt der Reise
stand die erste
Auffuhrung der Oper Lucio
Silla in Mailand. Am 28.
Oktober schrieb Leopold
Mozart in einem Brief aus
Bozen ... Der Wolfg.
befindet sich auch wohl;
er schreibt eben fur die
lange Weile ein Quatro
... und am 6. Februar
teilt er aus Mailand mit
... der Wolfgang schreibt
ein Quartetto .... Lange
Zeit wurden die erwahnten
Quatros als
Streichquartette
angesehen. Erst in der
Auflage des
Kochel-Verzeichnisses von
1965 wurden drei der
sechs Stucke als
Divertimenti
klassifiziert und zwar
aufgrund der von Mozart
eigenhandig vermerkten
Instrumentenverzeichnung
Violini / Viole /
Violoncello / Basso bzw.
Violini / Viole / Basso.
Eine Ausgabe als
Orchesterquartette ist
von daher, auch wegen der
musikalischen Faktur der
Stucke, gerechtfertigt.
Die Werke stehen in der
Tradition Samartinis; sie
sind eine
Weiterentwicklung der
Salzburger Sinfonien, KV
136-138.
String orchestra SKU: M2.MOS-40163-70 Sinfonien 4-6. Composed by W...(+)
String orchestra
SKU:
M2.MOS-40163-70
Sinfonien 4-6.
Composed by Wolfgang
Amadeus Mozart. Corona -
Werkreihe fur
Kammerorchester. Set of
string parts. Möseler
Verlag #MOS 40163-70.
Published by Möseler
Verlag (M2.MOS-40163-70).
ISBN
9790203743637.
Die
Mailander Sinfonien, KV
155-160 schrieb Mozart
wahrend seiner dritten
Italien-Reise, Oktober
1772 bis Marz 1773, die
er zusammen mit seinem
Vater unternahm. Im
Mittelpunkt der Reise
stand die erste
Auffuhrung der Oper Lucio
Silla in Mailand. Am 28.
Oktober schrieb Leopold
Mozart in einem Brief aus
Bozen ... Der Wolfg.
befindet sich auch wohl;
er schreibt eben fur die
lange Weile ein Quatro
... und am 6. Februar
teilt er aus Mailand mit
... der Wolfgang schreibt
ein Quartetto .... Lange
Zeit wurden die erwahnten
Quatros als
Streichquartette
angesehen. Erst in der
Auflage des
Kochel-Verzeichnisses von
1965 wurden drei der
sechs Stucke als
Divertimenti
klassifiziert und zwar
aufgrund der von Mozart
eigenhandig vermerkten
Instrumentenverzeichnung
Violini / Viole /
Violoncello / Basso bzw.
Violini / Viole / Basso.
Eine Ausgabe als
Orchesterquartette ist
von daher, auch wegen der
musikalischen Faktur der
Stucke, gerechtfertigt.
Die Werke stehen in der
Tradition Samartinis; sie
sind eine
Weiterentwicklung der
Salzburger Sinfonien, KV
136-138.
String orchestra SKU: M2.MOS-40162-70 Sinfonien 1-3. Composed by W...(+)
String orchestra
SKU:
M2.MOS-40162-70
Sinfonien 1-3.
Composed by Wolfgang
Amadeus Mozart. Corona -
Werkreihe fur
Kammerorchester. Set of
string parts. Möseler
Verlag #MOS 40162-70.
Published by Möseler
Verlag (M2.MOS-40162-70).
ISBN
9790203743620.
Die
Mailander Sinfonien, KV
155-160 schrieb Mozart
wahrend seiner dritten
Italien-Reise, Oktober
1772 bis Marz 1773, die
er zusammen mit seinem
Vater unternahm. Im
Mittelpunkt der Reise
stand die erste
Auffuhrung der Oper Lucio
Silla in Mailand. Am 28.
Oktober schrieb Leopold
Mozart in einem Brief aus
Bozen ... Der Wolfg.
befindet sich auch wohl;
er schreibt eben fur die
lange Weile ein Quatro
... und am 6. Februar
teilt er aus Mailand mit
... der Wolfgang schreibt
ein Quartetto .... Lange
Zeit wurden die erwahnten
Quatros als
Streichquartette
angesehen. Erst in der
Auflage des
Kochel-Verzeichnisses von
1965 wurden drei der
sechs Stucke als
Divertimenti
klassifiziert und zwar
aufgrund der von Mozart
eigenhandig vermerkten
Instrumentenverzeichnung
Violini / Viole /
Violoncello / Basso bzw.
Violini / Viole / Basso.
Eine Ausgabe als
Orchesterquartette ist
von daher, auch wegen der
musikalischen Faktur der
Stucke, gerechtfertigt.
Die Werke stehen in der
Tradition Samartinis; sie
sind eine
Weiterentwicklung der
Salzburger Sinfonien, KV
136-138.
(Overture).
Composed by Wolfgang
Amadeus Mozart. Arranged
by Deborah Baker Monday.
Solo or Ensemble. Voyager
String Orchestra. Kendor
Music Inc #09236S.
Published by Kendor Music
Inc (KN.09236S).
UPC:
822795092363.
This
unique arrangement of the
overture to Marriage Of
Figaro is accessible to
young string students
without sacrificing the
integrity of the source
material. Memorable
sections are represented
as well as the humor and
bravado of the piece.
Mozart's music really
works in this great
setting for students!
Duration 2:15. Available
in SmartMusic.
Overtures! Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Belwin
Famous Overture Themes. Arranged by Douglas E. Wagner. Masterworks; Part(...(+)
Famous Overture
Themes. Arranged by
Douglas E. Wagner.
Masterworks; Part(s);
Score; String Orchestra.
Belwin Concert String
Orchestra. Form:
Overture. Classical;
Masterwork Arrangement;
Romantic. 124 pages.
Published by Belwin Music
(AP.44809).
From
Symphony No. 2.
Composed by Joseph
Bologne. Arranged by
Deborah Baker Monday.
Series; String Orchestra.
FJH Developing Strings.
Masterwork Arrangement.
Score. The FJH Music
Company Inc #98-ST6524S.
Published by The FJH
Music Company Inc
(FJ.ST6524S).
English.
Spotlig
ht one of the first known
classical composers of
African ancestry with
this incredible
arrangement showcasing
the music of De
Saint-Georges, a Black
contemporary of Mozart.
Born the son of a slave
and white plantation
owner, he became a master
fencer, violin virtuoso,
conductor and composer.
This vibrant and
energetic movement from
his second symphony is an
amazing choice for any
program!
From
Symphony No. 2.
Composed by Joseph
Bologne. Arranged by
Deborah Baker Monday.
Series; String Orchestra.
FJH Developing Strings.
Masterwork Arrangement.
Score and Part(s).
Duration 4:00. The FJH
Music Company Inc
#98-ST6524. Published by
The FJH Music Company Inc
(FJ.ST6524).
UPC:
241444432952.
English.
Spotlight
one of the first known
classical composers of
African ancestry with
this incredible
arrangement showcasing
the music of De
Saint-Georges, a Black
contemporary of Mozart.
Born the son of a slave
and white plantation
owner, he became a master
fencer, violin virtuoso,
conductor and composer.
This vibrant and
energetic movement from
his second symphony is an
amazing choice for any
program! (4:00).
Score Only.
Arranged by Deborah Baker
Monday. Series; String
Orchestra. FJH Beginning
Strings. Light Concert;
Novelty. Score. Duration
1:15. The FJH Music
Company Inc #98-ST6298S.
Published by The FJH
Music Company Inc
(FJ.ST6298S).
English.
Combini
ng famous classical
melodies with popular
American folk songs, this
clever work ties
everything together in a
fun, fiddlin' atmosphere!
Works by Beethoven,
Handel and Mozart are
woven into folk tunes
like Boil Them Cabbage,
Li'l Liza Jane, and hints
of Dixie. A fun piece
that fiddles with tunes
in the classic fiddle
tradition!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Arranged by Deborah Baker
Monday. Accent String
Orchestra. Kendor Music
Inc #08214S. Published by
Kendor Music Inc
(KN.08214S).
UPC:
822795082142.
This
epic battle between great
classical themes features
the famous opening of
Beethoven's 5th Symphony,
Mozart's Eine Kleine
Nachtmusik, and
Beethoven's jubilant Ode
To Joy. As tension mounts
and momentum builds, a
grand takeover by
Offenbach's Can Can
provides the ultimate
finale in this clever
grade 1+ work. Duration
2:45. Available in
SmartMusic.
Beethoven, Inc. Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Richard Meyer. Orchestra. String Orchestra. String Orchestra. Form: Medley. C...(+)
By Richard Meyer.
Orchestra. String
Orchestra. String
Orchestra. Form: Medley.
Classical. Grade 2.5.
Conductor Score and
Parts. 124 pages.
Published by Alfred Music
Publishing
String Orchestra (Full Score) SKU: HL.51483300 For String Orchestra Fu...(+)
String Orchestra (Full
Score)
SKU:
HL.51483300
For
String Orchestra Full
Score. Composed by
Antonin Dvorak. Edited by
Peter Jost. Henle Music
Folios. Classical.
Softcover. 70 pages. G.
Henle #HN3300. Published
by G. Henle
(HL.51483300).
UPC:
196288206965.
10.0x12.75x0.235
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String Orchestra (Study Score) SKU: HL.51487003 For String Orchestra S...(+)
String Orchestra (Study
Score)
SKU:
HL.51487003
For
String Orchestra Study
Score. Composed by
Antonin Dvorá, Antonin
Dvorak, and k. Edited by
Peter Jost. Henle Study
Scores. Classical. 82
pages. G. Henle #HN7003.
Published by G. Henle
(HL.51487003).
UPC:
196288207245.
6.75x9.5x0.224
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among DvorákÂs
most popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
HenleÂs Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Set of String Parts String Orchestra (Parts) SKU: HL.51483302 For Stri...(+)
Set of String Parts
String Orchestra (Parts)
SKU: HL.51483302
For String Orchestra
String Parts.
Composed by Antonin
Dvorá, Antonin Dvorak,
and k. Edited by Peter
Jost. Henle Music Folios.
Classical. Softcover. 170
pages. G. Henle #HN3302.
Published by G. Henle
(HL.51483302).
UPC:
196288206804.
9.0x12.0x0.835
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String Parts String Orchestra (String Set) SKU: HL.51481567 For String...(+)
String Parts String
Orchestra (String Set)
SKU: HL.51481567
For String Orchestra
String Parts.
Composed by Peter Ilich
Tchaikovsky. Edited by
Dominik Rahmer. Henle
Music Folios. Classical.
Softcover. 165 pages. G.
Henle #HN1567. Published
by G. Henle
(HL.51481567).
UPC:
196288206958.
9.25x12.0x0.824
inches.
Tchaikovsky
spent the summer and
autumn of 1880 at his
sisterÂs country
estate in KamÂianka,
Ukraine, where he sought
peace and relaxation. But
after a short time the
desire to work took hold
of him again. âI'm
sketching a symphony or
string quintet just now;
I don't know where it's
going yet,â he wrote
to his friend and
patroness Nadezhda von
Meck. In the end it
turned out to be a
Serenade for String
Orchestra, which numbers
among his most beautiful
inspirations and is today
a central work in the
genre. The four movements
captivate with their
diverse moods â be
it the Mozartian first
movement âin the
form of a sonatinaâ,
the elegant Waltz, the
melancholy
âElegiaâ or the
rousing Finale. For this
new source-critical
edition it was possible
to consult the autograph
in Moscow as well as the
early printed editions
into which Tchaikovsky
sometimes entered a
number of minor
revisions. Clear the
stage for the new
reference edition of this
indispensable work of the
string-orchestra
repertoire!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String Orchestra (Study Score) SKU: HL.51487550 For String Orchestra, ...(+)
String Orchestra (Study
Score)
SKU:
HL.51487550
For
String Orchestra, Study
Score. Composed by
Peter Ilich Tchaikovsky.
Edited by Dominik Rahmer.
Henle Study Scores.
Classical. Softcover. G.
Henle #HN7550. Published
by G. Henle
(HL.51487550).
UPC:
196288207238.
6.75x9.5x0.251
inches.
Tchaikovsky
spent the summer and
autumn of 1880 at his
sister's country estate
in Kam'ianka, Ukraine,
where he sought peace and
relaxation. But after a
short time the desire to
work took hold of him
again. âI'm
sketching a symphony or
string quintet just now;
I don't know where it's
going yet,â he wrote
to his friend and
patroness Nadezhda von
Meck. In the end it
turned out to be a
Serenade for String
Orchestra, which numbers
among his most beautiful
inspirations and is today
a central work in the
genre. The four movements
captivate with their
diverse moods â be
it the Mozartian first
movement âin the
form of a sonatinaâ,
the elegant Waltz, the
melancholy
âElegiaâ or the
rousing Finale. For this
new source-critical
edition it was possible
to consult the autograph
in Moscow as well as the
early printed editions
into which Tchaikovsky
sometimes entered a
number of minor
revisions. Clear the
stage for the new
reference edition of this
indispensable work of the
string-orchestra
repertoire!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String orchestra SKU: BR.DV-1768 Urtext based on the Leipzig Mendelsso...(+)
String orchestra
SKU:
BR.DV-1768
Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Hellmuth Chr. Wolff.
Orchestra; stapled.
Deutscher Verlag.
Symphony; Romantic. Full
score. 36 pages. Duration
26'. Deutscher Verlag fur
Musik #DV 1768. Published
by Deutscher Verlag fur
Musik (BR.DV-1768).
ISBN 9790200411294. 9
x 12
inches.
Mendelssohn
's 12 juvenile symphonies
are more than the
scholastic exercises of a
compositionally
precocious
twelve-year-old.
Mendelssohn assimilates
some vastly different
influences (Bach, Mozart,
Dittersdorf, etc. ) and
attains an amazing
originality in certain
movements. The
source-critical scores of
the string symphonies
were issued a fairly long
time ago as part of the
Leipzig Mendelssohn
Edition. Kantate
Lobgesang im Auftrag der
Stadt Leipzig fur das
400jahrige Jubilaum der
Erfindung der
Buchdruckerkunst durch
Johannes Gutenberg. Die
Urauffuhrung fand am 25.
Juni 1840 in der
Leipziger Thomaskirche
statt am 23.
September.
String orchestra SKU: BR.DV-1767 Urtext based on the Leipzig Mendelsso...(+)
String orchestra
SKU:
BR.DV-1767
Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Hellmuth Chr. Wolff.
Orchestra; stapled.
Deutscher Verlag.
Symphony; Romantic. Full
score. 28 pages. Duration
19'. Deutscher Verlag fur
Musik #DV 1767. Published
by Deutscher Verlag fur
Musik (BR.DV-1767).
ISBN 9790200411249. 9
x 12
inches.
Mendelssohn
's 12 juvenile symphonies
are more than the
scholastic exercises of a
compositionally
precocious
twelve-year-old.
Mendelssohn assimilates
some vastly different
influences (Bach, Mozart,
Dittersdorf, etc. ) and
attains an amazing
originality in certain
movements. The
source-critical scores of
the string symphonies
were issued a fairly long
time ago as part of the
Leipzig Mendelssohn
Edition (LMA). Kantate
Lobgesang im Auftrag der
Stadt Leipzig fur das
400jahrige Jubilaum der
Erfindung der
Buchdruckerkunst durch
Johannes Gutenberg.
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels