(Featuring: Ding! Dong! The Witch Is Dead / We're Off to See the Wizard / The Me...(+)
(Featuring: Ding! Dong!
The Witch Is Dead / We're
Off to See the Wizard /
The Merry Old Land of Oz
/ So You Wanted to See
the Wizard / A Brand New
Day (Everybody Rejoice)).
Arranged by Victor
López. Concert Band.
Concert Band; Part(s);
Score. Pop Concert Band.
Form: Medley. Movie; Pop.
Grade 3. 272 pages.
Published by Alfred Music
Publishing
(Featuring: Ding! Dong! The Witch Is Dead / We're Off to See the Wizard / The Me...(+)
(Featuring: Ding! Dong!
The Witch Is Dead / We're
Off to See the Wizard /
The Merry Old Land of Oz
/ So You Wanted to See
the Wizard / A Brand New
Day (Everybody Rejoice)).
Arranged by Victor
López. Concert Band.
Concert Band; Score. Pop
Concert Band. Form:
Medley. Movie; Pop. Grade
3. 44 pages. Published by
Alfred Music Publishing
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Songs Of The Wizz. Composed by Charlie Smalls. Arranged by Peter Kleine S...(+)
Songs Of The Wizz.
Composed by Charlie
Smalls. Arranged by Peter
Kleine Schaars. Catalogue
Movie and Musical. Movie
and Musical. Recorded on
The Magnificent Seven
(ML.311058720). Full set.
Duration 9 minutes, 41
seconds. Molenaar Edition
#012507060. Published by
Molenaar Edition
(ML.012507060).
Feliz Navidad Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Hal Leonard
Performed by Jose Feliciano. By Jose Feliciano. Arranged by Paul Lavender. Essen...(+)
Performed by Jose
Feliciano. By Jose
Feliciano. Arranged by
Paul Lavender. Essential
Elements - Concert Band,
Performer Level (Grade
1). Score and full set of
parts. Size 9x12 inches.
Published by Hal Leonard.
Isaac Albeniz : Asturias Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Isaac Albeniz. Arranged by Michael Story. For Concert Band. Concert Band. Bel...(+)
By Isaac Albeniz.
Arranged by Michael
Story. For Concert Band.
Concert Band. Belwin
Beginning Band.
Masterwork;
Multicultural. Level: 1
(Very Easy) (grade 1).
Conductor Score and
Parts. 66 pages.
Published by Alfred
Publishing.
Contents: Fanfare of the Bells · Chapel Gorge Overture · Under Three Flags...(+)
Contents: Fanfare of the
Bells · Chapel Gorge
Overture · Under Three
Flags · Jericho ·
Solitude and Dance ·
Fanfare Prelude on the
Italian Hymn ·
Rhapsody for Hanukkah
· Jungle Fantasy ·
Overture to a Winter
Festival · Heralds
foran Occasion · New
Horizons · Trumpet
Tune · Joy to the
World · Cielito Lindo
By Allen Vizzutti. Music by Allen Vizzutti. For Concert Band. Concert Band. Alfr...(+)
By Allen Vizzutti. Music
by Allen Vizzutti. For
Concert Band. Concert
Band. Alfred Concert
Band. Level: Level 4
(grade 4). Conductor
Score and Parts. 2 pages.
Published by Alfred
Publishing.
Blizzard Blues Orchestre d'harmonie - Débutant Hal Leonard
Score Only Concert Band; Symphonic Band (Score) - Grade 1 SKU: HL.4005128 ...(+)
Score Only Concert Band;
Symphonic Band (Score) -
Grade 1
SKU:
HL.4005128
Composed
by Francois Dorion. First
Concepts (Concert Band).
Softcover. Published by
Hal Leonard (HL.4005128).
UPC: 888680688561.
9.0x12.0x0.037
inches.
Canadian
composer François
Dorion knows a thing or
two about blizzards, and
he also knows about the
blues! Suitable for
beginners, this
terrific-sounding piece
is easy to learn and a
guaranteed parent pleaser
at your first concert!
Dur: 2:15.
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Dizzy Stratford. De...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Dizzy Stratford. De Haske
Concert Band. Score Only.
Composed 1990. De Haske
Publications #900159.
Published by De Haske
Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-273-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.AMP-273-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2009.
Anglo Music Press #AMP
273-010. Published by
Anglo Music Press
(BT.AMP-273-010).
9x12
inches.
English-German-French-Dut
ch.
The inspiration
for this piece came from
the address of the person
who commissioned the
work: Morse Street,
Houston, Texas. It pays
tribute to the immense
skill of the engineers
who succeeded in
submerging a wire across
the Atlantic to send
messages in morse code
from America to Europe.
This technical ingenuity
provided the perfect
source of material for a
transatlantic musical
message. This work
explores the vast expanse
of the Atlantic and makes
use of Irish melodies to
celebrate the point where
the cable enters into the
Atlantic
Ocean.
Die Idee zu
diesem Stück entsprang
aus der Adresse des
Auftraggebers Morse
Street, Houston, Texas,
welche an die schier
unglaubliche Leistung
erinnert, eine Leitung
für die Übertragung
gemorster Nachrichten
quer durch den Atlantik
zu legen. Dieser
technische Triumph bot
sich als Thema für
eine transatlantische
musikalische Botschaft
an. Die Musik vermittelt
die endlose Weite des
Atlantiks und es
erklingen - dem
Ausgangspunkt des
Unterfangens zu Ehren -
auch irische
Themen.
Morse
Street, Houston, Texas,
l’indirizzo della
societ che ha
commissionato questo
brano, evoca
l’incredibile
prodezza tecnica
realizzata nel 1866: la
posa del primo cavo
telefonico sotto-marino
attraverso
l’Atlantico che
permetter la trasmissione
dei messaggi in codice
Morse. Il brano inizia
con una descrizione
dell’impressionant
e distesa d’acqua
dell’Atlantico. I
temi
dell’Allegro
vivo ricordano i
colori e i paesaggi
irlandesi, punto di
partenza di questa grande
avventura
tecnologica.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043551-140 I. The Vision ...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043551-140
I. The Vision - II.
The Creation.
Composed by Jacob De
Haan. Sovereign Series.
Concert Piece. Score
Only. Composed 2004. De
Haske Publications #DHP
1043551-140. Published by
De Haske Publications
(BT.DHP-1043551-140).
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP
1125252.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1125252-010 III. The Web(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1125252-010
III. The Web.
Composed by Jacob De
Haan. Concert Piece. Set
(Score & Parts). Composed
2020. De Haske
Publications #DHP
1125252-010. Published by
De Haske Publications
(BT.DHP-1125252-010).
9x12 inches.
English-German-French-Dut
ch.
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
4, track 5, track
6
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar onder volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar onder
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 4, track 5, track
6
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 4, track
5,track 6
The Book of
Urizen è una
composizione per banda,
soprano solo e voce
recitante maschile che
utilizza collage sonori
dalla connotazione
religiosa. Jacob de Haan
ha attinto alla sua
immensa ispirazione ne
The Book of
Urizen, un
affascinante poema dello
scrittore e filosofo
mistico inglese William
Blake (1757-1827). Ai due
primi movimenti The
Vision e The
Creation, si aggiunge
ora il terzo affresco:
The Web. Per
questo movimento sono
disponibili anche le
parti per il coro.
Soprano e voce narrante
utilizzano un microfono e
il coro può, se
desiderato,
anch’esso fare
utilizzo di microfoni.Per
ulteriori informazioni
sulle prime due parti,
visitateil sito
www.dehaske.com.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1125252-140 III. The Web(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1125252-140
III. The Web.
Composed by Jacob De
Haan. Concert Piece.
Score Only. Composed
2012. 46 pages. De Haske
Publications #DHP
1125252-140. Published by
De Haske Publications
(BT.DHP-1125252-140).
9x12 inches.
English-German-French-Dut
ch.
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
4, track 5, track
6
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar onder volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar onder
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 4, track 5, track
6
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
groÃ?en englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 4, track
5,track 6
The Book of
Urizen è una
composizione per banda,
soprano solo e voce
recitante maschile che
utilizza collage sonori
dalla connotazione
religiosa. Jacob de Haan
ha attinto alla sua
immensa ispirazione ne
The Book of
Urizen, un
affascinante poema dello
scrittore e filosofo
mistico inglese William
Blake (1757-1827). Ai due
primi movimenti The
Vision e The
Creation, si aggiunge
ora il terzo affresco:
The Web. Per
questo movimento sono
disponibili anche le
parti per il coro.
Soprano e voce narrante
utilizzano un microfono e
il coro può, se
desiderato, anchâ??esso
fare utilizzo di
microfoni.Per ulteriori
informazioni sulle prime
due parti, visitateil
sito www.dehaske.com.
Panis Angelicus Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Young Band - Grade 2.5 - Score and Parts. By Cesar Auguste Franck. Arranged by P...(+)
Young Band - Grade 2.5 -
Score and Parts. By Cesar
Auguste Franck. Arranged
by Philip Sparke. De
Haske Concert Band Full
Set. Size 9x12 inches.
Published by De Haske
Publications.
Hommage a Bizet Orchestre d'harmonie - Intermédiaire/avancé Martin, Robert
Concert band - Grade 4 SKU: RM.BIZE02453-BA Composed by Georges Bizet. Ar...(+)
Concert band - Grade 4
SKU:
RM.BIZE02453-BA
Composed by Georges
Bizet. Arranged by
Dondeyne/Langlet.
Classical music.
Orchestra. Full set.
Editions Robert Martin
#BIZE02453-BA. Published
by Editions Robert Martin
(RM.BIZE02453-BA).
Hommage a Bizet Orchestre d'harmonie - Intermédiaire/avancé Martin, Robert
Concert band - Grade 4 SKU: RM.BIZE02453-CO Composed by Georges Bizet. Ar...(+)
Concert band - Grade 4
SKU:
RM.BIZE02453-CO
Composed by Georges
Bizet. Arranged by
Dondeyne/Langlet.
Classical music.
Orchestra. Conductor's
score. Editions Robert
Martin #BIZE02453-CO.
Published by Editions
Robert Martin
(RM.BIZE02453-CO).
Carmen, Suite From Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
By Georges Bizet. Arranged by James Curnow. Score and full set of parts. Young B...(+)
By Georges Bizet.
Arranged by James Curnow.
Score and full set of
parts. Young Band
(Concert Band). Grade 3.
Size 8.5x11 inches.
Published by Hal Leonard.
New Horizons Orchestre d'harmonie - Facile Curnow Music
Concert Band/Harmonie - Grade 2 SKU: BT.CMP-0039-95-010 Composed by Dougl...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.CMP-0039-95-010
Composed by Douglas
Court. Young Band.
Concert Piece. Set (Score
& Parts). Composed 1995.
Curnow Music #CMP
0039-95-010. Published by
Curnow Music
(BT.CMP-0039-95-010).
New
Horizons was written
to commemorate the
opening of the Sinclair
Secondary School in
Whitby, Ontario, Canada.
The school operates under
the philosophy Quality
education today - for
tomorrow and is looking
toward new directions in
education for the 21st
century.The school offers
a wide range of learning
opportunities where the
integration of curriculum
stresses academics,
athletics and the arts.
This piece was performed
at the official opening
of the school in May of
1995.
New
Horizons wurde für
die Eröffnung der
Sinclair Mittelschule in
Whitby, Ontario, Canada
geschrieben und im Mai
1995 uraufgeführt. Die
Schule hat sich das
Motto: Qualität in der
Schule heute - für
morgen auf die Fahnen
geschrieben und bietet
seinen Schülern ein
breites Fächerspektrum
inklusive Sport und Kunst
an.
Featuring: Hedwig's
Theme / Profile: Selfie
Avatar / Fawkes the
Phoenix / Care of Magical
Creatures Encounter /
Victory Fanfare. By
John Williams and
Nicholas Hooper. Arranged
by Douglas E. Wagner.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Pop Young Band. Movie;
Pop; Video Game. Score.
28 pages. Duration 3:30.
Alfred Music #00-48194S.
Published by Alfred Music
(AP.48194S).
ISBN
9781470654993. UPC:
038081559766. English.
John Williams; except
Care of Magical Creatures
Encounter Composed by
Nicholas
Hooper.
Players
combat fantastic beasts,
brew potions, find
magical artifacts, and
cast life-changing spells
along with their favorite
characters. Familiar to
any fan, the diverse
augmented reality mobile
game music includes
Hedwig's Theme, Profile:
Selfie Avatar, Fawkes the
Phoenix, Care of the
Magical Creatures
Encounter, and Victory
Fanfare. So, my wizarding
friends, wands at the
ready! Here we go!
(3:30).
Featuring: Hedwig's
Theme / Profile: Selfie
Avatar / Fawkes the
Phoenix / Care of Magical
Creatures Encounter /
Victory Fanfare. By
John Williams and
Nicholas Hooper. Arranged
by Douglas E. Wagner.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Pop Young Band. Movie;
Pop; Video Game. Score
and Part(s). 252 pages.
Duration 3:30. Alfred
Music #00-48194.
Published by Alfred Music
(AP.48194).
ISBN
9781470654986. UPC:
038081559759. English.
John Williams; except
Care of Magical Creatures
Encounter Composed by
Nicholas
Hooper.
Players
combat fantastic beasts,
brew potions, find
magical artifacts, and
cast life-changing spells
along with their favorite
characters. Familiar to
any fan, the diverse
augmented reality mobile
game music includes
Hedwig's Theme, Profile:
Selfie Avatar, Fawkes the
Phoenix, Care of the
Magical Creatures
Encounter, and Victory
Fanfare. So, my wizarding
friends, wands at the
ready! Here we go! (3:30)
This title is available
in MakeMusic Cloud.
Grade 1 SKU: CL.023-4836-01 Happy Dance. Composed by Shanley. Youn...(+)
Grade 1
SKU:
CL.023-4836-01
Happy Dance.
Composed by Shanley.
Young Concert Band. Extra
full score. C.L.
Barnhouse #023-4836-01.
Published by C.L.
Barnhouse
(CL.023-4836-01).
Teach your
beginning band about
traditional Brazilian
culture with Dança
Feliz (Happy Dance,)
featuring fun melodies
for all instruments, an
infectious beat, and
plenty of optional
percussion parts. The
annual Carnival festival
in Brazil features
parades led by samba
schools, and Dança
Feliz will transform your
band into a samba school
for your next concert!
Enjoyable music for all,
and a great
multi-cultural resource
as well.
Grade 1 SKU: CL.023-4836-00 Happy Dance. Composed by Shanley. Youn...(+)
Grade 1
SKU:
CL.023-4836-00
Happy Dance.
Composed by Shanley.
Young Concert Band. Sound
Foundations Series. Score
and set of parts.
Composed 2020. Duration 1
minute, 45 seconds. C.L.
Barnhouse #023-4836-00.
Published by C.L.
Barnhouse
(CL.023-4836-00).
Teach your
beginning band about
traditional Brazilian
culture with Dança
Feliz (Happy Dance,)
featuring fun melodies
for all instruments, an
infectious beat, and
plenty of optional
percussion parts. The
annual Carnival festival
in Brazil features
parades led by samba
schools, and Dança
Feliz will transform your
band into a samba school
for your next concert!
Enjoyable music for all,
and a great
multi-cultural resource
as well.
Composed
by John Pasternak. Young
Band (YPS). Full score.
With Standard notation.
20 pages. Carl Fischer
Music #YPS197F. Published
by Carl Fischer Music
(CF.YPS197F).
ISBN
9781491152850. UPC:
680160910359.
Chase
the Horizon is
a musical journey
depicting a lonesome
cowboy riding on his
horse, chasing the
horizon. Composer John
Pasternak has delivered a
strong and musically
rewarding piece for the
young band. It begins
with a nice legato
section before setting
off on the journey with a
tuneful theme. The piece
develops through several
contrasting sections
finishing in a dramatic
conclusion. This piece
is a story of new
beginnings. While writing
this piece I pictured a
lonely cowboy riding on
his horse, chasing the
horizon. The beginning
for this piece should
have a very legato feel
except for the Xylophone
part, which should use a
very abrupt, staccato
articulation. Measure 9
should take on a staccato
and light feel. The
feeling should remain
light except for the
instruments with the
melody, who should play
their parts with a more
legato feel. Dynamics
throughout this first
section are crucial. All
parts at m. 22 should
play with a legato style
with focus on the
dynamics. The trumpet
interjection at m. 25
should be played very
light. At m. 32 there
should be contrast with
all the different styles
of articulation. Measure
42 should not slow down
too quickly as the group
should not ever get
slower than the tempo
marking at m. 49.The slow
section at m. 49 should
be played soft with a
legato style growing
gradually through m. 61.
The articulation at m. 61
should be short and
staccato, and be careful
not to rush. The sections
with the melody here
should contrast the
staccato of the ensemble
with a legato style. When
the ensemble arrives at
m. 78 the piece should
have a maestoso-style
feel. The rit. at m. 88
should not become slower
than the tempo at m. 92.
At m. 92, let the
horns and saxophones
really shine through.
Western Horizons Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.31723S Composed by Thomas Kahelin. Concert...(+)
Concert Band - Grade 2
SKU: AP.31723S
Composed by Thomas
Kahelin. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Young Symphonic. Score.
20 pages. Alfred Music
#00-31723S. Published by
Alfred Music (AP.31723S).
UPC: 038081345994.
English.
From the
Badlands of South Dakota
to the cliffs of Big Sur,
California, the western
horizon is both an ending
and a beginning. Standing
in the grandeur of the
American West, one senses
the exuberance and
wildness of a time long
gone by. Gazing west, one
imagines an astonishing
variety of landscape
unfolding beyond the
horizon, leading to the
beauty of California's
sunset and the optimism
of tomorrow. This piece
celebrates the nostalgia,
gusto and optimism of
that western horizon.
This title is available
in MakeMusic Cloud.
Composed by
John Pasternak. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+6+2+4+2+20+4
pages. Duration 3
minutes, 57 seconds. Carl
Fischer Music #YPS197.
Published by Carl Fischer
Music (CF.YPS197).
ISBN 9781491152171.
UPC: 680160909674. Key:
Eb major.
Chase the
Horizon is a musical
journey depicting a
lonesome cowboy riding on
his horse, chasing the
horizon. Composer John
Pasternak has delivered a
strong and musically
rewarding piece for the
young band. It begins
with a nice legato
section before setting
off on the journey with a
tuneful theme. The piece
develops through several
contrasting sections
finishing in a dramatic
conclusion. This piece
is a story of new
beginnings. While writing
this piece I pictured a
lonely cowboy riding on
his horse, chasing the
horizon. The beginning
for this piece should
have a very legato feel
except for the Xylophone
part, which should use a
very abrupt, staccato
articulation. Measure 9
should take on a staccato
and light feel. The
feeling should remain
light except for the
instruments with the
melody, who should play
their parts with a more
legato feel. Dynamics
throughout this first
section are crucial. All
parts at m. 22 should
play with a legato style
with focus on the
dynamics. The trumpet
interjection at m. 25
should be played very
light. At m. 32 there
should be contrast with
all the different styles
of articulation. Measure
42 should not slow down
too quickly as the group
should not ever get
slower than the tempo
marking at m. 49.The slow
section at m. 49 should
be played soft with a
legato style growing
gradually through m. 61.
The articulation at m. 61
should be short and
staccato, and be careful
not to rush. The sections
with the melody here
should contrast the
staccato of the ensemble
with a legato style. When
the ensemble arrives at
m. 78 the piece should
have a maestoso-style
feel. The rit. at m. 88
should not become slower
than the tempo at m. 92.
At m. 92, let the
horns and saxophones
really shine through.
