Complete theoretical and practical method for organ-playing in three parts. Comp...(+)
Complete theoretical and
practical method for
organ-playing in three
parts. Composed by Flor
Peeters. This edition:
Paperback/Soft Cover.
Sheet music. Organ
Collection. 100 pages.
Schott Music #SF 8978.
Published by Schott Music
Organ SKU: HL.48186027 Composed by Jehan Alain. Leduc. Post-1900. So...(+)
Organ
SKU:
HL.48186027
Composed
by Jehan Alain. Leduc.
Post-1900. Softcover. 8
pages. Alphonse Leduc
#AL29835. Published by
Alphonse Leduc
(HL.48186027).
UPC:
888680842338. 9x12
inches.
?Jehan
Alain (1911-1940) was a
French organist and
composer. His Litanies
for Organ was composed in
1937 and is a sublime
addition to the
instrument's repertoire.
Alain studied with Organ
virtuosos, Guilmant and
Vierne and was primarily
an organist and composer
of religious music.
Whilst at the Paris
Conservatoire, he won
many prizes and his
composition catalogue
comprises some 140 works.
Alain's Litanies is his
most famous work and is
prefaced with the text;
??When, in its distress,
the Christian soul can
find no more words to
invoke God's mercy, it
repeats endlessly the
same litany....for reason
has reached its limit;
only faith can take one
further...?? From lively
and comical pieces, to
sensitive and unexpected
works, Alain's pieces are
diverse in musicality.
Moreover, the composer
exploits Organ
techniques, making
Litanies an exciting and
varied piece for advanced
level
organists.andrdquo.
Organ (Organ) SKU: HL.48184588 Composed by Olivier Messiaen. Leduc. Class...(+)
Organ (Organ)
SKU:
HL.48184588
Composed
by Olivier Messiaen.
Leduc. Classical. CD.
Alphonse Leduc #AL27702.
Published by Alphonse
Leduc (HL.48184588).
Being a
fascinatingly unique
composer, Olivier
Messiaen pushed the
conventions of composing
to its very limits. The
composer''s music remains
ever-popular and The
Technique of my Musical
Language provides the key
and necessary knowledge
into the study of his
delightful music. Olivier
Messiaen (1908-1992) was
admitted to the Paris
Conservatoire at the mere
age of 11, where he won
many prizes. As a
passionate ornithologist,
as well as organist and
composer, many of
Messiaen''s works depict
bird song. His music is
rhythmically complex and
harmonically and
melodically distinct,
often using modes of
limited transposition. It
is for these reasons that
the composer compiled The
Technique of my Musical
Language. The book
contains text with
musical examples,
describing unique
elements of his music,
such as ametrical music,
his rhythmic notations
and his modes of limited
transposition, among many
others. For all fans of
Messiaen, The Technique
of my Musical Language is
essential to the
understanding of the
composer''s much loved
music..
SKU: HL.48184741 Composed by Jean Langlais. Leduc. CD. 44 pages. Alphonse...(+)
SKU: HL.48184741
Composed by Jean
Langlais. Leduc. CD. 44
pages. Alphonse Leduc
#AL27888. Published by
Alphonse Leduc
(HL.48184741).
UPC:
888680907693.
9.0x12.0x0.16
inches.
Modern
French composer, organist
and improviser, Jean
Langlais (1907-1991)
studied at the Paris
Conservatoire where he
won many prizes. He is
best remembered for his
Masses and Organ works,
Nine Pieces being no
exception. Published in
1945, the Nine Pieces for
Organ reflect Langlais'
compositional uses of
Gregorian chant and
polymodal harmonies. The
Nine Pieces are entitled;
1) Song of Sorrow, 2)
Song of Joy, 3) Song of
Peace, 4) Heroic Song, 5)
In quiet Joy, 6) Out of
the depths have I cried
unto Thee, 7) My soul
longeth to depart in
peace, 8) Prelude on an
Anthem, and 9) Gregorian
Rhapsody. All movements
of Langlais' Nine Pieces
for Organ are highly
modern, yet provide an
exciting and varied piece
for the advanced level
organist's
repertoire..
Organ - very easy to easy SKU: HL.49018182 Complete theoretical and pr...(+)
Organ - very easy to easy
SKU: HL.49018182
Complete theoretical
and practical method for
organ-playing in three
parts. Composed by
Flor Peeters. This
edition: Paperback/Soft
Cover. Sheet music. Organ
Collection. Das
Standardwerk fur den
Orgelunterricht - jetzt
in der Edition Schott
lieferbar. 112 pages.
Schott Music #SF8976.
Published by Schott Music
(HL.49018182).
ISBN
9790543505025. UPC:
841886032613.
12.0x8.75x0.32 inches.
German - English - French
- Dutch - Spanish -
Portuguese -
Italian.
Flor
Peeters, born in Belgium
in 1903, is one of the
most important organists
and organ composers of
the 20th century. After
completing his studies at
the famous Lemmens
Institute in Mechelen, he
worked there as a teacher
of organ and
improvisation before
becoming professor at and
director of the Royal
Flemish Conservatoire of
Antwerp. Until his death
in 1986, Peeters gave
concerts all around the
world, held numerous
master classes and
received several awards
and prizes for his
achievements as a
composer, organist and
teacher.In his successful
three-volume educational
work 'Ars Organi',
Peeters combines
theoretical knowledge and
practical exercises on
all aspects of organ
playing, starting with
basic information on the
instrument, manual and
pedal exercises, and
two-part manual and pedal
playing. While Vol. 2
contains exercises on
three-part playing, Vol.
3 contains exercises on
four and five-part
playing as well as
studies on demanding trio
playing. Each learning
stage is accompanied by
pedal exercises and tips
on articulation, touch,
interpretation,
registration and organ
specifications - a
valuable compendium for
every organist.
Organ (Organ) SKU: HL.48184877 Composed by Thierry Escaich. Leduc. Classi...(+)
Organ (Organ)
SKU:
HL.48184877
Composed
by Thierry Escaich.
Leduc. Classical.
Softcover. Alphonse Leduc
#AL28196. Published by
Alphonse Leduc
(HL.48184877).
Born in 1965,
Thierry Escaich studied
in Paris where he
obtained eight first
prizes for Organ and
Composition. His
performances and works
during his professional
career have also received
various distinctions,
Three Sketches for Organ
being no exception.
Composed in 1991, Three
Sketches is very modern,
exploiting tonality,
rhythm, harmony, and many
other elements to a
virtuosic level.
Esciach's is a great
improvisation expert and
Three Sketches reflects
aspects of this through
use of complex rhythms
and developed melodies.
With a typical
performance lasting
around 11 minutes, the
Three Sketches are
called, 1) Tournament, 2)
Ritual, and 3) Variations
on a Memory. For all
advanced organists
seeking to vary and
expand their contemporary
repertoire, Esciach's
Three Sketches is an
exciting addition to the
repertoire..
Version for soli,
choir, brass quintet and
organ. Composed by
Anton Bruckner. Edited by
Johannes Ebenbauer.
Arranged by Johannes
Ebenbauer. Carus sheet
music series: Great
choral works in small
scorings. Te Deum
(Bearbeitung F.Soli,
Chor...). Sacred vocal
music, Whole church year
/ Omni tempore, Praise
and thanks. Full score.
WAB 45. 80 pages. Carus
Verlag #CV 27.190/50.
Published by Carus Verlag
(CA.2719050).
ISBN
9790007171766. Text
language:
Latin.
Carus
published the original
version of Bruckner's Te
Deum for soloists, choir
and large orchestra
(Carus 27.190) in the
fall of 2015. In order to
make this work available
for performance by
smaller-sized ensembles
[und einem weiteren
Benutzerkreis zuganglich
zu machen] Carus now
presents it in an
arrangement for brass
quintet and organ. The
brass parts are
orientated essentially
towards those in
Bruckner's orchestral
version, while the organ
part follows the original
string parts. [Damit kann
nun auch unter
eingeschrankten
Bedingungen dieses
grossartige Werk in einer
adaquaten, stimmigen Form
zur Auffuhrung gebracht
werden.] As the voice
parts (soloists and
choir) in this reduced
version are identical
with those of the
original the vocal score
and choral score of the
latter version can be
used. This work is
available (in the
original version) in
carus music, the choir
app! Score available
separately - see item
CA.2719000.
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-8574 Chorale Preludes from 5 Centuries to the Evang. ...(+)
Organ
SKU:
BR.EB-8574
Chorale
Preludes from 5 Centuries
to the Evang.
Gesangbuch. Composed
by Gardonyi / Ludwig /
Schweizer (Hrsg.). Edited
by Ludwig/ Gardonyi/
Schweizer. Solo
instruments; Softbound.
Edition Breitkopf.
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG).
Music pedagogy. Score.
152 pages. Breitkopf and
Haertel #EB 8574.
Published by Breitkopf
and Haertel (BR.EB-8574).
ISBN 9790004178614. 9
x 12 inches.
The
four-volume collection
consists of new
compositions, important
rediscoveries of
out-of-print-pieces, and
some well-known chorale
preludes which have been
transposed into the
Hymnbook's new keys. By
providing two or three
preludes for each of the
particularly well-loved
and frequently used
hymns, in Ewigkeit dich
loben offers a rewarding,
multifaceted treasury of
pieces from the
Renaissance to our day.
In addition to its
usefulness in the church
service, the collection
also gives the organ
teacher a chance to
explore a colourful
diversity of styles with
his students. Volume 1
has been awarded the
German Music Edition
Prize 1993. ... One has
to give the editors
credit for their
comprehensive knowledge
of the organ literature
of all periods and
nations! It makes you
want to play the
collection right through
from beginning to end. It
should not be missing
from any organist's
library! Happy is the
hymnal which is
introduced by these organ
preludes.
(Wurttembergische Blatter
fur
Kirchenmusik)
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG).
Organ SKU: BR.EB-8628 Chorale Preludes of the Romantic to Songs of the...(+)
Organ
SKU:
BR.EB-8628
Chorale
Preludes of the Romantic
to Songs of the Ev.
Gesangbuches.
Composed by Klaus Uwe
Ludwig. Edited by Klaus
Uwe Ludwig. Solo
instruments; Softbound.
Edition Breitkopf.
hier preisen auf der
Erd offers a selection of
some of the multi-faceted
and highly original forms
found among the chorale
prelude of the romantic
era.
Romantic period.
Score. 104 pages.
Breitkopf and Haertel #EB
8628. Published by
Breitkopf and Haertel
(BR.EB-8628).
ISBN
9790004180433. 9 x 12
inches.
The
spotlight is not on
Brahms, Reger and
Karg-Elert, but on the
romantic organ composers
Otto Dienel, Theophil
Forchhammer, Max Gulbins,
Otto Heinermann, Karl
Hoyer, Wilhelm Kienzl,
Emil Magnus, Karl Piutti
and many others whose
works have recently begun
to attract greater
attention. The idea of
romanticism is extended
into the 20th century by
the inclusion of certain
other composers as well.
hier preisen auf der Erd
illustrates a
particularly fruitful
period in the history of
organ music while also
expanding the four-volume
collection in Ewigkeit
dich loben, which was
unable to take certain
interesting rediscoveries
into account at the time
of
compilation.
hier
preisen auf der Erd
offers a selection of
some of the multi-faceted
and highly original forms
found among the chorale
prelude of the romantic
era. Awarded the German
Music Edition Prize
1998.
Organ SKU: BA.BA11045 Composed by Dominik Susteck. Edited by Zsigmond Sza...(+)
Organ
SKU:
BA.BA11045
Composed
by Dominik Susteck.
Edited by Zsigmond
Szathmary. Stapled.
Organova, Volume 10.
Performance score.
Composed 2011. 14 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA11045_00. Published by
Baerenreiter Verlag
(BA.BA11045).
ISBN
9790006543243. 30 x 23 cm
inches. Language:
German/English. Preface:
Dominik
Susteck.
Thoughts
on the composition
“Zwischenklänge
€ with regard to the
subject of “home
and abroadâ€: -
Music that never rests,
that is in constant
motion and mutation, its
tones almost trembling,
on the run, in constant
tension. - Music that
unfolds its beauty in the
“in betweenâ€,
in the appoggiatura, in
the flash-like emergence
and disappearance of
harmonic colors. -
Music as an evolvement of
time, waiting, bustling,
erupting, or
withdrawing.
The
composition
“Zwischenklänge
€ was awarded tje
11th Composition Prize of
Contemporary Sacred Music
of the European Church
Music Festival
Schwäbisch Gmünd.
– The premiere was
given on 27 August 2012
by Roman Summereder
(Vienna).
Organ SKU: FZ.50529 Vocal Ensemble Ad Limina. Composed by Gaspard ...(+)
Organ
SKU:
FZ.50529
Vocal
Ensemble Ad Limina.
Composed by Gaspard
Corrette. Edited by Regis
Allard. Book and CD.
Published by Anne Fuzeau
Productions - France
(FZ.50529).
12.5 x 14
cm inches.
Anne
Fuzeau Classique propose
to discover our
facsimiles' music in CD.
Regis Allard, historical
organ of Saint Michel de
Bolbec (Calvados). Mass
in the 8th tone for organ
- Gaspard Corrette.
Processional of the Royal
Abbey of Chelles -
Guillaume Gabriel Nivers.
Romano-Monasticum Gradual
- Guillaume Gabriel
Nivers. Divine Office for
use by the Ursuline
Ladies of Dijon - Charles
Derey. Improvised verses
on the organ, Regis
Alard. Alternating
with Nivers's 'musical
plainchant', Corrette's
Mass sounds like a homage
of the organ to itself,
as it gracefully takes on
the role of preacher of
the Divine Cult.
Regis Allard was
trained by Andre Isoir
and Michel Chapuis (for
several years he had
private lessons with the
latter) as well as at the
Schola Cantorum in Paris,
where he graduated. He
devotes himself
exclusively to the
interpretation of early
music and participates in
numerous events centred
on historic instruments
in France, Spain, Holland
and northern Germany. He
was a prize winner in the
International Competition
of French Music in
Toulouse. His first disk,
with pieces by Heinrich
Scheidemann on the Arp
Schnitger organ in the
Stade church in northern
Germany, received a Choc
from Le Monde de la
Musique. His latest
recording, J. S. Bach's
Art of the Fugue under
the Hortus label
performed on the new
instrument of the church
Saint Louis en l'isle in
Paris, received critical
praise. Ad Limina
This group of women
cantors, all trained in
the Conservatory,
themselves music
teachers, choir
directors, soloists, come
from either side of the
French-Swiss border,
whence the name Ad
Limina, which means 'at
the border'. This
ensemble pursues a novel
exploration of the paths
of religious music, from
the baroque period to our
day, with emphasis on
Gregorian plainchant and
European music from the
19th century to
contemporary
creation.
Organ SKU: BR.EB-8629 Chorale Preludes of the Romantic to Songs of the...(+)
Organ
SKU:
BR.EB-8629
Chorale
Preludes of the Romantic
to Songs of the Ev.
Gesangbuches.
Composed by Klaus Uwe
Ludwig. Edited by Klaus
Uwe Ludwig. Solo
instruments; Softbound.
Edition Breitkopf.
hier preisen auf der
Erd offers a selection of
some of the multi-faceted
and highly original forms
found among the chorale
prelude of the romantic
era.
Romantic period.
Score. 96 pages.
Breitkopf and Haertel #EB
8629. Published by
Breitkopf and Haertel
(BR.EB-8629).
ISBN
9790004180518. 9 x 12
inches.
The
spotlight is not on
Brahms, Reger and
Karg-Elert, but on the
romantic organ composers
Otto Dienel, Theophil
Forchhammer, Max Gulbins,
Otto Heinermann, Karl
Hoyer, Wilhelm Kienzl,
Emil Magnus, Karl Piutti
and many others whose
works have recently begun
to attract greater
attention. The idea of
romanticism is extended
into the 20th century by
the inclusion of certain
other composers as well.
hier preisen auf der Erd
illustrates a
particularly fruitful
period in the history of
organ music while also
expanding the four-volume
collection in Ewigkeit
dich loben, which was
unable to take certain
interesting rediscoveries
into account at the time
of
compilation.
hier
preisen auf der Erd
offers a selection of
some of the multi-faceted
and highly original forms
found among the chorale
prelude of the romantic
era. Awarded the German
Music Edition Prize
1998.
Organ SKU: HL.50605486 For Organ (1923). Composed by Bela Bartok. ...(+)
Organ
SKU:
HL.50605486
For
Organ (1923).
Composed by Bela Bartok.
EMB. Classical,
Hungarian. Softcover. 40
pages. Editio Musica
Budapest #Z20104.
Published by Editio
Musica Budapest
(HL.50605486).
ISBN
9781705190500. UPC:
196288126539.
Bela
Bartok composed Dance
Suite in 1923 for the
50th anniversary of the
foundation of Hungary's
capital through the
unification of Buda,
Obuda, and Pest. It soon
became one of his most
popular orchestral works,
and in 1925 he arranged
it for piano solo. Adam
Tabajdi completed the
organ version of Dance
Suite in 2019/20, and
recorded it on the Kern
organ of Sapporo's Kitara
Concert Hall later that
year. His transcription
was inspired by the
composer's own version
for piano, exploiting the
alternative solutions
offered by the
''orchestral'' timbres of
the organ, with its
manuals and pedals. The
ideal instrument for the
present version is an
expansive, eclectic style
organ with at least three
manuals. This flamboyant
arrangement requires
great virtuosity,
stamina, and creativity
from the performer. Adam
Tabajdi (b. 1993) is an
outstanding young
Hungarian organist.
Alongside the music of J.
S. Bach, his repertoire
includes Liszt,and
Franck, as well as
twentieth-century works,
with a special focus on
Messiaen, Ligeti, and
Florentz. He is a
committed performer of
contemporary music, but
he also feels a close
connection with the works
of old masters such as
Sweelinck, Weckmann, and
Couperin. In 2021 he won
first prize in the
Toulouse International
Organ Competition, and in
2022 he was awarded the
Junior Prima Award.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-8573 Chorale Preludes from 5 Centuries to the Evang. ...(+)
Organ
SKU:
BR.EB-8573
Chorale
Preludes from 5 Centuries
to the Evang.
Gesangbuch. Composed
by Gardonyi / Ludwig /
Schweizer (Hrsg.). Edited
by Ludwig/ Gardonyi/
Schweizer. Solo
instruments; Softbound.
Edition Breitkopf.
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG).
Music pedagogy. Score.
160 pages. Breitkopf and
Haertel #EB 8573.
Published by Breitkopf
and Haertel (BR.EB-8573).
ISBN 9790004178607. 9
x 12 inches.
The
four-volume collection
consists of new
compositions, important
rediscoveries of
out-of-print-pieces, and
some well-known chorale
preludes which have been
transposed into the
Hymnbook's new keys. By
providing two or three
preludes for each of the
particularly well-loved
and frequently used
hymns, in Ewigkeit dich
loben offers a rewarding,
multifaceted treasury of
pieces from the
Renaissance to our day.
In addition to its
usefulness in the church
service, the collection
also gives the organ
teacher a chance to
explore a colourful
diversity of styles with
his students. Volume 1
has been awarded the
German Music Edition
Prize 1993. ... One has
to give the editors
credit for their
comprehensive knowledge
of the organ literature
of all periods and
nations! It makes you
want to play the
collection right through
from beginning to end. It
should not be missing
from any organist's
library! Happy is the
hymnal which is
introduced by these organ
preludes.
(Wurttembergische Blatter
fur
Kirchenmusik)
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG).
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
Electric organ SKU: HL.49005964 Stucke. Edited by Heinz Woerner. T...(+)
Electric organ
SKU:
HL.49005964
Stucke. Edited by
Heinz Woerner. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 20 pages.
Schott Music #ED 6025.
Published by Schott Music
(HL.49005964).
Electric organ SKU: HL.49006590 Bekanntes und Beliebtes aus Klassik, V...(+)
Electric organ
SKU:
HL.49006590
Bekanntes und
Beliebtes aus Klassik,
Volks- und
Unterhaltungsmusik.
Edited by Willi Draths.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 100
pages. Schott Music #ED
6730. Published by Schott
Music (HL.49006590).
Organ SKU: LM.C05184 Composed by Philippe Chamouard. Horizon. Classical: ...(+)
Organ
SKU:
LM.C05184
Composed by
Philippe Chamouard.
Horizon. Classical: 20th
Century (Contemporary).
Score. Editions Combre
#C05184. Published by
Editions Combre
(LM.C05184).