Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Saxophone Ténor

Pièces bien connues classiques joués d'une manière différente: dans de nouveaux arrangements avec le jazz et des éléments pop - c'est comment thèmes de prédilection de Bach à Beethoven son frais et intéressant encore!- Pour tous les amateurs de 'crossover' entre classique, jazz et pop- Avec des improvisations écrites ainsi que les symboles d'accord pour vos propres improvisations- Tous les morceaux sont clairement structuré: courte intro - thème dans un arrangement facile - thème dans un arrangement jazzy ou improvisation - coda- Lectures de bandes enregistrées en direct sur le CD garantissent la bonne ambiance: se sentir comme si vous effectuez avec une bande ou un orchestre!- Tous les accompagnements de piano sont disponibles en format PDF sur le CD-ROM et peuvent être imprimées comme pièces de qualité supérieure / Saxophone Tenor

The Bluesier Side of Jazz for Tenor Saxophone and Bb instruments by Andrew D. Gordon and Frank Villafranca was inspired by the piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvisedsolo from the phrases they have learnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The package includes: Book or PDF file 30 audio tracks to play on your CD player or computer Over 200 mp3 files Over 200 MIDI files/ Recueil / Saxophone Ténor

- 14 much-loved jazz songs- Easy arrangements for tenor saxophone and piano- CD of play-along tracksThis edition brings together 14 of the best-loved jazz standards, arranged for tenor saxophone and piano by Dirko Juchem. Great for lessons, performance or simply playing at home for fun with the backing tracks on the accompanying CD. / Saxophone Tenor

Mark Vega’s Jazz Solo Series for Eb instruments, including Tenor Saxophone, is a great instructional tool for musicians and music students to learn or improve their improvisational abilities in the jazz-swing idiom. There are sixty-six examples in the book, starting at a somewhat easy level and gradually increasing in difficulty throughout the book. Sections include: Exercises in all twelve keys using II-V-I and II-V-III-VI-II-V-I chord progressions. Exercises in all twelve keys using I-VI-II-V-III-bIII-II-V-I chord progressions. Complete worked-out solos over chord changes to the popular Jazz standards Stella By Starlight, Take The A Train, and There Will Never Be Another You. Includes an easy version of the solo followed by a more difficult one. A selected discography of Mark’s favourite Jazz albums featuring great Jazz soloists. / Jazz / Recueil / Saxophone Ténor

Bb Tenor Saxophone. Par STEINEL MIKE. Mike Steinel's follow-up book to his popular Essential Elements for Jazz Ensemble features a wealth of instructional material that can be used in a full band setting or individually. After a brief review of style basics, this comprehensive method includes a section of daily warm-ups and workouts for rehearsal, followed by a variety of lessons covering specific styles and improvisation concepts. Each lesson ends with a full band performance piece. Take your students to the next level with this masterful approach! Features · Review of important concepts from Book 1 · Warm-ups and workouts for the start of rehearsals · Lessons covering a variety of jazz styles and improvisation concepts · Nine rewarding full band pieces that reinforce each lesson · Information on the cities, regions, and people influencing the evolution of jazz · Recordings of all exercises, including full band arrangements and sample solos* · Grade/Level 3 * Each book includes an access code for audio files on MyLibrary (internet required.) Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right./ Recueil / Saxophone Ténor

Après le succès mondial de la collection Ultra Smooth Jazz Grooves que j\'ai co-écrite avec le saxophoniste Frank Villafranca, basée sur des compositions que nous avons écrites pour notre groupe The Super Groovers, je suis maintenant l\'auteur de la collection Smooth Jazz pour les instruments suivants : Piano/Clavier, Guitare/Basse, Flûte, Clarinette, Violon, Saxophones Alto et Ténor, Trompette et Trombone.
Le Smooth Jazz couvre une grande variété de styles différents et j\'ai combiné des éléments de Jazz, Rock, Pop, Blues, Latin, Gospel, Funk et RandB, Classique, Folk, New Age dans les exemples du livre.
Le Smooth Jazz est un genre de musique essentiellement instrumental, généralement très mélodique et qui, dans la plupart des cas, comporte une part d\'improvisation jazz. Il est généralement interprété à un tempo moyen et tend à mettre en avant le piano/clavier, le saxophone, la trompette et la guitare comme instruments principaux jouant la mélodie.
La plupart du temps, le Smooth Jazz est bien produit et présente des mélodies mémorables sur un fond de plusieurs pistes d\'instruments rythmiques, de claviers, de guitare, de cordes, de synthétiseurs, de batteries et de percussions.
Chaque riff a été enregistré avec l\'instrument mélodique solo ainsi qu\'une piste d\'accompagnement rythmique de guitare, de claviers/synthés, de basse, de batterie/percussion, puis uniquement les pistes d\'accompagnement pour que vous puissiez vous entraîner. Sont également incluses des pistes d\'accompagnement jouant la progression des accords 10 fois, ce qui vous donne plus de temps pour pratiquer vos compétences d\'improvisation en utilisant les riffs du recueil et en les développant dans votre propre style. / Partitions variété - pop - rock / Variété internationale / Vents / ADG PRODUCTIONS

Description Learn how to play and improvise in the style of Coleman Hawkins, Lester Young, Ben Webster, Stan Getz, Dexter Gordon and other jazz greats! The book uses real jazz classics to teach you, covering scales, chord progressions, modes, soloing styles and many more ideas. Songs include Autumn Leaves, I Remember You, Satin Doll, and Song For My Father . CD Includes 87 tracks for demonstration and play-along.

Référence unique par son ISBN 73999953527 cette partition musique de Getz Stan n'est autre que Getz Stan Bossa Novas Sax. Tenor qui a été composée pour Saxophone. Les droits d'auteur de cette partition de musique de style Jazz & Blues se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL00672377. / Saxophone / Partition

Le Singin' with the Jazz offre une variété de 10 grands standards pour le chanteur solo avec un combo de neuf ou dix pièces --- idéal pour le chanteur qui a besoin d'arrangements pour un petit ensemble. L'instrumentation combo est trompette, sax alto, saxophone ténor, trombone, guitare, basse, drumset, et le piano avec des indices conducteurs pour les cornes. Une partie de baryton sax option ajoute de la couleur et de la texture supplémentaire. Superbement organisé par Dave Wolpe, les chansons sont dans une variété de styles et de tempos pour offrir une flexibilité dans tous les milieux musicaux. / Saxophone Tenor

Ce livre/cd permet aux saxophonistes de s'initier au jazz. Il contient 15 solos, basés sur la progression des accords. Ces morceaux sont enregistrés sur le CD par Eric Alexander (Sax tenor), Mike LeDonne (Piano), Peter Washington (Basse) et Kenny Washington (Batterie). Deux enregistrements par morceaux : une version complète une version sans la partie solo. / Saxophone / Partition Cd