Composed by
Evan Hause. E.B. Marks.
Classical, Contemporary.
Softcover. 16 pages.
Edward B. Marks Music
#EBM236316. Published by
Edward B. Marks Music
(HL.236316).
ISBN
9781495096228. UPC:
888680695699.
9.0x12.0x0.086
inches.
Rock and
jazz sounds mingle with
classical tradition and
modern techniques in
Hause's virtuoso cello
suite. In Fish Heaven, an
arpeggiated texture
reminiscent of Bach's
cello suites expands
along a quasi-Gospel
chord progression. In
Crabs on Parade, the
contrapuntal technique of
crab canon is rendered in
a pizzicato texture
drawing upon guitar
technique. In five
movements: 1. Man O' War,
2. Atlantis, 3. Sea
Serpents, 4. Fish Heaven,
5. Crabs On Parade.
Songs and Themes from the Latest Movies and Television Shows (Cello). Arrang...(+)
Songs and Themes from the
Latest Movies and
Television
Shows (Cello). Arranged
by
Various. Book; CD; Play-
Along; SmartMusic; String
Series. Alfred's
Instrumental Play-Along.
Movie; Pop; TV. 28 pages.
Published by Alfred Music
For Cello. Book; CD; Play-Along; String Series. Pop Instrumental Solo Series. Ro...(+)
For Cello. Book; CD;
Play-Along; String
Series. Pop Instrumental
Solo Series. Rock. Grade
2; Grade 2.5; Grade 3. 84
pages. Published by
Alfred Music Publishing
Cello SKU: HL.14028929 Composed by David Blake. Music Sales America. Clas...(+)
Cello
SKU:
HL.14028929
Composed
by David Blake. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV120425.
Published by Music Sales
(HL.14028929).
Written for
Moray Welsh whilst still
an undergraduate at York
University. This piece
was completed in
mid-September. Inspired
by Hermann Hesse's
Steppenwolf. A solo
'cello seemed an
appropriate medium for
music which might explore
the character of Harry
Haller, with his desire
for bourgeois comfort and
his strong misanthropic
and suicidal tendencies.
The opening theme
attempts to express this
- melancholy, nostalgic,
a bit Biedermeyer (cf.
Brahms Intermezzi). The
basic theme of the book,
at its simplest, is that
every human personality
consists of hundred of
different personalities -
within every man there
lurks a wolf. Accordingly
the tendency of my piece
is for all its musical
material to become
distorted, either by
thematic transformation
or by changes of timbre.
There are three movements
played without a break.
The first is a character
portrait of the
Steppenwolf. The second
is concerned in the most
general sort of way with
the dance elements in the
novel - Harry's being
taught to dance and
appreciate low 'popular'
music - a tango is
recapitulated in a waltz
and 'Yearning', a popular
song of the time (1927)
is hinted at. The third
movement concerns the
Masked Ball and the Magic
Theatre. Mozart is one of
Hesse's great loves and
he is repeatedly
mentioned in the book.
Inevitably some Mozart
quotes have been worked
in, the most significant
being a reference to The
Magic Flute 'fire and
water' flute theme in the
middle of the second
movement. Long before I
finished the piece, I was
disenchanted with the
work of Hesse. Much of
Steppenwolf I now find
rather embarrassing and
the claims currently made
for Hesse's greatness
seem to me exaggerated.
Since my piece is in no
important sense
programmatically
specific, this change of
heart doesn't really
matter. ~ David
Blake.
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Cello, Piano Accompaniment - Grade 4 SKU: HL.248688 For Solo Cello...(+)
Cello, Piano
Accompaniment - Grade 4
SKU: HL.248688
For Solo Cello.
Composed by John Luther
Adams. Music Sales
America. Classical.
Softcover. Composed 2017.
12 pages. Chester Music
#CH86735. Published by
Chester Music
(HL.248688).
UPC:
888680729080. 9x12
inches.
English.
“Gor
don Wright was the friend
of a lifetime. For thirty
years Gordon and I shared
our two greatest
passions: music and
Alaska. Gordon was my
musical collaborator, my
next-door neighbor, my
fellow environmentalist
and my camping buddy.
These miniatures are
musical sketches of three
moments and places in our
friendship. Like Alaska,
Gordon was larger than
life. He always lived his
own way. And he died just
as he would have wanted.
We found him lying on the
deck of his cabin in the
Chugach Mountains, curled
up against his favorite
birch tree, looking
across the waters of
Turnagain Arm toward the
Resurrection Valley and
the tiny settlement of
Hope.” - John
Luther Adams
This
music contains no normal
stopped tones. All the
sounds are produced as
natural harmonics or on
open strings. There are
no harmonics higher than
the sixth. So these
sounds should be clear
and resonant. Even so,
balancing the harmonics
with the open strings
requires careful
attention.
The
durations of the
individual pieces are
given at the end of
each.
The total
duration of the set is
about ten minutes.
Violoncello SKU: BA.BA06660 Spielbuch fur den Unterricht mit gemischte...(+)
Violoncello
SKU:
BA.BA06660
Spielbuch fur den
Unterricht mit gemischten
Streichergruppen.
Composed by Hella
Hartung-Ehlert. Stapled.
Gemeinsam von Anfang an.
Fur den Unterricht mit
gemischten
Streichergruppen. Schulen
fur Violoncello (Cello
Method). Performance
score. 63 pages.
Baerenreiter Verlag
#BA06660_00. Published by
Baerenreiter Verlag
(BA.BA06660).
ISBN
9790006499786. 21 x 29 cm
inches. Language: German.
Preface: Hella
Hartung-Ehlert.
The
se
“playbocksâ€
form a sequel to the
authors Violin method for
group instruction (BA
6623). They contain
musical games, canons and
songs in simple
arrangements for one to
three identical
instruments, introclucing
children to ensemble
playing during their
first music lessons. Each
arrangement has a melody
part joined by an
accompaniment part on
open strings and a
fingered accompaniment
for more advanced pupils,
so that all children have
a chance to play. The
play- books end with
several four-part pieces
and can be combined for
use in mixed
ensembles.
Cello SKU: PE.EP68550 A practice guide for the modern cellist. Com...(+)
Cello
SKU:
PE.EP68550
A
practice guide for the
modern cellist.
Composed by Fred Sherry.
Cello (Solo) Studies.
Edition Peters. Book. 152
pages. Edition Peters
#98-EP68550. Published by
Edition Peters
(PE.EP68550).
ISBN
9790300759784. 232 x
303mm inches.
English.
A
Grand Tour of Cello
Technique is a
thought-provoking
practice guide, enabling
cellists at all levels to
develop their own style
through an exploration of
different ways of
fingering and bowing. The
book not only helps
cellists improve their
playing, but also
promotes an understanding
of musical art, through
nine stimulating
chapters:
Intr
oducing Twelve
Tones
Triads and
Seventh
Chords
Circle of
Fifths
Scales
Metronome
Games
Harmonics
and Open
Strings
Lateral
Motion
Extended
Techniques and a
Discussion of the
Bow
Practicing
Together
With
a particular emphasis on
music of the 20th and
21st centuries, and its
connections with earlier
music, Fred Sherry takes
the readeron a voyage of
discovery of the art and
science of cello
technique, informed by
music ranging from Bach
all the way through to
Berio.
Cello solo SKU: BR.EB-8817 Materialien fur die Unterstufe. Compose...(+)
Cello solo
SKU:
BR.EB-8817
Materialien fur die
Unterstufe. Composed
by Michael Dartsch and
Susanne Richter. Solo
instruments; Softbound.
Edition Breitkopf.
This large volume is
designed for the young
beginner cellist, and is
attractively presented
with large print and
enchanting colour
illustrations.
(Stringendo AUSTA)
Music pedagogy. Score.
124 pages. Breitkopf and
Haertel #EB 8817.
Published by Breitkopf
and Haertel (BR.EB-8817).
ISBN 9790004183830. 9
x 12 inches.
The
Cellokasten (Cello Case)
offers a wealth of varied
material for the
beginner. Like the
successful Geigenkasten,
it can be used in
teaching as a supplement
to any cello method. And
with its steadily
increasing level of
difficulty within each
chapter, it can also
serve as a kind of
instruction method as
well. The chapters are
devoted to the following
topics: - Games of
posture and movement -
Music on open strings and
fundamentals of bowing
technique - Playing with
close stops and
wide-stretch stops, high
and low - Combination of
close stop, wide-stretch
stop and chromaticism -
Playing, reading,
notating rhythms; reading
and notating tones as
well as improvisation in
the chapter Inventing
Music . Along with lyrics
for singing, there is
almost always a second
part, which lets two
cello lovers make music
together. The book offers
songs and cello pieces
for a variety of
occasions and for every
season. Interesting
information about the
instrument is also
scattered throughout the
book.
This large
volume is designed for
the young beginner
cellist, and is
attractively presented
with large print and
enchanting colour
illustrations.
(Stringendo AUSTA).