Cello SKU: BO.B.3726 Composed by Melani Mestre. Published by Editorial de...(+)
Cello
SKU:
BO.B.3726
Composed by
Melani Mestre. Published
by Editorial de Musica
Boileau (BO.B.3726).
Written in
2001, this work was
conceived by the need to
enlarge the repertoire of
works for solo cello, an
important goal since the
repertoire of such works
is limited. Most cellists
are limited to
performances of such
well-known solo works as
the Suites of Bach,
written almost 300 years
ago, as well as other
classics of the genre by
Max Reger, Zoltan Kodaly,
Benjamin Britten, Gaspar
Cassado, Enric Casals,
etc.
The
intention of the Suite
Exotique is to
revolutionize the concept
of the Baroque suite by
transforming the suite
into a collection of
modern dances, which are
both contemporary and
widely recognized today.
Thus, the dances of the
Baroque suite, such as
Allemande, Courante,
Sarabande are substituted
for the Tango, Milonga,
Blues in such a way that
the traditional formal
structure of six
movements of Baroque
dances is modernized by
rhythms and contemporary
styles which coexist in
the Modern world, but are
separate from and do not
pertain to those works
which are normally
considered to belong to
the realm of cultured
music.
Apart
from the fusion
represented by the
mixture of a Baroque
genre with modern, urban
musical language found in
this work, the subtitle
exotica is appropriate
due to the originality of
writing such a work for
cello solo. This work
allows the interpreter to
explore and take full
advantage of their
technical, artistic and
expressive
abilities.
This
work establishes a total
symbiosis between the
instrument and the
evolutionary
transformation of its
musical language which in
turn creates a style
adapted to the expressive
requirements of the work
itself. The specific
techniques and qualities
of the cello are placed
in service of the
required style and
concept of each movement
of the Suite. At the same
time those stylistic
characteristics are
transformed and adapted
to the particular
characteristics of the
cello and taking full
advantage of the
instruments polyphonic,
sonic, aesthetic
qualities as well as its
timbre.
The
Suite Exotique was
premiered in August, 2003
during the International
Music Festival of Ibiza
by the Russian cellist
Svetlana Tovstukha.
(Revised Edition) Written by Shinichi Suzuki. Instructional book for cello. With...(+)
(Revised Edition) Written
by Shinichi Suzuki.
Instructional book for
cello. With fingerings,
instructional text and
introductory text. 28
pages. Published by
Alfred Publishing.
Cello - Grade 2 SKU: AP.20145UK 2. A progressive system of scal...(+)
Cello - Grade 2
SKU:
AP.20145UK
2.
A progressive system
of scales for Cello.
Composed by Orfilia Saiz
Vega. Book. Alfred Music
#00-20145UK. Published by
Alfred Music
(AP.20145UK).
ISBN
9780739096840.
English.
We all
agree that scales are a
basis for learning cello
technique, which is why
we include scales in our
teaching. The trick of
course, is how to
integrate scales into the
learning process so that
at the moment the
repertoire demands the
technique, the fingers
are able to respond. All
too often scales are
divorced from their
musical environment or
teachers are compelled to
cut and paste from
traditional scale books
to try to match technique
and learning. Here, in
this new series, Scale
Builder Orfilia Saiz Vega
meticulously matches
scale development to the
appropriate level of
technique. Through this,
the patterns and rhythms
expected of the student
at their level of musical
competence are precisely
those practised.
Moreover, the skilful
integration of bowing and
other techniques specific
to the instrument mean
that acquiring the scales
across a whole range of
technical devices means
that when they appear in
the music they are
expected to play,
teachers can concentrate
on the musical elements
safe in the knowledge
that the technique is
secure. Great
musicians are formed from
early age. We finally
have this gradual,
attractive and adapted
system of scales to start
building student's
technique, which will be
at the service of their
artistry in the future. I
strongly recommend
it! ASIER POLO Cello
player, soloist and
Artistic director at the
Faculty of Music and
Performing Arts of the
University'Alfonso X el
Sabio' (Madrid).
Cello SKU: M7.VHR-3907 Arbeitsbuch Cello. Composed by Simone Drebe...(+)
Cello
SKU:
M7.VHR-3907
Arbeitsbuch Cello.
Composed by Simone
Drebenstedt. Sheet music.
100 pages. Holzschuh
Musikverlag #VHR 3907.
Published by Holzschuh
Musikverlag
(M7.VHR-3907).
ISBN
9783940069856.
Umfa
ngreiches Schulwerk
für den
Streicherklassenunterrich
t- für 2
JahreBesetzung:
Violoncello Das neue
Schulwerk verbindet
Lieder und Aufgaben in
sehr übersichtlicher
Form. Viele Liedbeispiele
und Liedbegleitungen mit
Texten zum Singen
erleichtern den
Schülern den Zugang
zur Musik. Alle Seiten
dieses Unterrichtswerkes
sind gleich aufgebaut.
Das übersichtliche
Layout erleichtert
Lehrern und Schülern
die Orientierung. Der
Umfang des Materials ist
auf zwei Unterrichtsjahre
ausgerichtet.
Cello - Grade 1 SKU: AP.20144UK 1. A progressive system of scal...(+)
Cello - Grade 1
SKU:
AP.20144UK
1.
A progressive system
of scales for Cello.
Composed by Orfilia Saiz
Vega. Book. Alfred Music
#00-20144UK. Published by
Alfred Music
(AP.20144UK).
ISBN
9780739087787.
English.
We all
agree that scales are a
basis for learning cello
technique, which is why
we include scales in our
teaching. The trick of
course, is how to
integrate scales into the
learning process so that
at the moment the
repertoire demands the
technique, the fingers
are able to respond. All
too often scales are
divorced from their
musical environment or
teachers are compelled to
cut and paste from
traditional scale books
to try to match technique
and learning. Here, in
this new series, Scale
Builder Orfilia Saiz Vega
meticulously matches
scale development to the
appropriate level of
technique. Through this,
the patterns and rhythms
expected of the student
at their level of musical
competence are precisely
those practised.
Moreover, the skilful
integration of bowing and
other techniques specific
to the instrument mean
that acquiring the scales
across a whole range of
technical devices means
that when they appear in
the music they are
expected to play,
teachers can concentrate
on the musical elements
safe in the knowledge
that the technique is
secure. Great
musicians are formed from
early age. We finally
have this gradual,
attractive and adapted
system of scales to start
building student's
technique, which will be
at the service of their
artistry in the future. I
strongly recommend
it! ASIER POLO Cello
player, soloist and
Artistic director at the
Faculty of Music and
Performing Arts of the
University'Alfonso X el
Sabio' (Madrid).
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
(Cello Part). Composed by Dr. Shinichi Suzuki. For Cello. This edition: Revised....(+)
(Cello Part). Composed by
Dr. Shinichi Suzuki. For
Cello. This edition:
Revised. Book; CD;
Method/Instruction;
String - Cello (Suzuki);
Suzuki. Suzuki Cello
School. 28 pages.
Published by Alfred Music
By Janet Coles. For Cello. A New Tune A Day. Level: Beginner. Sheet Music, Audio...(+)
By Janet Coles. For
Cello. A New Tune A Day.
Level: Beginner. Sheet
Music, Audio CD and DVD
(Region 0), Instrumental
Tutor. 48 pages.
Published by Boston
Music.
Cello - Intermediate-Advanced SKU: HL.14017469 Composed by Kaija Saariaho...(+)
Cello -
Intermediate-Advanced
SKU: HL.14017469
Composed by Kaija
Saariaho. Music Sales
America. Post-1900. Sheet
Music, Score. With Text
language: English.
Chester Music #CH61806.
Published by Chester
Music (HL.14017469).
UPC: 884088812041.
8.5x11.0x0.419
inches.
Composer's
Note When I considered
the ensemble of eight
cellos, I first thought
of matt and dark
textures. I also wanted
to go back to some ideas
on symmetry. While I was
pondering all that, I saw
snow flakes falling from
the dark sky of the
Finnish autumn. Focusing
on the snow, the idea of
writing variations on it
and its various forms
became clearer in my
mind.Nuages de neige is a
uniform and linear
texture in which I
realise my first
impressions of that
ensemble. The two Etoiles
de neige are based on the
idea of symmetry and
repetition: the first one
develops up to a certain
point where it doubles
back as in a mirror
image, the second one
consists of eight
sections in which the
harmonic structure is
repeated, as well as a
linear gesture that
becomes ever more
present. Aguilles de
glace focuses on
different pizzicati and
superimposed ostinati.
With Fleurs de neige I
sought to recall the
texture of those harmonic
trills at the end of the
first section, although
more airy and diversified
here. Kaija Saariaho.
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC8. Published
by The Frederick Harris
Music Company (FH.VC8).
ISBN
978-1-55440-544-2.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Preparatory
Level: Etude in C
Major - Schroeder,
Carl Stroll Along -
Anonymous arr. Samuel
Applebaum Etude in C
Major - Romberg, Bernhard
Heinrich Climbing the
Scale - Hewitt-Jones,
Anita Etude in C Major
- Kummer, Friedrich
August My Pony -
Slovenian folk song arr.
Francis Grant Level
1: The Willow Tree -
Grant, Francis Etude
in C Major - Hohmann,
Christian-Heinrich Tra
velling Along -
Hewitt-Jones,
Anita The Train -
Legg, Pat Up and Down
Again - Dancla, Charles
arr. Samuel
Applebaum Etude in G
Major - Dotzauer,
Friedrich Etude in C
Major - Romberg, Bernhard
Heinrich Etude in G
Major, op. 101, no. 9 -
Lee, Sebastian Level
2: Etude in D Major -
Kummer, Friedrich
August Etude in B flat
Major, op. 70, no. 16 -
Lee,
Sebastian Phrygian
Frolic - Legg,
Pat Martele March -
Hewitt-Jones,
Anita Pachyderm Parade
- Mooney, Rick Etude
in G Minor - Romberg,
Bernhard
Heinrich Etude in C
Major - Werner,
Josef Level
3: Etude in A Major -
Dotzauer,
Friedrich Spiccato
Race - Hewitt-Jones,
Anita Etude in G
Major, op. 30, no. 6 -
Brueckner, Oskar Etude
in C Major - Borschitzky,
Johann Francis Etude
in B flat Major - Tabb,
Richard
Valentine Etude in G
Major - Kummer, Friedrich
August Etude in F
Major - Matz,
Rudolf Fire Stations -
Legg, Pat Etude in F
Major - Feuillard, Louis
R. Level 4: Etude
in G Minor, op. 70, no.
24 - Lee,
Sebastian Etude in C
Major - Tabb, Richard
Valentine Etude in D
Major - Matz,
Rudolf Calypso - Legg,
Pat I Was a Teenage
Monster - Mooney,
Rick Suo-Gan (A Welsh
Lullaby) - Welsh folk
song Arr. Rick
Mooney Etude in D
Minor - Werner,
Joseph Etude in G
Major, op. 31, no. 12 -
Schroeder, Carl Etude
in C Major - Feuillard,
Louis R. Spinner's
Waltz - Hewitt-Jones,
Anita.
(Revised Edition). For cello. String - Cello (Suzuki). The Suzuki Method Core M...(+)
(Revised Edition). For
cello. String - Cello
(Suzuki). The Suzuki
Method Core Materials.
Instructional and
Technique. Instructional
book. Fingerings and
introductory text. 19
pages. Published by
Alfred Music Publishing
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC0. Published
by The Frederick Harris
Music Company (FH.VC0).
ISBN
978-1-55440-536-7.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation for
the richness and
diversity of music
written for
cello. Supporting a
balanced course of study,
this series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Legato
Pieces on a Slower Tempo:
Beautiful Dreamer -
Foster, Stephen arr.
Forrest Kinney Shenandoah
- American folk song arr.
Jason Gray Waltz of the
Elephants - Konicek,
Zdenek Cradle Song
(Wiegenlied), op. 49, no.
4 - Brahms, Johannes arr.
Forrest Kinney Amazing
Grace - American hymn
arr. Forrest Kinney Loch
Lomond - Scottish folk
song arr. Christine
Donkin Nocturne -
Mendelssohn, Felix arr.
Jason Noble Early One
Morning - English folk
song arr. Akiko and
Forrest Kinney Austrian
Hymn (Gott erhalte Franz
den Kaiser), Hob. XXVIa:
43 - Haydn, Franz Joseph
arr. Jason Noble The
Minstrel Boy - Irish folk
song arr. Christine
Donkin Energetic Pieces
in a Faster Tempo: Smash
the Windows - Irish jig
arr. Jason Gray
Grandfather's Clock -
Work, Henry Clay arr.
Christine Donkin Sonatina
in C Major, op. 36, no. 1
- Clementi, Muzio arr.
Mark Mrozinski - Third
Movement: Rondo Mean
Street Chase - Blackwell,
David and Kathy Blackwell
Forlane (from La reine de
Peris, act 3) - Aubert,
Jacques arr. Kathleen
Wood Allegro, K 3 -
Mozart, Wolfgang Amadeus
arr. Jason Noble Parson's
Farewell - English
country dance arr. Jason
Gray Contredanse, K 106
(588a), no. 1 - attr.
Mozart, Wolfgang Amadeus
arr. Kathleen Wood Melted
Mouse and Roasted Rat in
Choc'late Sauce -
Lumsden, Caroline and Ben
Atwood Theme and
Variations - Beethoven,
Ludwig van arr. Endre
Lengyel and arpad
Pejtsik.
Composed by Jean-Louis Duport, edited by Martin Rummel. for violoncello. Fold o...(+)
Composed by Jean-Louis
Duport, edited by Martin
Rummel. for violoncello.
Fold out pages where you
need them. Ad libitum
cello part included with
fingerings and bowings
for today's cellists.
German / English brochure
with playing tips and
references to where the
techniques can be found
in the standard cello
literature. Published by
Baerenreiter-Ausgaben
(German import).
Cello - difficult SKU: HL.49045643 Cello. Composed by Joerg Widman...(+)
Cello - difficult
SKU:
HL.49045643
Cello. Composed by
Joerg Widmann. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical, Contemporary.
Softcover. Composed 2015.
12 pages. Duration 8'.
Schott Music #CB292.
Published by Schott Music
(HL.49045643).
ISBN
9790001163330. UPC:
841886029972.
9.0x12.0x0.07 inches.
German -
English.
Composed
in 2015, dedicated to the
90th birthday of Pierre
Boulez. The cello lies
horizontally on the
player's lap; Playing in
slow walking and specific
instructions for sound
generation.
(Cello). By Bob Phillips and Kirk Moss. Orchestra. For Cello. This edition: Cell...(+)
(Cello). By Bob Phillips
and Kirk Moss. Orchestra.
For Cello. This edition:
Cello. Book;
Method/Instruction;
String Orchestra
Method/Supplement. Sound
Innovations Series for
Strings. 56 pages.
Published by Alfred Music
Publishing
Cello SKU: LM.27594 Composed by Edith Canat de Chizy. Classical: 20th Cen...(+)
Cello
SKU:
LM.27594
Composed by
Edith Canat de Chizy.
Classical: 20th Century
(Contemporary). Score.
Editions Henry Lemoine
#27594. Published by
Editions Henry Lemoine
(LM.27594).
Cello SKU: BT.GZ-00557000 Edizione Con Prefazione E Introduzione Stori...(+)
Cello
SKU:
BT.GZ-00557000
Edizione Con
Prefazione E Introduzione
Storica. By Lauro
Malusi. By Gianbattista
Degli Antonii. Score
Only. Composed 2003.
Libreria Musicale G.
Zanibon #GZ 00557000.
Published by Libreria
Musicale G. Zanibon
(BT.GZ-00557000).
Falaises Violoncelle [Conducteur et Parties séparées] Lemoine, Henry
By Edith Canat de Chizy (1950-). For string quartet and cello principal. Classic...(+)
By Edith Canat de Chizy
(1950-). For string
quartet and cello
principal. Classical:
20th Century
(Contemporary). Score and
parts. 26 + 8+8+12+12+7
pages. Published by
Editions Henry Lemoine
Edited by Judi Gowe. For cello. String - Cello (Suzuki). Suzuki Method. Instruc...(+)
Edited by Judi Gowe. For
cello. String - Cello
(Suzuki). Suzuki Method.
Instructional and Method.
Instructional book. 16
pages. Published by
Alfred Music Publishing
(Selections from the Cello Repertoire). Compiled, ed., and arr. Carey Cheney. Fo...(+)
(Selections from the
Cello Repertoire).
Compiled, ed., and arr.
Carey Cheney. For Cello.
String - Cello Studies or
Collection. Companion CD
to the print music
version (see item 212X0).
Audio CD. Published by
Alfred Publishing.
Cello - very easy SKU: HL.49007854 Meine erste Celloschule. Compos...(+)
Cello - very easy
SKU:
HL.49007854
Meine
erste Celloschule.
Composed by Heike
Wundling. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Eine frohliche
Celloschule fur den
fruhinstrumentalen
Unterricht mit Kindern im
Alter von 4-9 Jahren. Der
Unterrichtsstoff wird
spielerisch und
anschaulich vermittelt.
Das Cello wird zunachst
ausprobiert, eine
Bildergeschichte vertont,
dann werden erste L.
Classical. Student book.
48 pages. Schott Music
#ED 8221. Published by
Schott Music
(HL.49007854).
ISBN
9783795754556.
8.25x11.75x0.141 inches.
German. Anne
Dithmar.
Eine
4-farbige, frohliche
Celloschule fur den
fruhinstrumentalen
Unterricht mit Kindern im
Alter von 5-9 Jahren. Der
Unterrichtsstoff wird
spielerisch und
anschaulich vermittelt;
dies zeigt schon der
Titel Cello-Bar: Er hilft
dem Kind dabei, die
Eigenarten des
Instrumentes zu erleben
und sich mit ihm zu
identifizieren. Das Cello
wird zunachst
ausprobiert, eine
Bildergeschichte vertont,
dann werden erste Lieder
und Rhythmen gespielt.
Dieses Heranfuhren an das
Instrument geschieht noch
ohne Noten, damit die
Klangvorstellung und das
Horen bzw. Sich-Zuhoren
im Vordergrund stehen.
Dann folgt das Spiel mit
leeren Saiten, allerdings
nicht als trockene Ubung,
sondern spielerisch und
kreativ: Die Kinder
basteln verschiedene
Rhythmuskartchen, mit
denen sie dem
Cellobarchen jede Woche
ein neues Essen kochen.
Sie erfinden also ihre
Bogen- und Saiten-Ubungen
selbst, sind sozusagen
von Anfang an auch
Komponist, aber sehr
behutsam, so dass am Ende
des 1. Heftes
gleichzeitig gegriffen
und gestrichen wird. (3.
Finger,
Kuckucksterz).Ausgezeichn
et mit dem Deutschen
Musikeditionspreis
1997.
By Giuseppe Colombi. Edited by Vittoria Rosapane. For solo cello / violone. This...(+)
By Giuseppe Colombi.
Edited by Vittoria
Rosapane. For solo cello
/ violone. This edition:
Paperback. Minghen dal
Viulunzel. Baroque.
Published by Musedita
Edizioni Musicali
