Flute - advanced SKU: HL.49010646 Composed by Friedrich Zehm. This editio...(+)
Flute - advanced
SKU:
HL.49010646
Composed
by Friedrich Zehm. This
edition: Saddle
stitching. Sheet music.
Il Flauto Traverso (Flute
Library). Classical.
Playing score. Composed
1966. 38 pages. Duration
18'. Schott Music #FTR
85. Published by Schott
Music (HL.49010646).
ISBN 9790001093910.
9.0x12.0x0.121
inches.
Die sechs
Capricen konnen sowohl in
geschlossener Folge als
auch einzeln zum Vortrag
gebracht werden. Es
bleibt ausserdem den
Spielern uberlassen, sich
drei oder vier Capricen
nach eigener Wahl zu
einer kurzeren Suite
zusammenzustellen.
Trio Sonata No. 1 2 Flûtes traversières, Piano Lauren Keiser Music Publishing
For Two Flutes and Basso Continuo (Realized for Piano). Composed by Giuseppe ...(+)
For Two Flutes and Basso
Continuo (Realized for
Piano). Composed by
Giuseppe
Antonio Brescianello
(1690-
1758). Arranged by
Ginevra
Petrucci. LKM Music.
Classical. Softcover. 16
pages. Lauren Keiser
Music
Publishing #S113002.
Published by Lauren
Keiser
Music Publishing
Music for Two Flutes, Volume 2 Flûte traversière [Conducteur et Parties séparées] - Intermédiaire/avancé Last Resort Music Publishing
Arranged by Daniel Kelley. For Flute Duet. Duets. Music for Two. Classical. Leve...(+)
Arranged by Daniel
Kelley. For Flute Duet.
Duets. Music for Two.
Classical. Level:
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing.
2 Flûtes traversières (duo) [Partition] - Facile Rubank Publications
(Volume 1 - Easy to Medium). For 2 flutes duet (Flute). This edition: RUBL177. M...(+)
(Volume 1 - Easy to
Medium). For 2 flutes
duet (Flute). This
edition: RUBL177. Method.
Studies and Baroque.
Flute duet book (two
copies needed for
performance). Full score
notation. 72 pages.
Published by Rubank
Publications
Allegro And Menuett Composed by Ludwig Van Beethoven Duetto No. Vi, Op.101 Com...(+)
Allegro And Menuett
Composed by Ludwig Van
Beethoven
Duetto No. Vi, Op.101
Composed by Franz Joseph
Haydn
Echo Composed by Franz
Joseph Haydn
Andante Cantabile
Composed by Furstenau
Sonatine No.v Composed by
H. Kohler
Sonata No.2 Composed by
Georg Philipp Telemann
From Duetto No.iv
Composed by Wilhelm
Friedemann Bach
Allegretto Composed by
Francesco Geminiani
Sonata No. V Composed by
George Frideric Handel
Sonata No.3 Composed by
Francois Devienne
Adagio And Allegro From
Sonata No.1 Composed by
Jean-baptiste Loeillet
Sonata No. Iii Composed
by Jean-baptiste Loeillet
Duetto No.1, Based On
Sonata In Bb, K.378
Composed by Wolfgang
Amadeus Mozart, Wolfgang
Amadeus Mozart
Duetto No.2, Based On
Sonata In F, K.376
Composed by Wolfgang
Amadeus Mozart, Wolfgang
Amadeus Mozart
Selected Duets Flute -
Volume 2. (Advanced). For
2 flutes duet. Ensemble
Collection. Classical
Period and Instructional.
Flute duet book (two
copies needed for
performance). Full score
notation and introductory
text. 72 pages. Rubank
Publications #RUBL178.
Published by Rubank
Publications
4 flutes SKU: M7.KECF-129 Composed by George Frideric Handel. Arranged by...(+)
4 flutes
SKU:
M7.KECF-129
Composed
by George Frideric
Handel. Arranged by
Sabine Gunther. This
edition: Saddle
stitching. Sheet music.
Score and parts. 36
pages. MDS (Music
Distribution Services)
#KECF 129. Published by
MDS (Music Distribution
Services) (M7.KECF-129).
ISBN 9790502361297.
German
English.
George
Frederic Handel's world
famous Water Music was
actually first performed
on water: On the 22nd of
August 1715 a boat with
musicians accompanied the
sovereign King George I.
and his Royal household
on a boat trip down the
Thamses from Whitehall to
Limehouse. During the
return trip they played
for the very first time a
Suite from the Water
Music. Two more Musical
trips took place on 17th
and 19th of July 1717.
This Arrangement for four
flutes combines the most
famous movements into an
individual Suite.
Occasional
divisi-passages are
optional.
For Two Alto Flutes. Composed by Johann Sebastian Bach (1685-1750). Arran...(+)
For Two Alto
Flutes. Composed by
Johann Sebastian Bach
(1685-1750). Arranged by
Christine Potter. Score
and part(s). With
Standard notation. 12
pages. Falls House Press
#2A-P3. Published by
Falls House Press
(PR.FH0311).
Two Flutes, Piano SKU: PR.ZM27480 For a mechanical organ. Composed...(+)
Two Flutes, Piano
SKU:
PR.ZM27480
For a
mechanical organ.
Composed by Wolfgang
Amadeus Mozart. With
Standard notation. KV
608. 28 pages. Zimmermann
#ZM27480. Published by
Zimmermann (PR.ZM27480).
SKU: SU.00220550 Woodwinds, Flute/Piccolo. Solo Flute, Flute Duets/Trios/...(+)
SKU: SU.00220550
Woodwinds, Flute/Piccolo.
Solo Flute, Flute
Duets/Trios/Quartets. CD
(PDF Scores). CD Sheet
Music #00220550.
Published by CD Sheet
Music (SU.00220550).
Please note,
customers using Macintosh
computers running macOS
Catalina (version 10.5)
have reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
Pan Penseroso Flûte traversière et Piano Carl Fischer
Chamber Music flute, piano SKU: CF.W2650 Version 3 - Flute With Multip...(+)
Chamber Music flute,
piano
SKU:
CF.W2650
Version 3
- Flute With Multiphonics
and Piano. Composed
by Martin Bresnick. Sws.
Set of Score and Parts.
With Standard notation.
Composed 2010. 36+16
pages. Duration 24
minutes. Carl Fischer
Music #W2650. Published
by Carl Fischer Music
(CF.W2650).
ISBN
9780825882920. UPC:
798408082925. Sc.9x112 -
pt.8.5 x 12 inches. Key:
C major.
Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements: 1. The Noise
of Folly 2. Prophetic
Strain 3. More is Meant
(than meets the ear) Pan
Penseroso and the titles
of its three movements
are taken from John
Miltons great poem Il
Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poets earlier LAllegro
(the Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts a reflective
musical eye on the world,
renouncing all vain
deluding joyes, so as to
better hear the Sweet
Bird that shunnst the
noise of folly Written
for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
explored in his
pioneering book The Other
Flute: A Performance
Manual of Contemporary
Techniques. Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements: 1. The Noise
of Folly 2. Prophetic
Strain 3. More is Meant
(than meets the ear) Pan
Penseroso and the titles
of its three movements
are taken from John
Miltonas great poem Il
Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poetas earlier LaAllegro
(the Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts a reflective
musical eye on the world,
renouncing all avain
deluding joyes,a so as to
better hear the aSweet
Bird that shunnast the
noise of follya|a Written
for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
explored in his
pioneering book The Other
Flute: A Performance
Manual of Contemporary
Techniques. Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements: 1. The Noise
of Folly 2. Prophetic
Strain 3. More is Meant
(than meets the ear) Pan
Penseroso and the titles
of its three movements
are taken from John
Milton's great poem Il
Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poet's earlier L'Allegro
(the Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts a reflective
musical eye on the world,
renouncing all vain
deluding joyes, so as to
better hear the Sweet
Bird that shunn'st the
noise of folly... Written
for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
explored in his
pioneering book The Other
Flute: A Performance
Manual of Contemporary
Techniques. Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements:1. The Noise of
Folly2. Prophetic
Strain3. More is Meant
(than meets the ear)Pan
Penseroso and the titles
of its three movements
are taken from John
Milton’s great
poemIl Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poet’searlier
L’Allegro (the
Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts areflective musical
eye on the world,
renouncing all
“vain deluding
joyes,†so as to
better hear
the“Sweet Bird that
shunn’st the noise
of
folly…â€Writte
n for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
exploredin his pioneering
book The Other Flute: A
Performance Manual of
Contemporary
Techniques.
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Flute - intermediate SKU: HL.49010584 For Two Flutes. Composed by ...(+)
Flute - intermediate
SKU: HL.49010584
For Two Flutes.
Composed by Giovanni
Giuseppe Cambini. Edited
by Walter Lebermann.
Arranged by Walter
Lebermann. This edition:
Saddle stitching. Sheet
music. Il Flauto Traverso
(Flute Library).
Classical. Playing score.
Op. 11/5. 16 pages.
Schott Music #FTR20.
Published by Schott Music
(HL.49010584).
ISBN
9790001093347.
9.0x12.0x0.07
inches.
Die beiden
Duos op. 11 des auch von
Mozart geschatzten
Komponisten Cambini
bestehen aus Allegro und
Rondo und sind
formvollendete klassische
Musizierstucke. Beide
Flotenparte beschranken
sich auf einen mittleren
Schwierigkeitsgrad und
bilden damit vorzugliche
Vortragsstucke fur den
Unterrichtsgebrauch.
SKU: HL.48183751 Composed by Jindrich Feld. Leduc. Classical. Softcover. ...(+)
SKU: HL.48183751
Composed by Jindrich
Feld. Leduc. Classical.
Softcover. 36 pages.
Alphonse Leduc #AL25969.
Published by Alphonse
Leduc (HL.48183751).
UPC: 888680859343.
9.0x12.0x0.191
inches.
Duo
Concertant is a pretty
Flute duet by Jind?ich
Feld that lasts
approximately fifteen
minutes. An explanation
of the symbols used is
given at the beginning of
the score. Written in the
unique genre of its
composer, this difficult
duet is divided into five
sections. I. Introduzione
- Lento II. Toccata ?
Allegro assai III.
Intermezzo - Tranquillo
IV. Scherzo ? Allegro
vivo V. Epilogo - Lento
This great piece is
perfect for a recital or
a concert. Jind?ich Feld
was born in Prague in
1925. From a musician
family, he specialised in
Viola and Violin. He
composed numerous pieces
with a style that mixes
his origins and
occidental music from the
20th century. He later
became composition
professor operating
worldwide..
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann.
The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding