SATB Choir, Keyboard, Flute, Percussion SKU: CF.CM8759CD Composed by Anon...(+)
SATB Choir, Keyboard,
Flute, Percussion
SKU:
CF.CM8759CD
Composed
by Anonymous. Arranged by
Patrick M. Liebergen.
Square Trimpak. Cd. With
Standard notation. Carl
Fischer Music #CM8759CD.
Published by Carl Fischer
Music (CF.CM8759CD).
ISBN 9780825848674.
UPC:
798408048679.
The
call and response
tradition of Caribbean
folk music is the basis
for this infectious,
cheery carol. Once the
congregation hears the
energetic beat from the
accompaniment, they
won’t be able to
sit still as the choir
swells to a rousing,
“Glory to
God!â€.
Composed by Betty Dardess. Choral Octavo. Alfred Archive Edition: Alfred Choral ...(+)
Composed by Betty
Dardess. Choral Octavo.
Alfred Archive Edition:
Alfred Choral Designs.
Folk; Multicultural;
Secular. Choral Octavo. 8
pages. Published by
Alfred Music (AP.7912).
Mille Cherubini in Coro Orchestre d'harmonie, Chorale-Voix [Conducteur] - Facile Baton Music
By Franz Schubert (1797-1828). Arranged by Jos Dobbelstein. For Soprano / Tenor,...(+)
By Franz Schubert
(1797-1828). Arranged by
Jos Dobbelstein. For
Soprano / Tenor, Choir
(ad lib) and Concert
Band. Christmas. Grade 2.
Score. Duration 3:00.
Published by Baton Music
Choral SSA choir, piano SKU: CF.CM9525 Composed by Jewish Folk Song. Arra...(+)
Choral SSA choir, piano
SKU: CF.CM9525
Composed by Jewish Folk
Song. Arranged by David
Neches. Fold. Performance
Score. With Standard
notation. 12 pages. Carl
Fischer Music #CM9525.
Published by Carl Fischer
Music (CF.CM9525).
ISBN 9781491150573.
UPC: 680160908073. 6.875
x 10.5
inches.
Treble
ensembles of all sizes
will enjoy singing
Chiribim Chiribom, a
Jewish folksong sung the
world over. The text is
mostly in Hebrew
(pronunciation guide
included), and the title
refrain is tons of fun to
sing as it undergoes
delightful melodic
variations in all the
parts. Sure to be a
memorable addition to any
concert program. Also
available for SATB Voices
(CM9464).
(Ukrains'ki narodni pisni : v obrobtsi dlia holosu v suprovodi fortepiano). Comp...(+)
(Ukrains'ki narodni pisni
: v obrobtsi dlia holosu
v suprovodi fortepiano).
Composed by Mykola
Vitaliiovych Lysenko. For
voice and piano. Vocal
music. Language:
Ukrainian. Published by
Noten Roehr
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
Caribbean Calypso Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1053847-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1053847-015
Composed by Roland
Kernen. Flexible 6
Series. Concert Piece.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053847-015. Published by
De Haske Publications
(BT.DHP-1053847-015).
English-German-French-
Dutch.
The music of
the Caribbean is a
mixture of styles
encompassing traditions
that reflect the nature
of its many islands and
ethnic groups which
inherited a multitude of
rhythms imported by
slaves from West Africa.
Europeans brought with
them Western-style
melodies and harmonies,
still used today in
Trinidadian calypso, a
traditional folk genre
which gained worldwide
popularity thanks to
internationally famous
artists such as the
American singer Harry
Belafonte (Calypso,
Island in the Sun,
Day-O/Banana Boat Song).
Fascinated by this music
which embodies the very
spirit of exoticism,
Roland Kernen composed
Caribbean Calypso, a
composition with softly
swaying rhythms which
followa gentle and subtle
melodic line in a rum and
cigar-flavoured
atmosphere.
Caribische muziek
kent talrijke ritmes die
zijn meegenomen door
slaven uit West-Afrika.
De Europeanen brachten
westerse melodieën en
harmonieën in, die
vandaag de dag nog steeds
worden gebruikt in de
calypso uit Trinidad, een
genredat wereldwijd
populair werd dankzij
beroemde artiesten als
Harry Belafonte
(Island in the
Sun, Day-O/Banana
Boat Song). Roland
Kernen nodigt muzikanten
en luisteraars uit om
zijn Caribbean
Calypso te
ontdekken:een compositie
met zacht wiegende ritmes
die een rustige
melodielijn volgen in een
sfeer van rum en
sigaren.
Die Musik
der Karibik fasziniert
durch die eindrucksvolle
Verbindung vieler
verschiedener Stile, die
aus dem Schmelztiegel der
zahlreichen dort lebenden
ethnischen Gruppen
entstanden sind. Roland
Kernen lädt ein,
seinen Caribbean Calypso
zu entdecken, eine
Komposition mit leicht
wiegenden Rhythmen, die
einer sanften,
raffinierten Melodielinie
folgen in eine mit Rum
und Zigarren
geschwängerte
Atmosphäre.
La musica dei
Caraibi è varia come
le isole e le etnie che
la compongono.
Affascinato da questa
musica esotica, Roland
Kernen vi invita a
scoprire Caribbean
Calypso, un brano dai
ritmi ondeggianti
caratterizzato da una
deliziosa linea melodica
sullo sfondo di rum e
sigaro.
Caribbean Calypso Ensemble de cuivres [Conducteur et Parties séparées] - Facile De Haske Publications
Brass Band - Grade 2 SKU: BT.DHP-1053847-030 Composed by Roland Kernen. F...(+)
Brass Band - Grade 2
SKU:
BT.DHP-1053847-030
Composed by Roland
Kernen. Flexible 6
Series. Concert Piece.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053847-030. Published by
De Haske Publications
(BT.DHP-1053847-030).
English-German-French-
Dutch.
The music of
the Caribbean is a
mixture of styles
encompassing traditions
that reflect the nature
of its many islands and
ethnic groups which
inherited a multitude of
rhythms imported by
slaves from West Africa.
Europeans brought with
them Western-style
melodies and harmonies,
still used today in
Trinidadian calypso, a
traditional folk genre
which gained worldwide
popularity thanks to
internationally famous
artists such as the
American singer Harry
Belafonte (Calypso,
Island in the Sun,
Day-O/Banana Boat
Song). Fascinated by
this music which embodies
the very spirit of
exoticism, Roland Kernen
composed Caribbean
Calypso, a composition
with softly swaying
rhythms whichfollow a
gentle and subtle melodic
line in a rum and
cigar-flavoured
atmosphere.
Caribische muziek
kent talrijke ritmes die
zijn meegenomen door
slaven uit West-Afrika.
De Europeanen brachten
westerse melodieën en
harmonieën in, die
vandaag de dag nog steeds
worden gebruikt in de
calypso uit Trinidad, een
genredat wereldwijd
populair werd dankzij
beroemde artiesten als
Harry Belafonte
(Island in the
Sun, Day-O/Banana
Boat Song). Roland
Kernen nodigt muzikanten
en luisteraars uit om
zijn Caribbean
Calypso te
ontdekken:een compositie
met zacht wiegende ritmes
die een rustige
melodielijn volgen in een
sfeer van rum en
sigaren.
Die Musik
der Karibik fasziniert
durch die eindrucksvolle
Verbindung vieler
verschiedener Stile, die
aus dem Schmelztiegel der
zahlreichen dort lebenden
ethnischen Gruppen
entstanden sind. Roland
Kernen lädt ein,
seinen Caribbean
Calypso zu entdecken,
eine Komposition mit
leicht wiegenden
Rhythmen, die einer
sanften, raffinierten
Melodielinie folgen in
eine mit Rum und Zigarren
geschwängerte
Atmosphäre.
La musica
dei Caraibi è varia
come le isole e le etnie
che la compongono.
Arricchita da secoli di
mescolamento culturale,
essa esprime la sua
diversit con un gioco di
colori sonori, di accenti
e di sfumature che
riflettono le due
componenti essenziali:
quella occidentale e
quella africana.
Affascinato da questa
musica esotica, Roland
Kernen vi invita a
scoprire Caribbean
Calypso, un brano dai
ritmi ondeggiati
caratterizzato da una
deliziosa linea melodica
sullo sfondo di rum e
sigaro.
Choral (Performance/Accompanimen t CD) SKU: HL.9971498 Salsa Music Sty...(+)
Choral
(Performance/Accompanimen
t CD)
SKU:
HL.9971498
Salsa
Music Styles for the
Classroom & Beyond.
Composed by Alejandro
Jimenez. ExpressiveArts.
Collection, Elementary,
Instruments,
Multicultural, Orff. CD
only. Published by Hal
Leonard (HL.9971498).
ISBN 9781617742866.
UPC: 884088545369. 4.75x5
inches.
Hola
Amigos! Experience
authentic music styles of
the
Afro-Spanish-Caribbean by
Puerto Rican-born author
& bi-lingual educator,
Alejandro Jimenez.
Connect with educational
philosophies and cultural
backgrounds of the
Spanish Caribbean to
understand how they
influenced the music of
that area. Learn how
song, dance, rhythmic
instruments and drama all
come together to help
build confidence and
promote personal
expression. Originally
developed and used in
urban, multi-cultural
settings here in the
United States, the works
featured in Picante are
for all general music
classes. Students form
their own Latin Music
ensembles and explore the
highly rhythmic beat of
the plena from Puerto
Rico, the regueton which
is popular among urban
Latino youth, the fast
two-step beat of the
merengue from the
Dominican Republic, the
bomba from Puerto Rican
folk music, and the son
from Cuban dance music.
These different styles
influenced what we now
call Salsa music. The
kid-friendly ensembles
have been written for
Grades 5-9 and are
presented from easy to
more difficult. A variety
of short, easily-learned
ostinato rhythm patterns
are played on Latin
percussion and Orff
instruments and added one
at a time, followed by
the Spanish and English
lyrics. These voice parts
are also made up of short
ostinato patterns that,
when layered in, create
easily-sung harmonies in
an instant! You can
perform all or some of
the voice parts, so do
what best fits your
situation. A helpful
teaching sequence, dance
steps and objectives
linked to the National
Standards are provided
for each song, and all
ensemble parts are
reproducible! The
piano/vocal printed score
represents the form of
each song as recorded on
the companion CD, and is
only a suggested guide to
follow. Encourage your
students to be creative
and make up their own
song form! Available
separately: Teacher
Edition (with
reproducible pages),
Performance/Accompaniment
CD, Classroom Kit
(Teacher and P/A CD).
Suggested for grades
5-9.
Arranged by Ken Bolam and Peter Gritton. Choral Collection; Collections; Perform...(+)
Arranged by Ken Bolam and
Peter Gritton. Choral
Collection; Collections;
Performance Music
Ensemble. Faber Edition.
Folk; Secular. Book.
Faber Music
#12-0571513743. Published
by Faber Music
3-part mixed choir and piano SKU: LO.15-3972H Composed by Glenda E. Frank...(+)
3-part mixed choir and
piano
SKU:
LO.15-3972H
Composed
by Glenda E. Franklin.
Choral. Concert, General.
Octavo. Heritage Music
Press #15/3972H.
Published by Heritage
Music Press
(LO.15-3972H).
ISBN
9780787778323.
Brig
ht and energetic, Glenda
E. Franklinâ??s
Three-part mixed setting
of the traditional
Jamaican folk song is
irresistible with its
Caribbean style and
optional percussion
instruments. The layering
of melodies in each voice
part makes this very
exciting to sing as the
parts come together and
separate into independent
lines. This is an
excellent piece to
improve your choirâ??s
harmony singing and
rhythmic awareness.
Veni Jesu Chorale 3 parties SSA A Cappella Alfred Publishing
Choir (Women's Choir) SKU: AP.47603 Composed by Luigi Cherubini. Arranged...(+)
Choir (Women's Choir)
SKU: AP.47603
Composed by Luigi
Cherubini. Arranged by
Russell L. Robinson.
Masterworks; Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Masterwork
Arrangement; Sacred.
Choral Octavo. 8 pages.
Alfred Music #00-47603.
Published by Alfred Music
(AP.47603).
UPC:
038081542966.
English.
Cherubini'
s 18th-century
composition has become
one of the most recorded
and performed masterworks
of our time. Dr.
Robinson's well-conceived
arrangement can be
performed either a
cappella or with the
supportive piano
accompaniment, providing
flexibility for concert
or contest programming.
An accessible Latin text
(with just four words in
total) and sensible voice
leading make this an
ideal choice for
developing choirs.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Choir (SAB choir/3-Part choir Mixed) SKU: AP.47602 Composed by Luigi Cher...(+)
Choir (SAB choir/3-Part
choir Mixed)
SKU:
AP.47602
Composed by
Luigi Cherubini. Arranged
by Russell L. Robinson.
Masterworks; Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Masterwork
Arrangement; Sacred.
Choral Octavo. 8 pages.
Alfred Music #00-47602.
Published by Alfred Music
(AP.47602).
UPC:
038081542959.
English.
Cherubini'
s 18th-century
composition has become
one of the most recorded
and performed masterworks
of our time. Dr.
Robinson's well-conceived
arrangement can be
performed either a
cappella or with the
supportive piano
accompaniment, providing
flexibility for concert
or contest programming.
An accessible Latin text
(with just four words in
total) and sensible voice
leading make this an
ideal choice for
developing choirs.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more.
SKU:
PR.16500100F
Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F).
ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches.
Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected.