By Wolff. For organ. General, sacred. Level: Easy-Moderately Easy. Published by Concordia Publishing House.

By Wolff. For organ. General, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

By Wolff. For organ. General, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

By Wolff. For organ. General, sacred. Level: Moderately Easy. Published by Concordia Publishing House.

By Wolff. For organ. General, sacred. Level: Moderately Easy. Published by Concordia Publishing House.

By Georg Handel. Arranged by Wolff. For organ and brass quartet. General. Moderately Easy. Published by Concordia Publishing House

By Callahan. For organ. Wedding, sacred. Level: Moderately Easy. Published by Concordia Publishing House.

By Wolff. For organ. General, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

By Greene. For organ. Christmas. Moderately Easy-Moderately Difficult. Published by Concordia Publishing House

By J. Wayne Kerr. For organ or piano. Collection. 24 pages. Published by Concordia Publishing House

By Kosnik. For organ. General. Level: Moderately Easy-Moderately Difficult. Published by Concordia Publishing House.

By Edvard Grieg (1843-1907). Arranged by Brian Beck. Concert Band. Concert Band; Score. Alfred Concert Band. Form: March; Transcription. Masterwork Arrangement; Romantic. Grade 3. 24 pages. Published by Alfred Music Publishing

By Edvard Grieg (1843-1907). Arranged by Brian Beck. Concert Band. Concert Band; Part(s); Score. Alfred Concert Band. Form: March; Transcription. Masterwork Arrangement; Romantic. Grade 3. 246 pages. Published by Alfred Music Publishing

(In Four Movements for Solo Piano with Piano Accompaniment). Composed by Alexander Peskanov. For Piano. This edition: 2 copies required for performance. Book; Duet or Duo; Graded Standard Repertoire; Piano Duo (2 Pianos, 4 Hands). Form: Concerto. Recital. Intermediate. 36 pages. Published by Alfred Music

Score, Saxophone, Cello - Intermediate-Advanced

SKU: HL.14023604

Composed by Michael Nyman. Music Sales America. Post-1900. Sheet Music, Score. With Text language: English. 92 pages. Music Sales #SOS05502. Published by Music Sales (HL.14023604).

UPC: 884088840181. 10.5x14.0x0.226 inches.

Michael Nyman's Double Concerto was commissioned by Mazda Cars (UK) Limited. The work was first performed by John Harle (Saxophone), Julian Lloyd Webber (Cello) and the Philharmonia Orchestra conducted by James Judd on 8 March 1997 at the Royal Festival Hall, London. Performance duration: 28 minutes. Available here is the Full Score of Nyman's Double Concerto.

Composed by Gordon Jacob (1895-1986). Concerto/Feature, Instrumental Solo, Bestseller. Piano score. Galaxy Music Corporation #1.5036. Published by Galaxy Music Corporation

Choral (Studiotrax CD)

SKU: HL.35031877

Composed by Robert Lowry. Arranged by Brad Nix and Jon Paige. Shawnee Sacred. General Worship, Sacred. CD. Duration 260 seconds. Published by Shawnee Press (HL.35031877).

UPC: 888680713461. 5.0x5.0x0.15 inches. Arr. Brad Nix/Jon Paige. Ephesians 5:20, Isaiah 35:10, Jeremiah 31:6.

From our popular Fanfare and Concertato series comes this confident call of faith. The journey of promises in the text place the people of God marching to life everlasting. Though intended for choir and congregation, the anthem works just as well as a standalone. Accompany with the optional brass and handbells and make this a wonderful worship exclamation a festive opportunity for all. Superb! Score and Parts (tpt 1-2, tbn 1-2, timp) and Parts for Handbells (3 oct.) each available as a digital download.

Fanfare Band - Grade 3

SKU: BT.DHP-0950624-020

Composed by Jacob De Haan. Inspiration Series. Set (Score & Parts). Composed 1995. De Haske Publications #DHP 0950624-020. Published by De Haske Publications (BT.DHP-0950624-020).

9x12 inches.

In Concerto d’Amore, a maestoso opening is followed by a quick and energetic movement that leads to a magnificent adagio. A motif from this adagio can be heard in a swinging movement, after which the piece comes to a close with the return of the adagio. This arrangement for concert band certainly brings this beautiful music to life.

In Concerto d’Amore worden drie verschillende stijlen gecombineerd: barok, pop en jazz. De maestoso introductie van de compositie klinkt als een barokouverture. Dan volgt een energiek gedeelte in popstijl, dat uitmondt in eenadagio. Een motief daaruit is daarna te horen in een swingende passage, waarna het werk besluit met de terugkeer van het adagio in een nieuw jasje.

Concerto d’Amore vereinigt drei unterschiedliche Stile: Barock, Pop und Jazz. Die Maestoso bezeichnete Einleitung der Komposition klingt wie eine barocke Ouvertüre. Es folgt ein energiereicher Abschnitt im Pop-Stil, der wiederum zu einem Adagio führt. Ein Motiv aus diesem Adagio ist in der darauf folgenden Swing-Passage zu hören. Dann kehrt Adagio in neuem Gewand zurück, um das Werk zu beenden.

Concerto d’Amore est composé de trois périodes thématiques aux caractéristiques de la musique baroque, pop et jazz. L’introduction majestueuse, aux allures d’ouverture baroque, chemine vers un passage vif et énergique écrit dans le style de la musique pop. L’adagio qui lui succède progresse vers un passage aux inflexions de swing. Concerto d’Amore se conclut par la reprise du motif de l’adagio dont la forme altérée offre une conclusion brillante cette œuvre richement colorée.

Con certo d’Amore si compone di tre periodi tematici con caratteristiche della musica barocca, pop e jazz. La maestosa introduzione, dagli accenti barocchi, accompagna ad un passaggio vivo ed energico scritto nello stile della musica pop. Segue l’adagio che sviluppa un passaggio dalle inflessioni swing. Concerto d’Amore si conclude con la ripresa del motivo dell’adagio la cui forma alterata offre una conclusione brillante.

Fanfare Band - Grade 3

SKU: BT.DHP-1135394-120

Bad Orb Impressions. Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2013. De Haske Publications #DHP 1135394-120. Published by De Haske Publications (BT.DHP-1135394-120).

9x12 inches. English-German-French-Dut ch.

The inspiration for this three-part work goes back to the International European Youth Wind Music Festival, of which the patron has been Jacob de Haan several times. It begins in a festive march tempo, then sacred music, instrumental groups playing off_x001E_stage and a little march for brass and _x001D_flutes. The third movement is a parade in which the various sections of the ensemble head towards the stage from different directions. Even without the effective choreography of the musicians, Call of the Valley is an impressive concert band composition.

Jacob de Haan haalde zijn inspiratie voor dit driedelige werk bij het Hessische kuuroord Bad Orb en het tweejaarlijkse Blaasmuziekfestival van de Europese Jeugd, waarvan hij meerdere keren beschermheer was. In het werk verwerkte de componist verschillende e_x001D_ecten die betrekking hebben op het festival. Zo hoort men in de vallei verschillende orkesten door elkaar spelen, een indrukwekkend e_x001D_ect dat ook in de compositie werd verwerkt. Ook kan men ervoor kiezen om tijdens het werk het orkest op te splitsen en het podium te laten verlaten en marcherend weer richting podium te stappen. Een spectaculair en vernieuwend werk!

Die Inspiration für dieses dreiteilige Werk geht auf das Internationale Blasmusikfest der Jugend Europas zurück, dessen Schirmherr schon mehrfach Jacob de Haan war. Es beginnt in festlich marschierendem Tempo, gefolgt von sakraler Musik, abseits der Bühne spielenden Instrumentengruppen und einem kleinen Marsch für Blechbläser und Flöten. Der dritte Satz ist eine Parade, bei der sich das geteilte Orchester aus verschiedenen Richtungen auf die Bühne zu bewegt. Auch ohne die effektvolle Positionierung der Musiker ist Call of the Valley ein eindrucksvolles Blasorchesterwerk.

Call of the Valley s’ouvre sur un tempo festif en forme de marche. Des sonorités majestueuses dessinent un concert de musique sacrée. Puis deux groupes instrumentaux quittent la scène et exécutent leurs parties distance. Un groupe de saxophones interprète une valse, un autre groupe réunissant cuivres et _x001D_fl tes joue une marche. la fin de l’oeuvre, l’orchestre reprend les thèmes des deux groupes tandis que ceux-ci reviennent vers la scène. Une fois arrivés, ils restent face au public alors que résonne l’accord _x001C_final.

Un festival di musica per _x001E_ati per banda giovanile che si tiene a Hesse in Germania, e al quale Jacob de Haan ha più volte partecipato in veste di giurato, è servito da ispirazione per comporre questo brano. L’inizio vede un tempo festivo che simboleggia l’arrivo delle bande. Sonorit maestose disegnano un concerto di musica sacra, seguite da suoni che evocano le interpretazioni di varie orchestre. Un gruppo di sax interpreta un piccolo valzer, un altro gruppo che unisce ottoni, _x001D_auti e ottavino suona una piccola marcia. Nel _x001E_finale dell’opera, l’orchestra riprende i temi dei due gruppi.

Fanfare Band - Grade 3

SKU: BT.DHP-1135394-020

Bad Orb Impressions. Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2013. De Haske Publications #DHP 1135394-020. Published by De Haske Publications (BT.DHP-1135394-020).

9x12 inches. English-German-French-Dut ch.

The inspiration for this three-part work goes back to the International European Youth Wind Music Festival, of which the patron has been Jacob de Haan several times. It begins in a festive march tempo, then sacred music, instrumental groups playing off_x001E_stage and a little march for brass and _x001D_flutes. The third movement is a parade in which the various sections of the ensemble head towards the stage from different directions. Even without the effective choreography of the musicians, Call of the Valley is an impressive concert band composition.

Jacob de Haan haalde zijn inspiratie voor dit driedelige werk bij het Hessische kuuroord Bad Orb en het tweejaarlijkse Blaasmuziekfestival van de Europese Jeugd, waarvan hij meerdere keren beschermheer was. In het werk verwerkte de componist verschillende e_x001D_ecten die betrekking hebben op het festival. Zo hoort men in de vallei verschillende orkesten door elkaar spelen, een indrukwekkend e_x001D_ect dat ook in de compositie werd verwerkt. Ook kan men ervoor kiezen om tijdens het werk het orkest op te splitsen en het podium te laten verlaten en marcherend weer richting podium te stappen. Een spectaculair en vernieuwend werk!

Die Inspiration für dieses dreiteilige Werk geht auf das Internationale Blasmusikfest der Jugend Europas zurück, dessen Schirmherr schon mehrfach Jacob de Haan war. Es beginnt in festlich marschierendem Tempo, gefolgt von sakraler Musik, abseits der Bühne spielenden Instrumentengruppen und einem kleinen Marsch für Blechbläser und Flöten. Der dritte Satz ist eine Parade, bei der sich das geteilte Orchester aus verschiedenen Richtungen auf die Bühne zu bewegt. Auch ohne die effektvolle Positionierung der Musiker ist Call of the Valley ein eindrucksvolles Blasorchesterwerk.

Call of the Valley s’ouvre sur un tempo festif en forme de marche. Des sonorités majestueuses dessinent un concert de musique sacrée. Puis deux groupes instrumentaux quittent la scène et exécutent leurs parties distance. Un groupe de saxophones interprète une valse, un autre groupe réunissant cuivres et _x001D_fl tes joue une marche. la fin de l’oeuvre, l’orchestre reprend les thèmes des deux groupes tandis que ceux-ci reviennent vers la scène. Une fois arrivés, ils restent face au public alors que résonne l’accord _x001C_final.

Un festival di musica per _x001E_ati per banda giovanile che si tiene a Hesse in Germania, e al quale Jacob de Haan ha più volte partecipato in veste di giurato, è servito da ispirazione per comporre questo brano. L’inizio vede un tempo festivo che simboleggia l’arrivo delle bande. Sonorit maestose disegnano un concerto di musica sacra, seguite da suoni che evocano le interpretazioni di varie orchestre. Un gruppo di sax interpreta un piccolo valzer, un altro gruppo che unisce ottoni, _x001D_auti e ottavino suona una piccola marcia. Nel _x001E_finale dell’opera, l’orchestra riprende i temi dei due gruppi.