with a Preface by Fr. Lesure. By Claude Debussy. Edited by Ernst-Gunter Heineman...(+)
with a Preface by Fr.
Lesure. By Claude
Debussy. Edited by
Ernst-Gunter Heinemann.
Piano (Harpsichord),
2-hands. Pages: VI and
28. Urtext edition-paper
bound. Published by G.
Henle.
Piano - Grade 5 SKU: FA.MFCD017B By Nicolas Horvath. By Claude Debussy an...(+)
Piano - Grade 5
SKU:
FA.MFCD017B
By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Christmas.
Score. Musik Fabrik
#MFCD017B. Published by
Musik Fabrik
(FA.MFCD017B).
8.27 x
11.69
inches.
Contains Le
Roi Lear:
Prelude,Premiere Fanfare,
and La Mort de
Cordelia,Toomai des
elephants, Rodrigue et
Chimene: Prelude a l'acte
1p. Le Martyre de Saint
Sebastien: La Passion ,
and No-ja-li ou Le Palais
du Silence
From
Robert Orledge's
notes:
My interest
in the wonderful music of
Claude Debussy began in
the 1980s when I
researched and published
a book with Cambridge
University Press entitled
Debussy and the Theatre.
During the course of my
studies in Paris, I was
amazed to discover that
Debussy planned over 50
theatrical works but only
finished two of these
entirely by himself (the
opera Pelleas et
Melisande in 1893-1902
and the ballet Jeux for
Diaghilev's Ballets
Russes in 1912-13). Of
the rest, many were never
started musically (like
Siddartha and Orphee-roi
with the Oriental scholar
Victor Segalen, 1907);
some had a few
tantalising sketches
(like the Edgar Allan Poe
opera Le Diable dans le
beffroi, 1902-03); some
were half-finished (like
his other Poe opera La
Chute de la Maison Usher,
1908-17); while others
were musically complete
but had their
orchestrations completed
by other composers (like
Khamma, by Charles
Koechlin, 1912-13; or Le
Martyre de Saint
Sebastien and La Boite a
joujoux by his 'angel of
corrections' ['l'ange des
Corrections'] Andre
Caplet in 1911 and 1919
respectively).
For
it has to be admitted
that what some scholars
call Debussy's
'compulsive achievement'
could equally well be
viewed as laziness,
especially as far as the
minute detail required
for calligraphing his
orchestral scores was
concerned. It was as if
creating the music itself
was of greater importance
than controlling its
final sound, even if
Debussy was an
imaginative orchestrator
when he found the time
and energy to do it. It
also seems true that
Debussy also preferred
inventing ideas to
turning them into
complete pieces. However,
despite the lack of
detail in many of his
sketches (missing clefs,
key signatures, dynamics,
phrasing, etc.) the notes
themselves are
surprisingly accurate,
whether or not they can
be compared with a later
draft. Thus, a large
number of sketches exist
for his Chinese ballet
No-ja-li ou Le Palais du
Silence and it is not too
difficult to see which
parts of Georges de
Feure's 1913 scenario
(see below) inspired
which ideas. But Debussy
hardly made any attempt
to join them together
after the first few
bars.
It was
usually up to his
publisher, Jacques
Durand, to find solutions
when Debussy risked a
breach of contract.
Debussy was supposed to
supervise the
orchestrations completed
by others, but this
supervision was usually
very light and restricted
to quiet, sensitive
moments in which problems
were easier to spot. Far
from jealously guarding
every one of his created
notes, as Ravel did,
Debussy once even went as
far as to ask Koechlin to
'write a ballet for him
that he would sign' on 26
March 1914 when he was
hard-pressed to fulfil
his lucrative contract
for No-ja-li with Andre
Charlot at the Alhambra
Theatre in London. In the
end, Debussy (through
Durand) sent Charlot the
symphonic suite Printemps
instead, whose
orchestration had been
completed by Henri Busser
in the Spring of
1912.
So, when I
was offered early
retirement as Professor
of Music at Liverpool
University in 2004, I
seized the opportunity it
would give me to spend
time trying to
reconstruct some of
Debussy's lost potential
masterpieces from his
existing sketches and
drafts--then
orchestrating them in
Debussy's style when this
was appropriate. I had
begun this mission in
2001 with the most
promising project, the
missing parts of Scene 2
of La Chute de la Maison
Usher and the sheer joy
it gave me at every stage
persuaded me to tackle
other projects,
especially when Debussy
experts were unable to
identify exactly where I
took over from Debussy
(and vice versa) in
Usher.
Piano SKU: HL.288419 Piano. Composed by Thomas Simaku. Music Sales...(+)
Piano
SKU:
HL.288419
Piano. Composed by
Thomas Simaku. Music
Sales America. Classical.
Softcover. 6 pages.
University of York Music
Press #M570368419.
Published by University
of York Music Press
(HL.288419).
Piano SKU: LM.28712D Composed by Charles Herve and Jacqueline Pouillard. ...(+)
Piano
SKU:
LM.28712D
Composed by
Charles Herve and
Jacqueline Pouillard. De
Bach a nos jours.
Classical. CD. Editions
Henry Lemoine #28712D.
Published by Editions
Henry Lemoine
(LM.28712D).
ISBN
9790231701661.
SCHU
MANN R. : Valse - RAMEAU
J.P. : Gigue en rondeau -
PADRE M.A. ROSSI :
Allegro - IBERT J. :
Romance - SCHUBERT F. :
Valse sentimentale -
SCHUBERT F. : Danse
allemande - HAENDEL G.F.
: Fuguette - SEIBER M. :
Ap agapak - IBERT J. : La
promenade en traineau -
MENDELSSOHN F. : Chanson
du gondelier - HAENDEL
G.F. : Allemande -
PROKOFIEFF S. : Attrape
qui peut - F. CHOPIN
Mazurka Op.67 n. 2 -
SCARLATTI D. : Capriccio
- DEBUSSY C. : Berceuse
de l'elephant - REGER M.
: Presque trop hardi -
PIEPER M. : Valse -
LOEILLET J.B. : Courante
- BEETHOVEN L.Van : Valse
- ALBENIZ I. : Prelude -
BARTOK B. : Canotage -
LULLY J.B. : Gigue -
TCHAIKOVSKI P.I. : Chant
d'automne - STERNBERG C.
: Kinderballett - BRITTEN
B. : Nocturne - GODARD B.
: Gavotte - MARTINU B. :
Colombine se souvient -
MENDELSSOHN F. : Romance
sans paroles op.19 n. 2 -
STOCKHAUSEN K. :
Klavierstuck - HAYDN J. :
Sonate Hob XVI/4 - BARTOK
B. : Rhapsody.
Albeniz, Beethoven,
Chopin, Debussy,
Mendelssohn,
Rachmaninoff, Ravel,
Scriabin. Composed by
Various. Piano
Collection. Classical.
Softcover. 160 pages.
Published by G. Schirmer
(HL.50601329).
Piano SKU: BT.EMBZ8686 By Peter Solymos. By Claude Debussy. Book Only. Co...(+)
Piano
SKU:
BT.EMBZ8686
By Peter
Solymos. By Claude
Debussy. Book Only.
Composed 1979. 16 pages.
Editio Musica Budapest
#EMBZ8686. Published by
Editio Musica Budapest
(BT.EMBZ8686).
Trois Esquisses
Symphoniques -
Urtext. Composed by
Claude Debussy. Edited by
Peter Jost. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
three symphonic sketches
La Mer are, after Prelude
a L'apresmidi d'un faune,
no doubt Debussy's most
frequently performed
orchestral work.
Symphonic poem; Romantic;
Late-romantic. Part. 16
pages. Duration 23'.
Breitkopf and Haertel #OB
5399-19. Published by
Breitkopf and Haertel
(BR.OB-5399-19).
ISBN
9790004338360. 10 x 12.5
inches.
The three
symphonic sketches La Mer
are, after Prelude a
Lapresmidi dun faune, no
doubt Debussys most
frequently performed
orchestral work. This
success derives in part
from its formal
resemblance to a
symphony, which had
already been noted by the
composers contemporaries,
and in part from its
sound, which was
associated from the very
start with the shimmer
and iridescence of
Impressionism.Peter Jost
takes all major sources
into consideration.
Ultimately, the musical
text of his Urtext
edition is based on a
copy of the second
edition of the score,
published in 1909, in
which the composer
incorporated his
experiences as auditor
and conductor into a last
authorized version. After
the cool reception given
La Mer at its world
premiere, Debussy revised
the work and conducted
the extraordinarily
successful performances
of it in early 1908 in
Paris,London and
Rome.
Grade 5 SKU: CL.MHT-0061-75 Composed by Claude Debussy. Arranged by Hinds...(+)
Grade 5
SKU:
CL.MHT-0061-75
Composed by Claude
Debussy. Arranged by
Hindsley. Concert Band.
Oversized, spiral-bound
score. C.L. Barnhouse
#MHT-0061-75. Published
by C.L. Barnhouse
(CL.MHT-0061-75).
Piano Solo - Medium SKU: BU.EBR-A040 Composed by Claude Debussy. This edi...(+)
Piano Solo - Medium
SKU: BU.EBR-A040
Composed by Claude
Debussy. This edition:
French Edition.
Classique. Anacrouse.
Partition Biographie
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A040. Published by
Editions Bourges
(BU.EBR-A040).
Composed
by Piet Swerts. De Haske
Concert Band. Concert
Piece. Score Only.
Composed 2005. Hal
Leonard #1053776.
Published by Hal Leonard
(HL.44007582).
Thi
s delightful new
composition takes its
inspiration from the
classic French swash
buckling tale of Cyrano
de Bergerac and his fight
to win the love of the
beautiful maiden Roxane.
The subject was a perfect
departure point for
composing a symphonic
poem with a variety of
musical aspects
reflecting the story.
Lyricism (the theme of
Roxane), dramatic
episodes, as well as
Debussy-inspired
impressionist moments are
some of the elements that
give the band and its
conductor the chance to
expose themselves as a
versatile ensemble being
able to create colour, to
sing and to play like
virtuosi. This work is
sure to become a standard
item in the concert band
repertoire.
In
Cyrano verklankt
de componist Piet Swerts
het romantische en
tragische verhaal van de
briljante dichter en
zwaardkunstenaar Cyrano
de Bergerac en zijn
mooie, intellectuele
nicht Roxane, op wie hij
tot over zijn oren
verliefdis. Zijn
uiterlijk, met name zijn
buitengewoon grote neus,
belet hem om zijn
gevoelens tegenover haar
te uiten. De vele
verwikkelingen die uit
deze situatie voortkomen
zijn te herkennen in deze
programmatische
compositie.
Piet
Swerts erzahlt hier
musikalisch die
tragisch-romantische
Geschichte von Cyrano de
Bergerac, der einem
verliebten Freund hilft,
seine Liebe zu erobern
und sich dann selbst
unglucklich in dessen
Angebetete verliebt.
Diese Komposition
spiegelt die Geschichte
mit einer Vielfalt an
musikalischen Aspekten
eindrucksvoll wider.
Lyrik, dramatische
Episoden sowie von
Debussy inspirierte,
impressionistische
Momente sind einige der
Elemente, die dem
Blasorchester und seinem
Dirigenten die Chance
bieten, sich als
vielseitiges Ensemble,
das zugleich Farben
entfalten, singen und
virtuos spielen kann, zu
prasentieren.
La
comedie heroique
Cyrano de Bergerac
(1897) valut a son auteur
une gloire immediate.
Cyrano, heros tragique et
attachant, est entre dans
le patrimoine universel,
sans doute parce qu'il
incarne superbement un
mythe bien ancien : celui
de l'amour et du bonheur
impossibles. Ce delicieux
chef-d'œuvre
theatral d'Edmond Rostand
a inspire ce poeme
symphonique de Piet
Swerts qui s'articule
autour d'une grande
diversite musicale
exprimant differentes
scenes de la piece.
Passages lyriques,
episodes dramatiques et
moments impressionnistes,
Cyrano comprend de
nombreux ingredients qui
permettent au chef et a
sa formation d'exploiter
leur polyvalence a
travers lacouleur, le
chant et le jeu virtuose.
La commedia
Cyrano de Bergerac (1897)
valse al suo autore
gloria immediata. Cyrano,
eroe tragico e
commovente, e entrato nel
patrimonio universale
senza dubbio perche
incarna a meraviglia un
mito molto antico: quello
dell'amore e della
felicita impossibili.
Questo delizioso
capolavoro teatrale di
Edmond Rostand ha
ispirato il poema
sinfonico che si articola
attorno ad una grande
diversita musicale
esprimendo diverse scene
dell'opera teatrale.
Passaggi lirici, episodi
drammatici e momenti
impressionanti, Cyrano
comprende numerosi
ingredienti che
permettono al maestro di
sfruttare la polivalenza
attraverso il colore, il
canto e il suono
virtuoso.
All-Time Favorites Piano Album. Composed by Various. Henle Music Folios. Bar...(+)
All-Time Favorites Piano
Album. Composed by
Various.
Henle Music Folios.
Baroque,
Classical, French,
Impressionist, Russian.
Softcover. 48 pages. G.
Henle
#HN1750. Published by G.
Henle
Piano; Voice (Voice and Piano) SKU: HL.49006662 A Selection of 51 Klav...(+)
Piano; Voice (Voice and
Piano)
SKU:
HL.49006662
A
Selection of 51
Klavierliedern of 4
centuries. Composed
by Various. Edited by
Kurt Suttner and
Margarete
Juergenson-Rupprecht.
Arranged by Kurt Suttner,
Margarete Jü, and
rgenson-Rupprecht. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott. Inspired
by the idea of presenting
singable songs for young
singers. Out of
consideration for less
trained singers, the
songs were transposed in
such a way that the
selection corresponds to
a volume for low voice.
Classical, Collection.
136 pages. Schott Music
#ED 6792. Published by
Schott Music
(HL.49006662).
ISBN
9790001072069. UPC:
841886030725.
7.75x11.0x0.377 inches.
German.
Klage eines
verliebten Schafers
(Albert) * Ergotzlichkeit
zur rechten Zeit
(Krieger) * Die
vergessene Phillis
(Telemann) * Von
Erschaffung Adam und Eva
(Rathgeber) * Von
allerhand Nasen * Ich
kehre wiederum (anon) *
Der lieben Sonne Licht
und Pracht (Bach) * Die
Sommernacht (Gluck) *
Rhapsodie (Reichardt) *
Um Mitternacht (Zelter) *
Der Musensohn (Zelter) *
Gegenliebe (Haydn) * Das
Veilchen (Mozart) * An
Chloe (Mozart) * Ich
liebe dich (Beethoven) *
Aus Goethe's Faust
(Beethoven) * Heinrich
der Vogler (Loewe) *
Heidenroslein (Schubert)
* An eine Quelle
(Schubert) * Der Wanderer
an den Mond (Schubert) *
Der Musensohn (Schubert)
* An Silvia (Schubert) *
Das Waldschloss
(Mendelssohn) * Aus den
ostlichen Rosen
(Schumann) * Erstes Grun
(Schumann) *
Fruhlingsfahrt (Schumann)
* Ein Jungling liebt ein
Madchen (Schumann) * Wenn
ich ein Voglein war *
Dein blaues Auge (Brahms)
* Salamander * Klange
(Brahms) * Traume
(Wagner) * Die Konige
(Cornelius) * Das
verlassene Magdlein
(Wolff) * Auf ein altes
Bild (Wolff) * Der
Musikant * Waldeinsamkeit
(Reger) * Morgen
(Strauss) * Untreu und
Trost (Pfitzner) * Hans
und Grethe (Mahler) *
Lied der Zigeunerin
(Tchaikovsky) * Die
Gefangene (Dvorak) * Im
Kahne (Grieg) * Span auf
den Wellen (Sibelius) *
Apres un Reve (Faure) *
Le Faune (Debussy) *
Gott, ach Gott im Himmel
(Bartok) * Ganse, Schwane
fliegen aus (Stravinsky)
* Wiegenlied
(Shostakovich) * Von der
Freundlichkeit der Welt
(Eisler) * Geh unter,
schone Sonne
(Fortner).
Violin and Piano SKU: AP.36-60710002 Composed by Claude Debussy. Arranged...(+)
Violin and Piano
SKU:
AP.36-60710002
Composed by Claude
Debussy. Arranged by
Alexandre Roelens. Solo;
Violin. Master String
Series. Book.
LudwigMasters
Publications
#36-60710002. Published
by LudwigMasters
Publications
(AP.36-60710002).
ISBN
9798888521823. UPC:
676737572853.
English.
Claude
Debussy (1862-1918)
composed Valse Romantique
(F minor; CD 79/L.71) in
1890 for solo piano,
during a period when he
was short piano works in
traditional genres,
seeking his own style.
Unlike the impressionism
for which he later became
known, this waltz is
written in a late
romantic style. Not
particularly difficult,
it is ideal for teaching
or for a recital. This
transcription for violin
or flute and piano was
created in 1924 by
Alexandre Roelens.
Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
(Score) SKU: HL.49003135 An Anthology of Listening Material for GCSE M...(+)
(Score)
SKU:
HL.49003135
An
Anthology of Listening
Material for GCSE
Music. Composed by
Bruce Cole and David
Bowman. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical,
Collection. Score. 200
pages. Schott Music
#ED12351. Published by
Schott Music
(HL.49003135).
ISBN
9780946535132. UPC:
884088991623.
8.25x11.75x0.436 inches.
English.
This
anthology of 72 music
examples, consisting of
the Teacher's Manual,
Pupil's Questions, Music
Book and two recordings
on CD or cassettes, is
intended to provide
comprehensive resource
materials for the
listening component of
the GCSE music
syllabuses. The extracts
have been selected
especially to illustrate
the periods, styles and
rudiments of music
encompassed within the
syllabuses, and the four
components of the
publication produced to
ensure maximum assistance
to the teacher in the
classroom. Selected
contents: MUSIC IN THE
LATE RENAISSANCE O quam
gloriosum est regnum * T.
Morley: MUSIC IN THE
BAROQUE ERA: H. Purcell:
Hark, each tree (from Ode
for St Cecilia's Day) *
A. Vivaldi: Second
Allegro (from Op. 3 No.
11) * G.F. Handel: Lascia
ch'io * J.S. Bach:
Erschienen ist der
herrliche Tag (BWV 629) *
F. Couperin: Le
Petit-Rein MUSIC IN THE
ROMANTIC PERIOD: F.
Schubert: Am Meer (from
Schwanengesang) * H.
Berlioz: Un Bal (from
Symphonie fantastique) *
F. Chopin: Mazurka (Op. 7
No. 5) * R. Schumann:
Fantasiestuck (Op. 73 No.
1) * R. Wagner: Prelude
(to Tristan and Isolde) *
R. Strauss: Epilog (from
Till Eulenspiegels
lustige Streiche) * MUSIC
IN THE TWENTIETH CENTURY:
B. Bartok: Third movement
(from Sonata for two
Pianos and Percussion) *
K. Stockhausen: Zyklus *
C. Berberian: Stripsody *
JAZZ AND POP: F. Molton:
Peace in the Valley * Bix
Beiderbecke and his Gang:
Jazz Me Blues * The
Platters: Only You * E.
Fitzgerald: Mack the
Knife * S. Getz and A.
Gilberto: The Girl From
Ipanema and more.
SSATB Choir, Piano - Level 3 SKU: CA.926200 Composed by Claude Debussy. A...(+)
SSATB Choir, Piano -
Level 3
SKU:
CA.926200
Composed by
Claude Debussy. Arranged
by Denis Rouger. Separate
edition to the CD.
Lieder, Secular choral
music. Full Score.
Composed 1883. L 6.
Duration 3 minutes. Carus
Verlag #CV 09.262/00.
Published by Carus Verlag
(CA.926200).
ISBN
9790007249243. Key: E
major. Language: French.
Text: Bourget,
Paul.
Beau soir
seems to have inspired
musicians to make their
own arrangements - for
violin, cello, saxophone
quartet, or even for
five-part chamber choir
and piano, as in this
version by Denis Rouger.
Unlike the instrumental
versions, this one
retains Paul Bourget's
text: the poetic
depiction of a sunset on
a mild summer evening, on
which light and shade
merge into one another
like the rhythm and
harmony in Debussy's
setting. It is not an
unclouded depiction, but
the recognition of our
own finiteness. This art
song was originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted it
to suit the requirements
and expressive
possibilities offered by
a larger ensemble,
without losing the any of
the qualities of the
original in the process.
Each part in the choir
has a melodic line drawn
from the harmonic and
rhythmic framework. In
the process, the variety
and refinement of the
choral language combines
with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495).