Featuring: Come So Far (Got So Far to Go) / Big, Blonde and Beautiful (Reprise) ...(+)
Featuring: Come So Far
(Got So Far to Go) / Big,
Blonde and Beautiful
(Reprise) / The New Girl
in Town / Ladies' Choice.
By Marc Shaiman, Scott
Wittman. Arranged by
Victor Lopez. For Full
Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Movie. Level:
3 (grade 3). Score. 36
pages. Published by
Alfred Publishing.
By Marc Shaiman, Lyrics By Scott Wittman And Marc Shaiman. Arranged by Jay Altho...(+)
By Marc Shaiman, Lyrics
By Scott Wittman And Marc
Shaiman. Arranged by Jay
Althouse. For Choir.
(TTBB). Choral Octavo.
Pop Choral. Broadway;
Movie; Novelty. Choral
Octavo. 16 pages.
Published by Alfred
Publishing.
By Marc Shaiman, Scott Wittman. Arranged by Jay Althouse. For SoundPax. Choral O...(+)
By Marc Shaiman, Scott
Wittman. Arranged by Jay
Althouse. For SoundPax.
Choral Octavo. Pop
Choral. Broadway; Movie;
Novelty. Instrumental
Accompaniment. 32 pages.
Published by Alfred
Publishing.
Featuring "Come So Far (Got So Far to Go)," "Big, Blonde and Beautiful (Reprise)...(+)
Featuring "Come So Far
(Got So Far to Go),"
"Big, Blonde and
Beautiful (Reprise),"
"The New Girl in Town,"
and "Ladies' Choice". By
Scott Wittman, Marc
Shaiman. Arranged by
Victor Lopez. For Full
Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Movie. Level:
3 (grade 3). Conductor
Score and Parts. 244
pages. Published by
Alfred Publishing.
SKU: LO.99-2753H Composed by Ruth Morris Gray. Choral. Concert. Performan...(+)
SKU: LO.99-2753H
Composed by Ruth Morris
Gray. Choral. Concert.
Performance/accompaniment
CD. Heritage Music Press
#99/2753H. Published by
Heritage Music Press
(LO.99-2753H).
UPC:
000308127874.
Ruth
Morris Gray has created a
spirited and artful
setting of Shakespeare's
flirtatious text from
Much Ado About Nothing.
Also a fabulous choice
for smaller ensembles,
the piece includes a
playful polyphonic chorus
of Hey, nonny, nonny-o
and an accompaniment
featuring a driving
rhythmic ostinato that
underscores the ladies'
cry Men were deceivers
ever. To one thing
constant never. Sigh no
more, ladies..
Lyrics by Lorenz Hart, music by Richard Rodgers. Vocal score for voice and piano...(+)
Lyrics by Lorenz Hart,
music by Richard Rodgers.
Vocal score for voice and
piano accompaniment. With
vocal score and piano
reduction. 212 pages.
Published by Hal Leonard.
(A Treasury of Songs from Stage * Film Specially Designed for Teen Singers! Incl...(+)
(A Treasury of Songs from
Stage * Film Specially
Designed for Teen
Singers! Includes Story
Synopsis, Song Set-up,
Audition Tips & 16-Bar
Cut Suggestions). Edited
by Lisa DeSpain. For
Voice. Vocal Collection.
Broadway. Book. 208
pages. Published by
Alfred Music Publishing
Hairspray Jam Fanfare [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Arranged by Victor Lopez. For Marching Band. Marching Band. Mega Sounds for Marc...(+)
Arranged by Victor Lopez.
For Marching Band.
Marching Band. Mega
Sounds for Marching Band.
Pop. Conductor Score and
Parts. 220 pages.
Published by Alfred
Publishing. (29524)
Level: 3 (Medium) (grade
3).
(A Treasury of Songs from Stage and Film, Specially Designed for Teen Singers! I...(+)
(A Treasury of Songs from
Stage and Film, Specially
Designed for Teen
Singers! Includes Story
Synopsis, Song Set-up,
Audition Tips and 16-Bar
Cut Suggestions). Edited
by and compiled Lisa
DeSpain. For Voice. Book;
CD; Vocal Collection.
Broadway. 220 pages.
Published by Alfred Music
Publishing
By Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman. Arranged by Jay Alth...(+)
By Marc Shaiman, lyrics
by Scott Wittman and Marc
Shaiman. Arranged by Jay
Althouse. For pending.
Choral Octavo. Pop
Choral. 0. Broadway;
Movie; Novelty. CD.
Published by Alfred
Publishing.
Selections from the Movie. By Marc Shaiman, Lyrics By Scott Wittman And Marc Sha...(+)
Selections from the
Movie. By Marc Shaiman,
Lyrics By Scott Wittman
And Marc Shaiman.
Arranged by Carol Matz.
For Piano. This edition:
Easy Piano. Piano - Easy
Piano Collection. Movie.
Book. 40 pages. Published
by Alfred Publishing.
(29108)
Level: Easy Piano.
Harpsichord solo SKU: FZ.6048 1765-1766. Composed by Carl Philipp ...(+)
Harpsichord solo
SKU:
FZ.6048
1765-1766.
Composed by Carl Philipp
Emanuel Bach. Edited by
Miklos Spanyi. This
edition: Facsimile.
Collection Dominantes.
Score. Published by Anne
Fuzeau Productions -
France (FZ.6048).
ISBN
9790230660488. 24.00 x
33.00 cm
inches.
This
facsimile of an original
by Carl Philipp Emanuel
Bach is part of our
Dominantes collection.
Edition: Amsterdam, J. J.
Hummel, undated (=1770).
Presentation by Miklos
Spanyi: C. P. E. Bach's
keyboard works - the six
Damensonaten (first
editions and manuscripts
- history, style and
performance - editorial
choices) - List of
corrections and variants.
Six very attractive
sonatas by C. P. E. Bach,
presented by a specialist
of that composer, who has
recorded his entire
keyboard works.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the Kunglika
Musikaliska Akademiens
Biblioteket of Stockholm
(Sweden). Anne Fuzeau
Classique propose period
copies of classical music
scores.
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
Trombone SKU: GF.JPTB Composed by Greg Fishman. Play-Along (Book+CD). Pub...(+)
Trombone
SKU:
GF.JPTB
Composed by
Greg Fishman. Play-Along
(Book+CD). Published by
Greg Fishman Jazz Studios
(GF.JPTB).
Milwaukee
Avenue
Ogden
Avenue
Narragans
ett
Avenue
Belden
Avenue
Chicago
Avenue
Quincy
Street
Rockwell
Street
Dearborn
Street
Franklin
Street
Pearson
Street
Jazz Phrasing
for Trombone features ten
melodic pieces which are
easy to play, yet convey
the essence of mainstream
(Swing/Bebop/Bossa) jazz
vocabulary. The pieces
are catchy and melodic,
demonstrating the use of
sequence and
voice-leading to make a
musical statement.
This book
includes a play-along CD
featuring trombonist Russ
Phillips playing each
song with a world-class
rhythm section. The CD
also includes tracks
featuring Greg Fishman
demonstrating each song
on alto saxophone, giving
trombone players the
option of playing along
with Russ Phillips on
trombone or with Greg
Fishman on alto
saxophone.
In
addition, there are
play-along tracks
featuring just the rhythm
section. These tracks are
great for practicing the
songs, chords, scales,
voice-leading lines and
soloing over the chords
progressions.
Jazz Phrasing for
Trombone will provide
valuable insights into a
melodic approach to jazz
improvisation. This book
is recommended for
trombone players of all
levels who wish to
improve their tone,
articulation, phrasing,
and understanding of
thematic development.
Special Features
of Jazz Phrasing for
Trombone:
o
Suggested Use Section -
Provides detailed
instructions on a variety
of ways to work with the
book. Style & Analysis
Section - Provides clear,
concise explanations of
sequence, variation and
voice-leading
Thematic Index - Lets you
compare the opening
themes of all ten songs
in convenient two page
at-a-glance format. Also
includes detailed
information on the
opening interval of each
song, as well as harmonic
context of the opening
interval.
Endorsements for Jazz
Phrasing for
Trombone: Greg has
done it again. Great
melodies, interesting
rhythms and beautiful
chord progressions. This
is the perfect foundation
for learning jazz. -
Jamey Aebersold This
book is a monument to
Greg Fishman's superb
teaching skills, as well
as his clear
understanding of the jazz
student's early needs. He
has purposefully selected
accessible tempos,
significant melodic
rhythms (with their
appropriate phrasing) and
sensitive note choices,
utilizing commonplace
chord progressions within
the jazz repertory, all
impeccably demonstrated
on the accompanying
compact disc. This book
is a must for the early
conditioning of jazz
students! - Jerry
Coker Greg Fishman has
created a book of fun,
well-written, catchy
tunes in a variety of
styles for developing
jazz players---highly
recommended. - Dr.
Gregory W. Yasinitsky,
Regents Professor of
Music & Coordinator of
Jazz Studies, Washington
State University
Songs included in
Jazz Phrasing for
Trombone - Volume 1: o
Milwaukee Avenue Ogden
Avenue Narragansett
Avenue Belden
Avenue Chicago
Avenue Quincy
Street Rockwell
Street Dearborn
Street Franklin
Street Pearson
Street
A few words
from the preface of the
book:
Applying
good phrasing to music is
like using good
punctuation in written or
spoken language. It
involves the grouping of
ideas to make the meaning
of the words clear to the
listener. The words are
grouped into sentences,
and the sentences are
then grouped into
paragraphs. The same is
true when interpreting a
piece of music.
Good phrasing
requires a musician to
interpret the notes he
plays, and determine
which notes need to be
grouped together to form
a complete musical idea.
Each song in Jazz
Phrasing for Trombone is
designed to train your
ear to hear the logical
grouping of phrases
through the use of
sequence and thematic
development.
While the art of
good phrasing involves
the interpretation of
note groupings and their
relationships, it also
involves deciding where
you're going to take a
breath.
Read the
following sentences aloud
to compare examples of
good and bad phrasing.
Good phrasing,
spoken in one continuous
breath:
Ladies
and gentlemen, it gives
me great pleasure to
introduce the senior
class president.
Bad phrasing,
spoken with extra
breaths, disrupting the
flow and grouping of the
words:
Ladies and
gentlemen, it gives
(breath) me great
pleasure to introduce the
senior class (breath)
president. The
difference between these
two sentences is very
similar to the difference
between a professional
musician's phrasing and a
student's phrasing. Both
may be playing the
correct notes with the
correct rhythm, but the
professional musician
knows how to group the
notes in a smooth,
flowing fashion, while
the student takes breaths
at random, not even aware
that he's disrupting the
phrasing.
Jazz
Phrasing for Trombone has
been carefully designed
to help you learn to
phrase like a
professional player.
These are pieces
that will be fun for all
musicians who love
melodic writing with good
thematic
development..
Komodie mit Musik.
Composed by Wolfgang
Amadeus Mozart. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Viola. Incidental
music. Single Part,
Viola. Composed 1786. KV
486. 16 pages. Duration
28 minutes. Carus Verlag
#CV 51.486/13. Published
by Carus Verlag
(CA.5148613).
ISBN
9790007225179. Language:
German. Text: Stephanie
der Jungere, Johann
Gottfried. Text: Johann
Gottfried, Stephanie der
Jungere.
Der
Schauspieldirektor (The
Impresario) was composed
in the spring of 1786 to
fulfill a commission from
Joseph II for performance
during a visit to Vienna
by the Governor-General
of the Netherlands. The
visitors were meant to be
entertained with a short
German and an Italian
musical comedy during a
festival arranged on
short notice in
Schonbrunn Palace. The
choice of composers fell
to Mozart and Salieri.
Both pieces spoofed the
theatrical practices of
the day. Der
Schauspieldirektor, by
Gottlieb Stephanie the
Younger, has a
loosely-constructed plot
that hinges on the vanity
of opera singers and the
empty-headedness of many
traveling companies.
Frank Lustig wants to
create a new theatrical
troupe, for which Herr
Eiler is willing to
supply money, but only on
condition that his lady
friend is allowed to
join. In the course of
the piece, appearances
are made by other ladies
with resonant names who
want to be retained as
singers and who attempt
to outdo each other until
reason is allowed to
prevail. Score and part
available separately -
see item CA.5148600.
Komodie mit Musik.
Composed by Wolfgang
Amadeus Mozart. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Violin 2.
Incidental music. Single
Part, Violin 2. Composed
1786. KV 486. 16 pages.
Duration 28 minutes.
Carus Verlag #CV
51.486/12. Published by
Carus Verlag
(CA.5148612).
ISBN
9790007225162. Language:
German. Text: Stephanie
der Jungere, Johann
Gottfried. Text: Johann
Gottfried, Stephanie der
Jungere.
Der
Schauspieldirektor (The
Impresario) was composed
in the spring of 1786 to
fulfill a commission from
Joseph II for performance
during a visit to Vienna
by the Governor-General
of the Netherlands. The
visitors were meant to be
entertained with a short
German and an Italian
musical comedy during a
festival arranged on
short notice in
Schonbrunn Palace. The
choice of composers fell
to Mozart and Salieri.
Both pieces spoofed the
theatrical practices of
the day. Der
Schauspieldirektor, by
Gottlieb Stephanie the
Younger, has a
loosely-constructed plot
that hinges on the vanity
of opera singers and the
empty-headedness of many
traveling companies.
Frank Lustig wants to
create a new theatrical
troupe, for which Herr
Eiler is willing to
supply money, but only on
condition that his lady
friend is allowed to
join. In the course of
the piece, appearances
are made by other ladies
with resonant names who
want to be retained as
singers and who attempt
to outdo each other until
reason is allowed to
prevail. Score and part
available separately -
see item CA.5148600.
Komodie mit Musik.
Composed by Wolfgang
Amadeus Mozart. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Violoncello.
Incidental music. Single
Part, Cello. Composed
1786. KV 486. 12 pages.
Duration 28 minutes.
Carus Verlag #CV
51.486/14. Published by
Carus Verlag
(CA.5148614).
ISBN
9790007225186. Language:
German. Text: Stephanie
der Jungere, Johann
Gottfried. Text: Johann
Gottfried, Stephanie der
Jungere.
Der
Schauspieldirektor (The
Impresario) was composed
in the spring of 1786 to
fulfill a commission from
Joseph II for performance
during a visit to Vienna
by the Governor-General
of the Netherlands. The
visitors were meant to be
entertained with a short
German and an Italian
musical comedy during a
festival arranged on
short notice in
Schonbrunn Palace. The
choice of composers fell
to Mozart and Salieri.
Both pieces spoofed the
theatrical practices of
the day. Der
Schauspieldirektor, by
Gottlieb Stephanie the
Younger, has a
loosely-constructed plot
that hinges on the vanity
of opera singers and the
empty-headedness of many
traveling companies.
Frank Lustig wants to
create a new theatrical
troupe, for which Herr
Eiler is willing to
supply money, but only on
condition that his lady
friend is allowed to
join. In the course of
the piece, appearances
are made by other ladies
with resonant names who
want to be retained as
singers and who attempt
to outdo each other until
reason is allowed to
prevail. Score and part
available separately -
see item CA.5148600.
Komodie mit Musik.
Composed by Wolfgang
Amadeus Mozart. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Complete
orchestral parts.
Incidental music. Set of
Orchestra Parts. Composed
1786. KV 486. Duration 28
minutes. Carus Verlag #CV
51.486/19. Published by
Carus Verlag
(CA.5148619).
ISBN
9790007133641. Language:
German. Text: Stephanie
der Jungere, Johann
Gottfried. Text: Johann
Gottfried, Stephanie der
Jungere.
Der
Schauspieldirektor (The
Impresario) was composed
in the spring of 1786 to
fulfill a commission from
Joseph II for performance
during a visit to Vienna
by the Governor-General
of the Netherlands. The
visitors were meant to be
entertained with a short
German and an Italian
musical comedy during a
festival arranged on
short notice in
Schonbrunn Palace. The
choice of composers fell
to Mozart and Salieri.
Both pieces spoofed the
theatrical practices of
the day. Der
Schauspieldirektor, by
Gottlieb Stephanie the
Younger, has a
loosely-constructed plot
that hinges on the vanity
of opera singers and the
empty-headedness of many
traveling companies.
Frank Lustig wants to
create a new theatrical
troupe, for which Herr
Eiler is willing to
supply money, but only on
condition that his lady
friend is allowed to
join. In the course of
the piece, appearances
are made by other ladies
with resonant names who
want to be retained as
singers and who attempt
to outdo each other until
reason is allowed to
prevail. Score and parts
available separately -
see item CA.5148600.