Oboe and piano SKU: ST.C551 Composed by Mary Chandler. Wind & brass music...(+)
Oboe and piano
SKU:
ST.C551
Composed by
Mary Chandler. Wind &
brass music. Clifton
Edition #C551. Published
by Clifton Edition
(ST.C551).
ISBN
9790570815517.
Bagatelle for
Oboe and Piano was
composed in 1950. This is
the first time that the
piece has been
published.
Mary
Chandler was born in Kent
in 1911. She studied
music privately, and her
teachers included Harry
Farjeon (composition),
Margaret Eliot and Leon
Goossens (oboe) and
Harold Craxton (piano).
She read English at
Oxford University and
taught in London schools
before joining the City
of Birmingham Symphony
Orchestra as principal
oboist. She appeared with
the CBSO as soloist (oboe
and piano) and composer
and gave broadcasts and
recitals in the Midlands.
Later, as a free-lance
orchestral player, she
formed the Mercian Trio
(flute, oboe and piano)
which gave concerts
around the country. In
1960 Mary became Area
Director of the Kent
Music School, in charge
of its wind teaching and
of the varied activities
of its Tonbridge Music
Centre. She conducted
many student groups and
composed and arranged
music for them until she
retired in 1971. She
continued to be actively
involved in music
thereafter, examining,
composing and organising
concerts. She spent her
later years in
Gloucestershire and died
in 1996.
Dr.
Kristin Leitterman is
currently the Assistant
Professor of Oboe at
Arkansas State University
in Jonesboro, Arkansas,
USA, where she teaches
oboe and bassoon, Double
Reed Techniques, and
coaches small chamber
ensembles. She is also
the Director of the
Lucarelli Oboe Master
Class, a week-long
immersive oboe master
class founded by Bert
Lucarelli in 1996. As a
guest artist she has
presented master classes
at many institutions,
including the Manhattan
School of Music, New York
University, and the Hartt
School.
As a
researcher, Kirstin has
interests in the life and
works of Mary Chandler.
She has presented her
research at The Juilliard
School, Music by Women
Festival, the
International Double Reed
Society conferences, and
the Brazilian Double Reed
Society’s conference in
João Pessoa, Paraíba,
Brazil.
Oboe and piano SKU: ST.C513 Composed by Mary Chandler. Wind & brass music...(+)
Oboe and piano
SKU:
ST.C513
Composed by
Mary Chandler. Wind &
brass music. Clifton
Edition #C513. Published
by Clifton Edition
(ST.C513).
ISBN
9790570815135.
Sonatina for
Oboe and Piano was
composed in 1967 and
given its first
performance by Dinah
Demuth, to whom it is
dedicated. The Sonatina
for Cor Anglais and Piano
of 1968 was also written
for Dinah Demuth, then a
member of the Midland
Light Orchestra, whose
broadcasts included solo
works such as these two
Sonatinas. This Sonatina
was originally published
by Phylloscopus
Publications in
1995.
Dr. Kristin
Leitterman is currently
the Assistant Professor
of Oboe at Arkansas State
University in Jonesboro,
Arkansas, USA, where she
teaches oboe and bassoon,
Double Reed Techniques,
and coaches small chamber
ensembles. She is also
the Director of the
Lucarelli Oboe Master
Class, a week-long
immersive oboe master
class founded by Bert
Lucarelli in 1996. As a
guest artist she has
presented master classes
at many institutions,
including the Manhattan
School of Music, New York
University, and the Hartt
School.
As a
researcher, Kirstin has
interests in the life and
works of Mary Chandler.
She has presented her
research at The Juilliard
School, Music by Women
Festival, the
International Double Reed
Society conferences, and
the Brazilian Double Reed
Society’s conference in
João Pessoa, Paraíba,
Brazil.
Bassoon and Piano - easy SKU: BT.AMP-307-400 Arranged by Philip Sparke. A...(+)
Bassoon and Piano - easy
SKU:
BT.AMP-307-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series.
Classical. Book with CD.
Composed 2013. 16 pages.
Anglo Music Press #AMP
307-400. Published by
Anglo Music Press
(BT.AMP-307-400).
ISBN
9789043138154. 9x12
inches.
English-German-French-Dut
ch.
Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15 Easy
Classical Solos is
aimed at the young
instrumentalist who can
play just over an octave.
Specifically tailored to
suit the individual
instrument, this book
introduces the beginning
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range. The
carefully selected pieces
include music from the
16th to the 20th century
and cover a wide variety
of styles, from Bach to
Grieg and from Purcell to
Satie. This book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15 Easy
Classical Solos,
onderdeel van de Anglo
Music Play-Along
Series, is bedoeld
voor de jonge
instrumentalist die iets
meer dan een octaaf kan
spelen. Het boek sluit
qua instrumentaal bereik
en gebruikte
toonsoortenaan bij het
Artist Level van Hal
Leonards Essential
Elements ®, maar
kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën, die
specifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen:van Bach tot
Grieg en van Purcell tot
Satie.Het boek bevat
waardevol materiaal ter
aanvulling op elke
lesmethode en wordt
geleverd met
pianobegeleiding en een
cd met demo- en
meespeeltracks.
15 Easy Classical
Solos ist als
Ergänzung zur
bewährten Anglo
Music Play-Along
Reihe gedacht und richtet
sich an Schüler, die
ungefähr einen
Tonumfang von einer
Oktave beherrschen. Das
Niveau entspricht dem des
Artist Levels der
Essential Elements
® Methode von Hal
Leonard, kann aber auch
unabhängig davon
verwendet werden. Genau
auf jedes Instrument
zugeschnitten,
ermöglicht die
wohlüberlegte
Stückeauswahl ein
erstes Kennenlernen von
Melodien aus
verschiedenen Epochen der
Klassik von Grieg über
Purcell bis Satie. Jeder
Band bietet wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
Il concetto della
collana Anglo Music
Play-Along Series
è quello di integrare
al più presto nel
processo di apprendimento
dei giovani strumentisti
la possibilit di poter
suonare accompagnati al
piano o con lâ??ausilio
di unâ??incisione su CD.
Ilchiaro vantaggio di
questo metodo è che
gli allievi imparano da
subito lâ??aspetto
fondamentale del suonare
insieme, vale a dire
tenere il tempo in modo
costante. 15 Easy
Classical Solos
consente agli allievi che
hanno una conoscenza
limitatadelle note di
suonare brani di Bach,
Schubert, Purcell, Grieg
e altri, grazie alle
versioni facilitate. Il
livello di 15
Intermediate Classical
Solos permette invece
agli allievi che
padroneggiano
lâ??estensione superiore
a unâ??ottava
dicimentarsi nei
â??primi concertiâ?
con brani di Haendel,
Clementi, Rameau, Glueck,
Beethoven e altri. Il CD
propone una traccia con
lâ??incisione completa e
una con il solo
accompagnamento.
Oboe and piano SKU: ST.C550 Composed by Mary Chandler. Wind & brass music...(+)
Oboe and piano
SKU:
ST.C550
Composed by
Mary Chandler. Wind &
brass music. Clifton
Edition #C550. Published
by Clifton Edition
(ST.C550).
ISBN
9790570815500.
Traveller’s
Joy — Two Walking
Tunes for Oboe and Piano
was composed in 1956.
This is the first time
the piece has been
published.
Mary
Chandler was born in Kent
in 1911. She studied
music privately, and her
teachers included Harry
Farjeon (composition),
Margaret Eliot and Leon
Goossens (oboe) and
Harold Craxton (piano).
She read English at
Oxford University and
taught in London schools
before joining the City
of Birmingham Symphony
Orchestra as principal
oboist. She appeared with
the CBSO as soloist (oboe
and piano) and composer
and gave broadcasts and
recitals in the Midlands.
Later, as a free-lance
orchestral player, she
formed the Mercian Trio
(flute, oboe and piano)
which gave concerts
around the
country.
In 1960
Mary became Area Director
of the Kent Music School,
in charge of its wind
teaching and of the
varied activities of its
Tonbridge Music Centre.
She conducted many
student groups and
composed and arranged
music for them until she
retired in 1971. She
continued to be actively
involved in music
thereafter, examining,
composing and organising
concerts. She spent her
later years in
Gloucestershire and died
in 1996.
Dr.
Kristin Leitterman is
currently the Assistant
Professor of Oboe at
Arkansas State University
in Jonesboro, Arkansas,
USA, where she teaches
oboe and bassoon, Double
Reed Techniques, and
coaches small chamber
ensembles. She is also
the Director of the
Lucarelli Oboe Master
Class, a week-long
immersive oboe master
class founded by Bert
Lucarelli in 1996. As a
guest artist she has
presented master classes
at many institutions,
including the Manhattan
School of Music, New York
University, and the Hartt
School.
As a
researcher, Kirstin has
interests in the life and
works of Mary Chandler.
She has presented her
research at The Juilliard
School, Music by Women
Festival, the
International Double Reed
Society conferences, and
the Brazilian Double Reed
Society’s conference in
João Pessoa, Paraíba,
Brazil.
(Wedding and Classical Favorites). Composed by Various. Arranged by Daniel Kelle...(+)
(Wedding and Classical
Favorites). Composed by
Various. Arranged by
Daniel Kelley. For
Flute/Oboe/Violin and
Cello/Bassoon. Duets.
Music for Two series. An
engaging new collection
for any occasion
including the best of
Bach, Chopin, Debussy,
Delibes, Dvorak, Holst,
Tschaikovsky and more!.
Wedding, Classical.
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing
Gavotte and Tarantelle Quintette : Hautbois, Clarinette, Cor, Basson et Piano Rosewood Publications
By Fritz Fuhrmeister. For wind quintet (flute, oboe, clarinet, horn, bassoon) an...(+)
By Fritz Fuhrmeister. For
wind quintet (flute,
oboe, clarinet, horn,
bassoon) and piano.
Facsimile Editions -
Winds and Piano. An
excellent romantic
companion piece to the
Thuille. Bargain price.
Romantic. Published by
Rosewood Publications
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann.
The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oboe, bassoon and piano - difficult SKU: HL.49016219 Composed by Benjamin...(+)
Oboe, bassoon and piano -
difficult
SKU:
HL.49016219
Composed
by Benjamin Schweitzer.
This edition: Saddle
stitching. Sheet music.
Misc. Score (also
performance score).
Composed 2006. 73 pages.
Duration 10'. Schott
Music #ED 20121.
Published by Schott Music
(HL.49016219).
ISBN
9790001146449. UPC:
884088202538.
9.0x12.0x0.195
inches.
The
chiaroscuro-technique
developed by painters of
the Italian renaissance
served to intensify
contrasts and effects of
optical depth. In
Klar/Obskur, I tried to
transfer the general idea
of this technique on the
rather unusual
instrumentation of two
double-reed woodwinds and
piano. On the one hand, a
clear, well articulated
playing is characteristic
for these instruments, on
the other hand, they have
an often underestimated
potential of 'twilight':
air-sounds and fragile,
shady colours have a
especially attractive
when being produced by
double-reed instruments
(which are often, and
superficially regarded as
being less capable of
differentiated sounds
than flute or clarinet).
The piano, too, has a
broad bandwidth of
possibilities between
percussive and delicate
playing to complement the
woodwinds which, in
return, can absorb and
continue the fading piano
sounds.The beginning
introduces the two
contrasting elements that
form the basic material
for the piece: a clear,
sharp chord, followed by
fragile, dim sounds. The
changes between these
elements as well as their
combination and
amalgamation produce an
enormous spectrum of
colours and gesture.
After this 'motto-like'
opening follow four quite
clearly separated short
sections, each of them
being characterised by a
well-defined texture: a
partly almost
imperceptible air-sound
passage, a short sequence
of microintervallic
notes, a burst of
virtuosity and a recourse
to the fragile sounds of
the beginning.The second,
longer main part consists
of three sections merging
subtly into each other: a
short unisono-passage,
marked elastic [federnd],
is being dissolved into
its basic elements; from
these remainders, a
confrontation of low,
'arcane' bassoon and
piano sounds and a
strongly ornamented
melodic line of the oboe
emerges, leading to a
short but powerful
climax. The piece is
concluded by an extended,
relaxed epilogue,
containing a short piano
solo and a duet of oboe
and bassoon and, finally,
a quotation of the
'elastic' character of
the middle
section.Benjamin
Schweitzer.
Sounds Classical Basson, Piano (duo) [Partition + CD] - Facile Anglo Music
Bassoon and Piano - early intermediate SKU: BT.AMP-362-400 17 Graded S...(+)
Bassoon and Piano - early
intermediate
SKU:
BT.AMP-362-400
17
Graded Solos for Bassoon
and Piano. Arranged
by Philip Sparke.
Classical. Book with CD.
Composed 2013. 32 pages.
Anglo Music Press #AMP
362-400. Published by
Anglo Music Press
(BT.AMP-362-400).
ISBN
9789043138826. 9x12
inches.
English-German-French-Dut
ch.
Sounds
Classical for Bassoon
is a collection of graded
solos selected
specifically for the
developing
bassoonist.
Designed to
correlate with grades 1-4
of the exam syllabus of
the Associated Board of
the royal Schools of
Music, the pieces are
drawn from four centuries
of classical repertoire
ranging from Susato to
Sullivan, and will
provide ideal material
forpractice or
recital.
Also
available: Sounds
Classical for Oboe,
AMP
361-400
Sounds
Classical for Bassoon
is een verzameling van
solos die speciaal voor
fagotleerlingen zijn
geselecteerd - in
oplopend niveau.
De
stukken komen qua
moeilijkheidsgraad
overeen met niveau 1-4
van de examenbundel van
de Britse Associated
Board of the Royal
Schools of Music. Ze
bestrijken een periode
van vier eeuwen klassiek
repertoire - van Susato
tot Sullivan - en ze
vormenideaal materiaal
voor zowel lessen als
optredens.
Ook
verkrijgbaar: Sounds
Classical for Oboe,
AMP 361-400
SOUNDS
CLASSICAL ist eine
Sammlung von im
Schwierigkeitsgrad
fortschreitenden Soli,
die speziell für
werdende Fagottisten
ausgewählt wurden.
Philip Sparke wählte
für dieses Buch
Stücke aus dem
klassischen Repertoire
aus vier Jahrhunderten
aus - vonSusato über
Telemann, Händel,
Grieg, Purcell, Mozart
bis Sullivan - das ideale
Material zum Ãœben oder
Vorspielen!
15 Easy Solos for Contest and Performance with Online Audio and Printable Pian...(+)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
Sounds Classical Hautbois, Piano (duo) [Partition + CD] - Facile Anglo Music
Oboe and Piano - early intermediate SKU: BT.AMP-361-400 17 Graded Solo...(+)
Oboe and Piano - early
intermediate
SKU:
BT.AMP-361-400
17
Graded Solos for Oboe and
Piano. Arranged by
Philip Sparke. Classical.
Book with CD. Composed
2013. 32 pages. Anglo
Music Press #AMP 361-400.
Published by Anglo Music
Press (BT.AMP-361-400).
ISBN 9789043136679.
9x12 inches.
English-German-French-Dut
ch.
Sounds
Classical for Oboe is
a collection of graded
solos selected
specifically for the
developing oboe
player.
Designed to
correlate with grades 1-4
of the exam syllabus of
the Associated Board of
the royal Schools of
Music, the pieces are
drawn from four centuries
of classical repertoire
ranging from Susato to
Sullivan, and will
provide ideal material
forpractice or
recital.
Also
available: Sounds
Classical for
Bassoon, AMP
362-400
Sounds
Classical for Oboe is
een verzameling van solos
die speciaal voor
hoboleerlingen zijn
geselecteerd - in
oplopend niveau.
De
stukken komen qua
moeilijkheidsgraad
overeen met niveau 1-4
van de examenbundel van
de Britse Associated
Board of the Royal
Schools of Music. Ze
bestrijken een periode
van vier eeuwen klassiek
repertoire - van Susato
tot Sullivan - en ze
vormenideaal materiaal
voor zowel lessen als
optredens.
Ook
verkrijgbaar: Sounds
Classical for
Bassoon, AMP
362-400
SOUNDS
CLASSICAL ist eine
Sammlung von im
Schwierigkeitsgrad
fortschreitenden Soli,
die speziell für
werdende Oboisten
ausgewählt wurden.
Philip Sparke wählte
für dieses Buch
Stücke aus dem
klassischen Repertoire
aus vier Jahrhunderten
aus - vonSusato über
Telemann, Händel,
Grieg, Purcell, Mozart
bis Sullivan - das ideale
Material zum Ãœben oder
Vorspielen!
Arranged by Daniel Kelley. For Flute (or Oboe or Violin) and Cello (or Bassoon)....(+)
Arranged by Daniel
Kelley. For Flute (or
Oboe or Violin) and Cello
(or Bassoon). Duets.
Music for Two. Wedding,
Classical. Level:
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing.
Bassoon and Piano SKU: ST.C182 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C182
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C182. Published
by Clifton Edition
(ST.C182).
ISBN
9790570811823.
Bodhán T
he melody here is very
broken up, so breathe and
be ready for the next
entry in good time.
Don’t drag behind the
drum in the piano part.
Notice that only some of
the notes are marked
staccato.
À la
Modal Modes
are scales based on the
white notes of the piano,
say, so you won’t find
a single accidental in
this piece. It shows that
expression in music
depends on more than just
the dynamics, that is,
how loudly and softly you
play. We also need to
observe the articulation
markings such as
staccato, tenuto and the
accents on both long and
short
notes.
Sch
ubert’s
Ghost Schuber
t is one of my favourite
composers. I hope you
enjoy the swing of the
dotted rhythms and
accents in this little
Viennese impression.
There are three musical
quotations: one from
Schubert himself, one
from a later Viennese
composer, Gustav Mahler
and, near the end, the
Dies Irae tune
which has been used by
many composers. Three
Pieces for Bassoon and
Piano
15 Easy Solos for Contest and Performance with Online Audio and Printable Pian...(+)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
For Oboe, Clarinet in B-flat, Horn in E-flat, Bassoon and Piano. By Ludwig van B...(+)
For Oboe, Clarinet in
B-flat, Horn in E-flat,
Bassoon and Piano. By
Ludwig van Beethoven.
Edited by S. Kross.
Chamber Music with Winds.
Pages: Score(Pno) = 48 *
Oboe = 7 * Bassoon = 7 *
Clar B-flat = 7 * Horn
E-flat = 4. Urtext
edition-paper bound.
Published by G. Henle.
The Moerae Hautbois, Piano (duo) Theodore Presser Co.
Chamber Music Bassoon, Flute, Oboe, Piano SKU: PR.164002930 A Fantasy ...(+)
Chamber Music Bassoon,
Flute, Oboe, Piano
SKU: PR.164002930
A Fantasy For Flute,
Oboe, Bassoon, And
Piano. Composed by
Dan Welcher. Sws.
Premiered by Marianne
Gedigian, Rebecca
Henderson, Kristen Wolfe
Jensen, and Eugene
Rowley. Contemporary. Set
of Score and Parts. With
Standard notation.
Composed 2006. 40 8 8 12
pages. Duration 9
minutes, 15 seconds.
Theodore Presser Company
#164-00293. Published by
Theodore Presser Company
(PR.164002930).
UPC:
680160632251. 9x12
inches.
The Moerae
was written for Welcher's
long-time friend Robert
Freeman, director of the
Eastman School of Music
(1972 to 1996) and Dean
of the College of Fine
Arts at the University of
Texas at Austin (2000 to
2006). Its premiere was
given by the Westwood
Wind Quintet with Lisa
Bergman (piano), who
write, The Moerae, with
its interesting
instrumentation,
fascinating story line,
and beautiful melodies,
is a true work of art.
The Moerae are the three
fates who spin the thread
of life, measure it, and
cut it when they please.
The Westwood also
recorded the work on
their Crystal Records
CD790, Fate and Fire.
The Moerae Hautbois, Piano (duo) [Conducteur] Theodore Presser Co.
Chamber Music Bassoon, Flute, Oboe, Piano SKU: PR.16400293S A Fantasy ...(+)
Chamber Music Bassoon,
Flute, Oboe, Piano
SKU: PR.16400293S
A Fantasy For Flute,
Oboe, Bassoon, And
Piano. Composed by
Dan Welcher. Sws.
Premiered by Marianne
Gedigian, Rebecca
Henderson, Kristen Wolfe
Jensen, and Eugene
Rowley. Contemporary.
Score. With Standard
notation. Composed 2006.
40 pages. Duration 9
minutes, 15 seconds.
Theodore Presser Company
#164-00293S. Published by
Theodore Presser Company
(PR.16400293S).
UPC:
680160632275. 9x12
inches.
The Moerae
was written for Welcher's
long-time friend Robert
Freeman, director of the
Eastman School of Music
(1972 to 1996) and Dean
of the College of Fine
Arts at the University of
Texas at Austin (2000 to
2006). Its premiere was
given by the Westwood
Wind Quintet with Lisa
Bergman (piano), who
write, The Moerae, with
its interesting
instrumentation,
fascinating story line,
and beautiful melodies,
is a true work of art.
The Moerae are the three
fates who spin the thread
of life, measure it, and
cut it when they please.
The Westwood also
recorded the work on
their Crystal Records
CD790, Fate and Fire.
Suite. Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score and parts.
Duration 8:10. Published
by G & M Brand Music
Publishers (CN.R10220).
Wit, warmth,
charm, beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Each of the three
included movements is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite.
Jeuz
d'enfants was originally
written in 1871 as a
Suite of twelve pieces
for piano duet. Two years
later, Bizet scored five
of the pieces for
orchestra to create a
Petite Suite. Each
movement shows Bizet's
enormous skill as a
miniaturist, the music
exuding a concentration
of power and atmosphere.
Wit, warmth, charm,
beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Three of the movements
are included in this
arrangement. Each is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite. 1) Marche -
Trompette and Tambour
(Trumpet and Drum) 2) Duo
- Petit Mari, Petite
Femme (Little Husband,
Little Wife) 3) Galop -
Le Bal (The Ball).
Suite. Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 8:10. Published
by G & M Brand Music
Publishers (CN.S11220).
Wit, warmth,
charm, beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Each of the three
included movements is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite.
Jeuz
d'enfants was originally
written in 1871 as a
Suite of twelve pieces
for piano duet. Two years
later, Bizet scored five
of the pieces for
orchestra to create a
Petite Suite. Each
movement shows Bizet's
enormous skill as a
miniaturist, the music
exuding a concentration
of power and atmosphere.
Wit, warmth, charm,
beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Three of the movements
are included in this
arrangement. Each is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite. 1) Marche -
Trompette and Tambour
(Trumpet and Drum) 2) Duo
- Petit Mari, Petite
Femme (Little Husband,
Little Wife) 3) Galop -
Le Bal (The Ball).