Guitar, Bass, Drums,
Tambourine. Composed
by Dallas Pearce and
Pepper Choplin. Arranged
by Pepper Choplin.
Shawnee Press. Print on
demand - publisher prints
this title after order is
received. Country,
General Worship, Gospel,
Worship. Parts. Shawnee
Press #LB5741. Published
by Shawnee Press
(HL.35010413).
UPC:
747510059974.
8.5x11.0x0.061
inches.
With a
down-home, country gospel
feel, I Wouldn't Miss
Heaven for the World
anticipates the ultimate
glory we will attain if
we follow the Lord. There
is nothing on earth that
can compare with what
awaits us in heaven.
Joyful and exuberant,
this toe-tapping,
sing-along anthem
promises to be quite
memorable. Accompaniment
tracks available
separately on Lite Trax
2003 Vol. 63, No. 1
(MD5185).
Performed by Hank Williams Jr.. For guitar and voice. Format: guitar tablature s...(+)
Performed by Hank
Williams Jr.. For guitar
and voice. Format: guitar
tablature songbook. With
leadsheet notation
(chords and melody),
lyrics, chord names,
guitar chord diagrams and
strum and pick patterns.
Country and honky tonk.
Series: Strum It
(guitar). 64 pages. 9x12
inches. Published by Hal
Leonard.
Celine Dion: One Heart Piano, Voix et Guitare [Partition] - Intermédiaire Warner Brothers
Performed by Celine Dion. For voice, piano and guitar chords. Format: piano/voca...(+)
Performed by Celine Dion.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Adult
contemporary and pop
vocal. 9x12 inches.
Published by Warner
Brothers.
My Fair Lady [Pack instrumental] Alfred Publishing
(A Choral Medley: I Could Have Danced All Night / On the Street Where You Live /...(+)
(A Choral Medley: I Could
Have Danced All Night /
On the Street Where You
Live / Wouldn't It Be
Loverly / I've Grown
Accustomed to Her Face /
Get Me to the Church On
Time). By Alan Jay
Lerner, music by
Frederick Loewe. Arranged
by Andy Beck. Choir
Secular. For SoundPax.
This edition: SoundPax.
Choral Octavo; Part(s).
Pop Choral. Form: Medley.
Broadway; Movie. 72
pages. Published by
Alfred Music Publishing
(The Little Pageant That Wouldn't Give Up!). By Celeste Clydesdale. Arranged by ...(+)
(The Little Pageant That
Wouldn't Give Up!). By
Celeste Clydesdale.
Arranged by David
Clydesdale. For
2-part/Unison. Musical.
Modern Christian:
Christmas. Easy. Choral
Book. Duration 40'00 .
Published by Word Music
By Ronald Arnatt. Text: British Museum MS 5665,c. 1500. For Soprano and Mezzo-So...(+)
By Ronald Arnatt. Text:
British Museum MS 5665,c.
1500. For Soprano and
Mezzo-Soprano soli, SA
Choir. (Women's or
Children's Voices).
Christmas. Choral.
Published by E.C.
Schirmer Publishing.
Eyesight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.342402070 Composed by Steven Stucky. -. ...(+)
Choral SATB choir, piano
SKU: PR.342402070
Composed by Steven
Stucky. -. Ars Nova
Chamber Singers, Boulder
CO. Performance Score.
With Standard notation.
Composed 7-Feb. 8 pages.
Duration 3 minutes.
Theodore Presser Company
#342-40207. Published by
Theodore Presser Company
(PR.342402070).
ISBN
9781491111253. UPC:
680160643226. Octavo
inches. Text: Archibald
R. Ammons. Archibald
Ammons. Text by A.R.
Ammons.
To benefit
Chorus America, Stucky
allowed himself to be
auctioned off as a prize
- the high bidder would
receive a new work from
the composer. After a few
years and not really
hearing anything, Stucky
suddenly found himself up
against a deadline. He
reached back to a
favorite poem by A.R.
Ammons, Eyesight, which,
he says, Won't let...his
reader rest till the very
last word...one of those
sudden insights that
leave us
breathless.. This
piece has an odd history.
A few years ago, I agreed
to be one of
the“prizesâ€
in an auction to benefit
Chorus America: the
highest bidder wouldget a
new piece from me, while
their money went to the
organization. Thewinning
bid came from a
collection of several
professional choruses
anddirectors. But I was
always a little vague
about the details, and,
hearingnothing more about
it for a few years,
forgot the whole
thing.One day I received
a message from Thomas
Edward Morgan, directorof
the Ars Nova Chamber
Singers in Boulder: they
had scheduled thepremiere
of my new piece for a few
weeks later, and could
they have themusic,
please? I needed a text,
quickly, and (as usual) I
was in a Los Angeleshotel
room, not at home with my
books. So I turned to the
internet andsoon tracked
down my favorite poet,
A.R. Ammons
(1926-2001).Once I
stumbled on
“Eyesight,†I
remembered having loved
the poemyears before.
Archie must have loved
it, too, because he
included it bothin his
Collected Poems 1951-1971
and in the later Selected
Poems. It haseverything
you want in an Archie
Ammons poem: what Edward
Hirschcalled his
“offbeat, sideways,
unpredictable
radiance,†his
“homespunglory.â
It has one of his
trademark conversations
with a mountain
(perhapsfrom his native
North Carolina), it has
the fluid motion from one
line tothe next
(enjambment, if you want
to get technical) that
won’t let him
orhis reader rest till
the very last word of the
very last line, and it
has in thatlast line one
of those sudden insights
that leave us breathless:
“some thingsthat go
are gone.â€I miss
Archie, but he’s
not gone. I’m
grateful for the
wonderful poems heleft
us, and I’m
grateful that he was
always generous and kind
when I hadthe chutzpah to
add my music to his.
Chamber Ensemble (Study Score) SKU: HL.49046391 For Violin, Cello, Nor...(+)
Chamber Ensemble (Study
Score)
SKU:
HL.49046391
For
Violin, Cello,
Northumbrian pipes,
Hammond Organ and
Orchestr. Composed by
Jon Lord. Edited by Paul
Mann. Study Score.
Classical. Softcover. 146
pages. Duration 3420
seconds. Schott Music
#ED23177. Published by
Schott Music
(HL.49046391).
ISBN
9781540086549. UPC:
842819108696.
The
general inspiration for
the music was an idea of
Durham, garnered from two
or three short visits and
a reading of a short
history - so a sort of
Durham of the mind, a
stylized Durham; 'my'
Durham, if you will,
imagined into music.
However, the
defininginspiration for
the piece was the
Cathedral. My first visit
to Durham in 2001 saw me
standing open-mouthed on
Palace Green, and then in
silent awe as I walked
into that formidable
magnificence inside. Most
of the themes came from
the days immediately
following my first
experience of this
extraordinary, inspiring
building. The feeling
that the very stones and
pillars themselves are
imbued with centuries of
prayer, withpeople's joy,
grief, despair, even
anger; gratitude and
hope. As the tunes and
chords and sounds started
to organize themselves in
my mind and onto
manuscript paper, I
realized that I was
writing a sort of day in
the life of Durham, and
that the Cathedral
wouldbe its beginning,
would be in its middle,
and would be at its
ending. The piece
consists of six
'pictures' arranged into
three parts - the
morning, afternoon and
evening of this imaginary
Durham city. Jon Lord,
2017.