By Keb' Mo'. By Jenny Yates, Kevin Moore. Arranged by Kirby Shaw. Pop Choral ...(+)
By Keb' Mo'. By Jenny
Yates,
Kevin Moore. Arranged by
Kirby Shaw. Pop Choral
Series. RandB, Soul,
Concert,
Pop, Rock. Octavo. 12
pages.
Published by Hal Leonard
Ukulele - easy SKU: BT.RSK200128 Exam Material. Book with Online Audio. C...(+)
Ukulele - easy
SKU:
BT.RSK200128
Exam
Material. Book with
Online Audio. Composed
2020. 60 pages.
Rockschool #RSK200128.
Published by Rockschool
(BT.RSK200128).
ISBN
9781789361148.
English.
The 2020
Ukulele syllabus extends
Rockschool's offering to
a full suite of grades.
The syllabus has been
designed in conjunction
with their new Ukulele
Method books, giving
students a comprehensive
pathway from absolute
beginner stages through
to entry into the graded
system, and subsequently
following a progressive
pathway through to grade
8. The syllabus features
six tracks for each grade
that have been
meticulously benchmarked
to support students as
they learn the
instrument. At each
grade, two of the pieces
offer the students an
opportunity to perform
without full band
backing, exploring the
sound and resonance of
their instrument. These
include duet parts from
Debut toGrade 3, which
give further
opportunities for
teaching and group
learning. The remaining
tracks are ‘session
style’ backing
tracks, performed with
full backing band and
including vocal
accompaniment which is
also shown in the
notation as a melody line
and lyric over the main
ukulele part.
Il
sillabus 2020 Ukulele
amplia l'offerta di
Rockschool a tutti i
livelli di studio. Il
syllabus è stato
pensato come complemento
per il nuovo metodo di
ukulele, offrendo così
agli studenti un percorso
strutturato a partire dal
livello principiante
assoluto fino al livello
8. I sei brani
inclusi in ogni volume
sono stati selezionati e
arrangiati attentamente
per consolidare
l'appprendimento di ogni
studente.
Ukulele - easy SKU: BT.RSK200127 Exam Material. Book with Online Audio. C...(+)
Ukulele - easy
SKU:
BT.RSK200127
Exam
Material. Book with
Online Audio. Composed
2020. 56 pages.
Rockschool #RSK200127.
Published by Rockschool
(BT.RSK200127).
ISBN
9781789361131.
English.
The 2020
Ukulele syllabus extends
Rockschool's offering to
a full suite of grades.
The syllabus has been
designed in conjunction
with their new Ukulele
Method books, giving
students a comprehensive
pathway from absolute
beginner stages through
to entry into the graded
system, and subsequently
following a progressive
pathway through to grade
8. The syllabus features
six tracks for each grade
that have been
meticulously benchmarked
to support students as
they learn the
instrument. At each
grade, two of the pieces
offer the students an
opportunity to perform
without full band
backing, exploring the
sound and resonance of
their instrument. These
include duet parts from
Debut toGrade 3, which
give further
opportunities for
teaching and group
learning. The remaining
tracks are ‘session
style’ backing
tracks, performed with
full backing band and
including vocal
accompaniment which is
also shown in the
notation as a melody line
and lyric over the main
ukulele part.
Il
sillabus 2020 Ukulele
amplia l'offerta di
Rockschool a tutti i
livelli di studio. Il
syllabus è stato
pensato come complemento
per il nuovo metodo di
ukulele, offrendo così
agli studenti un percorso
strutturato a partire dal
livello principiante
assoluto fino al livello
8. I sei brani
inclusi in ogni volume
sono stati selezionati e
arrangiati attentamente
per consolidare
l'appprendimento di ogni
studente.
Ukulele - very easy SKU: BT.RSK200126 Exam Material. Book with Online Aud...(+)
Ukulele - very easy
SKU: BT.RSK200126
Exam Material. Book with
Online Audio. Composed
2020. 48 pages.
Rockschool #RSK200126.
Published by Rockschool
(BT.RSK200126).
ISBN
9781789361124.
English.
The 2020
Ukulele syllabus extends
Rockschool's offering to
a full suite of grades.
The syllabus has been
designed in conjunction
with their new Ukulele
Method books, giving
students a comprehensive
pathway from absolute
beginner stages through
to entry into the graded
system, and subsequently
following a progressive
pathway through to grade
8. The syllabus features
six tracks for each grade
that have been
meticulously benchmarked
to support students as
they learn the
instrument. At each
grade, two of the pieces
offer the students an
opportunity to perform
without full band
backing, exploring the
sound and resonance of
their instrument. These
include duet parts from
Debut toGrade 3, which
give further
opportunities for
teaching and group
learning. The remaining
tracks are ‘session
style’ backing
tracks, performed with
full backing band and
including vocal
accompaniment which is
also shown in the
notation as a melody line
and lyric over the main
ukulele part.
Il
sillabus 2020 Ukulele
amplia l'offerta di
Rockschool a tutti i
livelli di studio. Il
syllabus è stato
pensato come complemento
per il nuovo metodo di
ukulele, offrendo così
agli studenti un percorso
strutturato a partire dal
livello principiante
assoluto fino al livello
8. I sei brani
inclusi in ogni volume
sono stati selezionati e
arrangiati attentamente
per consolidare
l'appprendimento di ogni
studente.
Concert Band/Harmonie - Grade 3 SKU: BT.1793-10-140-MS Composed by Desmon...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1793-10-140-MS
Composed by Desmond
Child, George Karakoglou,
Jon Bon Jovi, Max Martin,
and Richie Sambora.
Arranged by Wolfgang
Wössner. Ovation
Series. Pop & Rock. Score
Only. Composed 2010. 36
pages. Music Sales
#1793-10-140 MS.
Published by Music Sales
(BT.1793-10-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Wolfgang
Wössner has created
yet another energetic and
exciting medley for
concert band, following
in the footsteps of his
previous successful
medley, Bryan Adams - The
Best of Me. This time
Wössner has moulded
four hits by the American
rock band Bon Jovi into
one sensational work.
Combining Runaway,
It’s My Life,
Livin’ On a Prayer
and You Give Love a Bad
Name, creates an
incredibly fun medley
that will rock your next
concert!
Na
Bryan Adams - The Best
of Me en
Grönemeyer!
doet Wolfgang Wössner
het weer: een geweldige
medley schrijven in het
pop- en rockgenre. Deze
keer nam hij vier hits
van de Amerikaanse
rockband Bon Jovi. De
medley begintmet
Runaway uit 1983.
Daarna volgen de hits
It’s My
Life en
Livin’ on a
Prayer uit het jaar
1999. You Give Love a
Bad Name uit 1986
rondt deze sterke medley
mooi af. Schud die haren
los en rocken
mar…!
Nach
Bryan Adams - The Best of
Me und Grönemeyer! hat
Wolfgang Wössner ein
neues Medley für
Blasorchester im
Pop-Rock-Genre geschaff
en. Diesmal nahm er sich
vier Hits der
amerikanischen Rockband
Bon Jovi vor. Das Medley
beginnt mit Runaway von
1983. Dem folgen die
Songs It’s My Life
aus dem Jahr 1999 sowie
Livin’ on a
Prayer. You Give Love a
Bad Name von 1986
vervollständigt dieses
starke Medley, mit dem
Sie die Bühne rocken
werden!
Dopo il
grande successo ottenuto
con i precedenti medley -
Bryan Adams - The Best of
Me e Grönemeyer!,
Wolfgang Wössner
propone un nuovo medley
che riprende quattro
successi della band
americana Bon Jovi.
Questo gruppo
leggendario, fondato da
Jon Bon Jovi, ammalia il
pubblico sia con serene
ballate, sia con brani di
rock sfrenato. Questo
medley include: Runaway
(1983), It’s My
Life (1999),
Livin’ on a Prayer
e You Give Love a Bad
Name (1986).
O Christmas Tree Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000854-020 Arranged by David Well. Set...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000854-020
Arranged by David Well.
Set (Score & Parts).
Gobelin Music
Publications #GOB
000854-020. Published by
Gobelin Music
Publications
(BT.GOB-000854-020).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to ‘kill’
nature. Needle-leaved
trees were the only ones
which kept their green
colour throughout the
year, and therefore
became symbols of
immortality. These
‘living’ trees, said
to be the work of benign
spirits, were brought
into people’s houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church in
thecourse of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ’s apparition
could be recognized. The
German organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song ‘O
Tannenbaum’, the melody
being a well-known folk
song. Next to ‘Stille
Nacht’ ‘O
Tannenbaum’ is the most
famous German Christmas
song, now known
throughout the world. In
the United States of
America the melody of
‘O Tannenbaum’ has
even been used in four
States (among which the
State of Maryland) for
their State song. In
David Well’s
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De
fonkelendevlammetjes
creëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten(o.a.
Maryland) als volkslied
gebruikt. In het
arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke.Het
tussendeel is weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk.
O Christmas Tree Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-010 Arranged by David ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000905-010
Arranged by David Well.
Set (Score & Parts).
Gobelin Music
Publications #GOB
000905-010. Published by
Gobelin Music
Publications
(BT.GOB-000905-010).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to 'kill' nature.
Needle-leaved trees were
the only ones which kept
their green colour
throughout the year, and
therefore became symbols
of immortality. These
'living' trees, said to
be the work of benign
spirits, were brought
into people's houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church inthe
course of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ's apparition could
be recognized. The German
organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song 'O
Tannenbaum', the melody
being a well-known folk
song. Next to 'Stille
Nacht' 'O Tannenbaum' is
the most famous German
Christmas song, now known
throughout the world. In
the United States of
America the melody of 'O
Tannenbaum' has even been
used in four States
(among which the State of
Maryland) for their State
song. In David Well's
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De fonkelende
vlammetjescreëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten
(o.a.Maryland) als
volkslied gebruikt. In
het arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke. Het
tussendeelis weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk af.
O Christmas Tree Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000854-120 Arranged by David Well. Sco...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000854-120
Arranged by David Well.
Score Only. 10 pages.
Gobelin Music
Publications #GOB
000854-120. Published by
Gobelin Music
Publications
(BT.GOB-000854-120).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to ‘kill’
nature. Needle-leaved
trees were the only ones
which kept their green
colour throughout the
year, and therefore
became symbols of
immortality. These
‘living’ trees, said
to be the work of benign
spirits, were brought
into people’s houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church in
thecourse of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ’s apparition
could be recognized. The
German organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song ‘O
Tannenbaum’, the melody
being a well-known folk
song. Next to ‘Stille
Nacht’ ‘O
Tannenbaum’ is the most
famous German Christmas
song, now known
throughout the world. In
the United States of
America the melody of
‘O Tannenbaum’ has
even been used in four
States (among which the
State of Maryland) for
their State song. In
David Well’s
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De
fonkelendevlammetjes
creëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten(o.a.
Maryland) als volkslied
gebruikt. In het
arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke.Het
tussendeel is weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk.
O Christmas Tree Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000905-140 Arranged by David ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000905-140
Arranged by David Well.
Score Only. 10 pages.
Gobelin Music
Publications #GOB
000905-140. Published by
Gobelin Music
Publications
(BT.GOB-000905-140).
The tradition
of the Christmas tree in
Western Europe dates back
to a time long before any
Christianization had
taken place. During the
severely cold winter
nights, so it was
believed, evil spirits
tried to 'kill' nature.
Needle-leaved trees were
the only ones which kept
their green colour
throughout the year, and
therefore became symbols
of immortality. These
'living' trees, said to
be the work of benign
spirits, were brought
into people's houses to
ward off evil,
life-threatening powers.
In the 14th century
people first started to
decorate Christmas trees.
It was a pagan custom,
originated by the
inhabitants of Alsace.
This custom was taken
over by the Church inthe
course of the 15th and
16th century. At first
the decoration consisted
mainly of edibles, such
as apples and wafers, but
later small presents were
added. Legend has it that
the reformer Martin
Luther was the first
person to decorate a
Christmas tree with
candles. The flickering
candle flames were meant
to create the image of a
starry sky in which
Christ's apparition could
be recognized. The German
organ-player Ernst
Anschütz from Leipzig
was the first person to
notate the song 'O
Tannenbaum', the melody
being a well-known folk
song. Next to 'Stille
Nacht' 'O Tannenbaum' is
the most famous German
Christmas song, now known
throughout the world. In
the United States of
America the melody of 'O
Tannenbaum' has even been
used in four States
(among which the State of
Maryland) for their State
song. In David Well's
arrangement the song is
first heard as many of us
know it. After this
introduction, however, it
is transformed into a
solid rock version, and
the beat has been
changed. In the second
part the familiar
three-four time is back,
but here the rhythm is
different from the
original. After the
richly ornamented rock
beat the basic theme can
be heard once again and
the composition is
concluded in a festive
manner.
De
traditie van de
‘Kerstboom’ gaat in
West-Europa terug tot ver
voordat er van enige
kerstening sprake was.
Gedurende de koude
strenge winters dacht men
dat kwade geesten de
natuur ‘vermoordde’.
Naaldbomen behielden als
enige hungroene kleur en
werden daardoor symbolen
van onsterflijkheid. Deze
‘levende’ bomen, het
werk van goede machten,
werden in huis gehaald om
kwade geesten en
levensbedreigende
krachten buitenshuis te
houden. Van
‘versierde’
kerstbomenwas het eerst
sprake in de 14e eeuw.
Het was een heidens
gebruik, dat in deze
periode in de Elzas
voorkwam. Tijdens de 15e
en 16e eeuw werd het
versieren van de
kerstboom door de kerk
overgenomen. De
versiering bestond in
eersteinstantie vooral
uit etenswaar, als appels
en koekjes. Later ging
men ook kleine cadeautjes
als versiering gebruiken.
Er wordt beweerd dat
Martin Luther, de
hervormer, als eerste
kaarsen in een kerstboom
deed. De fonkelende
vlammetjescreëerden een
sterrenhemel waarin men
Christus’ verschijning
leek te herkennen. De
Duitse organist Ernst
Anschütz uit Leipzig,
was de eerste die het
lied ‘O Tannenbaum’
op schrift stelde. De
melodie was een bekend
volkswijsje.Naast
‘Stille Nacht’ is
‘O Tannenbaum’ het
meest bekende kerstlied
dat vanuit Duitsland de
hele wereld veroverde. De
melodie van ‘O
Tannenbaum’ wordt zelfs
in de Verenigde Staten
van Amerika in vier
verschillende staten
(o.a.Maryland) als
volkslied gebruikt. In
het arrangement van David
Well hoort u het lied
eerst op de manier zoals
velen het kennen. Na deze
inleiding klinkt een
stevige rock-versie en is
de maatsoort niet meer de
gebruikelijke. Het
tussendeelis weer in de
vertrouwde
driekwarts-maatsoort.
Hier is echter de ritmiek
in een ander jasje
gestoken. Na de rijkelijk
met slingers versierde
rock-beat klinkt nog
één keer het
oorspronkelijke thema om
daarna feestelijk af.
Handbell - Grade 2 SKU: BP.HB722 Composed by Jason W. Krug. Arranged by J...(+)
Handbell - Grade 2
SKU: BP.HB722
Composed by Jason W.
Krug. Arranged by Jason
W. Krug. Handbell choir
music. Handbell score.
Beckenhorst Press #HB722.
Published by Beckenhorst
Press (BP.HB722).
For 3 to 6
ringers. Level 2 to 2+.
This collection of five
hymn arrangements will
delight, comfort, and
enliven your ringers and
congregations! Written
for just twelve bells
between F5 and C7, they
are a perfect resource
for the small ensemble
looking for an extra
challenge, the full choir
short a few members, or
the group wanting to
share their musical gifts
while staying socially
distant. Titles include:
The Solid Rock; It Is
Well With My Soul; The
Church's One Foundation;
Joyful, Joyful, We Adore
Thee; and Praise My Soul,
the King of Heaven.
Man of Steel, Part 3 Fanfare [Conducteur et Parties séparées] - Facile Alfred Publishing
(Featuring: Oil Rig / What Are You Going to Do When You Are Not Saving the World...(+)
(Featuring: Oil Rig /
What Are You Going to Do
When You Are Not Saving
the World?). By Hans
Zimmer (1957-). Arranged
by Mike Story. Marching
Band. Marching Band;
Part(s); Score. Big and
Easy. Movie. Grade 2. 138
pages. Published by
Alfred Music
Trumpet SKU: M7.AHW-223 Finger Dexterity, Scales, Arpeggios and Tone P...(+)
Trumpet
SKU:
M7.AHW-223
Finger
Dexterity, Scales,
Arpeggios and Tone
Poems. Composed by
Eddie Jimenez. Sheet
music. Method. Charles
Colin Corp. #AHW 223.
Published by Charles
Colin Corp. (M7.AHW-223).
English.
Develop
ing a good strong
foundation is like
building a house on solid
rock. it is the most
important aspect of
mastering a brass
instrument. One of the
most important skills to
pass on to young
musicians, is to teach
them the importance of
technique and
fundamentals. After years
of teaching private
lessons and clinics to
young trumpeters, Eddie
Jimenez has set out to
write three trumpet
method books that develop
technique and
fundamentals without
forcing the student to go
too high or too fast too
soon. These three method
books are designed as a
precursor to all the
great method books
advanced players get to
enjoy.
Strutter Fanfare [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(As recorded by KISS). By Paul Stanley and Gene Simmons [KISS]. Arranged by Nick...(+)
(As recorded by KISS). By
Paul Stanley and Gene
Simmons [KISS]. Arranged
by Nick Baratta. Marching
Band. Marching Band;
Part(s); Score. Mega
Sounds for Marching Band.
Rock. Grade 3. Published
by Alfred Music
Young concert band - Grade 2 SKU: CL.011-4117-01 Composed by Neeck. Young...(+)
Young concert band -
Grade 2
SKU:
CL.011-4117-01
Composed by Neeck. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR377). Extra
full score. Composed
2012. Duration 2 minutes,
24 seconds. C.L.
Barnhouse #011-4117-01.
Published by C.L.
Barnhouse
(CL.011-4117-01).
First came the
beat, And Then There Were
Drums. Feature your
entire percussion section
in this upbeat, easy
rocker. The rock groove
provides a solid
foundation for the
musical interplay between
the band and the
individual percussion
instruments. Percussion
parts are solidly scored,
but not difficult,
allowing your drummers,
and your entire band to
shine.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Marching Band - Grade 3 SKU: AP.40219 By The Doobie Brothers and Tom John...(+)
Marching Band - Grade 3
SKU: AP.40219
By
The Doobie Brothers and
Tom Johnston. By Tom
Johnston. Arranged by
Roland Barrett. Marching
Band; Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. Rock. Score and
Part(s). 110 pages.
Duration 1:25. Alfred
Music #00-40219.
Published by Alfred Music
(AP.40219).
UPC:
038081451497.
English.
The music
of the Doobie Brothers
still sounds fresh and
exciting. Here is one of
their biggest hits in a
rock-solid driving new
chart from veteran
arranger Roland Barrett.
This is a rockin' tune
that will fire up your
crowd! (1:25).
Three O'Clock Rock Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-3751-01 Composed by Romeyn. Young Concert Band. Comma...(+)
Grade 2
SKU:
CL.011-3751-01
Composed by Romeyn. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR359). Extra
full score. Composed
2008. Duration 2 minutes,
30 seconds. C.L.
Barnhouse #011-3751-01.
Published by C.L.
Barnhouse
(CL.011-3751-01).
Your students
will rock the house with
this solidly scored and
very playable rock chart!
This one is perfect for
concerts, assemblies and
pep rallies – any
place where the band
needs to be hip and cool!
The middle section
includes a solo or
section feature for
trombone, and a solo or
section feature for
trumpet. Percussion parts
are varied, yet playable
and will keep those
drummers busy. This is
the driving rock style
that students love.
You’ll want to
save this for the end of
rehearsal!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Keyboard - very easy SKU: HL.49007621 Die lustige Keyboardschule. ...(+)
Keyboard - very easy
SKU: HL.49007621
Die lustige
Keyboardschule.
Composed by Axel
Benthien. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 65 pages.
Schott Music #ED 7901.
Published by Schott Music
(HL.49007621).
ISBN
9783795750008.
German.
Diese
lustige Schule fur junge
Tastenspieler ab dem
siebten Lebensjahr
vermittelt auf
spielerische und
kindgemasse Art eine
grundlegende musikalische
Ausbildung auf
Tasteninstrumenten.
Obwohl das Keyboard im
Mittelpunkt steht, wird
ein problemloser Wechsel
zum Klavier jederzeit
offen gehalten. Die
spielerische
Wissensvermittlung im
Comicstil kommt dem
Bedurfnis von Kindern
entgegen. Auf solider
musikpadagogischer Basis
mit viel Spass und
Vergnugen - wird eine
umfassende musikalische
Grundausbildung
vermittelt- auf eine
gleichmassige Entwicklung
der Spieltechnikg beider
Hande geachtet- eine
sichere Lesefahigkeit in
Violin- und
Bass-Schlussel
entwickelt- kreatives
Gestalten mit Musik
vermittelt und zur
Improvisation
angeleitet.Die Schule ist
sowohl fur den Einzel-
als auch fur den
Gruppenunterricht
geeignet.
Choral (SAB Choir) SKU: HL.142313 By Rixton. By Ammar Malik, Benjamin Lev...(+)
Choral (SAB Choir)
SKU: HL.142313
By
Rixton. By Ammar Malik,
Benjamin Levin, Robert
Thomas, Steve Mac, and
Wayne Hector. Arranged by
Alan Billingsley. Pop
Choral Series. Pop,
Pop/Rock, Show Choir.
Octavo. 12 pages.
Published by Hal Leonard
(HL.142313).
UPC:
888680048006. 6.75x10.5
inches.
A solid
chart performance, great
piano track and
mainstream pop vocals
make this hit from the
band Rixton a super
choice for pop and show
groups. Easily-learned
and fun to sing!
Arranged by With New Words And Music, By Donald Moore. Traditional Spiritual. Fo...(+)
Arranged by With New
Words And Music, By
Donald Moore. Traditional
Spiritual. For Choir.
(SAB). Choral Octavo.
Choral Designs. Sacred;
Secular; Spiritual.
Choral Octavo. 8 pages.
Published by Alfred
Publishing.
Minnie the Moocher Fanfare [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Marching Band. Marchin...(+)
By Cab Calloway and
Irving Mills. Arranged by
Ralph Ford. Marching
Band. Marching Band;
Part(s); Score. Premier
Series for Marching Band.
Jazz. Grade 3.5. 122
pages. Published by
Alfred Music