Passions-Oratorium
. Composed by Johann
Christoph Friedrich Bach.
Edited by Ulrich
Leisinger. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Viola. Sacred vocal
music, Oratorios,
Passions, Lent and
Passiontide. Single Part,
Viola. BR JCFB D 1. 36
pages. Duration 135
minutes. Carus Verlag #CV
34.104/13. Published by
Carus Verlag
(CA.3410413).
ISBN
9790007212599. Language:
German.
An unknown
work from the so-called
Buckeburger Bach, which
at first was ascribed
unjustly to Carl Philipp
Emanuel Bach. The story
of the Suffering of the
Lord is examined from a
different perspective.
Pilgrims have undertaken
a journey to the Holy
Land and when they arrive
they are informed by a
hermit of the suffering
and death of Christ. An
additional figure, an
angel, lends this
representation of the
Passion a heightened form
for communicating the
importance of the
suffering of Christ..
Score and part available
separately - see item
CA.3410400.
Composed by George
Frideric Handel. German
title: Tochter Zion.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Viola. HWV. 2 pages.
Duration 3 minutes. Carus
Verlag #CV 40.101/13.
Published by Carus Verlag
(CA.4010113).
ISBN
9790007061791. Language:
German/English.
Sco
re available separately -
see item CA.4010100.
ST vocal soli, SATB
choir, 2 flutes, 2 horns,
2 violins, viola, basso
continuo, organ solo
SKU: CA.5066619
Composed by Joseph Martin
Kraus. Edited by Mario
Aschauer. Complete
orchestral parts. Sacred
vocal music, Motets. Set
of Orchestra Parts.
Composed 1783. VB 10.
Duration 12 minutes.
Carus Verlag #CV
50.666/19. Published by
Carus Verlag
(CA.5066619).
ISBN
9790007145750. Key: C
major. Language:
Latin.
Its
contrasts between
cantabile melodiousness
and powerfully dramatic
passages inspired by the
storm and stress
movement, combined with
highly artistic
contrapuntal writing and
a brilliant organ solo,
make this work a jewel in
a wider context than
Kraus's church music. It
is here published for the
first time in a scholarly
edition. Score and parts
available separately -
see item CA.5066600.
ST vocal soli, SATB
choir, 2 flutes, 2 horns,
2 violins, viola, basso
continuo, organ solo
SKU: CA.5066611
Composed by Joseph Martin
Kraus. Edited by Mario
Aschauer. Violin 1.
Sacred vocal music,
Motets. Single Part,
Violin 1. Composed 1783.
VB 10. 4 pages. Duration
12 minutes. Carus Verlag
#CV 50.666/11. Published
by Carus Verlag
(CA.5066611).
ISBN
9790007224318. Key: C
major. Language:
Latin.
Its
contrasts between
cantabile melodiousness
and powerfully dramatic
passages inspired by the
storm and stress
movement, combined with
highly artistic
contrapuntal writing and
a brilliant organ solo,
make this work a jewel in
a wider context than
Kraus's church music. It
is here published for the
first time in a scholarly
edition. Score and part
available separately -
see item CA.5066600.
Composed by George
Frideric Handel. German
title: Tochter Zion.
Sacred vocal music,
Cantatas, Advent,
Christmas. Set of
Orchestra Parts. HWV.
Duration 3 minutes. Carus
Verlag #CV 40.101/19.
Published by Carus Verlag
(CA.4010119).
ISBN
9790007137762. Language:
German/English.
Sco
re and parts available
separately - see item
CA.4010100.
Introitus pro adventu
Domini. Composed by
Aemilian Rosengart.
Edited by Andreas Traub.
Coppenrath Series. German
title: Rorate coeli.
Sacred vocal music,
Hymns. Single Part,
Cello/Double Bass. 2
pages. Duration 3
minutes. Carus Verlag #CV
91.258/14. Published by
Carus Verlag
(CA.9125814).
Schopfungsmesse.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. Arranged by
Luigi Gatti. Sacred music
from Salzburg. Violin 2.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. 20 pages.
Duration 35 minutes.
Carus Verlag #CV
27.053/12. Published by
Carus Verlag
(CA.2705312).
ISBN
9790007199579. Key: A
major. Language:
Latin.
Since the
days of Renaissance
composers - beyond
accusations of plagiarism
- the admiration for a
fellow composer has taken
the form of quotations
from his works or even
new versions of his
works. No less a work
from the classical period
than Joseph Haydn's
oratorio The Creation
(first performed in
1798), was the basis for
the Schopfungsmesse
(Creation Mass) by the
Salzburg Court and
Cathedral Music Director,
Luigi Gatti. Gatti heard
the oratorio in Salzburg
performances conducted by
Johann Michael Haydn in
1800. With great skill
and sensitivity Gatti was
able to underlay the
choruses and arias of The
Creation with the text of
the Mass (at times he
reduced and adapted the
instrumentation), without
doing harm to the admired
original. Score and part
available separately -
see item CA.2705300.
Cantata
for the 1st day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Paul Horn,
Felix Loy. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Whitsun,
Wedding. Single Part,
Organ. Composed 1745. BWV
34. 12 pages. Duration 21
minutes. Carus Verlag #CV
31.034/49. Published by
Carus Verlag
(CA.3103449).
ISBN
9790007042646. Key: D
major. Language:
German/English.
The
marriage cantata (BWV
34a) on which this work
is based was composed in
1726. This parody was
composed in the first
half of the 1740's. Score
and part available
separately - see item
CA.3103400.
Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Carus sheet
music series: Vocal
scores XL. German title:
Matthauspassion.
Innovative practice aids,
Passions, Lent and
Passiontide, Holy Week.
Choir part. BWV 244. 2
pages. Duration 175
minutes. Carus Verlag #CV
31.244/06. Published by
Carus Verlag
(CA.3124406).
ISBN
9790007051181. Language:
German/English.
Pra
ctical performing Urtext
edition based on the
latest state of Bach
research. Every era hears
and interprets Bach anew,
and every era also
evaluates the sources
afresh and with new eyes.
40 years after the
publication of the St.
Matthew Passion in the
New Bach Edition, Klaus
Hofmann, Director of the
Johann Sebastian Bach
Institute Gottingen for
many years and a
contributing editor to
the New Bach Edition,
presents a new edition.
Hofmann has placed the
study of the sources at
the service of musical
practice and the detailed
investigation of Bach's
intentions. Bach scholars
are well aware that
Bach's original score and
performance parts,
running to almost 500
pages of music, are full
of ambiguities and
contradictions,
particularly regarding
articulation, which
constantly challenge
performers to new
interpretations. Hofmann
discusses these and other
problems in a concise
critical report,
frequently arriving at
new conclusions in the
process. Extensive notes
about parallel passages
offer valuable help for
interpretation. Special
attention was devoted to
the performance material
with regard to practical
needs. Thus, for example
the text incipits are
also printed in the
instrumental parts
(including tacet
passages). In short - an
Urtext edition for
practical performance
based on the latest
findings in Bach
research. Score and part
available separately -
see item CA.3124400.
O tremble bow down now Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
Composed by Wilhelm Friedemann Bach (1710-1784). Edited by Felix Schroeder. For ...(+)
Composed by Wilhelm
Friedemann Bach
(1710-1784). Edited by
Felix Schroeder. For
SATBar vocal soli, SATB
choir, 2 flutes, oboe
(oboe d'amore), 2
trumpets, timpani, 2
violins, viola, basso
continuo. This edition:
Paperbound. German title:
Erzittert und fallet F9.
Cantatas, Easter and
Eastertide. Full score.
Language: German/English.
Fk 83. Duration 25
minutes. Published by
Carus Verlag
ST vocal soli, SATB
choir, 2 flutes, 2 horns,
2 violins, viola, basso
continuo, organ solo
SKU: CA.5066600
Composed by Joseph Martin
Kraus. Edited by Mario
Aschauer. This edition:
Paperbound. Sacred vocal
music, motets. German
title: Stella coeli.
Sacred vocal music,
Motets. Full score.
Composed 1783. VB 10. 32
pages. Duration 12
minutes. Carus Verlag #CV
50.666/00. Published by
Carus Verlag
(CA.5066600).
ISBN
9790007094553. Key: C
major. Language:
Latin.
Its
contrasts between
cantabile melodiousness
and powerfully dramatic
passages inspired by the
storm and stress
movement, combined with
highly artistic
contrapuntal writing and
a brilliant organ solo,
make this work a jewel in
a wider context than
Kraus's church music. It
is here published for the
first time in a scholarly
edition.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Unser Mund sei
voll Lachens. Sacred
vocal music, Cantatas,
Christmas. Single Part,
Cello/Double Bass.
Composed 1725. BWV 110.
16 pages. Duration 28
minutes. Carus Verlag #CV
31.110/14. Published by
Carus Verlag
(CA.3111014).
ISBN
9790007048167. Key: D
major / b minor.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms.
Requiem
in Es. Composed by
Johann Adolf Hasse.
Edited by Wolfram Hader.
Organ. Sacred vocal
music, Requiem, Mourning,
death. Single Part,
Organ. Composed 1763/64.
32 pages. Duration 42
minutes. Carus Verlag #CV
97.004/49. Published by
Carus Verlag
(CA.9700449).
ISBN
9790007238858. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764. Score and
part available separately
- see item
CA.9700400.
Church
cantata. Composed by
Johann Sebastian Bach.
Edited by Christine
Blanken. Arranged by
Christine Blanken.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Praise and
thanks. Single Part,
Violin 1. Composed ca.
1730. BWV 192. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.192/11. Published by
Carus Verlag
(CA.3119211).
ISBN
9790007210243. Text
language:
German/English.
The
cantata Nun danket alle
Gott (Now thank we all
our God) BWV 192 is based
on the text of the
well-known hymn. It is
therefore one of a small
number of chorale
cantatas which contain no
free poetic texts.
Correspondingly, there
are no recitatives
either. It has only
recently been assumed
that this three-movement
work was not intended for
Leipzig, but was actually
written in 1730 for
Bach's prestigious
position as Kapellmeister
of Saxe-Weissenfels. The
court of Duke Christian
enjoyed the its sojourn
in the newly-renovated
castle of its secondary
residence in Sangerhausen
and, at Trinity, in the
court church, celebrated
the anniversary of its
consecration with festive
music. Bach evidently
occasionally contributed
to this. The work does
not survive complete.
Even in the 18th century
a full score evidently no
longer existed, just a
set of parts, the tenor
part of which is entirely
missing. For the new
edition the missing part
has been reconstructed by
Detlev Schulten
(Leipzig). Score and part
available separately -
see item CA.3119200.
Composed
by Wilhelm Friedemann
Bach. Edited by Felix
Schroeder. German title:
Erzittert Und Fallet F9.
Sacred vocal music,
Cantatas, Easter and
Eastertide. Single Part,
Cello/Double Bass. BR-WFB
F 9. 12 pages. Duration
25 minutes. Carus Verlag
#CV 32.103/14. Published
by Carus Verlag
(CA.3210314).
ISBN
9790007051518. Language:
German/English.
Sco
re available separately -
see item CA.3210300.
Passions-Oratorium
. Composed by Johann
Christoph Friedrich Bach.
Edited by Ulrich
Leisinger. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Oratorios, Passions, Lent
and Passiontide. Choral
Score. BR JCFB D 1. 16
pages. Duration 135
minutes. Carus Verlag #CV
34.104/05. Published by
Carus Verlag
(CA.3410405).
ISBN
9790007103408. Language:
German.
An unknown
work from the so-called
Buckeburger Bach, which
at first was ascribed
unjustly to Carl Philipp
Emanuel Bach. The story
of the Suffering of the
Lord is examined from a
different perspective.
Pilgrims have undertaken
a journey to the Holy
Land and when they arrive
they are informed by a
hermit of the suffering
and death of Christ. An
additional figure, an
angel, lends this
representation of the
Passion a heightened form
for communicating the
importance of the
suffering of Christ..
Score available
separately - see item
CA.3410400.
Wedding cantata.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Dem Gerechten Muss
Das Licht Immer Wieder.
Sacred vocal music,
Cantatas, Wedding. Full
score. BWV 195. 96 pages.
Duration 16 minutes.
Carus Verlag #CV
31.195/00. Published by
Carus Verlag
(CA.3119500).
ISBN
9790007171674. Language:
German/English.
The
Hochzeitskantate (Wedding
Cantata) BWV 195 was
performed by Bach from
around 1730 at various
wedding celebrations in
different forms, and was
evidently also lent out
for performances further
afield. The only
surviving version of the
work dates from the last
years of Bach's life. The
opulently-scored first
part begins and ends with
grand choral movements,
and Bach scored both
parts for soloists and
for chorus. At the centre
of the cantata is an
exceptionally sensitive
bass aria, probably one
of Bach's most modern
vocal compositions of
all. A chorale movement
(Nun danket all and
bringet Ehr/ Now thank we
all and offer praise)
with obbligato horns
concludes the cantata as
the second part after the
consummation.
Funeral
ode. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Trauerode.
Cantatas. Single Part,
Violin 1. Composed 1727.
BWV 198. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
31.198/11. Published by
Carus Verlag
(CA.3119811).
ISBN
9790007210595. Text
language:
German/English.
Com
posed in 1727 for a
eulogy and funeral
oration for Electress
Christiane Eberhardine in
the Leipzig University
church, the music for the
funeral ode is well-known
today above all through
reconstructions of Bach's
St Mark Passion, in which
large parts of this
cantata were probably
re-used, but of which
only the text survives.
With the funeral ode we
have one of Bach's
strongest and most
fascinating vocal
compositions. Although
Gottsched's text is
associated with a
particular occasion, it
is distinguished in its
literary quality from
many secular cantatas and
it is entirely
appropriate to perform
this impressive cantata
in concerts. Score and
part available separately
- see item
CA.3119800.
Cantatas IV-VI.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Weihnachtsoratorium 4-6
N.N.E. Sacred vocal
music, Oratorios,
Christmas. Set of
Orchestra Parts. Composed
1734. BWV 248. Carus
Verlag #CV 31.248/78.
Published by Carus Verlag
(CA.3124878).
ISBN
9790007096908. Language:
German/English.
Wit
h the edition of the
Christmas Oratorio within
the framework of the
Stuttgart Bach Editions,
Carus presents a
scholarly edition for
practical performance.
The basis for this
publication are Bach's
autograph score and the
original parts. The
conducting score contains
an appendix with a
concise Critical Report
which provides
information about the
sources and their
readings; when necessary,
the latter are discussed
in more detail,
especially with regard to
how the editor arrived at
solutions for questions
of articulation which
differ from those found
in previous editions. The
representative,
clothbound volume is
supplemented by a study
score as well as a choral
score, a vocal score and
complete orchestral
material. In the
orchestral material short
excerpts containing the
conclusions of the secco
recitatives are rendered
with cue notes in
separate vocal systems
printed above the score
where the
instrumentalists pause,
thus enabling them make
their entrances in the
movements which follow
these recitatives. This
work is also available in
carus music, the choir
app! Score and parts
available separately -
see item CA.3124800.
Ascension
oratorio. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title:
Himmelfahrtsoratorium.
Innovative practice aids,
Sacred vocal music,
Cantatas, Oratorios,
Ascension. Single Part,
Violin 2. Composed 1735.
BWV 11. 12 pages.
Duration 32 minutes.
Carus Verlag #CV
31.011/12. Published by
Carus Verlag
(CA.3101112).
ISBN
9790007042042. Key: D
major. Language:
German.
Besides the
Weihnachtsoratorium BVW
248, Bach composed an
additional work for the
feast days of the church
year 1734/35: The
Himmelfahrtsoratorium BWV
11 (Ascension Oratorio).
Although in its
dimensions and character
the oratorio is akin to
his cantatas, it occupies
a special position as a
result of the epic text
on which it is based; the
text includes a biblical
story. In particular, the
festive atmosphere and
instrumentation of the
opening and closing
choruses mirror the
triumphant joy of
Christ's ascension. This
is a new edition in the
Stuttgart Bach Editions
series, edited by Ulrich
Leisinger. Score and part
available separately -
see item CA.3101100.
Magnificat in D Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Carus Verlag
By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arranged by Pa...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
For SSATB vocal soli,
SSATB choir, 2 flutes, 2
oboes, 3 trumpets,
timpani, 2 violins,
viola, basso continuo.
This edition: Paperbound.
D-Dur (D major).
Stuttgart Urtext
editions. Score available
separately - see item
CA.3124300. Magnificats,
Christmas. Study score.
Language: Latin. BWV 243.
76 pages. Published by
Carus Verlag
Version
Hellmann/Glockner.
Composed by Johann
Sebastian Bach. Edited by
Andreas Glockner.
Arranged by Diethard
Hellmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title:
Markuspassion Glockner.
Sacred vocal music,
Oratorios, Passions, Lent
and Passiontide, Holy
Week. Set of Orchestra
Parts. Composed
1731/1964/2001. BWV 247.
Duration 75 minutes.
Carus Verlag #CV
31.247/19. Published by
Carus Verlag
(CA.3124719).
ISBN
9790007134259. Language:
German.
This is a
revised edition of
Diethard Hellmann's
reconstruction of the St.
Mark Passion of 1723
based on parodies. It
contains a new foreword
by Andreas Glockner which
deals with the present
state of research on the
Passion. The edition now
includes all 16 chorales
which have been handed
down and which appear in
facsimile in this
edition. This new edition
serves the needs of
practical performance as
well as the interest in
the history of the
Passion as it has been
handed down to the
present day. Score and
parts available
separately - see item
CA.3124700.