Choral (Score)

SKU: HL.49018948

Facsimile Score. Composed by Bertold Hummel. This edition: Full-cloth binding. Sheet music. Edition Schott. Classical. Softcover. Composed 1988-1989. Op. 90. 366 pages. Duration 130'. Schott Music #ED20290. Published by Schott Music (HL.49018948).

ISBN 9790001149952. Latin - German.

Soprano, alto, tenor, baritone, bass, speaker, mixed choir, boys' choir, 3 organs, percussionnsemble and large orchestra - Latin - German.

(Walzer). By Carl Michael Ziehrer (1843-1922). Edited by H. H. Scholtys. Waltz. For mixed choir and orchestra ([2.2.2.2-4.2.3.0], Drums, Percusison, Harp, Strings). SO. Op. 518

By Bob Chilcott. For SATB choir and piano(s) & percussion/orchestra ([2(1piccolo, 2 flutes).2.2.2 -2.2.3.0], timpani, 2 percussionists (1=bongos, woodblock, drumkit, glockenspiel, tambourine, triangle; 2=hi hat, glockenspiel, triangle, suspemded cymbal, side drum), harp, strings). Untuned Percussion. Pieces & Studies. Percussion part (version for two players). 28 pages. Duration 10'

Band/Orchestra (Mallet and Miscellaneous Percussion). Published by Alfred Publishing. This comprehensive new method by Mitchell Peters (principal percussionist of the Los Angeles Philharmonic) helps percussionists at any level develop solid skills. The method contains an abundance of essential exercises and etudes for both 2- and 4-mallet technique in two convenient volumes! Covers the grip, stroke, playing position, reading and technical studies, and more!

Concert Band (Score & Parts)

SKU: HL.4008643

Score and Parts. Composed by Franco Cesarini. Arranged by Franco Cesarini. Editions Franco Cesarini. Concert Band, Tuning, Warm-Up. Softcover. Hal Leonard #EFC003-CBHA. Published by Hal Leonard (HL.4008643).

ISBN 9798350114997. UPC: 196288189664.

Durin g his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages. After a long time, he has decided to compile a collection of chorales for warm-ups, which are organized according to the criteria that he considers most effective. While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure. He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless “punishing” exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself! Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging. Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications. Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted. The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations. The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major. With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians’awareness of phrasing, the right interpretation of cadences, rubato and agogic. Above all, never do anything withoutputting the musical aspect in the foreground.

By G. Tailleferre. For orchestra (1111/2100/timpani/2-perc ussionists/harp/piano/str ings) - study score. Published by Musik Fabrik (French import).

For 5 Percussionists and Orchestra. By Ellen Taaffe Zwilich. For Flute I, Flute II, Oboe, English Horn, Bass Clarinet, Bassoon, Contrabassoon, French Horn I, French Horn II, French Horn III, French Horn IV, Trumpet I, Trumpet II, Trombone I, Trombone II, Bass Trombone, Tuba, Percussion Solo, Strings. Classical. Full Score - Large. Composed 2003. 72 pages. Duration 30:00:00. Published by Theodore Presser Company.

[Twelve Studies for the Snare Drum]. Composed by Jacques Delecluse. Leduc. Classical. Softcover. 16 pages. Alphonse Leduc #AL23410. Published by Alphonse Leduc

By Jesse Monkman. Percussion Ensemble. For 5 octave marimba, 5 toms, 2 mounted tambourines, bongos, vibraphone, 2 snare drums, 3 sus. Cyms., china cymbal, Chinese opera gong, 2 bass drums, temple blocks, 5 roto toms, tam tam, brake drum, bell tree. (3 players). Level: Advanced. 2 scores (1 with full marimba and reduced percussion parts; 1 with percussion parts and marimba cues). Duration 12:30. Published by Tapspace Publications.

By Rebeca Mauleon, Oscar Stagnaro, Orestes Vilato. Over 70 minutes of smokin" Latin grooves for you to play along with! Book contains complete charts for each track. Afro-Caribbean. CD and Book. Published by Sher Music Company.

Pianoforte, orchestra and 3 percussionists

SKU: LM.28975

Composed by Brice Pauset. Classical: 20th Century (Contemporary). Score. Editions Henry Lemoine #28975. Published by Editions Henry Lemoine (LM.28975).

ISBN 9790230989756.

Concert Band - difficult

SKU: HL.49015665

Full Score. Composed by Bertold Hummel. This edition: Paperback/Soft Cover. Sheet music. Schott Harmonie Serie (Concert Band). Classical. Score. Composed 1977. Op. 67. 104 pages. Duration 25'. Schott Music #SHS1023. Published by Schott Music (HL.49015665).

ISBN 9790001139786. UPC: 884088156251. 9.0x12.0x0.296 inches.

Best playability and musical spirit - this is what characterizes the music of Bertold Hummel who died in 2002, and why his music must be part of the repertoire of any amateur and semi-professional orchestra. The Oregon Symphony occupies a special position in his oeuvre: it was written by Hummel for the typically American symphonic wind bands, requiring almost 100 musicians, including 15 clarinets in three groups of five alone, as well as four piccolos and six flutes, bass clarinet, bassoons, saxophones, trumpets, horns, tubas and the typically American sousaphone, and five percussionists. The work consists of four movements; in the rousing finale, Hummel mixes jazz motifs with popular themes and even weaves the anthem of the State of Oregon in the final music. For getting better acquainted with this music, the first movement is also separately available ('Symphonische Ouverture', SHS 1001).

Picc. * 2 * 2 * Klar. in Es * 3 * Bassklar. in B * 2 Altsax. in Es * Tenorsax. in B * Baritonsax. in Es * 2 - 4 * 3 (Korn.) * 3 * Tenorhr. in B (Bar.) * 2 - P. S. (Trgl. * 4 hg. Beck. * Beckenp. * Tamt. * Gong * Glock. ad lib. * Bngs. * Schellentr. * kl. Tr. * gr. Tr. * Holzbl. * Tempelbl. * Ratsche * Xyl. * Vibr) (5 Spieler) - Kb.

Orchestra, Percussion

SKU: HL.14028553

Composed by Kaija Saariaho. Music Sales America. Post-1900. Sheet Music, Score and Parts. With Text language: French. 50 pages. Chester Music #CH61018. Published by Chester Music (HL.14028553).

UPC: 884088692810. 10.5x14.0x0.138 inches.

Commissione d by the French Government and Musica Strasbourg. As the title suggests, Trois rivières is divided into three separate sections. The first part introduces all the instrumental colours used in the piece. The rhythmic aspect is here nearly eliminated, giving room for the timbral scales, colours, resonances, attacks and textures to come to the fore. The instruments come from all members of the percussion family, but unpitched instruments are given a primary role. The second part adds a rhythmic aspect to the nuances of colour and texture, as an ostinato is developed in markedly varying directions. The last part is an epilogue, recalling components of the two preceding parts. Here, earlier aspects of the material are reorganised and placed in different relationships to each other. The voices of the percussionists act together as an extension of the instruments, being used to create either rhythmically free textures or strictly notated rhythms. They are treated instrumentally, combining to create rhythms and timbres. The poem 'La nuit de lune sur le fleuve' (Moonlit night on the river) by the Chinese poet Li Po (701-762) constitutes the material for the voices, which are amplified and further enhanced throughout.

By Louis Moreau Gottschalk. Arranged by Mark Williams. Music by Louis M. Gottschalk / arr. Mark Williams. For Concert Band. Concert Band. Alfred Concert Band. Level: 4 (Medium Difficult) (grade 4). Conductor Score and Parts. 2 pages. Published by Alfred Publishing.

Concert Band (Full Score)

SKU: HL.4007483

Score. Composed by Franco Cesarini. Arranged by Franco Cesarini. Editions Franco Cesarini. Concert Band, Tuning, Warm-Up. Softcover. Hal Leonard #EFC003-SC. Published by Hal Leonard (HL.4007483).

UPC: 196288058175.

Durin g his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages. After a long time, he has decided to compile a collection of chorales for warm-ups, which are organized according to the criteria that he considers most effective. While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure. He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless “punishing” exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself! Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging. Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications. Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted. The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations. The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major. With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians’awareness of phrasing, the right interpretation of cadences, rubato and agogic. Above all, never do anything withoutputting the musical aspect in the foreground.

For 5 Percussionists and Orchestra - Study Score. By Toru Takemitsu. Schott. 43 pages. Published by Schott Japan.