3rd
Day of Christmas [St
John's Day]. Composed
by Johann Sebastian Bach.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Part. 4
pages. Duration 23'.
Breitkopf and Haertel #OB
4564-19. Published by
Breitkopf and Haertel
(BR.OB-4564-19).
Sexagesimae Sunday -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Folder.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Set of
parts. 10 pages. Duration
20'. Breitkopf and
Haertel #OB 4626-30.
Published by Breitkopf
and Haertel
(BR.OB-4626-30).
By Johann Sebastian Bach. For 4 Harpsichords, Strings. This edition: Harpsichord...(+)
By Johann Sebastian Bach.
For 4 Harpsichords,
Strings. This edition:
Harpsichord 3 solo.
Breitkopf Orchestral
Library. 8 pages.
Published by Breitkopf
and Haertel (German
import).
Jubilate [3rd Sunday
after Easter].
Composed by Johann
Sebastian Bach. Edited by
Paul Graf Waldersee.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Part.
10 pages. Duration 40'.
Breitkopf and Haertel #OB
4646-26. Published by
Breitkopf and Haertel
(BR.OB-4646-26).
(A Masterwork Method for the Developing Pianist). By Nancy Bachus. For Piano. Bo...(+)
(A Masterwork Method for
the Developing Pianist).
By Nancy Bachus. For
Piano. Book; CD; Graded
Standard Repertoire;
Masterworks; Piano
Collection. Exploring
Piano Classics.
Masterwork. 48 pages.
Published by Alfred Music
Publishing
(Kantate fur eine Trauerfeier bzw. zum Fest Mariae Reinigung). By Johann Sebasti...(+)
(Kantate fur eine
Trauerfeier bzw. zum Fest
Mariae Reinigung). By
Johann Sebastian Bach
(1685-1750). Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. For
Soli TB, SATB Choir,
Flute, Oboe d'Amore, Vada
(Violin), Organ. BWV 157.
Full score available
separately - see item
CA.3115700. Cantatas;
Stuttgart Urtext
editions; Occasions:
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary, Mourning, Death.
Level 3. Part:
Violoncello. Language:
German/English. Composed
1727(?). 12 pages.
Duration 21 min
(Kantate fur eine Trauerfeier bzw. zum Fest Mariae Reinigung). By Johann Sebasti...(+)
(Kantate fur eine
Trauerfeier bzw. zum Fest
Mariae Reinigung). By
Johann Sebastian Bach
(1685-1750). Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. For
Soli TB, SATB Choir,
Flute, Oboe d'Amore, Vada
(Violin), Organ. BWV 157.
Full score available
separately - see item
CA.3115700. Genres:
Cantatas; Stuttgart
Urtext Editions; Use /
Occasion: Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Mourning,
Death. Level 3. Set of
instrumental parts
(except strings).
Language: German/English.
Composed 1727(?). 16
pages. Duration 21 min.
Published by Carus Verlag
(Kantate fur eine Trauerfeier bzw. zum Fest Mariae Reinigung). By Johann Sebasti...(+)
(Kantate fur eine
Trauerfeier bzw. zum Fest
Mariae Reinigung). By
Johann Sebastian Bach
(1685-1750). Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. For
Soli TB, SATB Choir,
Flute, Oboe d'Amore, Vada
(Violin), Organ. BWV 157.
Full score available
separately - see item
CA.3115700. Genres:
Cantatas; Stuttgart
Urtext Editions; Use /
Occasion: Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Mourning,
Death. Level 3. Choral
score. Language:
German/English. Composed
1727(?). 2 pages.
Duration 21 min.
Published by Carus Verlag
(Kantate fur eine Trauerfeier bzw. zum Fest Mariae Reinigung). By Johann Sebasti...(+)
(Kantate fur eine
Trauerfeier bzw. zum Fest
Mariae Reinigung). By
Johann Sebastian Bach
(1685-1750). Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. For
Soli TB, SATB Choir,
Flute, Oboe d'Amore, Vada
(Violin), Organ. This
edition: paperbound. BWV
157. Genres: Cantatas;
Stuttgart Urtext
Editions; Use / Occasion:
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary, Mourning, Death.
Level 3. Score. Language:
German/English. Composed
1727(?). 72 pages.
Duration 21 min.
Published by Carus Verlag
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Trinity.
Full score. Composed
1723. BWV 138. 44 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/00. Published by
Carus Verlag
(CA.3113800).
ISBN
9790007183332. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display.
Cantata
for 24th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Till
Reininghaus. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ach wie fluchtig, ach wie
nichtig. Sacred vocal
music, End of the church
year, Mourning, death.
Single Part, Violin 1.
Composed 1724. BWV 26. 8
pages. Duration 17
minutes. Carus Verlag #CV
31.026/11. Published by
Carus Verlag
(CA.3102611).
ISBN
9790007205263. Language:
German/English.
Bac
h's cantata BWV 26
belongs to the Leipzig
cycle of chorale
cantatas, 1724/25, and it
was first performed on 19
November 1724. The
underlying 13-vers hymn
by Michael Franck
provided Bach and his
unidentified librettist
with an abundance of
metaphors and comparisons
which, from verse to
verse and movement to
movement, illustrate the
fleeting and transitory
nature of earthly life:
an impressive
musical-poetic exposition
of potent baroque
pictures of vanity..
Score and part available
separately - see item
CA.3102600.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Organ. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Organ. Composed
1728/1731. BWV 117. 24
pages. Duration 26
minutes. Carus Verlag #CV
31.117/49. Published by
Carus Verlag
(CA.3111749).
ISBN
9790007048716. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Soli STB, Fl, 2 Vl, Va, Bc SKU: CA.3121100 Coffee cantata. Compose...(+)
Soli STB, Fl, 2 Vl, Va,
Bc
SKU: CA.3121100
Coffee cantata.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Cantatas, Secular
choral music. Full Score.
Composed 1734. BWV 211.
Duration 27 minutes.
Carus Verlag #CV
31.211/00. Published by
Carus Verlag
(CA.3121100).
ISBN
M-007-24483-5.
German/English.
In
1729 Bach took over the
running of the Collegium
musicum in Leipzig,
founded by Telemann, and
continued the tradition
of giving concerts at
least once a week with
this ensemble in
Zimmermann's coffee house
or, in the summer, in the
coffee garden there. The
compositions which were
probably composed for
performance there include
Bach's famous Coffee
Cantata. The cantata is
only superficially about
daughter Liesgen's
addiction to coffee, in
fact it is really about
her strict father Schlend
rian's educational
efforts, which ultimately
remain ineffective - but
only in Bach's cantata.
In Picander's printed
libretto it seems as if
Schlendrian might
prevail, and only in
Bach's cantata, which
includes two movements
setting additional text,
is there a twist to the
contrary. Might Bach's
experiences as a father
have come into play
here?
Cantata
for the 1st Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Benedikt
Lessmann. Stuttgart
Urtext Edition: Bach
vocal. Cantatas,
Epiphany. Vocal score.
Composed before 1724. BWV
154. 28 pages. Duration
17 minutes. Carus Verlag
#CV 31.154/03. Published
by Carus Verlag
(CA.3115403).
ISBN
9790007187156. Language:
German/English.
The
cantata Mein liebster
Jesus ist verloren BWV
154 was first performed
on 9 January 1724, the
1st Sunday after
Epiphany. The structure
and extent of the work
are unusual: it comprises
eight, instead of the
usual six movements. With
a duration of around 15
minutes, it is a concise
work. As well as this, at
the beginning of the
cantata there is an aria
instead of the usual
opening chorus. A chorale
features at the end and
in the third movement.
Its brevity and
straightforward arias
make this cantata
suitable for inclusion in
any church service, and
is easy for amateur
ensembles to master.
Score available
separately - see item
CA.3115400.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Herr Gott,
dich loben alle wir.
Sacred vocal music,
Cantatas. Vocal score.
Composed 1724. BWV 130.
24 pages. Duration 14
minutes. Carus Verlag #CV
31.130/03. Published by
Carus Verlag
(CA.3113003).
ISBN
9790007061296. Language:
German/English.
As
in all cantatas for St.
Michael the chorale
cantata Lord God, we
praise thee all of us BWV
130 from 1724 is a
magnificent composition.
Not only in the opening
chorus and the final
chorale do the three
trumpets and timpani play
a role, but the first
aria In hell the serpent,
hot with hate is even
accompanied solely by
trumpets, timpani and
continuo. The second
aria, Thou, of cherubim
the master, brings an
unexpected contrast in
which, besides the tenor
and continuo, on a solo
flute is heard. The
original set of parts
were separated from each
other in the 19th century
and today are scattered
throughout the world. For
the first time, some of
the parts were taken into
consideration in
preparing this edition.
Score available
separately - see item
CA.3113000.
1st
and 2nd Version -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Wolfram
Ensslin. Choir; Folder.
Orchester-Bibliothek
(Orchestral Library).
The new edition of BWV
118 presents the work in
the two different
instrumental settings
that are authenticated
through the autograph
scores: the earlier
version with solely brass
instruments, and the
later one with mixed
instruments.
Have a
look. Motet; Baroque. Set
of parts. 30 pages.
Duration 8'. Breitkopf
and Haertel #OB 4618-30.
Published by Breitkopf
and Haertel
(BR.OB-4618-30).
ISBN
9790004341575. 9 x 12
inches.
The new
edition of BWV 118
presents the work in the
two different
instrumental settings
that are authenticated
through the autograph
scores: the earlier
version with solely brass
instruments, and the
later one with mixed
instruments. Both
versions are printed
consecutively. Of
particular interest for
an authentic performance
are two Litui, which are
called for in both
versions. To this day it
has been impossible to
determine what
instruments are meant
here: high horns in B
flat? Or trumpets? The
work has more unanswered
questions for us for
example, the occasion for
which the first version
was written in ca.
1736/37, and the reason
why the work was newly
orchestrated after
1740.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Holy Week. Set of
Orchestra Parts. Composed
1715(?). BWV 18. Duration
21 minutes. Carus Verlag
#CV 31.018/19. Published
by Carus Verlag
(CA.3101819).
ISBN
9790007204891. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and parts
available separately -
see item CA.3101800.
Cantata for the Sunday
Estomihi. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat,
Ulrich Leisinger. 1x
31.023/21 oboe 1, 1x
31.023/22 oboe 2. German
title: Du wahrer Gott und
Davids Sohn 6. Sacred
vocal music, Cantatas,
Mass sections, Lent and
Passiontide, Holy Week.
Set of Orchestra Parts.
Composed 1723/24. BWV 23.
32 pages. Duration 20
minutes. Carus Verlag #CV
31.023/09. Published by
Carus Verlag
(CA.3102309).
ISBN
9790007042233. Key: C
minor. Language:
German/English.
Bac
h wrote the cantata Du
wahrer Gott und Davids
Sohn as a test piece in
connection with his
application for the
position of Cantor of St.
Thomas. For reasons
unknown, Bach considered
it necessary to use a
cornett and three
trombones to support the
chorus - possibly this
suggests the poor state
of the St. Thomas choir
after Kuhnau's death. New
revised edition. Score
and parts available
separately - see item
CA.3102300.
Viola - Level 3 SKU: BA.BA10010-79 Cantata for the Feast of Visitation...(+)
Viola - Level 3
SKU:
BA.BA10010-79
Cantata for the Feast
of Visitation B. V.
M.. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
10. 7 pages. Baerenreiter
Verlag #BA10010_79.
Published by Baerenreiter
Verlag (BA.BA10010-79).
ISBN 9790006561575.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Cantata for Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Christine
Blanken. Arranged by Paul
Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Gelobet sei
der Herr, mein Gott.
Sacred vocal music,
Trinity. Single Part,
Cello/Double Bass.
Composed 1726. BWV 129.
12 pages. Duration 24
minutes. Carus Verlag #CV
31.129/14. Published by
Carus Verlag
(CA.3112914).
ISBN
9790007207809. Language:
German/English.
Sco
re available separately -
see item CA.3112900.
Cantata for the First Sunday of Advent. Vocal Score based on the Urtext of the N...(+)
Cantata for the First
Sunday of Advent. Vocal
Score based on the Urtext
of the New Bach Edition.
By Johann Sebastian Bach.
Edited by D!Rr, Alfred.
For Mixed Choir-SATB.
Chorus Score. BWV 61.
Published by
Baerenreiter-Ausgaben
(German import). (BA10061
91)