Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2
SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105).
ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major.
Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march.
Diatonic and chromatic
harmonica. Composed
by Phil Duncan.
Squareback saddle stitch,
Harmonica: Chromatic,
Style, Harmonica:
Diatonic, Method. Blues
Harp. Book and online
audio/video. 84 pages.
Mel Bay Publications, Inc
#93814M. Published by Mel
Bay Publications, Inc
(MB.93814M).
ISBN
9780786687428. 8.75 x
11.75
inches.
Written for
diatonic and chromatic
harmonica, this is one of
the hottest-selling blues
harp books available. As
usual, Phil Duncans
instructions are thorough
and easy to understand.
One of the best books in
this popular harmonica
style. The blues
technique of playing
cross-harp is clearly
presented. Chords and
melody, bending, tones
and vibrato are but a few
skills that are taught.
No previous musical
knowledge is necessary.
Includes access to online
audio and video.In the
companion video, the
blues technique of
playing cross-harp is
clearly presented. Chords
and melody, bending,
tones and vibrato are but
a few skills that are
demonstrated. The online
video follows the book,
helping to ensure
accuracy, proper
interpretation and ease
of learning. No previous
musical knowledge is
necessary. Includes
access to online audio in
stereo play-along
format.
By Camille Saint-Saëns. Arranged by Michael Story and Michael Story. Orchestra....(+)
By Camille Saint-Saëns.
Arranged by Michael Story
and Michael Story.
Orchestra. For full
(bells, timp,
suscym/tamb, pno (opt),
vln3). Full Orchestra;
Masterworks; Part(s);
Score. Belwin
Intermediate Full
Orchestra. Form: March;
Transcription.
Masterwork; Romantic.
Grade 3. 120 pages.
Published by Alfred Music
Publishing
By Camille Saint-SaÌÇns. Arranged by Michael Story and Michael Story. Orchestr...(+)
By Camille
Saint-SaÌÇns. Arranged
by Michael Story and
Michael Story. Orchestra.
Full Orchestra;
Masterworks; Score.
Belwin Intermediate Full
Orchestra. Form: March;
Transcription. Masterwork
Arrangement; Romantic.
Grade 3. 12 pages.
Published by Belwin
Publishing
March Chromatica Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.26802S Composed by Mark Williams. Concer...(+)
Concert Band - Grade 1.5
SKU: AP.26802S
Composed by Mark
Williams. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Challenger Band Series.
Form: March. Meters.
Score. 8 pages. Alfred
Music #00-26802S.
Published by Alfred Music
(AP.26802S).
UPC:
038081301631.
English.
Destined
to become a standard of
the school band
repertoire, the melodies
of this classic old-time
6/8 march are based on
the chromatic scale. In
fact, the melodies and
countermelodies in the
trio section are pure
chromatic scales (moving
in opposite directions),
and the superb
harmonization makes it
sound fantastic. You have
to hear it to believe it!
This title is available
in MakeMusic Cloud.
Composed
by R. Alan Carter. Sws.
Cps. Full score. 16
pages. Duration 2:20.
Carl Fischer Music
#CPS238F. Published by
Carl Fischer Music
(CF.CPS238F).
ISBN
9781491158173. UPC:
680160916771. 9 x 12
inches.
Wiregrass
March was written to
celebrate the southern
portion of Georgia and
Alabama known as
Wiregrass Country,
because of the type of
grass that grows in this
sandy soil. This march is
written in the
traditional style of
Henry Fillmore. After a
short introduction, the
first strain has a light,
happy melody with a
simple flourish from the
low brass. The second
strain is highlighted by
chromatic harmony to add
depth. The new melodic
content introduced by the
low clarinets and
euphonium first time
through the trio add to
the beauty of this march.
This is followed by a
flourish of brass to the
end. Wiregrass March
was written to celebrate
the southern portion
ofGeorgia and Alabama
known as Wiregrass
Country, because of
thetype of grass that
grows in this sandy soil.
This march is written
inthe traditional style
of Henry Fillmore. After
a short introduction,
thefirst strain has a
light, happy melody with
a simple flourish from
thelow brass. The second
strain is highlighted by
chromatic harmony toadd
depth. The new melodic
content introduced by the
low clarinetsand
euphonium first time
through the trio add to
the beauty of thismarch.
This is followed by a
flourish of brass to the
end.
Grade 3 SKU: CL.012-3105-75 Composed by Seitz. Arranged by Glover. Concer...(+)
Grade 3
SKU:
CL.012-3105-75
Composed by Seitz.
Arranged by Glover.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR325 & CL.WFR316).
Oversized, spiral-bound
score. Composed 2001.
Duration 2 minutes, 48
seconds. Opus III Wind
Orchestra Publications
#012-3105-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-3105-75).
One of the most
distinctive marches ever
written, this stately
standard is a perfect
concert or festival
selection. Glover's
outstanding arrangement
is not simplified or
abridged in any way, but
does offer insightful
articulations, clear
dynamics and large
readable parts for the
modern concert band
instrumentation. The
nature of the opening
strains makes this a
wonderful vehicle for
teaching everyone in the
band chromatic scales.
Tremendous! Grade 3
1/2.
About
Heritage of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Trombone Quintet - advanced SKU: CY.CC2828 Composed by Julius Fucik. Arra...(+)
Trombone Quintet -
advanced
SKU:
CY.CC2828
Composed by
Julius Fucik. Arranged by
Wes Ballenger. March.
Score and parts.
Published by Cherry
Classics (CY.CC2828).
Entrance of the
Gladiators is a military
march composed in 1897
and soon after was also
subtitled Thunder and
Blazes. It has become a
legendary screamer march
for circuses to introduce
the clowns.
The
march is in three
sections with some very
lyrical moments followed
by the chromatic break
section featuring the low
brass. The final trio
section is also lyrical
and chromatic at the same
time. When played as a
screamer the tempo is
often taken to
extremes.
Wes
Ballenger has done an
amazing job of arranging
this famous march for a
virtuosic Trombone
quintet.
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-494-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.AMP-494-140
Composed by Philip
Sparke. Debut Series
(Anglo). Concert March.
Score Only. Composed
2021. 28 pages. Anglo
Music Press #AMP 494-140.
Published by Anglo Music
Press (BT.AMP-494-140).
English-German-French-
Dutch.
March of
the Robot Army was
commissioned by Linda
Anzolin & Giordano-Bruno
Tedeschi for Campobanda
2019, with funds made
available by JUST ITALIA.
Campobanda is an Italian
summer music camp for 8-
to 18-year-olds (held
inCamposilvano in 2019)
which has a different
theme every year. The
theme for 2019 was
‘science
fiction’, so
composer Philip Sparke
chose to write a robot
march. After a quirky
introduction featuring
trumpet calls and
chromaticfigures, the
main theme appears in a
minor mode on clarinet
and tenor sax and is then
taken up by the full
band. A change of key
heralds a new theme, led
by the trumpet and again
repeated by the full
ensemble. A further
change ofkey introduces a
legato
‘trio’
melody over a rather
robotic accompaniment:
instruments are added bit
by bit until a climax is
reached. Small motifs
from the introduction
then lead back to a full
recapitulation,
revisiting thefirst two
themes in new guises
before finishing the
march with a
flourish.
March
of the Robot Army
werd geschreven in
opdracht van Linda
Anzolin & Giordano-Bruno
Tedeschi voor Campobanda
2019: de financiering
werd mogelijk gemaakt
door JUST ITALIA.
Campobanda is een
Italiaans zomermuziekkamp
vooracht- tot
achttienjarigen (dat in
2019 werd gehouden in
Camposilvano) met elk
jaar een ander thema. Het
thema voor 2019 was
sciencefiction, dus
besloot componist Philip
Sparke een robotmars te
schrijven. Na een
grilligeinleiding met
trompetsignalen en
chromatische motieven
verschijnt het hoofdthema
in mineur op klarinet en
tenorsax, waarna het door
het hele orkest wordt
overgenomen. Een
verandering van toonsoort
kondigt een nieuw thema
aan, weeringeleid door de
trompet en herhaald door
het volledige ensemble.
Een verdere
toonsoortverandering
introduceert een legato
‘triomelodieâ€
boven een nogal
robotachtige begeleiding:
er worden stapsgewijs
instrumenten toegevoegd
totde muziek uitmondt in
een hoogtepunt. Korte
figuren uit de inleiding
nemen ons dan mee naar
een volledige herneming,
met een terugkeer naar de
eerste twee
thema’s in een
nieuwe gedaante, waarna
de mars in stijl wordt
afgesloten.
Der
March of the Robot
Army wurde von Linda
Anzolin und
Giordano-Bruno Tedeschi
für Campobanda
2019“ in Auftrag
gegeben und finanziell
von JUST ITALIA
unterstützt. Das
italienische
Sommermusikcamp
Campobanda für 8-
bis18-Jährige fand
2019 in Camposilvano
statt und hat jedes Jahr
ein anderes Motto. 2019
lautete das Thema Science
Fiction“, daher
entschied sich der
Komponist Philip Sparke
dazu, einen Robotermarsch
zu schreiben. Nach
einerskurrilen Einleitung
mit Trompetenrufen und
chromatischen Figuren
erklingt in Klarinetten
und Tenorsaxophonen das
Hauptthema in Moll, das
dann vom gesamten
Orchester aufgegriffen
werd. Ein Tonartwechsel
kündigt ein neues
Thema an,das von der
Trompete vorgestellt und
anschließend vom
gesamten Ensemble
wiederholt wird. Ein
weiterer Tonartwechsel
führt zu einem
melodischen, legato
gespielten Trio-Abschnitt
über einer
roboterhaften Begleitung.
Nach und nachkommen
weitere Instrumente
hinzu, bis der
Höhepunkt erreicht
ist. Kleine Motive aus
der Einleitung führen
dann zu einer Reprise,
wobei die ersten beiden
Themen in neuer Gestalt
wieder aufgegriffen
werden, bevor der Marsch
zum Endehin noch einmal
musikalisch
aufblüht.
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-494-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.AMP-494-010
Composed by Philip
Sparke. Debut Series
(Anglo). Concert March.
Set (Score & Parts).
Composed 2021. Anglo
Music Press #AMP 494-010.
Published by Anglo Music
Press (BT.AMP-494-010).
English-German-French-
Dutch.
March of
the Robot Army was
commissioned by Linda
Anzolin & Giordano-Bruno
Tedeschi for Campobanda
2019, with funds made
available by JUST ITALIA.
Campobanda is an Italian
summer music camp for 8-
to 18-year-olds (held
inCamposilvano in 2019)
which has a different
theme every year. The
theme for 2019 was
‘science
fiction’, so
composer Philip Sparke
chose to write a robot
march. After a quirky
introduction featuring
trumpet calls and
chromaticfigures, the
main theme appears in a
minor mode on clarinet
and tenor sax and is then
taken up by the full
band. A change of key
heralds a new theme, led
by the trumpet and again
repeated by the full
ensemble. A further
change ofkey introduces a
legato
‘trio’
melody over a rather
robotic accompaniment:
instruments are added bit
by bit until a climax is
reached. Small motifs
from the introduction
then lead back to a full
recapitulation,
revisiting thefirst two
themes in new guises
before finishing the
march with a
flourish.
March
of the Robot Army
werd geschreven in
opdracht van Linda
Anzolin & Giordano-Bruno
Tedeschi voor Campobanda
2019: de financiering
werd mogelijk gemaakt
door JUST ITALIA.
Campobanda is een
Italiaans zomermuziekkamp
vooracht- tot
achttienjarigen (dat in
2019 werd gehouden in
Camposilvano) met elk
jaar een ander thema. Het
thema voor 2019 was
sciencefiction, dus
besloot componist Philip
Sparke een robotmars te
schrijven. Na een
grilligeinleiding met
trompetsignalen en
chromatische motieven
verschijnt het hoofdthema
in mineur op klarinet en
tenorsax, waarna het door
het hele orkest wordt
overgenomen. Een
verandering van toonsoort
kondigt een nieuw thema
aan, weeringeleid door de
trompet en herhaald door
het volledige ensemble.
Een verdere
toonsoortverandering
introduceert een legato
‘triomelodieâ€
boven een nogal
robotachtige begeleiding:
er worden stapsgewijs
instrumenten toegevoegd
totde muziek uitmondt in
een hoogtepunt. Korte
figuren uit de inleiding
nemen ons dan mee naar
een volledige herneming,
met een terugkeer naar de
eerste twee
thema’s in een
nieuwe gedaante, waarna
de mars in stijl wordt
afgesloten.
Der
March of the Robot
Army wurde von Linda
Anzolin und
Giordano-Bruno Tedeschi
für Campobanda
2019“ in Auftrag
gegeben und finanziell
von JUST ITALIA
unterstützt. Das
italienische
Sommermusikcamp
Campobanda für 8-
bis18-Jährige fand
2019 in Camposilvano
statt und hat jedes Jahr
ein anderes Motto. 2019
lautete das Thema Science
Fiction“, daher
entschied sich der
Komponist Philip Sparke
dazu, einen Robotermarsch
zu schreiben. Nach
einerskurrilen Einleitung
mit Trompetenrufen und
chromatischen Figuren
erklingt in Klarinetten
und Tenorsaxophonen das
Hauptthema in Moll, das
dann vom gesamten
Orchester aufgegriffen
werd. Ein Tonartwechsel
kündigt ein neues
Thema an,das von der
Trompete vorgestellt und
anschließend vom
gesamten Ensemble
wiederholt wird. Ein
weiterer Tonartwechsel
führt zu einem
melodischen, legato
gespielten Trio-Abschnitt
über einer
roboterhaften Begleitung.
Nach und nachkommen
weitere Instrumente
hinzu, bis der
Höhepunkt erreicht
ist. Kleine Motive aus
der Einleitung führen
dann zu einer Reprise,
wobei die ersten beiden
Themen in neuer Gestalt
wieder aufgegriffen
werden, bevor der Marsch
zum Endehin noch einmal
musikalisch
aufblüht.
Composed by McKinzey.
Concert Band. Symphony
Band Series. Audio
recording available
separately (item
CL.WFR368). Extra full
score. Composed 2010.
Duration 1 minute, 56
seconds. Opus III Wind
Orchestra Publications
#012-3895-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3895-01).
Fingers will
fly and ears will perk up
to this unique quick-step
march titled Half Step
March by Kyle McKinzey.
As the title suggests, it
is a flurry of chromatic
runs and licks that will
make your students WANT
to practice, and have
your audience’s
toes tapping. For many,
it will bring back
memories of the old
circus marches. You will
be able to see clowns
running about, trapeze
artists flying around and
much more. A great opener
to a concert, or a quick
encore piece that will
leave them wanting
more.
Half Step March Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By McKinzey. For concert band. Concert Band. Symphony Band Series. Grade 3.5. Sc...(+)
By McKinzey. For concert
band. Concert Band.
Symphony Band Series.
Grade 3.5. Score and
parts. Composed 2010.
Duration 1 minutes, 56
seconds. Published by
C.L. Barnhouse
Chromatic Comedy Orchestre d'harmonie - Facile Opus III Wind Orchestra Publications
Grade 2 SKU: CL.012-1749-00 Composed by Tatgenhorst. Concert Band. Herita...(+)
Grade 2
SKU:
CL.012-1749-00
Composed by Tatgenhorst.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (item
CL.WFR101). Score and set
of parts. Composed 1984.
Duration 5 minutes. Opus
III Wind Orchestra
Publications
#012-1749-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-1749-00).
Here’s a
delightful program piece
for young bands
highlighting the flute
and clarinet sections. An
effective rhythmic
background enhances the
melodic material which is
definitely the ``Sound of
Today.’’
This music is simple,
straightforward and fun
to play with some nice
touches added by the
writer. No preparation
problems.
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Concert band - Grade 2 SKU: CL.024-4172-01 Composed by Wampler. Young Con...(+)
Concert band - Grade 2
SKU:
CL.024-4172-01
Composed by Wampler.
Young Concert Band.
Rising Band Series for
Developing Bands! Audio
recording available
separately (item
CL.WFR380). Extra full
score. Composed 2013.
Duration 1 minute, 48
seconds. C.L. Barnhouse
#024-4172-01. Published
by C.L. Barnhouse
(CL.024-4172-01).
Looking for a
piece that introduces the
chromatic scale in a
meaningful way for the
entire band? This lively
march gives every player
part of the chromatic
scale as well as a
musical melody and
countermelody. Introduce
the march form with an
intro, 1st strain,
transition, 2nd strain,
trio and recapitulation.
Open your concert with a
sound that shows off your
band!
Composed
by R. Alan Carter. SWS.
Carl Fischer Concert
Performance Series. Full
score. With Standard
notation. 20 pages.
Duration 3 minutes, 17
seconds. Carl Fischer
Music #CPS193F. Published
by Carl Fischer Music
(CF.CPS193F).
ISBN
9781491148198. UPC:
680160905690. 9 x 12
inches.
Azalea City
is an original march that
has been composed in the
style of famous march
composer Henry Fillmore.
A tuneful, chromatic
melodic figure,
fanfare-like themes, and
bold, march style
harmonies are highlighted
in this well-written
piece by newcomer Alan
Carter. The march is in
2/4 making it more
accessible to bands at
this level. This piece is
perfect for both
introducing march styles
and for use in your next
festival.
Azalea City March Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Composed by R. Alan Carter. Carl Fischer Concert Performance Series. Score and p...(+)
Composed by R. Alan
Carter. Carl Fischer
Concert Performance
Series. Score and
part(s). With Standard
notation. Duration 3
minutes, 17 seconds. Carl
Fischer #CPS193.
Published by Carl Fischer
(CF.CPS193).
Zion March Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.48112S Composed by Brian Beck. Concert B...(+)
Concert Band - Grade 1.5
SKU: AP.48112S
Composed by Brian Beck.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Sound Innovations for
Concert Band. Form:
March. Score. 16 pages.
Duration 2:30. Alfred
Music #00-48112S.
Published by Alfred Music
(AP.48112S).
UPC:
038081558769.
English.
Zion March
is written in classic
march style, using many
permutations of
quarter/eighth-note
rhythms. Though range is
limited, the use of many
chromatic notes creates
interesting harmonies.
Groups performing piece
will soon become rhythm
masters! Correlated to
Sound Innovations, Book
2, Level 3. (2:30) This
title available in
MakeMusic Cloud.
Zion March Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.48112 Composed by Brian Beck. Concert Ba...(+)
Concert Band - Grade 1.5
SKU: AP.48112
Composed by Brian Beck.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Sound Innovations for
Concert Band. Form:
March. Score and Part(s).
152 pages. Duration 2:30.
Alfred Music #00-48112.
Published by Alfred Music
(AP.48112).
UPC:
038081558752.
English.
Zion March
is written in classic
march style, using many
permutations of
quarter/eighth-note
rhythms. Though range is
limited, the use of many
chromatic notes creates
interesting harmonies.
Groups performing piece
will soon become rhythm
masters! Correlated to
Sound Innovations, Book
2, Level 3. (2:30) This
title is available in
MakeMusic Cloud.
March of the Aliens Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Kjos Music Company
By Barrie Gott. Edited by Bruce Pearson. For concert band. Standard of Excellenc...(+)
By Barrie Gott. Edited by
Bruce Pearson. For
concert band. Standard of
Excellence in Concert.
Grade 1.5. Score and set
of parts. Published by
Neil A. Kjos Music
Company
By Barrie Gott. Edited by Bruce Pearson. For concert band. Concert Band. Standar...(+)
By Barrie Gott. Edited by
Bruce Pearson. For
concert band. Concert
Band. Standard of
Excellence - in Concert.
Score. Published by Neil
A. Kjos Music Company.
Level: Grade 1.5.
Grade 2 SKU: CL.011-3721-01 Composed by Orcino. Young Concert Band. Comma...(+)
Grade 2
SKU:
CL.011-3721-01
Composed by Orcino. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR359). Extra
full score. Composed
2008. Duration 1 minute,
50 seconds. C.L.
Barnhouse #011-3721-01.
Published by C.L.
Barnhouse
(CL.011-3721-01).
The golden age
of daredevil pilots comes
to life in Len
Orcino’s
delightful Barnstormers
March. This rousing march
begins with a ratchet as
the cranking of the
propeller. The engine
sputters to life and off
the listener goes on his
free ride into the air,
as the music emulates the
biplane and all its
loops, dives, tricks and
stunts. This open-air
cockpit ride creates its
thrills with musical
devices. Parallel
chromatic and diminished
seventh chords will add
new sounds to your bands
vocabulary. You’ll
label this one a real
toe-tapper. It’s
sure to become a pops
concert standard.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Citation March Orchestre d'harmonie - Intermédiaire Claude T. Smith Publications
Grade 3 SKU: CL.CTS-7700-00 Composed by Claude T. Smith. Concert Band. Sc...(+)
Grade 3
SKU:
CL.CTS-7700-00
Composed by Claude T.
Smith. Concert Band.
Score and set of parts.
Composed 1990. Claude T.
Smith Publications
#CTS-7700-00. Published
by Claude T. Smith
Publications
(CL.CTS-7700-00).
Smith’s
first published march. A
bravura opening fanfare
punctuated with the
percussion forces open
this march. The first
strain gives us a jaunty
tune with baritones and
trombones playing the
countermelody. The second
strain refers back to the
opening fanfares with
percussion section soli
banding about. A reserved
trio tune played by
clarinets, first horn and
baritone are assisted
with chromatic runs
played by flute, oboe,
muted first trumpet and
bells. The opening
fanfares return in the
break strain, which then
gives us a terrific trio
strain. Accessible and
playable for all
musicians!
Bb
Clarinet. Essential
Elements. Instruction.
Softcover. 48 pages.
Published by Hal Leonard
(HL.863548).
ISBN
9780793569793. UPC:
073999635485.
9.0x12.0x0.125
inches.
Original
series (black cover)
Intermediate to advanced
studies featuring full
band chorales, chromatic
exercises and
articulation studies,
color woodwind trill
charts, a wide variety of
multicultural songs, and
much more. Authors: Tom
C. Rhodes, Donald
Bierschenk, Tim
Lautzenheiser.
About
Essential Elements Band
Method
Abo
ut Essential Elements
Band Method: Essential
Elements Band Method
provides a complete
system of books and
accompanying materials
that make the educator's
job easier, and the
students' learning more
thorough and enjoyable.
By Tom C. Rhodes, Donald
Bierschenk, Tim
Lautzenheiser, John
Higgens, Linda
Petersen.
Liberty Loan Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Willow Blossom Music
(March). Composed by John Philip Sousa (1854-1932). Arranged by Brion. For conce...(+)
(March). Composed by John
Philip Sousa (1854-1932).
Arranged by Brion. For
concert band. Sousa
Legacy. Grade 3.5. Score
and parts. Duration 3
minutes, 35 seconds.
Published by Willow
Blossom Music
Citation March Orchestre d'harmonie - Intermédiaire Claude T. Smith Publications
Grade 3 SKU: CL.CTS-7700-01 Composed by Claude T. Smith. Concert Band. Ex...(+)
Grade 3
SKU:
CL.CTS-7700-01
Composed by Claude T.
Smith. Concert Band.
Extra full score.
Composed 1990. Claude T.
Smith Publications
#CTS-7700-01. Published
by Claude T. Smith
Publications
(CL.CTS-7700-01).
Smith’s
first published march. A
bravura opening fanfare
punctuated with the
percussion forces open
this march. The first
strain gives us a jaunty
tune with baritones and
trombones playing the
countermelody. The second
strain refers back to the
opening fanfares with
percussion section soli
banding about. A reserved
trio tune played by
clarinets, first horn and
baritone are assisted
with chromatic runs
played by flute, oboe,
muted first trumpet and
bells. The opening
fanfares return in the
break strain, which then
gives us a terrific trio
strain. Accessible and
playable for all
musicians!
