Piano and String Quartet - very easy, easy SKU: BT.DHP-1084471-070 A h...(+)
Piano and String Quartet
- very easy, easy
SKU:
BT.DHP-1084471-070
A historical journey
for beginner string
ensemble. Composed by
Janet Zadow. Set (Score &
Parts). Composed 2008. 44
pages. De Haske
Publications #DHP
1084471-070. Published by
De Haske Publications
(BT.DHP-1084471-070).
ISBN 9789043128773.
9x12 inches.
English-German-French-Dut
ch.
This great work
for young, inexperienced
string orchestras can be
performed in various
ways. The associated
story even makes a staged
performance possible. A
wonderful journey through
time enables the ensemble
members to practice the
notes of the G scale in
an enjoyable way. All
parts are for first
position only and require
first and second finger
patterns. A third violin
part can replace the
violas if necessary, and
a piano accompaniment is
included for harmonic and
rhythmic support. A fun
way to learn! This set
contains two first violin
parts, two second violin
parts, one viola part,
one third violin part
(viola), one cello part
(double bass) and one
score (piano
accompaniment).
Di
t fraaie werk voor jonge,
beginnende
strijkersorkesten kan op
verschillende manieren
worden uitgevoerd. Het
bijbehorende verhaal
maakt zelfs een
geënsceneerde
toneelvoorstelling
mogelijk. Een
fantastische reis door de
tijd geeftde leden van
het ensemble of orkest de
mogelijkheid om de noten
van de toonladder van G
(sol) op een prettige
manier te oefenen. Voor
alle partijen is alleen
de eerste positie nodig,
verder zijn de eerste en
tweede vingerstand
vereist.Een
derdevioolpartij is
bijgevoegd - voor het
geval er geen
altviolisten in het
ensemble zitten. Ook is
er een pianobegeleiding
meegeleverd, die
harmonische en ritmische
ondersteuning biedt. Een
leuke manier om te
leren!
Dieses
großartige Werk für
junge, noch unerfahrene
Streichensembles kann auf
verschiedene Weisen
gespielt werden. Die
damit verbundene
Erzählung ergänzt
den theoretischen
Unterricht und erlaubt
sogar eine
Bühnenaufführung.
Auf einer wunderbaren
Zeitreise können die
Ensemblemitglieder die
Töne der
G-Dur-Tonleiter auf
heitere Weise üben.
Alle Stimmen bewegen sich
nur innerhalb der ersten
Lage und erfordern die
erste und zweite
Griffart. Die
zusätzliche
Klavierbegleitung sorgt
für die harmonische
und rhythmische
Stütze. So macht
Lernen Spaß! Das Set
umfasst zwei erste und
zwei zweite Stimmen
für Violine, eine
Violastimme, eine dritte
Violine (alt. Viola),
eine Cello-
oderKontrabassstimme und
eine Partitur
(Klavierbegleitung).
Questa
piacevole composizione si
rivolge a tutti gli
ensemble d'archi senza
esperienza. La narrazione
che accompagna il brano
permette di farne una
vera opera scenica. Un
delizioso viaggio nel
tempo che consente ai
giovani strumentisti di
lavorare le note della
scala di Sol
divertendosi. Tutte le
voci sono scritte in
prima posizione e non
necessitano l'utilizzo
del primo e del secondo
schema della dita. La
parte opzionale del
violino 3 permette di
sostituire la parte della
viola. L'accompagnamento
del piano incluso offre
un sostegno armonico e
ritmico. Strumentazione:
2 violini 1 & 2, 1 viola
(o violino 3), 1
violoncello (o
contrabbasso), 1 parte
del piano.
Medium Voice; Piano Accompaniment (Low Voice) SKU: HL.51481460 Low Voi...(+)
Medium Voice; Piano
Accompaniment (Low Voice)
SKU: HL.51481460
Low Voice and
Piano. Composed by
Richard Strauss. Edited
by Annette Oppermann.
Henle Music Folios.
Classical, Song Cycle.
Softcover. 40 pages. G.
Henle #HN1460. Published
by G. Henle
(HL.51481460).
UPC:
196288093046.
8.25x11.5x0.177
inches.
Written in
1885, the eight songs
after texts by the now
little-known poet Hermann
von Gilm have a special
place in Richard
StraussÂ’corpus of
Lieder. For the first
time, he composed an
entire set of songs on
texts by a single poet,
collecting them into one
opus that was also to
appear in print. Some of
the numbers in it, like
“Zueignung,â€
“Die Nacht,â€
and
“Allerseelen,â€
are among the most
popular Strauss songs of
all time, but the entire
cycle with its
well-planned structure is
also worthy of closer
examination and
performance. The aspiring
composer quite
consciously aligns
himself with the
tradition ranging from
Schubert to Wolf,
choosing the highly
Romantic subject of
unrequited love and
illuminating its most
diverse facets. The first
edition of op. 10,
published in 1887 for
high voice, was followed
during the composer's
lifetime by transposed
versions for middle and
low registers, something
that was then to become
the rule for all of
Strauss's songs. Henle
has returned to these
tried and tested
transpositions for its
own Urtext edition for
low voice, so as to offer
this wondrous song-cycle
to all voice ranges.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.51481539 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.51481539
Violin and Piano
Marked and Unmarked
String Parts.
Composed by Sergei
Prokofiev. Edited by
Fabian Czolbe. Henle
Music Folios. Classical.
Softcover. 40 pages. G.
Henle #HN1539. Published
by G. Henle
(HL.51481539).
UPC:
196288308164.
9.25x12.0x0.16
inches.
During a
concert tour through
California in early 1920,
Prokofiev composed five
songs with piano
accompaniment and
textless voice parts,
which appeared in print
as Five Songs without
Words op. 35 and with a
dedication to the soprano
Nina Koshetz. The
quasi-instrumental
conception of the work as
vocalises accompanied by
piano suggested an
arrangement for violin
and piano, which the
composer then indeed
undertook in 1925.
Enriched with octave
transpositions, double
stops, harmonics and
pizzicati, the violin
part of the five pieces
gained an enormous
variety of additional
expressive possibilities.
No wonder the Five
Melodies op. 35a today
number among the Russian
master's most popular
chamber music works!
Henle is publishing them
for the first time as an
Urtext edition based on
all available sources.
Simon Morrison, a true
Prokofiev specialist,
contributed the
preface.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Let's Play Jazz and More * Book 1 composed by Jay Latulippe and Sonny Doss. For ...(+)
Let's Play Jazz and More
* Book 1 composed by Jay
Latulippe and Sonny Doss.
For easy piano. This
edition: Paperback.
Instructional. Jazz
Method. Book and CD. Text
Language: English. 48
pages. Published by
Santorella Publications
by Stephanie Hack Swoveland. For violin. Building Excellence. All styles. Level:...(+)
by Stephanie Hack
Swoveland. For violin.
Building Excellence. All
styles. Level: Beginning.
Book. Technique. Size
8.5x11. 28 pages.
Published by Mel Bay
Pub., Inc.
2nd Movement.
Composed by S. Johnson.
Arranged by Stuart
Johnson. Band Music.
Score only. Duration
2:20. Published by G & M
Brand Music Publishers
(CN.S11169).
Schubert's 5th
Symphony is sunny,
Viennese, scored
originally for small
classical orchestra and
positively effervesces
with ideas. Stuart
Johnson has taken the
theme from the 2nd
movement - Andante con
moto - and brought this
gem within the reach of
technically less advanced
players without
diminishing the musical
quality.
Schubert's
delightful 5th Symphony
in Bb Major, written in
1816, is a miniature,
perhaps consciously
avoiding comparison with
Beethoven's Fifth,
written just 10 years
earlier. Schubert's Great
was to come later! The
work is sunny, Viennese,
scored originally for
small classical orchestra
and positively
effervesces with ideas.
Stuart Johnson has taken
the theme from the 2nd
movement - Andante con
moto - and brought this
gem within the reach of
technically less advanced
players without
diminishing the musical
quality.
2nd Movement.
Composed by S. Johnson.
Arranged by Stuart
Johnson. Band Music.
Score and parts. Duration
2:20. Published by G & M
Brand Music Publishers
(CN.R10169).
Schubert's 5th
Symphony is sunny,
Viennese, scored
originally for small
classical orchestra and
positively effervesces
with ideas. Stuart
Johnson has taken the
theme from the 2nd
movement - Andante con
moto - and brought this
gem within the reach of
technically less advanced
players without
diminishing the musical
quality.
Schubert's
delightful 5th Symphony
in Bb Major, written in
1816, is a miniature,
perhaps consciously
avoiding comparison with
Beethoven's Fifth,
written just 10 years
earlier. Schubert's Great
was to come later! The
work is sunny, Viennese,
scored originally for
small classical orchestra
and positively
effervesces with ideas.
Stuart Johnson has taken
the theme from the 2nd
movement - Andante con
moto - and brought this
gem within the reach of
technically less advanced
players without
diminishing the musical
quality.
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass
SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85).
ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major.
Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Position 1-3 with optional second part for viola. By Jonathan Shipley. Fentone P...(+)
Position 1-3 with
optional second part for
viola. By Jonathan
Shipley. Fentone Play
Along Books. Size 9x12
inches. 36 pages.
Published by Fentone
Music.
Violoncelle [Partition] - Débutant Alfred Publishing
Edited by Aaron Stang. For cello. String - (Suzuki) Supplementary. Summy-Bircha...(+)
Edited by Aaron Stang.
For cello. String -
(Suzuki) Supplementary.
Summy-Birchard
supplementary instruments
(Cello). Instructional
and Method. Instructional
book. 72 pages. Published
by Alfred Music
Publishing
Piano seul [Partition] - Débutant Alfred Publishing
By David Carr Glover and Jay Stewart. For Piano. Piano method/supplement. Level:...(+)
By David Carr Glover and
Jay Stewart. For Piano.
Piano method/supplement.
Level: Early Elementary,
Primer Level. Book. 48
pages. Published by
Alfred Publishing.
Kyrie-Gloria-Messe
(Lutherische Messe).
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Missa In G /Bwv 235
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin, Mass settings,
incomplete (also Missa
brevis). Single Part,
Violin 1. Composed the
period at Leipzig. BWV
235. 12 pages. Duration
30 minutes. Carus Verlag
#CV 31.235/11. Published
by Carus Verlag
(CA.3123511).
ISBN
9790007085926. Key: G
minor. Language:
Latin.
As well as
the Mass in B minor,
there are four further,
shorter mass compositions
by Bach, the so-called
Lutheran or Kyrie-Gloria
masses. Despite their
high musical qualities,
they are often
overshadowed by other
church works by Bach.
With their six-movement
structure (up to the Cum
sancto spiritu) they had
their specific liturgical
position in church
services of the time of
Bach. The masses largely
comprise parodies, with
the original music mainly
taken from cantatas which
Bach sometimes
considerably reworked in
his well-known style
according to the new
context of the work.
Ulrich Leisinger has
edited the four works for
Carus in new critical
editions. Score and part
available separately -
see item CA.3123500.
Kyrie-Gloria-Messe
(Lutherische Messe).
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger. This
edition: urtext. 1x
31.235/21 oboe 1, 1x
31.235/22 oboe 2.
Stuttgart Urtext Edition:
Bach vocal. German title:
Missa In G /Bwv 235
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin, Mass settings,
incomplete (also Missa
brevis). Set of Orchestra
Parts. Composed the
period at Leipzig. BWV
235. 20 pages. Duration
30 minutes. Carus Verlag
#CV 31.235/09. Published
by Carus Verlag
(CA.3123509).
ISBN
9790007211080. Key: G
minor. Language:
Latin.
As well as
the Mass in B minor,
there are four further,
shorter mass compositions
by Bach, the so-called
Lutheran or Kyrie-Gloria
masses. Despite their
high musical qualities,
they are often
overshadowed by other
church works by Bach.
With their six-movement
structure (up to the Cum
sancto spiritu) they had
their specific liturgical
position in church
services of the time of
Bach. The masses largely
comprise parodies, with
the original music mainly
taken from cantatas which
Bach sometimes
considerably reworked in
his well-known style
according to the new
context of the work.
Ulrich Leisinger has
edited the four works for
Carus in new critical
editions. Score and parts
available separately -
see item CA.3123500.
Guitar - very easy to easy SKU: HL.49044752 Mein erstes Konzart: 44 le...(+)
Guitar - very easy to
easy
SKU:
HL.49044752
Mein
erstes Konzart: 44
leichte Gitarrenstucke
aus 5 Jahrhunderten.
Edited by Bruno
Szordikowski and Peter
Ansorge. This edition:
Saddle stitching. Sheet
music. Guitar. Die
Auswahl der uberwiegend
originalen Werke ist nach
Epochen gegliedert und
bietet so auch ein
kleines Panorama der
Geschichte der Gitarren-
und Lautenmusik von John
Dowland uber Gaspar Sanz
bis zu Leo Brouwer.
Children, Classical,
German Edition.
Softcover. 32 pages.
Schott Music #ED 22050.
Published by Schott Music
(HL.49044752).
ISBN
9783795749576. UPC:
841886023826.
9.0x12.0x0.14
inches.
Giving your
first concert is a
special occasion for any
young musician,
motivating players to
keep working at their
instrument and music
making. Making this a
positive experience
involves choosing pieces
that are technically and
musically manageable, so
we have chosen 44 easy
and well-known solo
pieces, all tried and
tested in lessons and
youth music competitions.
This selection of works
mainly written for the
guitar is arranged in
periods of composition,
providing a little window
on the history of guitar
and lute music. TEXT IN
GERMAN AND ENGLISH.
String Orchestra (Full Score) SKU: HL.51483310 For String Orchestra Fu...(+)
String Orchestra (Full
Score)
SKU:
HL.51483310
For
String Orchestra Full
Score. Composed by
Edward Elgar. Edited by
Rupert Marshall-Luck.
Henle Music Folios.
Classical. Softcover. 5
pages. G. Henle #HN3310.
Published by G. Henle
(HL.51483310).
UPC:
196288207221.
10.0x12.75x0.129
inches.
Elgar's
Serenade for Strings was
composed in 1892 and
represents the first of
his works with which the
35-year-old composer was
truly satisfied. Whether,
as often claimed, it
derives from three pieces
for strings from 1888 can
no longer be ascertained,
since only the titles of
those pieces âSpring
Songâ,
âElegyâ and
âFinaleâ, have
come down to us. However,
these titles would also
characterise the
movements of the Serenade
surprisingly well.
Posterity shares Elgar's
positive assessment to
the present day: the
Serenade op. 20 is not
only one of his most
popular compositions, but
is among the most
frequently played works
in the string-orchestra
literature. Edited by
British Elgar specialist
Rupert Marshall-Luck,
this classic now appears
in Henle Urtext as
conducting score,
performance material and
handy study edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)