Vocal and Piano SKU: HL.50491303 Edizione tradizionale - Testo Cantato...(+)
Vocal and Piano
SKU:
HL.50491303
Edizione tradizionale
- Testo Cantato
Italiano-Giapponese.
Composed by Giuseppe
Verdi. MGB. Opera or
Operetta. Vocal Score.
Composed 2005. Ricordi
#CP13933205. Published by
Ricordi (HL.50491303).
Italian-Japanese.
<
p>ED. TRADIZIONALE -
OPERA COMPLETA (TESTO
CANTATO IN
ITALIANO-GIAPPONESE).
Guitar - easy SKU: HL.50600698 (Ed. Italiana) (Metodo Per Chitarra)(+)
Guitar - easy
SKU:
HL.50600698
(Ed.
Italiana) (Metodo Per
Chitarra). Composed
by William Leavitt.
Guitar. Classical,
Method. Softcover.
Composed 2015. 56 pages.
Ricordi #HMGB22.
Published by Ricordi
(HL.50600698).
Italian.
Il
metodo Berklee
Basic Guitar: Parte
1. Una risorsa
essenziale per ogni
student di chitarra alle
prime armi.
Questo
modern metodo di
insegnamento e pensato
sia per lo studio
individuale sia
perl’ambito
scolastico. La tecnica
della chitarra e le
capacita di lettura
vengono sviluppate negli
arrangiamenti
d’ensemble a due,
tre e Quattro parti, sia
di brani musicali
tradizionali sia di
partiture appena
composte.Per ampliare
l’apprendimento
c’e anche
un’introduzione
all’esecuzione
degli accordi.
Il
metodo Berklee
Basic Guitar
offer il modo di imparare
la chitarra. I
chitarristi farannorapidi
progressi grazie agli
elementi essenziali che
vengono eposti
qui.
Una
risorsa essenziale per
ogni studente di chitarra
all prime armi.
Questo moderno metodo di
insegnamento e pensato
sia per lo studio
individuale sia per
lambito scolastico. La
tecnica della chitarra e
le capacita di lettura
vengono sviluppatenegli
arrangiamenti densemble a
due, tre e quattro parti,
sia di brani musicali
tradizionali sia di
partiture appena
composte. Per ampliare
lapprendimento ce anche
una introduzione alla
esecuzione degli
accordi. Il metodo
Berklee Basic
Guitaroffre il modo
di imparare la chitarra.
I chitarristi faranno
rapidi progressi grazie
agli elementi essenziali
che vengono esposti
qui.
Vocal and Piano SKU: HL.50491280 Ed. Tradizionale - Riduzione Per Cant...(+)
Vocal and Piano
SKU:
HL.50491280
Ed.
Tradizionale - Riduzione
Per Canto e Pianoforte
(Testo Cantato
Latino-Inglese).
Composed by Giuseppe
Verdi. MGB. Opera or
Operetta. Vocal Score.
Composed 1982. Ricordi
#CP13341905. Published by
Ricordi (HL.50491280).
Italian-English.
ED. TRADIZIONALE - OPERA
COMPLETA (TESTO CANTATO
IN LATINO-INGLESE).
Guitar - Grade 1 SKU: BT.MUSMI0349 Con La Chitarra. Composed by Si...(+)
Guitar - Grade 1
SKU:
BT.MUSMI0349
Con
La Chitarra. Composed
by Silvio Astuto.
Tuition. Book with CD.
Composed 2017. Play Music
Italy #MUSMI0349.
Published by Play Music
Italy (BT.MUSMI0349).
Italian.
Ques
t’opera presenta
una serie di
accompagnamenti ed assoli
di chitarra nello stile
Modern Blues o Blues
Fusion.
Scoprirete
quindi degli
accompagnamenti che si
appoggiano sul blues
tradizionale per poi
arricchirloabbondantement
e, sia dal punto di vista
armonico che ritmico.
Suonerete poi gli assoli,
i quali arricchiscono,
come le ritmiche, il
blues tradizionale, ma
piuttosto dal punto di
vista melodico.
Essi sono costruiti
sulleprogressioni
armoniche tipiche dello
stile Modern Blues. Dal
blues/jazz al blues/funk
passando per il blues
minore...
c’è di che
ampliare la propria
visione del blues sulla
chitarra! Da Robben Ford
a JohnScofield,passando
per Stevie Ray Vaughan,
Gary Moore o Larry
Carlton… le fonti
d'ispirazione non mancano
per evocare questo stile!
Per ogni accompagnamento
ed assolo, troverete 5
registrazioni diverse sul
CD MP3
allegato,distribuite nel
modo seguente: la
chitarra da sola, a
velocità normale
poi ridotta, la stessa
parte di chitarra suonata
però sulla sua
base musicale ed infine
la sola base musicale,
prima a velocità
normale,poi ridotta...
per permettere ad ognuno
di suonare secondo il
proprio ritmo, il proprio
livello e le proprie
capacità.
Edited by Keith Snell. For Trumpet. Brass - B-Flat Cornet (Trumpet) Method or Co...(+)
Edited by Keith Snell.
For Trumpet. Brass -
B-Flat Cornet (Trumpet)
Method or Collection.
Belwin Master Solos.
Level: Advanced. Book. 44
pages. Published by
Alfred Publishing.
Edited by Keith Snell. For Trumpet. Brass - B-Flat Cornet (Trumpet) Method or Co...(+)
Edited by Keith Snell.
For Trumpet. Brass -
B-Flat Cornet (Trumpet)
Method or Collection.
Belwin Master Solos.
Level: Advanced. Book. 20
pages. Published by
Alfred Publishing.
Hora Est Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1196115-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1196115-020
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2019. De Haske
Publications #DHP
1196115-020. Published by
De Haske Publications
(BT.DHP-1196115-020).
English-German-French-
Dutch.
Hora
Est! (Latin for
‘it is
time!’) was
composed to bid adieu to
Sjoerd de Boer’s
following forty years as
conductor of the Chr.
Fanfare Band, based in
the town of Wjelsryp in
the Netherlands. In the
Netherlands, this small
phrase, hora est, is
traditionally said upon
awarding a university
doctorate at graduation
ceremonies. The
composition was written
with Sjoerd de Boer
firmly in mind, mirroring
various aspects of his
life. The main motif of
the work consists of
three notes, forming his
initials: S (Eb) D B. At
a certain point, the
music is interrupted by a
thunderstorm and heavy
rain (forever a bad omen:
the debut for this work
took place a day after
such a deluge, but
fortunately their
open-air concert was met
with clear blue skies.)
The fanfare then plays an
Italianesque march, with
the motif of de
Boer’s initials
interwoven throughout.
The work re-uses this
motif twice towards the
end of the piece as one
might expect, by the
saxophones to create a
festive, driven and
virtuosic atmosphere.
Finally, the work comes
to an end with the
initials motif played
across the ensemble in
complete unison. The
powerful closing chords
symbolise a fond farewell
to de Boer: a driven and
extremely capable
conductor whose musical
mark on Concordia will be
felt for years to come.
Hora Est! is
suitable as a contest
piece and would be a
definite highlight for
any upcoming
concert.
Hora
Est! is gecomponeerd
ter gelegenheid van het
afscheid van Sjoerd de
Boer als dirigent van
Chr. Fanfarekorps
Concordia uit Wjelsryp
(Friesland), na maar
liefst veertig jaar.
Hora Est! is
Latijn voor ‘Het is
tijd!’. Het
zinnetje wordt
traditioneel uitgesproken
bij een promotie tot
doctor op de
universiteit, op het
moment dat de
vastgestelde tijd voor
verdediging van het
proefschrift om is. De
pedel komt dan binnen en
stampt met zijn staf op
de grond terwijl hij deze
woorden roept. In dat
opzicht verwijst de titel
naar de voormalige
universiteitsstad
Franeker, de woonplaats
van Sjoerd en de stad
waar hij jaren lang
leraar muziek was aan de
christelijke
scholengemeenschap.
Anderzijds verwijst de
titel naar zijn afscheid
van Concordia: ‘Het
is tijd!’.
Hora Est Fanfare [Conducteur] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1196115-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1196115-120
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2019. 40 pages. De Haske
Publications #DHP
1196115-120. Published by
De Haske Publications
(BT.DHP-1196115-120).
English-German-French-
Dutch.
Hora
Est! (Latin for
‘it is
time!’) was
composed to bid adieu to
Sjoerd de Boer’s
following forty years as
conductor of the Chr.
Fanfare Band, based in
the town of Wjelsryp in
the Netherlands. In the
Netherlands, this small
phrase, hora est, is
traditionally said upon
awarding a university
doctorate at graduation
ceremonies. The
composition was written
with Sjoerd de Boer
firmly in mind, mirroring
various aspects of his
life. The main motif of
the work consists of
three notes, forming his
initials: S (Eb) D B. At
a certain point, the
music is interrupted by a
thunderstorm and heavy
rain (forever a bad omen:
the debut for this work
took place a day after
such a deluge, but
fortunately their
open-air concert was met
with clear blue skies.)
The fanfare then plays an
Italianesque march, with
the motif of de
Boer’s initials
interwoven throughout.
The work re-uses this
motif twice towards the
end of the piece as one
might expect, by the
saxophones to create a
festive, driven and
virtuosic atmosphere.
Finally, the work comes
to an end with the
initials motif played
across the ensemble in
complete unison. The
powerful closing chords
symbolise a fond farewell
to de Boer: a driven and
extremely capable
conductor whose musical
mark on Concordia will be
felt for years to come.
Hora Est! is
suitable as a contest
piece and would be a
definite highlight for
any upcoming
concert.
Hora
Est! is gecomponeerd
ter gelegenheid van het
afscheid van Sjoerd de
Boer als dirigent van
Chr. Fanfarekorps
Concordia uit Wjelsryp
(Friesland), na maar
liefst veertig jaar.
Hora Est! is
Latijn voor ‘Het is
tijd!’. Het
zinnetje wordt
traditioneel uitgesproken
bij een promotie tot
doctor op de
universiteit, op het
moment dat de
vastgestelde tijd voor
verdediging van het
proefschrift om is. De
pedel komt dan binnen en
stampt met zijn staf op
de grond terwijl hij deze
woorden roept. In dat
opzicht verwijst de titel
naar de voormalige
universiteitsstad
Franeker, de woonplaats
van Sjoerd en de stad
waar hij jaren lang
leraar muziek was aan de
christelijke
scholengemeenschap.
Anderzijds verwijst de
titel naar zijn afscheid
van Concordia: ‘Het
is tijd!’.
Gran Torso Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.KM-2261 Music for String Quartet(+)
String Quartet
(2vl,va,vc)
SKU:
BR.KM-2261
Music
for String Quartet.
Composed by Helmut
Lachenmann. This edition:
2 Violins, Viola, Cello.
Chamber music; Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere: Bremen
(pro musica nova), May 6,
1972Have a look into KM
2261. Music post-1945;
New music (post-2000).
Set of parts. Composed
1971/78/88. 112 pages.
Duration 23'. Breitkopf
and Haertel #KM 2261.
Published by Breitkopf
and Haertel (BR.KM-2261).
ISBN 9790004501658.
16.5 x 11.5
inches.
Gran Torso,
for string quartet, was
composed in 1971 and
revised in 1978. It
belongs to a series of
works, including Air,
Kontrakadenz, Pression
and Klangschatten, whose
concept of material
attempts to free itself
from convention. That is,
instead of using the
sound itself as a point
of departure, structural
and formal hierarchies
are derived from the
mechanical and physical
conditions present during
the process of sound
production. It is clear
that such a radical break
with tradition is not
easily achieved: the
instrument, the given
means, the resonating
body itself (as the
embodiment of convention)
all work against such
attempts (with the
extended performance
techniques representing
only the tip of the
iceberg of deep-seated
contradictions where the
bourgeois artist is
concerned). Implicit in
such a challenge,
however, is a claim to
aesthetic pregnance: an
offer, if one would have
it, of uncomprosing
beauty.(Helmut
Lachenmann,
1978)CDs/LPs:Berner
StreichquartettCD col
legno 0647 277Berner
StreichquartettLP col
legno 5504Societa
Cameristica ItalianaLP
ABT ERZ 1003Arditti
String QuartetCD KAIROS,
0012662KAIstadler
quartettCD NEOS 10806The
JACK QuartetCD mode
267Stadler Quartett, Rg.
Caroline SiegersDVD NEOS
51001Bibliography:Alberma
n, David: Abnormal
Playing Techniques in the
String Quartets of Helmut
Lachenmann, in: Helmut
Lachenmann Music with
matches, hrsg. von Dan
Albertson, Contemporary
Music Review 24 (2005),
Vol. 1, pp.
39-51.Dulaney, Maxwell:
Continuing the Tradition
Untraditionally: Helmut
Lachenmann's
Restructuring of Musical
Dialectic through an
Analysis of his Three
String Quartets, and an
Original Composition,
Harmonic Concerto, Diss.
Brandeis University, MI
2013.Egger, Elisabeth:
Kontinuitat, Verdichtung,
Synchronizitat. Zu den
grossformalen Funktionen
des gepressten
Bogenstrichs in Helmut
Lachenmanns
Streichquartetten, in:
Musik als
Wahrnehmungskunst.
Untersuchungen zu
Kompositionsmethodik und
Horasthetik bei Helmut
Lachenmann, hrsg. von
Christian Utz und Clemens
Gadenstatter (=
musik.theorien der
gegenwart 2),
Saarbrucken: Pfau 2008,
pp. 155-171.Hermann,
Matthias: Helmut
Lachenmann - Gran Torso,
in: Analyse Musik XX.
Jahrhundert (2).
Postserielle Konzepte
Klangflachen Aleatorik (=
Materialien zur
Musiktheorie 4),
Saarbrucken: Pfau 2002,
pp. 134-152.Hiekel, Jorn
Peter: Die
Streichquartett Gran
Torso und Grido von
Helmut Lachenmann, in:
Lucerne Festival, Sommer
2005 Neuland,
Konzertprogramm 6, pp.
65-69.Houben, Eva-Maria:
Helmut Lachenmann: Gran
Torso ..., in: dies.,
Musikalische Praxis als
Lebensform (= Musik und
Klangkultur 27),
Bielefeld: Transcript
2018, S. 208-212Lehmann,
Harry: Erhabenheit -
Ereignis - Ambivalenz.
Zur Asthetik der Neuen
Musik, in: Neue
Zeitschrift fur Musik 176
(2015), Heft 5, pp.
22-27.Mosch, Ulrich:
Kunst als Medium der
Ungeborgenheit.
Streichquartette und
soziale Funktion des
Komponierens bei Helmut
Lachenmann, in:
Positionen 81 (November
2009), pp. 37-39.ders.:
Was heisst Interpretation
bei Helmut Lachenmanns
Streichquartett ,,Gran
Torso?, in: Wessen
Klange? Uber Autorschaft
in neue Musik, hrsg. Von
Hermann Danuser und
Matthias Kassel (=
Veroffentlichungen der
Paul Sacher Stiftung 12),
Mainz u.a.: Schott 2017,
S. 163-186Nonnenmann,
Rainer: Werke als
Schlussel zu Werken? Zur
umstrittenen Kategorie
,,Schlusselwerke der
neuen Musik, in:
MusikTexte, Heft 147
(November 2015), pp.
35-46.Stork, Astrid:
Materialbegriff und
Strukturdenken.
Untersuchungen zu den
Streichquartetten von
Helmut Lachenmann,
Magisterarbeit
Ruhr-Universitat Bochum
1992Tsao, Ming: Helmut
Lachenmann's Sound Types,
in: Perspectives of New
Music 52 (2014), Heft 1,
pp. 217-238.Velazquez,
Rossana Lara: Composicion
y escucha burguesa:
Principios de continuidad
y ruptura en el cuarteto
Gran Torso de Helmut
Lachenmann, Diss.
Universidad Nacional
Autonoma de Mexico
2011.Zenck, Martin: Die
mehrfache Codierung der
Figur: Ihr defigurativer
und torsohafter Modus bei
Johann Sebastian Bach,
Helmut Lachenmann und
Auguste Rodin, in: de
figura. Rhetorik Bewegung
Gestalt, Text und Bild,
hrsg. von Gabriele
Brandstetter und Sibylle
Peters, Munchen 2003, pp.
265-288.
World
premiere: Bremen (pro
musica nova), May 6,
1972.
Guitar SKU: BT.ESZ-01685800 Prefazione e revisione di Luca BattioniTra...(+)
Guitar
SKU:
BT.ESZ-01685800
Prefazione e revisione
di Luca
BattioniTraduzione
inglese di Simon
Horn. Composed by
J.B. Adolphe Le Dhuy.
Book Only. Composed 2023.
Edizioni Suvini Zerboni
#ESZ 01685800. Published
by Edizioni Suvini
Zerboni
(BT.ESZ-01685800).
Traduzione
italiana. Guitar.
Method. Softcover with
CD. Composed 2015. Hal
Leonard #HMGB11.
Published by Hal Leonard
(HL.50600518).
Italian.
Il
Metodo moderno per
chitarra di William
Leavitt e usato come
testo base nei corsi del
Berklee College of
Music.Dalla sua prima
pubblicazione ha
guadagnato un nutrito e
fedele seguito di
studenti e
insegnati.Articolato in
tre volumi, il metodo
accompagna il chitarrista
in un percorso di studio
che spazia dalle nozioni
di base fino alle
tecniche piu avanzate
attraverso un approccio
pratico e completo.Il
primo volume offre
un'ampia gamma di nozioni
fondamentali per lo
studio della musica e
della
chitarra.Contenuto:*
scale maggiori e minori*
studi melodici, di
arpeggio e di accordi*
esercizi di lettura e per
lo sviluppo della tecnica
di entrambe le mani*
tecniche di
accompagnamento* un
approccio unico alla
chitarra solista
utilizzando diteggiature
mobil.
Violin SKU: BT.SINF241 Composed by Lucia Corini. Method. Book Only. Sinfo...(+)
Violin
SKU:
BT.SINF241
Composed
by Lucia Corini. Method.
Book Only. Sinfonica
#SINF241. Published by
Sinfonica (BT.SINF241).
ISBN 9788884001467.
Italian.
Metodo per
violino con esercizi e
brani per i primi corsi
Il materiale musicale
alterna gli esercizi con
brani d'autore, o tratti
dal repertorio
tradizionale
tendenzialmente
presentati in forma di
duetto o di trio. Dopo
l'ultimo capitolo, basato
sulla serie completa
delle scale e degli
arpeggi, un'appendice
reca informazioni
teoriche sullo strumento.
Il Metodo è utilizzabile
con allievi dagli otto
anni in su. La scelta di
condensare l'argomento e
la sua concezione globale
lo rendono idoneo sia ai
corsi delle scuole ad
Indirizzo Musicale,
scuole Civiche e private
che ai primi anni di
Conservatorio.
Vocal and Piano SKU: HL.50491173 Vocal Score (Testo italiano - tedesco...(+)
Vocal and Piano
SKU:
HL.50491173
Vocal
Score (Testo italiano -
tedesco). Composed by
Giacomo Puccini. MGB.
Opera or Operetta. Vocal
Score. Composed 1984.
Ricordi #CP12683805.
Published by Ricordi
(HL.50491173).
Italian-German.
ED. TRADIZIONALE - OPERA
COMPLETA (TESTO CANTATO
IN ITALIANO-TEDESCO).
