| Solos for the Cello Player Violoncelle [CD d'accompagnement] Schirmer
(Cello and Piano Accompaniment CD). By Various. Edited by Otto Deri. String Solo...(+)
(Cello and Piano
Accompaniment CD). By
Various. Edited by Otto
Deri. String Solo. CD
only. 8 pages. Published
by G. Schirmer
$10.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Prima la musica e poi le parole - Facile Barenreiter
(Divertimento teatrale in one act). Composed by Antonio Salieri (1750-1825). Edi...(+)
(Divertimento teatrale in
one act). Composed by
Antonio Salieri
(1750-1825). Edited by
Thomas Betzwieser. For 2
soprano voice solos/2
bass voice solos/2
oboes/2 clarinets/2
bassoons/2 horns/2
trumpets/2
violins/viola/double
bass/basso continuo. This
edition: Urtext edition.
Paperback. Level 3. Piano
reduction. Language:
Italian/German, Text
Language: German/English.
Duration 1 hour, 15
minutes. Published by
Baerenreiter Verlag
$55.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Violin Duets 2 Violons (duo) [Partition] Music Sales
By David Sackson (Editor). For Violin. Classical. Sheet Music. 40 pages. Publish...(+)
By David Sackson
(Editor). For Violin.
Classical. Sheet Music.
40 pages. Published by
Music Sales.
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Six string quartets, volume 2 Quatuor à cordes: 2 violons, alto, violoncelle Edition HH
String quartet SKU: HH.HH595-FSP Composed by Carlo Monza. Edited by Simon...(+)
String quartet SKU:
HH.HH595-FSP Composed
by Carlo Monza. Edited by
Simone Laghi. Full score
and parts. Edition HH
Music Publishers
#HH595-FSP. Published by
Edition HH Music
Publishers
(HH.HH595-FSP). ISBN
9781914137594. The
Divertimento Notturno is
a three-movement Serenata
or Cassazione, a popular
genre in Austria during
the 18th century and
conceived as a musical
entertainment. The
quartet titled La Caccia
(The Hunt), is one of the
several string quartets
that evoke hunting games,
including Haydn Op. 1 No.
1 and Mozart Op. 10 No.
3. The last quartet of
the collection, Il
Giuocatore (the Gambler),
depicts the excitement,
despair and redemption
after a heavy loss during
a game of cards. $75.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Klaviertrios Barenreiter
(KV 10-15, 254, 496, 498, 502, 542, 548, 564. Anhange. Urtext der Neuen Mozart-A...(+)
(KV 10-15, 254, 496, 498,
502, 542, 548, 564.
Anhange. Urtext der Neuen
Mozart-Ausgabe). By
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Wolfgang Plath; Wolfgang
Rehm. For
Violin/Flute/Clarinet (B
Flat), Violoncello/Viola,
Piano. Neue
Mozart-Ausgabe. Serie
VIII, Werkgruppe 22/2.
Musikwissenschaft,
Klassik (Music Theory,
Classical). Collection;
Playing Score; Single
Part; Complete Edition
(cloth bound)
$348.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hessenberg K Weihnachtsgeschichte Op54 - Intermédiaire Schott
1-3 horns - intermediate SKU: HL.49032449 30 Play pieces. Composed...(+)
1-3 horns - intermediate
SKU: HL.49032449
30 Play pieces.
Composed by Kurt
Hessenberg. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Choral Score. 12 pages.
Schott Music #ED 7701.
Published by Schott Music
(HL.49032449). ISBN
9790001080231. Dies
es Heft ist als Erganzung
zum 2. Band der
Hornschule (ED 7320)
gedacht, wobei die bisher
erarbeitete Technik in
mannigfacher Weise
musikalisch zum Ausdruck
gebracht werden kann.
Daruber hinaus soll diese
hoffentlich vergnugliche
Sammlung stilistisch
verschiedenartiger Stucke
nicht nur zum eigenen
Arbeiten, sondern auch
zum anspruchsvollen
Zusammenspielen
anregen. $4.99 - Voir plus => Acheter | | |
| Cassations, Serenades and Divertimenti for Orchester 1 K. 63, K. 99 863a), K. 62, K. 100 (62a) Orchestre Barenreiter
Orchestra (Orchestra) SKU: BA.BA04555-02 Composed by Wolfgang Amadeus Moz...(+)
Orchestra (Orchestra)
SKU: BA.BA04555-02
Composed by Wolfgang
Amadeus Mozart. Edited by
Günter Haußwald and
Wolfgang Plath. This
edition: complete
edition, urtext edition.
Half-leather binding. New
Mozart Edition (NMA)
IV/12/1. Complete
edition, Score,
anthology. K. 63, K. 99
863a), K. 62, K. 100
(62a). Baerenreiter
Verlag #BA04555_02.
Published by Baerenreiter
Verlag (BA.BA04555-02).
ISBN 9790006547159. 34
x 27 cm inches. Preface:
Haußwald, Günter /
Plath,
Wolfgang.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$156.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Prima la musica e poi le parole Orchestre Barenreiter
Orchestra (2 Soprano Voice Solo, 2 Bass Voice Solo, 2 Ob, 2 clarinet, 2 bassoon,...(+)
Orchestra (2 Soprano
Voice Solo, 2 Bass Voice
Solo, 2 Ob, 2 clarinet, 2
bassoon, 2 Hn, 2 Trp, 2
V, Va, Basso, Continuo)
SKU: BA.BA08811
Divertimento teatrale
in one act. Operetta for
four voices. Composed
by Antonio Salieri.
Edited by Adrian La
Salvia and Thomas
Betzwieser. This edition:
Edition of selected
works, Urtext edition.
Linen. Spectrum of
European Music Theatre in
Separate Editions 1.
Edition of selected
works, Score, Critical
commentary, USB flash
drive. Duration 1 hour,
15 minutes. Baerenreiter
Verlag #BA08811_00.
Published by Baerenreiter
Verlag (BA.BA08811).
ISBN 9790006539840.
33.1 x 26.5 cm inches.
Text Language: Italian.
Preface: Betzwieser,
Thomas. Text:
Giambattista
Casti. A memorable
musical competition
commissioned by the
emperor Joseph II took
place on 7 February 1786
as part of a festival in
the orangery of the
Schönbrunn palace. A
German Singspiel ensemble
performed Mozart’s
“Schauspieldirektor
†whilst Antonio
Salieri’s
“Prima la musica e
poi le parole†was
performed by the Italian
court singers and
musicians. This charming
opera satire belongs to
the genre of
“metamelodrammaâ
in which the opera
itself becomes the
subject of the action.
The people who are part
of an opera production,
for example the
librettist, composer and
prima donna, appear as
characters on the stage
and are presented in a
humorous self-reflection.
In this ‘theatre
about theatre’
Salieri parodies the
music from Giuseppe
Sarti’s
“Giulio
Sabino†in his
insert arias, thus
playing on the music
which was totally
familiar with the
audience of the time. By
reflecting on the
musical-dramatic style of
that period and
discussing whether
‘the word’
or ‘the
music’ should take
priority, this
masterpiece is considered
to be an early forerunner
to Richard
Strauss’s
“Capriccioâ€.<
br> The new edition of
the score is published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€.
There are several
alterations regarding the
libretto text, stage
directions, articulation,
ornamentation, etc. which
have been incorporated
into this newly engraved
vocal score. Furthermore,
all appendix numbers from
the score which concern
the quotations from
Giuseppe Sarti’s
“Giulio
Sabino†have also
been
incorporated.
â
¢ Urtext vocal score
based on the
historical-critical
hybrid score published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€
edited by Thomas
Betzwieser (music
edition) and Adrian La
Salvia (text
edition). •
Original Italian libretto
with singable German
translation •
Comprehensive bilingual
foreword (Ger/Eng) on the
genesis and reception of
the work, on
metamelodramma and
intertextuality
etc. • Includes
an extensive appendix to
the quotations taken from
Giuseppe Sarti’s
“Giulio
Sabino†•
Idiomatic piano
reduction
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$632.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Serenade in D major K. 239 Breitkopf & Härtel
Violoncello 1 (solos: 2vl.va.db - timp - str(without db)) SKU: BR.OB-4389-23<...(+)
Violoncello 1 (solos:
2vl.va.db - timp -
str(without db)) SKU:
BR.OB-4389-23
Serenata notturna /
Kettledrum Serenade.
Composed by Wolfgang
Amadeus Mozart. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Serenade/divertimento;
Classical. Part. 4 pages.
Duration 18'. Breitkopf
and Haertel #OB 4389-23.
Published by Breitkopf
and Haertel
(BR.OB-4389-23). ISBN
9790004307281. 9 x 12
inches. The
"Music for Two
Guitars" has begun
to turn into an authentic
mainstay of our editorial
program. We thought it
would be appropriate to
issue a well-known
Mozart-work in 1991 - all
the more so considering
how faithful Ansgar
Krause's arrangement is
to the source! $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Serenade in D major K. 239 Breitkopf & Härtel
Violin 1 (solos: 2vl.va.db - timp - str(without db)) SKU: BR.OB-4389-03 <...(+)
Violin 1 (solos:
2vl.va.db - timp -
str(without db)) SKU:
BR.OB-4389-03
Serenata notturna /
Kettledrum Serenade.
Composed by Wolfgang
Amadeus Mozart. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Serenade/divertimento;
Classical. Solo part. 4
pages. Duration 18'.
Breitkopf and Haertel #OB
4389-03. Published by
Breitkopf and Haertel
(BR.OB-4389-03). ISBN
9790004307229. 9 x 12
inches. The
"Music for Two
Guitars" has begun
to turn into an authentic
mainstay of our editorial
program. We thought it
would be appropriate to
issue a well-known
Mozart-work in 1991 - all
the more so considering
how faithful Ansgar
Krause's arrangement is
to the source! $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Serenade in D major K. 239 Breitkopf & Härtel
Violin 1 (solos: 2vl.va.db - timp - str(without db)) SKU: BR.OB-4389-15 <...(+)
Violin 1 (solos:
2vl.va.db - timp -
str(without db)) SKU:
BR.OB-4389-15
Serenata notturna /
Kettledrum Serenade.
Composed by Wolfgang
Amadeus Mozart. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Serenade/divertimento;
Classical. Part. 4 pages.
Duration 18'. Breitkopf
and Haertel #OB 4389-15.
Published by Breitkopf
and Haertel
(BR.OB-4389-15). ISBN
9790004307243. 9 x 12
inches. The
"Music for Two
Guitars" has begun
to turn into an authentic
mainstay of our editorial
program. We thought it
would be appropriate to
issue a well-known
Mozart-work in 1991 - all
the more so considering
how faithful Ansgar
Krause's arrangement is
to the source! $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Music with Robert Schumann Orchestre Breitkopf & Härtel
Orchestra (2.2.2.2. - 4.3.3.0. - timp.perc - hp -str) SKU: BR.PB-4862-07 ...(+)
Orchestra (2.2.2.2. -
4.3.3.0. - timp.perc - hp
-str) SKU:
BR.PB-4862-07
Study score.
Composed by Jurg Baur.
Softbound.
Partitur-Bibliothek
(Score Library). World
premiere: Hannover, March
13, 1972 Music
post-1945. Study Score.
Composed 1972. 82 pages.
Duration 15'. Breitkopf
and Haertel #PB 4862-07.
Published by Breitkopf
and Haertel
(BR.PB-4862-07). ISBN
9790004206591. 7 x 9.5
inches. Variationen
(Ouverture / Thema /
Variation / Coda),
Lyrisches Intermezzo
(Sostenuto), Symphonische
Nachklange (Allegro con
moto).Immer wieder lassen
sich Komponisten von
Themen alterer oder auch
zeitgenossischer Meister
zu Variations-Zyklen
anregen (Brahms: Handel-
und Haydn-Variationen,
Reger:
Mozart-Variationen,
Holler:
Sweelinck-Variationen).
Themen von Robert
Schumann fanden bisher
relativ selten Beachtung
- (Regers
Schumann-Variationen fur
zwei Klaviere sind eine
Ausnahme) - vielleicht,
weil sie zu sehr in sich
vollendet und
abgeschlossen sind und
deshalb kaum
Moglichkeiten zur
Veranderung enthalten.
Dennoch beschaftigte mich
schon langer die Idee,
eine ,,Musik mit
Schumann, Nachklange oder
Erinnerungen an Schumann
zu gestalten, mit der
Absicht, ein heiteres,
liebenswurdiges (und
nachdenkliches) Werk zu
schreiben, einmal ohne
Experimente-, als
,,Divertimento fur den
Normalhorer, gelegentlich
behutsam verbunden mit
modernen Techniken -
nicht ohne
hintergrundigen Humor.
Der 1. Satz wurde
inspiriert von den
,,Papillons (opus 2 fur
Klavier); er gliedert
sich in vier
variationsahnliche
Abschnitte. Die
,,Ouverture exponiert
drei kurze Themen, die
sich trotz ihres
gegensatzlichen
Charakters wie
selbstverstandlich
erganzen
(Einleitungsgirlande und
Schlussfanfare der
Papillons und das
bekannte Anfangsmotiv aus
,,Vogel als Prophet). Die
Abschnitte ,,Thema,
,,Variationen und ,,Coda
entwickeln und verandern
das Hauptthema der
,,Papillons; dieses
dominiert uber weite
Strecken des Satzes und
wird mit den Motiven der
Ouverture kombiniert.
Vielfaltig gegliedert ist
das ,,Lyrische
Intermezzo. Zu Beginn
gewinnt ein Motiv aus den
,,Nachtstucken (fur
Klavier) Bedeutung,
taucht mehrere Male auf,
von mehrtonigen b-a-c-h
Clustern ,,gestort. Im
Mittelpunkt stehen das
Thema des 2. Satzes der
g-moll Klavier-Sonate op.
22 (ein Mondnachtlied
ohne Worte; Holzblaser)
und ein Adagio-Gedanke
aus dem Klavier-Zyklus
,,Kreisleriana (tiefe
Streicher); beide Themen
werden kontrapunktiert
von zwolftonigen
Strukturen und
Klangbandern
(Holzblaser). Die
,,Fruhlings-Symphonie-Fan
fare eroffnet das Finale.
Danach bilden sich uber
rotierenden Klangflachen
(Streicher) einzelne Tone
und Intervalle,
aleatorisch frei,
verdichten sich, wie aus
der Erinnerung
auftauchend, zu Motiven
aus Schumanns
bekanntester Symphonie.
Nach diesem zogernden
Beginn entwickelt sich
ein fast klassisch
anmutender
Sonaten-Durchfuhrungsteil
mit mehreren melodischen
Gedanken (Kopfmotiv der
g-moll Klaviersonate,
tanzerische und ostinate
Themen aus der
Fruhlings-Symphonie), die
zum Teil in- und
ubereinander geschichtet
werden, bis auf dem
Hohepunkt des Satzes das
Schlussthema der
Klavierfantasie op. 17,
pathetisch-ironisch in
den Blechblasern
erklingt. Eine kurze
Reprise mit dem
Hauptgedanken fuhrt zur
Anfangsfanfare zuruck;
der Satz verklingt im
pianissimo. Wollte man
dem ganzen opus ein Motto
voranstellen, dann die
Schumann-Uberschrift (aus
den Kinderszenen) :
,,Fast zu ernst - aber
eben nur ,,fast. (Jurg
Baur)CD:Sinfonieorchester
des Bayerischen
Rundfunks, cond.
Hanns-Martin SchneidtCD
Thorofon CTH 2270
Bibliography:Wallerang,
Lars: Die Orchesterwerke
Jurg Baurs als Dialog
zwischen Tradition und
Moderne, Koln: Dohr
2003.Nonnenmann, Rainer:
Vergegenwartigungen.
Umgang mit historischem
Material bei Zimmermann,
Baur, Killmayer, Schnebel
und Zender, in: Jurg
Baur, hrsg. von Ulrich
Tadday (= Musik-Konzepte.
Neue Folge, Heft
184/185), Munchen:
Edition Text+Kritik 2019,
S. 26-46. $79.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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