| Do-It-Yourself Harmonica Harmonica [Partition + Accès audio] Hal Leonard
Book/Online Audio and Video Harmonica SKU: HL.369558 The Best Step-by-...(+)
Book/Online Audio and
Video Harmonica SKU:
HL.369558 The Best
Step-by-Step Guide to
Start Playing. Do It
Yourself. Instruction,
Method. Softcover Media
Online. 128 pages.
Published by Hal Leonard
(HL.369558). ISBN
9781705143759. UPC:
840126992120. 9.0x12.0
inches. Learn the
fundamentals of harmonica
with Konstantin Reinfeld,
one of the world's most
sought-after harmonica
virtuosos and pioneer of
academic study of the
instrument.
Do-It-Yourself Harmonica
offers step-by-step
instructions on what you
need to know to get
started and sounding like
a pro in no time.
Includes audio
demonstration tracks,
plus detailed video
instruction by Konstantin
Reinfeld himself. Topics
covered include: •
Harmonica fundamentals
• Reading music and
tablature • Rhythmic
playing and chugging •
Single-note playing •
Tongue techniques •
Position playing •
Using scales • Blues
playing • Bending and
overbending • Vibrato,
tremolo and cupping. $29.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Piano Concerto in A minor Op. 54 Breitkopf & Härtel
Violin 1 (solo: pno - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15121-15 ...(+)
Violin 1 (solo: pno -
2.2.2.2 - 2.2.0.0 - timp
- str) SKU:
BR.OB-15121-15
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano concerto in Urtext
- In Cooperation with G.
Henle Verlag EB 10660 is
printed in score form;
two copies are needed for
performance. Solo
concerto; Romantic. Part.
12 pages. Duration 30'.
Breitkopf and Haertel #OB
15121-15. Published by
Breitkopf and Haertel
(BR.OB-15121-15). ISBN
9790004340127. 10 x 12.5
inches. Schumann's
A minor concerto is
considered as the
ultimate romantic piano
concerto. Since the
Schumann anniversary year
2010, musicians will be
able to base their
performance on a complete
Urtext edition. The state
of the sources is
unfortunately patchy, as
the original version of
the first movement, a
Phantasie of 1841 that
was given two trial
performances, can no
longer be reconstructed.
On the other hand, the
posthumously published
score raises certain
questions, since it
diverges from the
editions (solo part and
orchestral parts)
authorized by Schumann
and published in 1846,
after the first
performance. The pianist
Mitsuko Uchida
contributed the fingering
for the version for two
pianos. Schumann's great
solo concertos are thus
available in their
entirety from Breitkopf,
in editions prepared with
the expert help of major
interpreters: the Cello
Concerto with Heinrich
Schiff and the Violin
Concerto with Thomas
Zehetmair. Dans
l'incomparable qualite de
gravure de la plus
ancienne maison d'edition
musicale au monde!
(L'education
musicale). $8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810403
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Vocal
score. Warb E 14.
Duration 5 minutes. Carus
Verlag #CV 38.104/03.
Published by Carus Verlag
(CA.3810403). ISBN
9790007143978. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score available
separately - see item
CA.3810400. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Recorder Concerto No. 1 in G Major - Intermédiaire Schott
Basso Continuo; Recorder; Strings (Score) - intermediate to advanced SKU: HL....(+)
Basso Continuo; Recorder;
Strings (Score) -
intermediate to advanced
SKU: HL.49013785
Full Score.
Composed by John Baston.
Edited by Bernard Thomas.
This edition: Saddle
stitching. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Score. 28 pages. Duration
10'. Schott Music
#CON211. Published by
Schott Music
(HL.49013785). UPC:
073999629149.
9.0x12.0x0.095
inches. For descant
recorder, strings and
basso continuo. For
descant recorder, strings
and basso continuo. With
these new editions, all
six recorder concertos of
John Baston are now
available, each with
score, piano score and
parts. The thoroughly
edited scores follow
essentially the first
edition printed by John
Walsh in London in 1729.
Baston was regarded as an
excellent recorder and
flute player who worked
with London opera
orchestras in the early
18th century. His easy
concertos anticipating
the elegant melody of the
early classical period
enjoy great popularity
representing a rewarding
task for music school
orchestras and advanced
recorder players. $17.95 - Voir plus => Acheter | | |
| Kentish Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-246-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.AMP-246-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2008.
Anglo Music Press #AMP
246-010. Published by
Anglo Music Press
(BT.AMP-246-010). 9x12
inches.
English-German-French-Dut
ch. Kentish
Dances is een suite
op basis van dansen uit
het Engelse graafschap
Kent. Dit graafschap
heeft zijn eigen
dansmelodieën, wat in
Engeland bekend is
geworden als
‘country
dancing’. Deze
danswijsjes waren de bron
van ditdriedelige werk
van Philip Sparke, waarin
levendige en opgewekte
melodieën worden
afgewisseld door
melancholische en
zangerige passages. Een
betoverend
werk!
Wie der
Titel schon andeutet,
besteht Kentish
Dances aus
traditionellen
Tanzmelodien aus der
englischen Grafschaft
Kent. Die seit dem 17.
Jahrhundert beliebten
Volkstänze sind
zahlreich überliefert
und boten Philip Sparke
eine reichhaltige Quelle
für dieses
dreisätzige Werk, in
dem sich lebhafte und
beschwingte Melodien, mit
melancholischeren Weisen
und lieblichen Passagen
abwechseln. Bezaubernd!
Kentish
Dances (“Danses
du Kentâ€) est une
commande du Bromley Youth
Music Trust pour le
Bromley Youth Concert
Band (Orchestre
d’Harmonie Junior
de Bromley) placé sous
la direction de Michael
Purton.
L’œuvre a
été donnée en
création par la
formation dédicataire,
le 16 mars 2008 au St
John’s, Smith
Square Londres.La ville
de Bromley est située
dans le comté du Kent
l’extrémité
sud-est de
l’Angletrerre. Le
Kent possède un riche
patrimoine culturel
traditionnel et notamment
de nombreux airs de
danses comme beaucoup
d’autres
régions anglaises.
Connue en Angleterre sous
le nom de country
dancing, la
contredanse fut
plébiscitée par les
classes moyenne et
aiséeanglaises la
période
élisabéthaine,
supplantant les formelles
gaillardes et pavanes en
vigueur la cour royale.
La contredanse connut une
telle notoriété que
de nombreux ouvrages lui
furent consacrés tels
que l’English
Dancing Master de
Thomas Playford,
publié en 1651, qui
constitue la plus
importante source de
mélodies de danses
traditionnelles
léguée la
postérité.Michael
Purton, Directeur du
Bromley Youth Music
Trust, suggèra
l’idée
d’une œuvre
basée sur des airs de
danses typiques du Kent.
Philip Sparke accepta et
composa cette suite de
danses en trois
mouvements. Le premier
mouvement est construit
sur un moto
perpetuo qui
développe deux
mélodies
pétillantes en 6/8 :
Dover Castle et
The Fair Maid of
Wickham. Le mouvement
central s’articule
autour de l’air
Blackheath dont la
sombre mélodie
contraste de façon
charmante et opportune
avec la mélodie
Bromley Bells. Le
finale expose les
sémillants We Are
All Right at
Canterbury et
Ramsgate Pier. La
valse cadencée
Northdown Waltz
offre un délicieux
contraste expressif. $261.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Piano Concerto in A minor Op. 54 Breitkopf & Härtel
Double bass (solo: pno - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15121-27<...(+)
Double bass (solo: pno -
2.2.2.2 - 2.2.0.0 - timp
- str) SKU:
BR.OB-15121-27
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano concerto in Urtext
- In Cooperation with G.
Henle Verlag EB 10660 is
printed in score form;
two copies are needed for
performance. Solo
concerto; Romantic. Part.
12 pages. Duration 30'.
Breitkopf and Haertel #OB
15121-27. Published by
Breitkopf and Haertel
(BR.OB-15121-27). ISBN
9790004340165. 10 x 12.5
inches. Schumann's
A minor concerto is
considered as the
ultimate romantic piano
concerto. Since the
Schumann anniversary year
2010, musicians will be
able to base their
performance on a complete
Urtext edition. The state
of the sources is
unfortunately patchy, as
the original version of
the first movement, a
Phantasie of 1841 that
was given two trial
performances, can no
longer be reconstructed.
On the other hand, the
posthumously published
score raises certain
questions, since it
diverges from the
editions (solo part and
orchestral parts)
authorized by Schumann
and published in 1846,
after the first
performance. The pianist
Mitsuko Uchida
contributed the fingering
for the version for two
pianos. Schumann's great
solo concertos are thus
available in their
entirety from Breitkopf,
in editions prepared with
the expert help of major
interpreters: the Cello
Concerto with Heinrich
Schiff and the Violin
Concerto with Thomas
Zehetmair. Dans
l'incomparable qualite de
gravure de la plus
ancienne maison d'edition
musicale au monde!
(L'education
musicale). $8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Deluxe Anthology of Jazz Violin Styles Violon [Partition + Accès audio] - Intermédiaire/avancé Mel Bay
Composed by David Reiner. Squareback saddle stitch. Solos. Book and online ...(+)
Composed by David Reiner.
Squareback saddle stitch.
Solos. Book and online
audio. 136 pages. Mel Bay
Publications, Inc
#93818M.
Published by Mel Bay
Publications, Inc
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550214
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 2.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/14. Published by
Carus Verlag
(CA.3550214). ISBN
9790007213459. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550249
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Single Part,
Organ. Composed circa
1747. 64 pages. Duration
90 minutes. Carus Verlag
#CV 35.502/49. Published
by Carus Verlag
(CA.3550249). ISBN
9790007141202. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200. $66.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550213
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 1.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/13. Published by
Carus Verlag
(CA.3550213). ISBN
9790007213442. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| David Friesen Jazz Workshop Video - Pas de partitions [DVD Concert] Hal Leonard
Performed by David Friesen. DVD. DVD . Size 5.25x7.5 inches. Published by Hal Le...(+)
Performed by David
Friesen. DVD. DVD . Size
5.25x7.5 inches.
Published by Hal Leonard.
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550205
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Choral Score. Composed
circa 1747. 16 pages.
Duration 90 minutes.
Carus Verlag #CV
35.502/05. Published by
Carus Verlag
(CA.3550205). ISBN
9790007213411. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score available
separately - see item
CA.3550200. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550219
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Set of Orchestra Parts.
Composed circa 1747.
Duration 90 minutes.
Carus Verlag #CV
35.502/19. Published by
Carus Verlag
(CA.3550219). ISBN
9790007139629. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and parts
available separately -
see item CA.3550200. $361.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Roy Clark's Fiddle Magic Method Violon Santorella Publications
| | |
| St. Mark Passion (Markus-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2
bassoons, 2 violins, 2
violas, basso continuo
SKU: CA.3550200
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Full score.
Composed circa 1747. 136
pages. Duration 90
minutes. Carus Verlag #CV
35.502/00. Published by
Carus Verlag
(CA.3550200). ISBN
9790007096106. Language:
German. Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. $121.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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