Composed by Muzio Clementi (1752-1832). Masterworks; Piano Collection. Kalmus Edition. Form: Sonatina. Classical; Masterwork; Romantic. Book. 36 pages. Kalmus Classic Edition #00-K02129. Published by Kalmus Classic Edition

Piano Solo. By Various. Arranged by Kleinmichel. Piano Collection. Size 9x12 inches. 136 pages. Published by G. Schirmer, Inc.

(15 Easy Solos for Contest and Performance). Arranged by Philip Sparke. For Alto Saxophone. Instrumental Folio. Grade 2. Book with CD. 16 pages. Published by Hal Leonard

(15 Easy Solos for Contest and Performance). Arranged by Philip Sparke. For Tenor Saxophone. Instrumental Folio. Grade 2. Book with CD. 16 pages. Published by Hal Leonard

By Muzio Clementi (1752-1832). For Piano. Book; CD; Masterworks; Piano Collection. Kalmus Edition. Form: Sonatina. Classical; Masterwork; Romantic. 36 pages. Published by Alfred Music

By Muzio Clementi. Keyboard. Published by Alfred Publishing. This edition of the "Six Sonatinas, Op. 36" is based on the first printing, published by Clementi himself. In addition to Clementi!s own articulations, fingerings and ornaments presented in dark print, additional performance suggestions by Dr. Palmer appear in light gray print. These guidelines were drawn from Clementi!s companion work, "Introduction to the Art of Playing on the Pianoforte", first published in 1801. The Alfred Masterwork Library CD Editions conveniently combine each exceptional volume with a professionally recorded CD that is sure to inspire artistic performances.

Edited by Nancy Faber, Randall Faber. For Piano. The Developing Artist. Contents include: Sonatina in F (Beethoven); Sonatina in A Minor (Benda); Sonatina in D (Camidge); Sonatina Op. 36 No. 2 and 3 (Clementi); Sonatina Op. 55 No. 3 (Kuhlau); Sonatina Op. 20 No. 1; (Kuhlau) Sonatina Op. 49 No. 1 (Lichner); Sonatina in C (Mozart); Sonatina Op. 157 No. 4 (Spindler); Sonatina Op. 4 No. 10 (Wesley). Level: Late Intermediate. Book. Published by The FJH Music Company, Inc.

Edited by Nancy Faber, Randall Faber. For Piano. The Developing Artist. Contents include: Sonatina in F (Attwood); Sonatina in G (Beethoven); Sonatina Op. 36, No. 1 (Clementi); Sonatina in F 1st Mvt (Diabelli); Sonatina in C (Haslinger); Sonatina in A Minor (Jacoby); Sonatina Op. 55 No. 1 (Kuhlau); Sonatina in C 1st Mvt (Latour); Sonatina in G (Latour); Sonatina Op. 39 No. 1 (Lynes); Sonatina Op. 157 No. 1 (Spindler). Level: Intermediate. Book. Published by The FJH Music Company, Inc.

Edited by Nancy Faber, Randall Faber. For Piano. The Developing Artist. Contents include: Sonatina Op. 36, Nos. 4 and 6 (Clementi); Sonatina Op. 54 No. 1 (Gurlitt); Sonatina (Keller); Sonatina Op. 88 Nos. 1 and 3 (Kuhlau); Sonata Op. 49, No. 2 (Beethoven); Sonata Hob. XVI/13 3rd mvt (Haydn); Sonata K. 545 (Mozart); Rondo a la Turk (Mozart). Level: Early Advanced. Book. Published by The FJH Music Company, Inc.

Easy Piano Solo. By Various. Piano Collection. Size 9x12 inches. 32 pages. Published by G. Schirmer, Inc.

By Various. Arranged by Carl Strommen. For saxophone duet. Saxophone Duet. Grade 2-3

Horn and Piano - intermediate

SKU: BT.AMP-386-400

Horn and Piano. Arranged by Philip Sparke. Anglo Music Play-Along Series. Classical. Book with CD. Composed 2014. 16 pages. Anglo Music Press #AMP 386-400. Published by Anglo Music Press (BT.AMP-386-400).

ISBN 9789043135849. 9x12 inches. English-German-French-Dut ch.

Part of the ANGLO MUSIC PLAY-ALONG Series, Philip Sparkes 15 INTERMEDIATE CLASSICAL SOLOS is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkes 15 EASY CLASSICAL SOLOS. Specifically tailored to suitthe individual instrument, this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.

The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles, from Handel to Tchaikovsky and from Clementi to Brahms.

The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Philip Sparkeâ??s 15 Intermediate Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die ongeveer anderhalf octaaf kan spelen. Het boek is een vervolg op Sparkeâ??s 15 EasyClassical Solos en het sluit qua instrumentaal bereik en gebruikte toonsoorten aan bij het Expert Level van Hal Leonards Essential Elements ®, maar het kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, diespecifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen: van Handel tot Tsjaikovski en van Clementi tot Brahms.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd metpianobegeleiding en een cd met demo- en meespeeltracks.

15 INTERMEDIATE CLASSICAL SOLOS ist als Ergänzung zur bewährten ANGLO MUSIC PLAY-ALONG Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von eineinhalb Oktaven beherrschen. Es schlie�t an Sparkes 15 EASY CLASSICAL SOLOS an undentspricht dem Niveau des Expert Levels der ESSENTIAL ELEMENTS Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden.

Genau auf jedes Instrument zugeschnitten, ermöglichen die sorgfältig ausgewählten Melodien noch mehr Spielerfahrung mit klassischer Musik. Die Stücke umfassen verschiedene Stilrichtungen und Komponisten wie z.B. Händel, Tschaikowsky, Clementi undBrahms.

Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.

< br>15 Intermediate Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave et demie. Il fait suite au recueil 15 Easy Classical Solos, et a été conçu pour être joué en corrélation avec la série Expert Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment.Spéc ifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Hændel, Tcha kovski, Clémenti et Brahms.Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compactdisc, ces ouvrages représentent une source complémentaire inestimable toute méthode pédagogique.

Part of the Anglo Music Play-along Series, Philip Sparkeâ??s 15 Intermediate Classical Solos is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkeâ??s 15 Easy Classical Solos.Specifically tailored to suit the individual instrument, this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music fromthe 17th to the 19th century and cover a wide variety of styles, from Handel to Tchaikovsky and from Clementi to Brahms.The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and ademo/play-along CD.

Composed by Muzio Clementi (1752-1832). Masterworks; Piano Collection. Kalmus Edition. Form: Sonatina. Classical; Masterwork; Romantic. Book. 32 pages. Kalmus Classic Edition #00-K03300. Published by Kalmus Classic Edition

Keyboard (Masterworks Book). Published by Alfred Publishing. (22529) ISBN 073903698X. Originally compiled and edited by Louis Kohler, this edition contains some of the most popular keyboard sonatinas, rondos and other works (including symphonic transcriptions) of Beethoven, Clementi, Haydn, Kuhlau and Mozart, among others. In clarifying this edition, editor Allan Small has removed impractical fingerings and unnecessary accidentals found in other editions. The Alfred Masterwork Library CD Editions conveniently combine each exceptional volume with a professionally recorded CD that is sure to inspire artistic performances.

15 Easy Solos for Contest and Performance with Online Audio and Printable Piano Accompaniments. Composed by Various. Arranged by Philip Sparke. Essential Elements Band Folios. Classical. Softcover Media Online. 16 pages. Published by Hal Leonard

15 Easy Solos for Contest and Performance with Online Audio and Printable Piano Accompaniments. Composed by Various. Arranged by Philip Sparke. Essential Elements Band Folios. Classical. Softcover Media Online. 16 pages. Published by Hal Leonard

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS13F

Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F).

ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.

IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

(for Piano). By Muzio Clementi (1752-1832). Edited by Ernst-GÌ_nter Heinemann. Henle Music Folios. Softcover. 56 pages. G. Henle #HN848. Published by G. Henle

with Remarks on Fingering. By Sonatinas for Piano. Edited by Ernst Herttrich. Piano (Harpsichord), 2-hands. Pages: IX and 91. Urtext edition-paper bound. Published by G. Henle.

Composed by Muzio Clementi (1752-1832). Edited by Jennifer Linn. Schirmer Performance Editions. Classical. Softcover Audio Online. 72 pages. Published by G. Schirmer

Composed by Muzio Clementi (1752-1832), edited by Louis Kohler. For piano. Format: piano solo book. With standard piano notation, introductory text and thematic index. Classical period. 72 pages. 9x12 inches. Published by Schirmer.

(Piano Solo) For piano. Vol.51. Format: piano solo book. Classical period and romantic period. 136 pages. 9x12 inches. Published by Schirmer.

Piano Solo. By Muzio Clementi. Arranged by Louis Koehler. Piano Collection. Size 9x12 inches. 32 pages. Published by G. Schirmer, Inc.

Piano Solo. By Various. Arranged by Ludwig Klee, Louis Kohler, Adolf Ruthardt. Piano Collection. Size 9x12 inches. 88 pages. Published by G. Schirmer, Inc.

By Muzio Clementi (1752-1832). For Piano. Piano Collections. Classic. Beginning-Intermediate. Book

Clementi Sonatinas for Piano composed by Muzio Clementi (1752-1832). Arranged by Jay Latulippe. For piano. This edition: Paperback. Collection. Distinctive Masterworks series. Classical. Intermediate. Book. Text Language: English. 64 pages. Published by Santorella Publications