Composed by Aleksey Igudesman. Solo part with piano reduction. With Standard notation. 24 pages. Universal Edition #UE36755. Published by Universal Edition

Soprano voice solo, SATB choir, 2 violins, basso continuo, [viola]

SKU: CA.4041814

Composed by Nicolo Jommelli. Edited by Wolfgang Hochstein. Contemporary Choir Music. German title: Veni creator spiritus. Sacred vocal music, Hymns, Easter and Eastertide, Whitsun. Single Part, Cello/Double Bass. Composed 1763. 4 pages. Duration 9 minutes. Carus Verlag #CV 40.418/14. Published by Carus Verlag (CA.4041814).

ISBN 9790007067199. Language: Latin.

After musical training in Naples Niccolo Jommelli began to make his name as an opera composer from the end of the 1730ies onwards. From 1750 until 1753 he was assistant director of music at St. Peter's, Rome, and responsible for the music at the Cappella Giulia - years which were decisive for Jommelli's sacred music. During those years he also composed the three-movement setting of the Whitsun hymn Veni Creator Spiritus for solo soprano, mixed-voice choir, string orchestra and continuo. It is marked by the maturity of the writing for the solo voice, modelled on the example of composers such as Johann Adolf Hasse, and by stylistic hallmarks of Jommelli's music, such as his relatively simple yet highly effective choral writing. Score and part available separately - see item CA.4041800.

Soprano voice solo, SATB choir, 2 violins, basso continuo, [viola]

SKU: CA.4041812

Composed by Nicolo Jommelli. Edited by Wolfgang Hochstein. Contemporary Choir Music. German title: Veni creator spiritus. Sacred vocal music, Hymns, Easter and Eastertide, Whitsun. Single Part, Violin 2. 8 pages. Duration 9 minutes. Carus Verlag #CV 40.418/12. Published by Carus Verlag (CA.4041812).

ISBN 9790007067175. Language: Latin.

After musical training in Naples Niccolo Jommelli began to make his name as an opera composer from the end of the 1730ies onwards. From 1750 until 1753 he was assistant director of music at St. Peter's, Rome, and responsible for the music at the Cappella Giulia - years which were decisive for Jommelli's sacred music. During those years he also composed the three-movement setting of the Whitsun hymn Veni Creator Spiritus for solo soprano, mixed-voice choir, string orchestra and continuo. It is marked by the maturity of the writing for the solo voice, modelled on the example of composers such as Johann Adolf Hasse, and by stylistic hallmarks of Jommelli's music, such as his relatively simple yet highly effective choral writing. Score and part available separately - see item CA.4041800.

SATB choir and piano, with optional cello - Early Intermediate

SKU: MN.50-0076

Composed by Kyle Pederson. Advent. MorningStar Music Publishers #50-0076. Published by MorningStar Music Publishers (MN.50-0076).

UPC: 688670500763. English, Latin.

An original chant-like tune is used for the Latin text Veni, veni, Rex Gentium, and then the cello takes that melody against the tune VENI EMMANUEL. Then everything occurs simultaneously. Despite the accessible writing for the choir, gentle syncopation in the piano and cello add interest and forward motion to this effective Advent anthem.

Soprano voice solo, SATB choir, 2 violins, basso continuo, [viola]

SKU: CA.4041805

Composed by Nicolo Jommelli. Edited by Wolfgang Hochstein. Contemporary Choir Music. German title: Veni creator spiritus. Sacred vocal music, Hymns, Easter and Eastertide, Whitsun. Choral Score. 8 pages. Duration 9 minutes. Carus Verlag #CV 40.418/05. Published by Carus Verlag (CA.4041805).

ISBN 9790007067151. Language: Latin.

After musical training in Naples Niccolo Jommelli began to make his name as an opera composer from the end of the 1730ies onwards. From 1750 until 1753 he was assistant director of music at St. Peter's, Rome, and responsible for the music at the Cappella Giulia - years which were decisive for Jommelli's sacred music. During those years he also composed the three-movement setting of the Whitsun hymn Veni Creator Spiritus for solo soprano, mixed-voice choir, string orchestra and continuo. It is marked by the maturity of the writing for the solo voice, modelled on the example of composers such as Johann Adolf Hasse, and by stylistic hallmarks of Jommelli's music, such as his relatively simple yet highly effective choral writing. Score available separately - see item CA.4041800.

Choral (Highlights)

SKU: HL.48188410

Veni Sponsa Mea. Leduc. Softcover. Composed 2015. Heugel & Cie #HE32515. Published by Heugel & Cie (HL.48188410).

Turellier Per Cantare E Sonare Pj433 Veni Sponsa Mea 5 Part & Organ.

Soprano voice solo, SATB choir, 2 violins, basso continuo, [viola]

SKU: CA.4041811

Composed by Nicolo Jommelli. Edited by Wolfgang Hochstein. Contemporary Choir Music. German title: Veni creator spiritus. Sacred vocal music, Hymns, Easter and Eastertide, Whitsun. Single Part, Violin 1. 8 pages. Duration 9 minutes. Carus Verlag #CV 40.418/11. Published by Carus Verlag (CA.4041811).

ISBN 9790007067168. Language: Latin.

After musical training in Naples Niccolo Jommelli began to make his name as an opera composer from the end of the 1730ies onwards. From 1750 until 1753 he was assistant director of music at St. Peter's, Rome, and responsible for the music at the Cappella Giulia - years which were decisive for Jommelli's sacred music. During those years he also composed the three-movement setting of the Whitsun hymn Veni Creator Spiritus for solo soprano, mixed-voice choir, string orchestra and continuo. It is marked by the maturity of the writing for the solo voice, modelled on the example of composers such as Johann Adolf Hasse, and by stylistic hallmarks of Jommelli's music, such as his relatively simple yet highly effective choral writing. Score and part available separately - see item CA.4041800.

SATB vocal soli, SATB choir, 2 violins, 2 trumpets, 2 trombones, timpani, basso continuo

SKU: CA.2770213

Pfingstsequenz. Composed by Antonio Caldara. Edited by Guido Erdmann. Arranged by Guido Erdmann. Music from Vienna. German title: Veni Sancte Spiritus. Sacred vocal music, Motets, Whitsun. Single Part, Cello. Composed circa 1725. 4 pages. Duration 5 minutes. Carus Verlag #CV 27.702/13. Published by Carus Verlag (CA.2770213).

ISBN 9790007202651. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score and part available separately - see item CA.2770200.

Guitar

SKU: GI.G-10438G

Arranged by Tony Alonso S.J. This edition: Guitar edition. Tune Name: Veni Emmanuel. Sacred. Guitar part. With guitar chord names. 3 pages. GIA Publications #10438G. Published by GIA Publications (GI.G-10438G).

UPC: 785147043874. English, Latin. Text Source: Veni, veni Emmanuel, Latin, 9th c., tr. John M. Neale, 1818&ndash,1866, alt.; Translation: John Mason Neale.

For SATB Choir, SA Choir, Organ, Brass, and Percussion. Composed by James Whitbourn. Music Sales America. Classical. Chester Music #CH84392. Published by Chester Music (HL.14047954).

SATB vocal soli, SATB choir, 2 violins, 2 trumpets, 2 trombones, timpani, basso continuo

SKU: CA.2770219

Pfingstsequenz. Composed by Antonio Caldara. Edited by Guido Erdmann. Arranged by Guido Erdmann. This edition: Paperbound. Music from Vienna. German title: Veni Sancte Spiritus. Sacred vocal music, Motets, Whitsun. Set of Orchestra Parts. Composed circa 1725. 64 pages. Duration 5 minutes. Carus Verlag #CV 27.702/19. Published by Carus Verlag (CA.2770219).

ISBN 9790007133917. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score and parts available separately - see item CA.2770200.

SATB vocal soli, SATB choir, 2 violins, 2 trumpets, 2 trombones, timpani, basso continuo

SKU: CA.2770200

Pfingstsequenz. Composed by Antonio Caldara. Edited by Guido Erdmann. Arranged by Guido Erdmann. This edition: Paperbound. Music from Vienna. German title: Veni Sancte Spiritus. Sacred vocal music, Motets, Whitsun. Full score. Composed circa 1725. 20 pages. Duration 5 minutes. Carus Verlag #CV 27.702/00. Published by Carus Verlag (CA.2770200).

ISBN 9790007097639. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task.

SATB choir, cantors, voice solos, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 2 in B-flat, trumpet 1 in C, trumpet 2 in C, trombone 1, trombone 2, horn in F, timpani

SKU: GI.G-7144INST

Composed by Jan Michael Joncas. Pentecost, Pentecost A, Pentecost B, Pentecost C. Sacred. Full score and parts. GIA Publications #7144INST. Published by GIA Publications (GI.G-7144INST).

UPC: 785147714491. English, Latin. Text Source: Based on Veni, Sancte Spiritus and Veni, Creator Spiritus. Text by J. Michael Joncas.

SATB vocal soli, SATB choir, 2 violins, 2 trumpets, 2 trombones, timpani, basso continuo

SKU: CA.2770211

Pfingstsequenz. Composed by Antonio Caldara. Edited by Guido Erdmann. Arranged by Guido Erdmann. C-Dur (C major). Music from Vienna. German title: Veni Sancte Spiritus. Sacred vocal music, Motets, Whitsun. Single Part, Violin 1. Composed circa 1725. 2 pages. Duration 5 minutes. Carus Verlag #CV 27.702/11. Published by Carus Verlag (CA.2770211).

ISBN 9790007202637. Key: C major. Language: Latin. Text: Langton, Stephen.

Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score and part available separately - see item CA.2770200.

SATB choir, cantor, assembly, keyboard accompaniment, flute, oboe, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone 1, trombone 2, violin 1, violin 2, cello, percussion, guitar - Early intermediate

SKU: GI.G-10745

Come, Holy Spirit / Ven, Espíritu Santo / Halina, Espiritu. Composed by Peter M. Kolar. Pentecost. Celebration Series. Sacred. Octavo. With guitar chord names. 24 pages. GIA Publications #10745. Published by GIA Publications (GI.G-10745).

English, Filipino, Italian, Latin, Spanish. Text Source: Verses based on the Pentecost Sequence and Laudato Sí

Peter Kolar’s “Veni, Sancte Spiritus” is an exhilarating processional anthem for Pentecost or confirmation liturgies. It features driving orchestral percussion, an exuberant shout chorus, and a recurring woodwind theme inspired by the soundtrack to The Mission. In the spirit of Pentecost, the piece is multilingual and multi-stylistic, with lyrics in English, Spanish, Filipino and Latin. The piece even offers an optional call-and-response refrain for assembles to learn its multilingual text. “Veni, Sancte Spiritus” was composed for and premiered at the National Association of Pastoral Musicians (NPM) 2022 National Convention. Hearts will surely be enflamed with the Spirit upon experiencing this powerful work! .

Soprano voice solo, SATB choir, 2 violins, basso continuo, [viola]

SKU: CA.4041813

Composed by Nicolo Jommelli. Edited by Wolfgang Hochstein. Contemporary Choir Music. German title: Veni creator spiritus. Sacred vocal music, Hymns, Easter and Eastertide, Whitsun. Single Part, Viola. 4 pages. Duration 9 minutes. Carus Verlag #CV 40.418/13. Published by Carus Verlag (CA.4041813).

ISBN 9790007067182. Language: Latin.

After musical training in Naples Niccolo Jommelli began to make his name as an opera composer from the end of the 1730ies onwards. From 1750 until 1753 he was assistant director of music at St. Peter's, Rome, and responsible for the music at the Cappella Giulia - years which were decisive for Jommelli's sacred music. During those years he also composed the three-movement setting of the Whitsun hymn Veni Creator Spiritus for solo soprano, mixed-voice choir, string orchestra and continuo. It is marked by the maturity of the writing for the solo voice, modelled on the example of composers such as Johann Adolf Hasse, and by stylistic hallmarks of Jommelli's music, such as his relatively simple yet highly effective choral writing. Score and part available separately - see item CA.4041800.

3-part choir a cappella

SKU: GI.G-009605

Composed by Keith S Kalemba. Arranged by Keith S. Kalemba. Advent, OT 7 Year B, easter 5 Year C, OT 21 Year C, OT 26 Year A, OT 28 Year B, easter 3 Year A, easter 2 Year B. Tune Name: Veni, Creator Spiritus / Chant, Mode Viii. Sacred. Octavo. 8 pages. GIA Publications #009605. Published by GIA Publications (GI.G-009605).

Latin, english.

For the Pueri Cantores choral series, Keith Kalemba has crafted this fine choral arrangement of the timeless and beautiful chant Veni, Creator Spiritus. It was originally commissioned as a three-part piece for men's choir, but is presented here in Latin and English for any three-part choir, whether youth, women or men's voices. The ancient poetic images are skillfully evoked as the chant melody weaves effortlessly through the vocal parts.

SATB vocal soli, SATB choir, 2 violins, 2 trumpets, 2 trombones, timpani, basso continuo

SKU: CA.2770209

Pfingstsequenz. Composed by Antonio Caldara. Edited by Guido Erdmann. Arranged by Guido Erdmann. 1x 27.702/21 bassoon, 1x 27.702/31 clarino 1, 1x 27.702/32 clarino 2, 1x 27.702/33 trombone 1, 1x 27.702/34 trombone 2, 1x 27.702/41 timpani. Music from Vienna. German title: Veni Sancte Spiritus Set (6). Sacred vocal music, Motets, Whitsun. Set of Orchestra Parts. Composed circa 1725. 12 pages. Duration 5 minutes. Carus Verlag #CV 27.702/09. Published by Carus Verlag (CA.2770209).

ISBN 9790007202620. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score and parts available separately - see item CA.2770200.

SATB vocal soli, SATB choir, 2 violins, 2 trumpets, 2 trombones, timpani, basso continuo

SKU: CA.2770205

Pfingstsequenz. Composed by Antonio Caldara. Edited by Guido Erdmann. Arranged by Guido Erdmann. Music from Vienna. German title: Veni Sancte Spiritus. Sacred vocal music, Motets, Whitsun. Choral Score. Composed circa 1725. 4 pages. Duration 5 minutes. Carus Verlag #CV 27.702/05. Published by Carus Verlag (CA.2770205).

ISBN 9790007161668. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score available separately - see item CA.2770200.

SAB choir, assembly, keyboard accompaniment, C instrument, cello, guitar - Early intermediate

SKU: GI.G-10438

Arranged by Tony Alonso S.J. Advent 4 A, Advent 4 B, Advent 4 C. Christmas. Tune Name: Veni Emmanuel. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #10438. Published by GIA Publications (GI.G-10438).

English, Latin. Text Source: Veni, veni Emmanuel, Latin, 9th c., tr. John M. Neale, 1818&ndash,1866, alt.; Translation: John Mason Neale.

SATB vocal soli, SATB choir, 2 violins, 2 trumpets, 2 trombones, timpani, basso continuo

SKU: CA.2770212

Pfingstsequenz. Composed by Antonio Caldara. Edited by Guido Erdmann. Arranged by Guido Erdmann. Music from Vienna. German title: Veni Sancte Spiritus. Sacred vocal music, Motets, Whitsun. Single Part, Violin 2. Composed circa 1725. 2 pages. Duration 5 minutes. Carus Verlag #CV 27.702/12. Published by Carus Verlag (CA.2770212).

ISBN 9790007202644. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score and part available separately - see item CA.2770200.

Piano

SKU: BO.B.3305

Composed by De Larrocha Granados. Published by Editorial de Musica Boileau (BO.B.3305).

ISBN 9788480206792.

Engl ish comments:
Given that Granados' creative periods continually overlap, in order to organize the works of Granados' Juvenilia this edition has grouped the works according to their chronological-biographica l order and/or to their style. The majority of the works in this section were composed between his student years in Paris (1887-1889) and the founding of the Academia Granados in 1901. Many of these works are quite similar to one another being sketches and brief compositions characterised by an unfocused formal structure, harmonic ambiguity and a tendency to place the final cadence on the dominant. The fact that many of these works were not highly developed would tend to suggest that they were never revised by the composer. Typical of a young composer focusing on his own personal inspirations, Granados concentrated on themes of nature, oriental motifs, exploration of emotions, frequently making use of the salonnier (salon) genre.

Comentarios del Espanol:
Para organizar la edicion de los apartados correspondientes a las obras juveniles de Granados se ha partido de los criterios cronologico - biograficos y de estilo dado que, aunque los periodos creativos del compositor se mezclan continuamente, la mayor parte de las obras de este apartado fueron escritas entre su etapa de estudiante en Paris y la fundacion de la Academia Granados en 1901 y, a pesar de presentar una gran heterogeneidad entre ellas, se trata de esbozos y breves composiciones caracterizadas por una estructura formal poco destacada, marcada por la ambiguedad armonica y por una tendencia a colocar la cadencia final en la dominante. La poca elaboracion de la mayor parte de estas obras delata que probablemente ni tan siquiera fueran revisadas posteriormente por el compositor. Todas ellas son propias de un compositor joven y responden a los temas propios del momento como son la naturaleza, los motivos orientales o la exaltacion de los sentimientos. El recurso al genero salonnier (obras de salon) y las dedicatorias a senoras y senoritas son tambien recursos propios de la epoca.

2 pianos

SKU: FG.55011-791-4

Composed by Mikko Heinio. Classical, contemporary, pedagogical. Book. Fennica Gehrman #55011-791-4. Published by Fennica Gehrman (FG.55011-791-4).

ISBN 9790550117914.

Mikk o Heiniö's April evenings for black twins (2015), a sonata in five movements, is a virtuoso piece for pianos, inspired by evenings in the month of April. The twins here are identical, so in addition of being individuals they also form an orchestral super instrument.

Duration: c. 15'.

This product includes one playing score with both piano parts (sized B4, spiral bounding).

Mort a Venise = Tod in Venedig ; Adagietto From Symphony No. 5. By Gustav Mahler. Arranged by John G. Mortimer. Brass Band. Swiss import. Level: 4. Score and parts. Published by Editions Marc Reift. (EMR 2703)