By Various Composers. Piano/Vocal/Chords Songbook (Arrangements for piano and vo...(+)
By Various Composers.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 248 pages.
Published by Hal Leonard.
Deluxe Guitar
Play-Along Volume 12.
By Various. Deluxe Guitar
Play-Along. Pop, Rock.
Softcover Audio Online.
With guitar tablature. 96
pages. Published by Hal
Leonard (HL.278488).
ISBN 9781540029997.
UPC: 888680753689.
9.0x12.0x0.264
inches.
The Deluxe
Guitar Play-Along series
will help you play songs
faster than ever before
with accurate,
easy-to-read guitar tab
and professional,
customizable play-along
audio for 15 songs. The
interactive, online audio
interface includes
tempo/pitch control,
looping, buttons to turn
instruments on or off,
and guitar tab with
follow-along marker. The
tracks can be streamed or
downloaded and played
offline. This volume
features 15 favorites:
Ain't No Sunshine * All
Along the Watchtower *
Bad Moon Rising * Beverly
Hills * Can't You See *
Evil Ways * I Still
Haven't Found What I'm
Looking For * The Joker *
Just the Way You Are *
Ring of Fire * Stir It Up
* Twist and Shout * What
I Got * What's Up *
Wicked Game.
About Hal
Leonard Guitar Play-Along
Series
The
Guitar Play-Along Series
will help you play your
favorite songs quickly
and easily. Just follow
the tab, listen to the CD
to hear how the guitar
should sound, and then
play along using the
seperate backing tracks.
The melody and lyrics are
also included in the book
in case you want to sing,
or to simply help you
follow along.
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone
SKU: CF.WF231
20 Original Etudes in
a Variety of Styles.
Composed by Tom Brantley.
Collection - Performance.
With Standard notation.
48 pages. Carl Fischer
Music #WF231. Published
by Carl Fischer Music
(CF.WF231).
ISBN
9781491153314. UPC:
680160910816.
Styli
stic Etudes for Trombone
was written for
intermediateto advanced
level trombonists,
seeking to meet
thedemands of the modern
marketplace for
performers. AsI often
tell my students,
it’s simply not
enough to mastera single
style and fake the rest.
To make a living as
aperformer, trombonists
are expected to play
many, manydifferent
styles authentically.
Classical performers
studyhard and devote
themselves to mastering
the stylisticnuances of
various eras, various
composers, variousforms;
jazz musicians seek to
accurately reflect the
stylesof everything from
bar-room burlesque to
Coltrane; hornbands in
the funk, rock, ska and
hip-hop idioms
mustreflect attention to
the details of their
influences even asthey
create new paths through
popular music.This etude
collection is an attempt
to help studentsand their
teachers work on the
details associated
withmastering each of
these various styles.In
order to perform with the
correct feel,
articulationand sound,
trombonists must first
get these concepts
intheir head through
diligent listening and
then disciplinedpractice
playing in every single
style. The same
wayorchestral players
study the symphonic
literature andexcerpts,
or the way a professional
jazz musician mightwork
on chord changes in
excruciating detail, a
wellroundedtrombone
player must master styles
by listeningto and
playing with great
recordings. Most of the
etudesin this book are
based on styles from
specific
orchestralliterature,
jazz standards and other
styles such as
NewOrleans’ funk
music (Meters) or the
music of JamesBrown and
Tower of Power.One final
note: some of these are
hard. On purpose.
Theseare not warm-ups
that you can play through
mindlesslyto get your
face going. These are
“study
pieces†in the
oldfashionedsense. They
are designed to challenge
you asa player, to make
you a little
uncomfortable. Some
aretougher than others,
of course, but none of
them are easy.If you can
play through each of
these well, with
greatmusicianship and
impeccable technique, you
will be anincredibly
versatile instrumentalist
and be able to
secureperformance
opportunities that are
outside the comfortzone
of many
trombonists.Thanks for
buying this book. I hope
you enjoy workingthrough
these, whether
you’re a teacher,
student,performer, or
weekend warrior. I
learned a lot by
puttingthese together and
I hope you find them
useful and
helpful. Stylistic
Etudes for Trombone was
written for intermediate
to advanced level
trombonists, seeking to
meet the demands of the
modern marketplace for
performers. As I often
tell my students,
it’s simply not
enough to master a single
style and fake the rest.
To make a living as a
performer, trombonists
are expected to play
many, many different
styles authentically.
Classical performers
study hard and devote
themselves to mastering
the stylistic nuances of
various eras, various
composers, various forms;
jazz musicians seek to
accurately reflect the
styles of everything from
bar-room burlesque to
Coltrane; horn bands in
the funk, rock, ska and
hip-hop idioms must
reflect attention to the
details of their
influences even as they
create new paths through
popular music.This etude
collection is an attempt
to help students and
their teachers work on
the details associated
with mastering each of
these various styles.In
order to perform with the
correct feel,
articulation and sound,
trombonists must first
get these concepts in
their head through
diligent listening and
then disciplined practice
playing in every single
style. The same way
orchestral players study
the symphonic literature
and excerpts, or the way
a professional jazz
musician might work on
chord changes in
excruciating detail, a
well-rounded trombone
player must master styles
by listening to and
playing with great
recordings. Most of the
etudes in this book are
based on styles from
specific orchestral
literature, jazz
standards and other
styles such as New
Orleans’ funk
music (Meters) or the
music of James Brown and
Tower of Power.How these
etudes were conceived,
composed and transcribed:
The style or concept of
the etude was thought out
in my head and ear. I
then improvised in that
style and concept on my
trombone, recording my
efforts until I was
satisfied with the etude.
All along, my goal was to
play the range of the
instrument while
emphasizing certain
articulations, rhythms,
range and, fundamentally,
the intended style of the
etude. The resulting
etude was then
transcribed by a terrific
graduate student named
Zach Bornheimer, who also
works with many other
classical and jazz
composers as a
copyist/arranger.Tips for
working on the etudes:
Seek out professional
recordings that match the
style of each etude to
get a good idea of what
the etude should sound
like musically. My
recording of each of
these etudes is available
for download and can be
purchased online for a
modest fee. Search for
“Brantley
Etudes†at either
iTunes or CDBaby.
Practice each etude very
slowly and in segments as
needed, using a
metronome. Record
yourself and listen for
good technique,
musicianship and
authenticity of style
with your sound, feel and
articulations. Compare
your own efforts to the
sounds you’ve
heard on recordings.
Would you fit in that
ensemble or band? If
range is an issue, take
certain notes or passages
down or up an octave.
Work on your fundamentals
every day, including the
techniques and skills
needed for these etudes.
Be patient! Small
improvements every day
result in big success
over time. Always play
with a wide dynamic
range. Always play with
line and direction.
Always play with
impeccable time as well
as rhythm. Use a
metronome to help with
this. Always play in
tune. You can work on
this with a tuner as well
as with drones. Play
these for teachers,
friends, peers and
colleagues not only for
their feedback but also
for the experience of
informal performance. An
audience changes
everything. Make music,
listen to music, record
yourself, play in public
and have fun!One final
note: some of these are
hard. On purpose. These
are not warm-ups that you
can play through
mindlessly to get your
face going. These are
“study
pieces†in the
old-fashioned sense. They
are designed to challenge
you as a player, to make
you a little
uncomfortable. Some are
tougher than others, of
course, but none of them
are easy. If you can play
through each of these
well, with great
musicianship and
impeccable technique, you
will be an incredibly
versatile instrumentalist
and be able to secure
performance opportunities
that are outside the
comfort zone of many
trombonists.Thanks for
buying this book. I hope
you enjoy working through
these, whether
you’re a teacher,
student, performer, or
weekend warrior. I
learned a lot by putting
these together and I hope
you find them useful and
helpful.Best
wishes,—Tom
Brantley.
Hop, Skip 'Nda Jump Ensemble Jazz [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 3 SKU: CL.032-4790-00 Composed by Sherburne. Jazz Ensemble. Score a...(+)
Grade 3
SKU:
CL.032-4790-00
Composed by Sherburne.
Jazz Ensemble. Score and
set of parts. C.L.
Barnhouse #032-4790-00.
Published by C.L.
Barnhouse
(CL.032-4790-00).
With a catchy
melody, jazzy
call-and-response licks,
and a fun Latin feel,
Hop, Skip ‘Nda Jump
really bounces off the
page. It initially
features the 1st trumpet,
and alto then adds in the
rest of the band to Hop,
Skip 'nda Jump their way
in to a great concert
closer. The solo section
is open with straight
ahead changes and simple
backgrounds then a bridge
that gives each section a
chance to leap up and
take their turn. It ends
with a big shout chorus
and even with modest
brass ranges it's scored
so that it sounds full
and exciting!
Grade 3 SKU: CL.032-4790-01 Composed by Sherburne. Jazz Ensemble. Extra f...(+)
Grade 3
SKU:
CL.032-4790-01
Composed by Sherburne.
Jazz Ensemble. Extra full
score. C.L. Barnhouse
#032-4790-01. Published
by C.L. Barnhouse
(CL.032-4790-01).
With a catchy
melody, jazzy
call-and-response licks,
and a fun Latin feel,
Hop, Skip ‘Nda Jump
really bounces off the
page. It initially
features the 1st trumpet,
and alto then adds in the
rest of the band to Hop,
Skip 'nda Jump their way
in to a great concert
closer. The solo section
is open with straight
ahead changes and simple
backgrounds then a bridge
that gives each section a
chance to leap up and
take their turn. It ends
with a big shout chorus
and even with modest
brass ranges it's scored
so that it sounds full
and exciting!
Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics, chord
names and guitar chord
chart. Gospel and
worship. Series: Hal
Leonard Fake Books. 295
pages. 9x12 inches.
Published by Hal Leonard.
Lyrics/Chords Guitar SKU: HL.242081 By The Beatles. The Little Black Song...(+)
Lyrics/Chords Guitar
SKU: HL.242081
By
The Beatles. The Little
Black Songbook. Pop. 384
pages. Hal Leonard
#HL00242081. Published by
Hal Leonard (HL.242081).
ISBN 9781785588617.
UPC: 888680704407.
4.75x7.75x0.956
inches.
A
pocket-sized collection
of 195 Beatles hits
presented in chord
songbook format. Includes
complete lyrics, chord
names & a handy chord
box reference sheet.
Including classic hits
such as: All You Need Is
Love • Can't Buy Me
Love • Day Tripper
• Do You Want to
Know a Secret •
Eleanor Rigby •
From Me to You •
Get Back • Help!
• Hey Jude •
I Want to Hold Your Hand
• Let It Be •
Magical Mystery Tour
• Ob-La-Di Ob-La-Da
• Please Please Me
• Ticket to Ride
• Twist and Shout
• and more.
Lyrics/Chords Ukulele SKU: HL.232108 By The Beatles. Ukulele. Pop. Softco...(+)
Lyrics/Chords Ukulele
SKU: HL.232108
By
The Beatles. Ukulele.
Pop. Softcover. Composed
2014. 384 pages. Hal
Leonard #NO91894.
Published by Hal Leonard
(HL.232108).
ISBN
9781783052738. UPC:
888680677329.
4.5x7.5x0.899
inches.
Complete
lyrics and chords to 195
Beatles songs, including:
Across the Universe
• All My Loving
• All You Need Is
Love • And I Love
Her • Back in the
U.S.S.R. • The
Ballad of John and Yoko
• Birthday •
Blackbird • A Day
in the Life • Day
Tripper • Dear
Prudence • Drive My
Car • Eight Days a
Week • Eleanor
Rigby • Good Day
Sunshine • Got to
Get You into My Life
• A Hard Day's
Night • Help!
• Helter Skelter
• Here Comes the
Sun • Hey Jude
• I Saw Her
Standing There • I
Want to Hold Your Hand
• In My Life
• Let It Be •
The Long and Winding Road
• Lucy in the Sky
with Diamonds •
Penny Lane •
Revolution •
Something • Ticket
to Ride • Twist and
Shout • When I'm
Sixty-Four • While
My Guitar Gently Weeps
• Yellow Submarine
• Yesterday •
and more. 4-1/2 inches x
7-1/2 inches.
SKU: BR.BV-444 Composed by Anselm Hartinger. Hardback. Buchverlag Breitko...(+)
SKU: BR.BV-444
Composed by Anselm
Hartinger. Hardback.
Buchverlag Breitkopf &
Hartel (Music Books).
Book. 760 pages.
Breitkopf and Haertel #BV
444. Published by
Breitkopf and Haertel
(BR.BV-444).
ISBN
9783765104442. 6.5 x 9.5
inches.
Bachs works
were definitely new once
again in the mid 19th
century, and particularly
for Leipzig concert
audiences. In fact,
Anselm Hartinger even
wonders what was old in
Bachs music back then...
Given the way that it was
presented, we can say
that this music was at
least partly an invention
of the time of
Mendelssohn, Schumann and
Hauptmann, and was
adapted to musical
practice by its
discoverers for their
purposes, which were
absolutely modern back
then. To bolster these
provocative theses, the
author bases himself on a
wealth of previously
mostly unexamined
material from the years
1829 to 1852, the core
period of the Bach
revival performances.
Hartinger chooses an
investigative approach
that supplies the first
link between Bach-related
reception research and
local music-historical
writing, which leads us
to amazing insights. The
Leipzig Bach-Archivs
Reception Series is
unquestionably treading
on exciting new
musicological terrain in
this book.
Easy Piano SKU: BT.MUSAM1010658 Really Easy Piano. Pop and Rock. Book wit...(+)
Easy Piano
SKU:
BT.MUSAM1010658
Really Easy Piano. Pop
and Rock. Book with
Online Audio. Composed
2015. 48 pages. Wise
Publications
#MUSAM1010658. Published
by Wise Publications
(BT.MUSAM1010658).
ISBN 9781783059829.
English.
With the
Really Easy Piano
Playalong songbook, you
can learn 19 Classic Hit
Songs with these
simplified arrangements
for Easy Piano, then use
the included download
card to hear
demonstrations and
backing tracks that you
can play along to.
Featuring a wealth of
some of the most famous
tunes of all time by the
greatest singers and
songwriters ever, these
Classic Hit Songs  are
essential playing for all
pianists, and the Really
Easy Piano Playalong book
lets beginners
immediately pick up these
wonderful melodies. From
classic pop songs like
All Shook Up, Downtown
and Waterloo to those
beautiful ballads like
Rocket Man, Hallelujah
 and Fields Of Gold,
this collection
offersamazing variety of
tunes that can be placed
right at beginner
pianist's fingertips.Â
With the accompanying
download card, you will
get instant online access
to fantastic-sounding
demonstration and backing
tracks for each tune.
This means you'll be able
to hear how each Classic
Hit Song  should
sound, then learn them
using the easy-to-read
sheet music, before
playing your own versions
along to the backing
tracks. With songs by
such bestselling artists
as Simon and Garfunkel,
The Beatles, David Bowie
and Louis Armstrong, this
is a fantastic book for
learning all of those
timeless tunes that
everyone loves, and with
the help of some
fingering hints,
performance tips, lyrics
and fascinating
background information,
the Really Easy Piano
Playalong really is the
perfect songbook for
pianists who love pop
hits. The fantastic
selection of brilliant
songs from these
wonderful musicians
places some of the
greatest tunes of all
time at any beginner
pianist's fingertips.
Your friends and family
will no doubt be wholly
impressed with how great
each of these songs sound
on the Piano, especially
when played along with
the backing tracks. For a
collection of 19 Classic
Hit Songs, Â look no
further than the Really
Easy Piano Playalong
 songbook.
Broadway Today Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
42 Songs from 15 Hit Musicals and Revivals. Piano/Vocal/Chords Songbook (Arrange...(+)
42 Songs from 15 Hit
Musicals and Revivals.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 264 pages.
Published by Hal Leonard.
(Revised Women's Edition Volume 2). For voice, piano and guitar (chords only). V...(+)
(Revised Women's Edition
Volume 2). For voice,
piano and guitar (chords
only). Vocal Collection.
Broadway. Difficulty:
medium. Songbook. Vocal
melody, lyrics, piano
accompaniment and chord
names. 247 pages.
Published by Hal Leonard
Piano/Vocal/Chords. By Celine Dion. This edition: Piano/Vocal/Chords. Artist/Per...(+)
Piano/Vocal/Chords. By
Celine Dion. This
edition:
Piano/Vocal/Chords.
Artist/Personality;
Personality Book;
Piano/Vocal/Chords. Adult
Contemporary and Pop
Vocal. Songbook. With
vocal melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams and color
photos. 104 pages. Alfred
Music #00-0437B.
Published by Alfred Music