| Really Easy Piano: 40 ABBA Songs Piano Facile Hal Leonard
| | |
| Call of the Ancient Clans Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Gong, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Timpani, Tom-tom,
Trombone 1, Trombone 2,
Trumpet 1, Trumpet 2 and
more. SKU:
CF.FPS164F Composed
by Amy Webb. Full score.
16 pages. Carl Fischer
Music #FPS164F. Published
by Carl Fischer Music
(CF.FPS164F). ISBN
9781491163900. UPC:
680160922697. Call
of the Ancient Clans
takes players back to the
time of the dawn of man,
when neighboring tribes
could communicate with
each other not by racing
through the harsh jungle
or dry desert, but by the
use of different rhythm
instruments. Music was
also used in religious
rituals, celebrations and
to share the history of
the group.With an
interesting, pulsating
rhythm and catchy
woodwind lines, Call of
the Ancient Clans is sure
to light a fire under
students and get them
involved in making some
exhilarating music. The
notes can be easily
played by those with over
a year of band
experience, but will also
provide a good challenge,
as the first clarinets do
go over the break a
couple of times.Students
will have a lot of fun
playing double forte (who
doesn’t?).
However, caution students
that playing “as
loud as you canâ€
can lead to bad-sounding
notes. Balance with the
person next to you; if
you can’t hear
them, you’re too
loud. Double forte is a
bit like calling to your
friend from across the
gym when nobody else is
in there. You
don’t want to be
louder than that.Who has
the melody at each
rehearsal mark? Your
students should know and
if they do not, tell
them. If they
don’t have the
melody, they need to back
off their notes and play
softer. Let the melody
shine.Balance will make
this piece truly sing. I
hope you enjoy playing
it; I loved writing
it. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| One Holy Lamb Chorale SATB SATB Word Music
One Holy Lamb (A Musical for Easter). By David Guthrie. Arranged by Lari Goss. F...(+)
One Holy Lamb (A Musical
for Easter). By David
Guthrie. Arranged by Lari
Goss. For SATB choir.
Musical. Modern
Christian, Easter. Easy.
Choral Book. Duration
38'00". Published by Word
Music (
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jerry Garcia: Jerry Garcia Songbook - His Solo Repertoire Ligne De Mélodie, Paroles et Accords [Partition] - Intermédiaire Alfred Publishing
Performed by Jerry Garcia. Guitar/vocal songbook for guitar and voice. With voca...(+)
Performed by Jerry
Garcia. Guitar/vocal
songbook for guitar and
voice. With vocal melody,
lyrics, chord names,
guitar chord diagrams,
strum and pick patterns,
introductory text and
black and white photos.
200 pages. Published by
Alfred Publishing.
(1)$29.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Bob Dylan: Bob Dylan - Leatherette Songbook Piano, Voix et Guitare [Partition] - Intermédiaire Music Sales
(P/V/G Folio). By Bob Dylan. For voice, piano and guitar chords. Piano. Folk Roc...(+)
(P/V/G Folio). By Bob
Dylan. For voice, piano
and guitar chords. Piano.
Folk Rock. Difficulty:
medium. Songbook. Vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. 180
pages. Music Sales
#AM91466. Published by
Music Sales
$27.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Chorlieder 1 (Choral Works 1) Hal Leonard
SAM a cappella Choral (SA MEN, A CAPPELLA) SKU: HL.394346 SAM-Klang Ch...(+)
SAM a cappella Choral (SA
MEN, A CAPPELLA) SKU:
HL.394346
SAM-Klang Choral
Series. Composed by
Fanny Cecile Mendelssohn.
Arranged by Morten
Schuldt-jensen. Choral.
Softcover. 28 pages.
Published by Hal Leonard
(HL.394346). ISBN
9781705157688. UPC:
196288032410.
6.75x9.0x0.121
inches. During her
lifetime, Fanny Hensel
was overshadowed by her
brother Felix Mendelssohn
Bartholdy, who was three
years her junior, and for
a long time she was
regarded merely as an
occasional composer. It
was only when the
Mendelssohn Bartholdy
family's extensive
collection of sheet music
came into the possession
of the Berlin State
Library that the
diversity of her
compositional output
became apparent: all
together, Fanny Hensel
wrote over 400
compositions, including
piano pieces and
especially songs, mostly
for solo voice with piano
accompaniment, but also
many choral works,
chamber music and some
orchestral works. The
name SAM-Klang takes the
three voice parts from
the arrangements --
Soprano, Alto and Men --
and combines it with the
Scandinavian and German
words for
“sound†to
create the portmanteau
word “sound
together†or
“harmony.â€
The series offers basic
and advanced choral
repertoire. In addition
to new repertoire and new
arrangements, you will
also find essential parts
of the classical German,
Scandinavian, French and
English SATB repertoire,
carefully and
considerately reworked
for SAM. The arrangements
retain the characteristic
features of the original
movements and have almost
the same richness of
timbre, resulting in
works which sound nearly
unchanged to an audience.
Piano reductions of all
choral movements
facilitate rehearsal
preparation. The
arrangements offer
development opportunities
for all voice sections,
bringing new life and new
quality to SAM choir
work. SAM-Klang enables
youth choirs to gain
access to classical
choral literature and
ensures that mixed choirs
who face challenges in
finding singers for all
male voice parts continue
to have access to
well-loved
repertoire. $7.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Singer's Musical Theatre Anthology - Volume 4 (CD) Voix Baryton [CD d'accompagnement] Hal Leonard
Baritone/Bass Accompaniment CDs. By Various Composers. Vocal Collection. CD only...(+)
Baritone/Bass
Accompaniment CDs. By
Various Composers. Vocal
Collection. CD only. Size
9x12 inches. 8 pages.
Published by Hal Leonard.
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| ABBA - Legendary Piano Series Piano seul [Partition] Amsco Wise Publications
Hardcover Boxed Set. By ABBA. Legendary Series. Pop and Rock. Book Only. 256 pag...(+)
Hardcover Boxed Set. By
ABBA. Legendary Series.
Pop and Rock. Book Only.
256 pages. Wise
Publications
#MUSAM1002716. Published
by Wise Publications
$49.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Conducting Business Livre - Pas de partitions Biographie Amadeus Press
Unveiling the Mystery Behind the Maestro. Amadeus. Biography/Composers an...(+)
Unveiling the Mystery
Behind the Maestro.
Amadeus.
Biography/Composers and
Musicians, Classical
Reference. Hardcover. 312
pages. Published by
Amadeus Press
(HL.333460).
$33.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Complete Electronic Piano Pl. 3 Piano seul Music Sales
| | |
| Jazz Phrasing for Trombone, vol.1 (2 CD set) Trombone Greg Fishman Jazz Studios
Trombone SKU: GF.JPTB Composed by Greg Fishman. Play-Along (Book+CD). Pub...(+)
Trombone SKU:
GF.JPTB Composed by
Greg Fishman. Play-Along
(Book+CD). Published by
Greg Fishman Jazz Studios
(GF.JPTB).
Milwaukee
Avenue
Ogden
Avenue
Narragans
ett
Avenue
Belden
Avenue
Chicago
Avenue
Quincy
Street
Rockwell
Street
Dearborn
Street
Franklin
Street
Pearson
Street Jazz Phrasing
for Trombone features ten
melodic pieces which are
easy to play, yet convey
the essence of mainstream
(Swing/Bebop/Bossa) jazz
vocabulary. The pieces
are catchy and melodic,
demonstrating the use of
sequence and
voice-leading to make a
musical statement.
This book
includes a play-along CD
featuring trombonist Russ
Phillips playing each
song with a world-class
rhythm section. The CD
also includes tracks
featuring Greg Fishman
demonstrating each song
on alto saxophone, giving
trombone players the
option of playing along
with Russ Phillips on
trombone or with Greg
Fishman on alto
saxophone. In
addition, there are
play-along tracks
featuring just the rhythm
section. These tracks are
great for practicing the
songs, chords, scales,
voice-leading lines and
soloing over the chords
progressions.
Jazz Phrasing for
Trombone will provide
valuable insights into a
melodic approach to jazz
improvisation. This book
is recommended for
trombone players of all
levels who wish to
improve their tone,
articulation, phrasing,
and understanding of
thematic development.
Special Features
of Jazz Phrasing for
Trombone: o
Suggested Use Section -
Provides detailed
instructions on a variety
of ways to work with the
book. Style & Analysis
Section - Provides clear,
concise explanations of
sequence, variation and
voice-leading
Thematic Index - Lets you
compare the opening
themes of all ten songs
in convenient two page
at-a-glance format. Also
includes detailed
information on the
opening interval of each
song, as well as harmonic
context of the opening
interval.
Endorsements for Jazz
Phrasing for
Trombone: Greg has
done it again. Great
melodies, interesting
rhythms and beautiful
chord progressions. This
is the perfect foundation
for learning jazz. -
Jamey Aebersold This
book is a monument to
Greg Fishman's superb
teaching skills, as well
as his clear
understanding of the jazz
student's early needs. He
has purposefully selected
accessible tempos,
significant melodic
rhythms (with their
appropriate phrasing) and
sensitive note choices,
utilizing commonplace
chord progressions within
the jazz repertory, all
impeccably demonstrated
on the accompanying
compact disc. This book
is a must for the early
conditioning of jazz
students! - Jerry
Coker Greg Fishman has
created a book of fun,
well-written, catchy
tunes in a variety of
styles for developing
jazz players---highly
recommended. - Dr.
Gregory W. Yasinitsky,
Regents Professor of
Music & Coordinator of
Jazz Studies, Washington
State University
Songs included in
Jazz Phrasing for
Trombone - Volume 1: o
Milwaukee Avenue Ogden
Avenue Narragansett
Avenue Belden
Avenue Chicago
Avenue Quincy
Street Rockwell
Street Dearborn
Street Franklin
Street Pearson
Street A few words
from the preface of the
book: Applying
good phrasing to music is
like using good
punctuation in written or
spoken language. It
involves the grouping of
ideas to make the meaning
of the words clear to the
listener. The words are
grouped into sentences,
and the sentences are
then grouped into
paragraphs. The same is
true when interpreting a
piece of music.
Good phrasing
requires a musician to
interpret the notes he
plays, and determine
which notes need to be
grouped together to form
a complete musical idea.
Each song in Jazz
Phrasing for Trombone is
designed to train your
ear to hear the logical
grouping of phrases
through the use of
sequence and thematic
development.
While the art of
good phrasing involves
the interpretation of
note groupings and their
relationships, it also
involves deciding where
you're going to take a
breath. Read the
following sentences aloud
to compare examples of
good and bad phrasing.
Good phrasing,
spoken in one continuous
breath: Ladies
and gentlemen, it gives
me great pleasure to
introduce the senior
class president.
Bad phrasing,
spoken with extra
breaths, disrupting the
flow and grouping of the
words: Ladies and
gentlemen, it gives
(breath) me great
pleasure to introduce the
senior class (breath)
president. The
difference between these
two sentences is very
similar to the difference
between a professional
musician's phrasing and a
student's phrasing. Both
may be playing the
correct notes with the
correct rhythm, but the
professional musician
knows how to group the
notes in a smooth,
flowing fashion, while
the student takes breaths
at random, not even aware
that he's disrupting the
phrasing. Jazz
Phrasing for Trombone has
been carefully designed
to help you learn to
phrase like a
professional player.
These are pieces
that will be fun for all
musicians who love
melodic writing with good
thematic
development.. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Scenes From Childhood Op 15 Urtext Piano seul G. Henle
Piano SKU: HU.HN44 Composed by Robert Schumann. Edited by Ernst Herttrich. Pian...(+)
Piano
SKU: HU.HN44
Composed by Robert
Schumann. Edited by Ernst
Herttrich. Piano Solo,
Piano and Keyboard,
Repertoire, Collections.
Scenes from Childhood Op.
15. Classical, Romantic.
Softcover Book. 28 pages.
G. Henle #HN44. Published
by G. Henle
$12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Arlecchino Op. 50 K 270 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: Sp MezT2BarB - 2(picc).2(cor ang).2(Bkl...(+)
Chorus (with soloists)
and piano (solos: Sp
MezT2BarB - 2(picc).2(cor
ang).2(Bkl).2(dble bsn) -
3.2.3.0 - timp.perc.(2) -
Cel - str - stage music:
2trp.timp.perc) SKU:
BR.EB-9433 A
Theatrical Caprice in One
Act. Composed by
Ferruccio Busoni. Choir;
Softbound. Edition
Breitkopf. Opera; Music
theatre; Early modern;
Late-romantic.
Piano/Vocal Score.
Duration 60'. Breitkopf
and Haertel #EB 9433.
Published by Breitkopf
and Haertel (BR.EB-9433).
ISBN 9790004189108. 9
x 12 inches.
German. Text by the
composerTranslation:
engl. (E. J. Dent), ital.
(V. Levi), port. (G. de
Medeiros)Place and time:
Bergamo, around the 18th
century.Characters: Ser
Matteo del Sarto, master
tailor (baritone) -
Abbate Cospicuo
(baritone) - Dottore
Bombasto (bass) -
Leandro, Cavaliere
(tenor) - Arlecchino
(speaking part) -
Colombina, Arlecchino's
wife (mezzo-soprano) -
Annunziata, Matteo's wife
- Zwei Sbirren - Ein
Karrner - a Donkey -
People at the windows
(silent parts)The idea
behind this work was to
combine a major speaking
role with a part for a
female singer and
orchestra in the spirit
of the opera buffa. The
overall tone is
pacifistic and
anti-bourgeois. Busoni's
inspiration was that of
an opera-play in the
style of Italian
improvised comedy; he
wanted types and
characters on stage whose
varying typology would
provide the source of
conflict ... The title
hero absconds with the
young wife of the
Dante-reading tailor
Matteo. He returns as a
false barbarian
commander, as a husband
who engages in a duel
with the suitor Count
Leandro, and as a
conqueror who announces
the moral of the story in
the epilogue: how to be
able to bow in rags and
still retain one's
dignity and rights. The
piece takes a turn for
the absurd when the
Abbate, at the sight of
Leandro, who is presumed
dead, begins to sing a
chorale-like song of
praise to the donkey of
Providence who comes
trotting in at that
moment. This introduces
the most musically
refined number in the
piece, the quartet, in
which Leandro's love aria
and his duet with
Columbina satirize the
attitudes prevalent in
Italian opera from
Scarlatti to Verdi.
Musically, Busoni uses
throughout the entire
work an idiom of
dance-like, blissfully
transparent comedy and
hides harmonic audacities
behind touches of
lightness. The orchestral
sound radiates an
incomparable brightness
and buoyant elegance.
(Hans Heinz
Stuckenschmidt,
1967)
In the
appendix, EB 9433
contains the later
composed aria Wer siegt?
Wer fallt?.. $57.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Prelude a L'Histoire de Tristan Piano seul - Intermédiaire/avancé Musik Fabrik
Piano - Grade 4 SKU: FA.MFCD007PN By Nicolas Horvath. By Claude Debussy a...(+)
Piano - Grade 4 SKU:
FA.MFCD007PN By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Classical,
Impressionistic. Score.
Musik Fabrik #MFCD007PN.
Published by Musik Fabrik
(FA.MFCD007PN). 8.27 x
11.69
inches. Debussy's
friendship with the
versatile poet and
playwright Gabriel Mourey
began in 1899, and in
July 1907 Mourey offered
Debussy a libretto based
on Le roman de Tristan -
Joseph Bedier's
adaptation of a
twelfth-century Breton
romance by the
Anglo-Norman poet known
as Thomas - which had
recently been published
in Paris. Debussy
enthusiastically outlined
the four-act plot to
Victor Segalen that
October, and the main
differences from Wagner's
Tristan und Isolde are
that none of the action
takes place in Cornwall
and that Isolde of the
White Hands is found
guilty of cuckolding King
Marc with Tristan, who
has to rescue her from
the leper colony in which
she is abandoned in Act
1. She also betrays him
when he goes mad at the
end.
The idea of a
Tristan that restored its
'legendary character' and
had no connections with
Wagner, appealed to
Debussy, who was
extremely moved by the
circumstances of
Tristan's death. Even if
he thought that Mourey's
poetry was 'not very
lyrical and many passages
do not exactly invite
music', he did work on
the libretto and the
music that summer and
sent his publisher,
Jacques Durand, 'one of
the 363 themes for the
Roman de Tristan' in a
letter sent from
Pourville on 23 August,
1907. The present prelude
grows from this theme,
together with the
poignant Breton folksong
Le Faucon. After a short
atmospheric introduction,
Debussy's dance-like
theme (which is
definitely not a
leitmotif) gradually
gains momentum and after
it reaches its ecstatic
climax, representing the
transient happiness of
the lovers, it dissolves
into an expressive coda
and an elegiac close (all
growing from Debussy's
opening, off-stage
trumpet calls), leaving
us with the ultimate
tragedy of their
ill-fated
affair.
Unfortunat
ely, Mourey's actual
libretto has been lost
and the project
eventually foundered
because Bedier's cousin,
Louis Artus, wanted
Debussy to use the
scenario he had prepared
and copyrighted for the
stage, and would not
allow him to proceed with
Mourey's version.
Debussy, it need hardly
be said, would never have
dreamed of collaborating
with the author of the
vaudeville hit La culotte
(The pants)! $12.94 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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