taught by Phil Duncan. You Can Teach Yourself. Level: Beginning. Book DVD. Size 8.75x11.75. 84 pages. Published by Mel Bay Pub., Inc.

For Piano Solo (with Chord Symbols). Romantic, Baroque, Classical. Sheet Music. 160 pages. Published by Wise Publications.

Book/Online Audio Clarinet

SKU: HL.400317

Music Minus One Clarinet. Composed by Various. Sheet music. Music Minus One. Classical, Contest. Softcover Audio Online. 32 pages. Music Minus One #MMO3211. Published by Music Minus One (HL.400317).

ISBN 9781596152380. UPC: 884088188276. 9.0x12.0x0.122 inches.

A wide-ranging collection of pieces for the beginning clarinetist, suitable for first through third year of study. Includes a printed music score with online audio of professional recordings of piano accompaniments to each piece. Accompaniment: Harriet Wingreen, piano The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

For Descant (soprano) recorder. DOWANI 3 Tempi Play Along - Descant (soprano) recorder. Artist: Alexander Puliaev - Harpsichord; Brigitte Meier - Lute; Manfredo Zimmermann - Descant (soprano) recorder. Level: Easy. Sheet Music with CD (3 Tempi Play Along). Published by Dowani International.

By Stephen Duro (Arranger). For Piano Solo (with Chord Symbols). Romantic, Classical. Sheet Music. 48 pages. Published by Wise Publications.

15 Folksongs and Patriotic Songs of Canada arranged for easy piano duet. By Gerhard Wuensch. (Piano). Boosey and Hawkes Piano. Size 8.5x11 inches. 31 pages. Published by Boosey and Hawkes.

By William Bay. For Guitar (All). method. You Can Teach Yourself. All Styles. Level: Beginning. Book CD DVD. Size 8.75x11.75. 112 pages. Published by Mel Bay Publications, Inc.

SKU: BT.PS2224

Con I Canti Tradizionali Infantili. Composed by Livio Boccioni. Book with CD. Composed 2022. 88 pages. Progetti Sonori #PS2224. Published by Progetti Sonori (BT.PS2224).

Italian.

SKU: BT.PSM2224

Con I Canti Tradizionali Infantili. Composed by Livio Boccioni. Book with Online Audio. Composed 2022. 88 pages. Progetti Sonori #PSM2224. Published by Progetti Sonori (BT.PSM2224).

Italian.

Fake Book (Includes melody line and chords). Size 9x12 inches. 640 pages. Published by Hal Leonard.

Fake Book (Includes melody line and chords). Size 6.7x10.5 inches. 640 pages. Published by Hal Leonard.

Chamber Music Cello, Piano, Viola, Violin, Violin 1, Violin 2

SKU: PR.14440757S

Composed by Ellen Taaffe Zwilich. Full score. 64 pages. Duration 24 minutes. Merion Music #144-40757S. Published by Merion Music (PR.14440757S).

ISBN 9781491136539. UPC: 680160689347.

Ellen Taaffe Zwilich’s Septet is the first major work written for this combination of instruments, and the pioneering process was greatly enjoyed by the composer: “While the instrumentation of the Septet provides an almost orchestral palette, and it was interesting to explore that, I love the idea of seven artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results from those shifting roles.” Septet was written for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet, to whom it is dedicated. String parts available on rental. For advanced ensembles. Duration: 24’.
Writing music is a labor of love for me.  My greatest joy is writing for performers whom I can be sure will not only deliver the notes accurately, but will project the meaning behind the notes.  To have performers in the wings who will bring their own imagination and deep understanding to a performance is an inspiration to me.  So I approached the writing of my Septet for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet with great anticipation and pleasure.The fact that there is no model for such a Septet made the pre-composition process a most enjoyable exploration.  I liked the idea of having two strong ensemble personalities in the mix, and I thought that there must be some sort of challenging interchange at the outset.  The first movement, “Introductions,â� � (note the plural) starts with the piano trio throwing down the gauntlet and the string quartet entering quietly, but gradually (almost one by one) joining with the trio to make a true septet with multi-faceted relations.  The second movement, “Quasi una Passacaglia,” is based on a repeated phrase pattern.  Part of the formal design is a contrast between “Baroque” style performance and modern, more romantic ways of playing.  “Games,” the third movement, involves much playful interplay and the fourth movement, “Au revoir,” offers both reminiscence and farewell – not “good-bye,” but “until we meet again.”Throughout the piece, two of my persistent fascinations are explored: firstly, my interest in designing initial material that can evolve into large-scale form, and secondly, the pleasure I take in chamber music.  While the instrumentation of the Septet provides an almost orchestral palette and it was interesting to explore that, I love the idea of 7 artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results form those shifting roles.

Chamber Music Cello, Piano, Viola, Violin, Violin 1, Violin 2

SKU: PR.144407570

Composed by Ellen Taaffe Zwilich. Set of Score and Parts. 64+12+12+12+12+12+12 pages. Duration 24 minutes. Merion Music #144-40757. Published by Merion Music (PR.144407570).

ISBN 9781491136522. UPC: 680160689330.

Ellen Taaffe Zwilich’s Septet is the first major work written for this combination of instruments, and the pioneering process was greatly enjoyed by the composer: “While the instrumentation of the Septet provides an almost orchestral palette, and it was interesting to explore that, I love the idea of seven artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results from those shifting roles.” Septet was written for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet, to whom it is dedicated. String parts available on rental. For advanced ensembles. Duration: 24’.
Writing music is a labor of love for me.  My greatest joy is writing for performers whom I can be sure will not only deliver the notes accurately, but will project the meaning behind the notes.  To have performers in the wings who will bring their own imagination and deep understanding to a performance is an inspiration to me.  So I approached the writing of my Septet for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet with great anticipation and pleasure.The fact that there is no model for such a Septet made the pre-composition process a most enjoyable exploration.  I liked the idea of having two strong ensemble personalities in the mix, and I thought that there must be some sort of challenging interchange at the outset.  The first movement, “Introductions,â� � (note the plural) starts with the piano trio throwing down the gauntlet and the string quartet entering quietly, but gradually (almost one by one) joining with the trio to make a true septet with multi-faceted relations.  The second movement, “Quasi una Passacaglia,” is based on a repeated phrase pattern.  Part of the formal design is a contrast between “Baroque” style performance and modern, more romantic ways of playing.  “Games,” the third movement, involves much playful interplay and the fourth movement, “Au revoir,” offers both reminiscence and farewell – not “good-bye,” but “until we meet again.”Throughout the piece, two of my persistent fascinations are explored: firstly, my interest in designing initial material that can evolve into large-scale form, and secondly, the pleasure I take in chamber music.  While the instrumentation of the Septet provides an almost orchestral palette and it was interesting to explore that, I love the idea of 7 artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results form those shifting roles.

By Stephen L. Lawrence. For 2-part voices and piano. Sing Out Series. Concert, Novelty. Octavo. Published by Heritage Music Press. (15/2376H)

Without Fingering. Composed by Franz Joseph Haydn (1732- 1809). Edited by Georg Feder. Henle Music Folios. Classical. Softcover. G. Henle #HN1536. Published by G. Henle

(Fun Songs for Learning Essential Sight Words). By John Jacobson and Mark A. Brymer. For Choral (CLASSRM KIT). Collections. 64 pages. Published by Hal Leonard

(Fun Songs for Learning Essential Sight Words). Composed by John Jacobson and Mark A. Brymer. For Choral (REPRO COLLECT UNIS BOOK/CD). Collections. Softcover with CD. 64 pages. Published by Hal Leonard

What Music Is and How to Make It at Home. By Ward Cannel and Fred Marx. Instructional. Size 8.3x11 inches. 239 pages. Published by Hal Leonard

By African-American Spiritual. Arranged by Carla Giomo. For Voices: SATB. Piano. Choral Sacred. Level: easy. 9 pages. Published by GIA Publications.

Composed by James Morrison. Text: The Roman Missal. Ritual music for Good Friday. Good Friday. Octavo. Published by CanticaNOVA Publications (C5.3086-2).

Craig Duncan. For fiddle. Bluegrass and country, bluegrass. Level: Intermediate-Advanced. Book. Solos. Size 8.75x11.75. 152 pages. Published by Mel Bay Pub., Inc.

Composed by Richard Ewer. Shawnee Press. Concert. Octavo. 12 pages. Published by Shawnee Press

For Descant Recorder Solo. By Various. Arranged by Constance Mullins. (Recorder). Schott. Size 6x9 inches. 22 pages. Published by Schott.

(Easily Prepared Piano Arrangements). Arranged by Carol Tornquist. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Sacred. Early Advanced; Late Intermediate. 230 pages. Published by Alfred Music