Viola and piano

SKU: M7.SAE-22-07

Composed by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 22-07. Published by SonArt Edition (M7.SAE-22-07).

ISBN 9790707651674.

This is a unique improvisation for violin and Piano based on a theme by Erik Satie and to which other original themes have been added. The work will certainly be a delight for the public because the sound material is treated in both classical and jazzy style. Certainly this is a piece to be enjoyed by the players, but audiences have shown that they too share the same pleasure, for sure it is a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

For Viola. Classical (with piano accompaniment). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus you, the soloist. Published by Music Minus One

Viola and Piano

SKU: BT.YE0009

For Violone. Composed by Giovannino. Classical. Book Only. Yorke Edition #YE0009. Published by Yorke Edition (BT.YE0009).

Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.

The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.

The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)

The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.

(including the Minuetto) By Ludwig van Beethoven (1770-1827), edited by Stein Haas. Set of performance parts for viola and cello. Eb Major. Composed 1795-98. 14 pages. Published by C.F. Peters.

By Peter Spitzer. For Viola. Beginning. Book. 72 pages. Published by Mel Bay Publications, Inc

(Viola With Piano Accompaniment)

SKU: HL.132954

Composed by Wolfgang Amadeus Mozart. PWM. Classical. Polskie Wydawnictwo Muzyczne #6167075. Published by Polskie Wydawnictwo Muzyczne (HL.132954).

UPC: 884088977887.

(in the Style of Gaëtano Pugnani Viola and Piano). By Fritz Kreisler (1875-1962). Edited by Giuseppe Pascucci. String. Softcover. 16 pages

Piano Accompaniment; Viola

SKU: HL.48024948

Viola and Piano. Composed by Igor Stravinsky. Edited by Kim Kashkashian. Boosey & Hawkes Chamber Music. Classical. Softcover. 50 pages. Boosey & Hawkes #M060136757. Published by Boosey & Hawkes (HL.48024948).

ISBN 9781784545659. UPC: 840126947205. 9.0x12.0x0.195 inches.

Drawing on the composer's transcriptions for violin (with Samuel Dushkin) and for cello (with Gregor Piatigorsky), Kim Kashkashian has produced a long-overdue viola version of this neoclassical masterpiece. The choice of movements from Stravinsky's Pulcinella Suite differs between those for violin and cello; Kashkashian has in turn made a slightly different selection comprising Introduzione, Serenata, Aria, Tarantella, Toccata and Minuetto e Finale. A show-stopping addition to the repertory of modern viola music.

Viola, piano

SKU: FG.55011-906-2

Composed by Harri Wessman. Classical, contemporary. Score and part. Fennica Gehrman #55011-906-2. Published by Fennica Gehrman (FG.55011-906-2).

ISBN 9790550119062.

Harr i Wessman's Summer Variations for viola and piano (1998) exploites the rich and romantic sound of the viola and enjoys the many shades of summer days. It is dedicated to violist Yuri Gandelsman, who premiered the suite with Risto Lauriala 15th June 1998.

Duration: c. 11'

Movements:
1. Summer theme
2. What is this?
3. Pizzicato
4. Con sordino
5. Stile concitato ostinato
6. Tango
7. Finale

Harri Wessman (b. 1949) is interested in all aspects of music that may be expressive, without in any way ignoring the possibilities of melody. He himself describes his harmonic method as a kind of contrapuntally treated jazz harmony. Wessman is particularly preoccupied with the ability of music to express emotions, an interest which has led him to study the so-called doctrine of the affections and the musical rhetoric of the baroque era. His Eine kleine Figurenlehre for wind quartet and piano is a playful application of a set of baroque musical figures.

His output is dominated by chamber and vocal music as well as a number of concertos for various instruments such as the Concerto for Trumpet and Orchestra and the Serenade for Piano and String Orchestra. During recent years pedagogic music has become a more and more central area in his output with an emphasis on creating repertoire for budding musicians, from beginners to young professionals. He has even tailored some solo and chamber works for young musicians that he personally knows: e.g. Five Trombone Pieces for Minna Kajander (1992), Five Horn Pieces for Jenni Kuronen (1993), Five Piano Etudes for Tiina Karakorpi, Five Trumpet Pieces for Alevtina Parland and Five Double Bass Pieces for Amanda Thieme. Other chamber and solo pieces include Pan and the Nymph Pitys (1979) for flute and guitar, Three Caprices for Konstantin Weitz (1994) for solo violin and Capriccio for wind ensemble (1989).

Viola and Piano

SKU: BT.MUSVWP000125

Composed by Edmund Severn. Arranged by Alan H. Arnold. Classical. Book Only. Viola World #MUSVWP000125. Published by Viola World (BT.MUSVWP000125).

Born in Nottingham, England, in 1862, Edmund Severn moved to the United States at the age of four along with his family who settled in Hartford, Connecticut. Severn began to study the Violin with guidance fromhis father, who taught the instrument professionally. He later studied with Franz Milcke and Bernard Listemann, concertmaster of the Boston Symphony Orchestra, before moving to Berlin to study bowing technique under Emanuel Wirth,the first assistant of Joseph Joachim at the Berlin Hochschule.

As a composer Edmund Severn wrote mainly orchestral music, as well as many pieces for the Violin including a concerto; he also wrote threestringquartets.

< p>To this day, the Polish Dance for Violin and Piano has remained Severnâ??s most famous work. The piece is arranged here by Alan Arnold for Viola and Piano.

Viola and Piano

SKU: HL.49004927

Composed by Philipp Jarnach. Edition Schott. Classical. Set of Parts. Composed 1952. 20 pages. Schott Music #HL50490617. Published by Schott Music (HL.49004927).

ISBN 9781458413925. UPC: 884088601553. English(UK).

Inspir ed by the concept of the serenading lover. In two colorful sections. Advanced Level. Inspired by the concept of the serenading lover. In two colourful sections. Advanced Level.

Inspired by the concept of the serenading lover. In two colorful sections. Advanced Level.

Inspired by the concept of the serenading lover. In two colorful sections. Advanced Level.

Inspired by the concept of the serenading lover. In two colorful sections. Advanced Level.

This demanding work for viola and piano by contemporary American composer Augusta Read Thomas (*1964 in New York State) was inspired by the concept of the serenading lover. Also available for violin and piano (HL50490616).

Piano; Viola (Viola)

SKU: HL.48011420

Viola and Piano. Composed by Sheila Nelson. Boosey & Hawkes Chamber Music. Classical, Collection, Contemporary. 42 pages. Boosey & Hawkes #M060092640. Published by Boosey & Hawkes (HL.48011420).

UPC: 073999731538. 9.0x12.0x0.14 inches.

Includes part for both violin and piano Contents: The Merryman and his Maid * Henry's Hornpipe * Lison Dormait * Willow Water * Chromatic Waltz * Bagatelle * Mango Walk * Time to Leave * Hurry on Down * Wolsey's Wilde * Song of Sadness * Jingling Jinny * Loch Lomond * Roaring Jelly * March in D * Three-key Rollalong * Romance * Merry-Go-Round * Dance of the Minor Thirds * Gavotte from Suite No. 14 * Morag's Lament * Fiddlesticks * Snake in the Grass * March from the Nutcracker Suite.