Composed by Jim Jacobs, Warren Casey, arranged by Mark A. Brymer. Octavo for SA...(+)
Composed by Jim Jacobs,
Warren Casey, arranged by
Mark A. Brymer. Octavo
for SATB chorus and piano
accompaniment. With chord
names. Choral. 40 pages.
Published by Hal Leonard.
Liber
Canticorum Va.
Composed by Vagn Holmboe.
Large Choral. Hymns &
Chorals. Vocal Score.
Composed 2002. Edition
Wilhelm Hansen #WH29767.
Published by Edition
Wilhelm Hansen
(HL.14041389).
Latin.
The text
for the choral work
'Hominis dies' is partly
form the book of psalms,
partly from Isaiah in the
Latin translation of the
Bible. The words are
relevant today - they are
about the fate of
humanity - our fear of
war and destruction,
violence and polution.
The choral work is
divided in three parts,
all of them introduced
with a Halleluja. A
Halleluja is most often a
praise, but that is not
the case in this work,
where the suppressed and
oppressed manking with
this work express
desperation and sorrow,
but also hope.
The text
for the choral work
'Hominis dies' is partly
form the book of psalms,
partly from Isaiah in the
Latin translation of the
Bible. The words are
relevant today - they are
about the fate of
humanity - our fear of
war and destruction,
violence and polution.
The choral work is
divided in three parts,
all of them introduced
with a Halleluja. A
Halleluja is most often a
praise, but that is not
the case in this work,
where the suppressed and
oppressed manking with
this work express
desperation and sorrow,
but also hope.
Composed by
Evan Ramos. 8 pages.
Duration 0:01:35. Carl
Fischer Music #CM9698.
Published by Carl Fischer
Music (CF.CM9698).
ISBN 9781491159996.
UPC: 680160918591. Key:
Ab major. Latin.
Traditional
Latin.
O Magnum
Mysterium is a setting of
a Latin sacred text
written for Christmas.
The text depicts the
extraordinary occurring
among the ordinary: God
coming to earth as a tiny
baby, and animals in a
lowly stable being the
first to witness his
arrival. Adding dynamic
contrast
(crescendo/decrescendo)
on every phrase and
singing legato (smoothly)
with a gentle choral tone
will reflect the wonder
and awe the original text
and this setting attempt
to communicate. Original
Latin Text: English
Translation: O magnum
mysterium, O great
mystery, Et admirabile
sacramentum, And
wonderful sacrament, Ut
animalia viderunt That
animals should see
Dominum natum the newborn
Lord jacentem in
praesepio. Lying in a
manger. O magnum
mysterium. Amen. O great
mystery. Amen. General
Latin Pronunciation
Guidelines: 1. There are
only five pure vowel
sounds in Latin: A = AH
E=EH I = EE O = AW U = OO
2. Strive to flip all R's
as if singing in Italian.
Latin Pronunciation
(accented syllables are
UPPER CASE): aw MAH-nyoom
mee-STEHR-yoom,* eht
ahd-mee-RAH-bee-leh
sah-krah-MEHN-toom, oot
ah-nee-MAH-lee-ah
vee-DEHR-oont
DAW-mee-noom NAH-toom,
yah-CHEHN-tehm een
preh-SEH-pee-aw. aw
MAH-nyoom mee-STEHR-yoom.
AH-mehn. *The word
mysterium in this piece
is a three-syllable
rather than a
four-syllable word. This
can be accomplished by
pronouncing the last
syllable ium as yoom
rather than ee-oom. O
Magnum Mysterium is a
setting of a Latin sacred
text written for
Christmas. The text
depicts the extraordinary
occurring among the
ordinary: God coming to
earth as a tiny baby, and
animals in a lowly stable
being the first to
witness his arrival.
Adding dynamic contrast
(crescendo/decrescendo)
on every phrase and
singing legato (smoothly)
with a gentle choral tone
will reflect the wonder
and awe the original text
and this setting attempt
to communicate.Original
Latin Text: English
Translation:O magnum
mysterium, O great
mystery,Et admirabile
sacramentum, And
wonderful sacrament,Ut
animalia viderunt That
animals should seeDominum
natum the newborn
Lordjacentem in
praesepio. Lying in a
manger.O magnum
mysterium. Amen. O great
mystery. Amen.General
Latin Pronunciation
Guidelines:1. There are
only five pure vowel
sounds in Latin:A = AH
E=EH I = EE O = AW U =
OO2. Strive to flip all
R’s as if singing
in Italian.Latin
Pronunciation (accented
syllables are UPPER
CASE):aw MAH-nyoom
mee-STEHR-yoom,*eht
ahd-mee-RAH-bee-leh
sah-krah-MEHN-toom,oot
ah-nee-MAH-lee-ah
vee-DEHR-oontDAW-mee-noom
NAH-toom,yah-CHEHN-tehm
een preh-SEH-pee-aw.aw
MAH-nyoom mee-STEHR-yoom.
AH-mehn.*The word
“mysteriumâ€
in this piece is a
three-syllable rather
than a four-syllable
word. This can be
accomplished by
pronouncing the last
syllable
“ium†as
“yoom†rather
than
“ee-oomâ€.
Composed by Howard Helvey. For SATB choir with Organ or Orchestra. Faith, Pentec...(+)
Composed by Howard
Helvey. For SATB choir
with Organ or Orchestra.
Faith, Pentecost.
Moderately Easy. Octavo.
Published by MorningStar
Music Publishers
SATB Choir a cappella - Grade 5 SKU: BT.WH29767 Liber Canticorum Va(+)
SATB Choir a cappella -
Grade 5
SKU:
BT.WH29767
Liber
Canticorum Va.
Composed by Vagn Holmboe.
Liber Canticorum
(Hansen). Hymns &
Chorals. Vocal Score.
Composed 2002. 40 pages.
Edition Wilhelm Hansen
#WH29767. Published by
Edition Wilhelm Hansen
(BT.WH29767).
Latin.
The text
for the choral work
'Hominis dies' is partly
form the book of psalms,
partly from Isaiah in the
Latin translation of the
Bible. The words are
relevant today - they are
about the fate of
humanity - our fear of
war and destruction,
violence and polution.
The choral work is
divided in three parts,
all of them introduced
with a Halleluja. A
Halleluja is most often a
praise, but that is not
the case in this work,
where the suppressed and
oppressed manking with
this work express
desperation and sorrow,
but also hope.
From A Consort of Choral Christmas Carols. By PDQ Bach. Arranged by Peter Schick...(+)
From A Consort of Choral
Christmas Carols. By PDQ
Bach. Arranged by Peter
Schickele. Text by Peter
Schickele. For SATB. S.
359. Duration 2:30.
Published by Theodore
Presser Company.
Fussreise Chorale SATB SATB, Piano [Conducteur] - Intermédiaire Carus Verlag
SATB Choir, Piano - Level 3 SKU: CA.925600 Composed by Hugo Wolf. Arrange...(+)
SATB Choir, Piano - Level
3
SKU: CA.925600
Composed by Hugo Wolf.
Arranged by Denis Rouger.
Separate edition to the
CD. Lieder, Secular
choral music. Full Score.
Duration 3 minutes. Carus
Verlag #CV 09.256/00.
Published by Carus Verlag
(CA.925600).
ISBN
M-007-24918-2. Key: D
major. German. Text:
Morike,
Eduard.
Hugo Wolf
set a total of 53 songs
by Eduard Morike, all in
the year 1888. The
composer wrote in a
letter: Once you have
heard this song, it can
only inspire one wish -
to die. In the
artistic-metaphysical
milieu of the late 19th
century this was regarded
as the highest ideal,
especially for Hugo Wolf,
who believed in the body
as a wretched piano case
from which the soul can
only break free like
harmonies dying away. And
yet Fussreise (Journey on
Foot) begins as a simple,
happy, elated song of
travel, revolving around
the key of D major over
an ostinato piano rhythm.
Old Adam believes he
senses the bliss of
paradise in this, but he
continues to be caught in
the tension between
earthly suffering and
eternal longing, as the
rest of Hugo Wolf's
setting clearly shows: it
remains a pious hope that
a whole life would be
such a morning journey
bathed in gentle
perspiration. These art
songs were originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted
them to suit the
requirements and
expressive possibilities
offered by a larger
ensemble, without losing
the any of the qualities
of the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495).
SATB Chorus, & Piano SKU: SU.96010060 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010060
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010060. Published by
Subito Music Corporation
(SU.96010060).
Instrumentation
: SATB Chorus, &
Piano Duration:
3:30' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
The Cloud Chorale SATB SATB A Cappella Gentry Publications
Choral (SATB a cappella) SKU: HL.338920 Composed by Toh Xin Long. Gentry ...(+)
Choral (SATB a cappella)
SKU: HL.338920
Composed by Toh Xin Long.
Gentry Publications.
Concert. Octavo. 12
pages. Duration 960
seconds. Gentry
Publications #JG2556.
Published by Gentry
Publications (HL.338920).
UPC: 840126914399.
6.75x10.5x0.029
inches.
As Tim
Sharp travels the world
as an ambassador for
choral music he sometimes
hears composers in
foreign lands that
deserve our attention. So
is the case with this
selection based on the
Sara Teasdale poem about
clouds. The young
composer is committed to
melody in a way that is a
refreshing return to what
seems right. The harmonic
treatment is sensitive
and sensible, and most
satisfying. An excellent
concert piece for high
school, college and
community choirs. Medium
in difficulty.
SATB choir, piano accompaniment - Beginning SKU: GI.G-5263 A Contempor...(+)
SATB choir, piano
accompaniment - Beginning
SKU: GI.G-5263
A Contemporary
Epiphany Carol.
Composed by Sally Ann
Morris. Christmastide,
Christmas Vigil,
Christmas Night,
Epiphany. Christmas.
Sacred. Octavo. 4 pages.
GIA Publications #5263.
Published by GIA
Publications (GI.G-5263).
Text by Thomas
Troeger.
“Dis
turbed by light,â€
the shepherds, the magi,
and we ourselves ask,
“Why risk the
night, the winds that
blow? Why risk the way we
do not know?†The
answer is in the coda:
because “every beat
of our hearts insists we
go!†As is
consistently the case,
Sally Ann Morris’s
music paints text
exquisitely.
SATB Chorus, & Piano SKU: SU.96010061 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010061
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010061. Published by
Subito Music Corporation
(SU.96010061).
Instrumentation
: SATB Chorus, &
Piano Duration:
5' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.T
As a
matter of practicality,
when I was first asked to
write a piece for the New
York Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Massthat I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.
Like a bolt of
lightning, divine
intervention interceded
whereupon I instantly
realized that he needed a
piece to wake up the
audience, not another
Kyrie. I took a breath
and spontaneously began
to talk through and
improvise the concept of
a piece that became the
basis for Taxi.
At that moment I was
clueless as to what kind
of piece I would write
but it appeared to be a
good idea at the time.
David's reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and ... as a matter
of practicality, I
happily agreed.
-- Joe Gianono
Note: Taxi, Noise, and
Time may be performed
separately.
Choral (SATB a cappella) SKU: HL.466851 The David C. Dickau Choral Ser...(+)
Choral (SATB a cappella)
SKU: HL.466851
The David C. Dickau
Choral Series.
Arranged by Jesse Beulke.
Pavane Choral. Concert,
Folk. Octavo. Pavane
Publishing #P1712.
Published by Pavane
Publishing (HL.466851).
UPC: 196288070795.
6.75x10.5x0.029
inches.
Every so
often an arranger takes a
familiar folk song and
redresses it so
incredibly that it feels
like a brand new piece.
Such is the case with
this arrangement. It is
both old and new all at
once; an intimate friend
you can fall in love with
all over again. The
harmonies are lush and
delicate at the same
time. Choirs will love
singing this piece and it
is an excellent choice
for advanced high school,
college, and community
choirs.
SATB Chorus, & Piano SKU: SU.96010062 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010062
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010062. Published by
Subito Music Corporation
(SU.96010062).
Instrumentation
: SATB Chorus, &
Piano Duration:
4' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
Salvator mundi Chorale SATB SATB, Piano - Intermédiaire GIA Publications
SATB choir, piano reduction - Intermediate SKU: GI.G-8955 Composed by Tho...(+)
SATB choir, piano
reduction - Intermediate
SKU: GI.G-8955
Composed by Thomas LaVoy.
Exaltation of the Holy
Cross. Evoking Sound.
Sacred. Octavo. 8 pages.
GIA Publications #8955.
Published by GIA
Publications (GI.G-8955).
UPC: 785147895503.
Latin. Text Source: From
the Liturgy of the Hours
for Exaltation of the
Holy Cross.
My
setting of this
well-known prayer is
largely based on a piece
of 16th-century visual
art of the same
name,Salvator mundi,
attributed to Leonardo da
Vinci. Though many
artists have created
similar paintings
depicting Christ in this
fashion,
Leonardo’s is of
the small minority in
which the orb that Christ
holds in his left hand
lacks any sort of
ornamentation or indeed
any kind of religious
symbol at all. The orb,
as it appears in other
depictions, is referred
to as a globus cruciger
(cross-bearing orb). This
term does not apply in
this instance, as the orb
lacks a cross, existing
purely as an unblemished
globe, calm and serene,
mirroring the expression
that is present on
Christ’s face.
This piece should be sung
in largely the same way
that the painting appears
on the canvas: subdued
and reverent. The dynamic
contrasts in measures
22–28 represent a
very human supplication
to Christ, but they
should not be overstated
or dramatic in any way.
Such is the case with the
entire work, it is a very
introspective take on the
prayer’s text, and
as such it should feel
quietly restrained and
reflective throughout.
The piece ends with four
double-barred repetitions
of the word
“Deus,â€
representing the four
points of the cross.
Listen to The Same Stream
perform Salvator Mundi
from Songs of the
Questioner.
A Chain Is Broken Chorale SATB SATB, Piano - Intermédiaire Walton Music
SATB choir, piano accompaniment, violin - Late intermediate SKU: GI.WW1848(+)
SATB choir, piano
accompaniment, violin -
Late intermediate
SKU:
GI.WW1848
Composed by
Dominick DiOrio. Walton
Choral. Classical.
Octavo. 32 pages. Walton
Music #WW1848. Published
by Walton Music
(GI.WW1848).
UPC:
785147041061. Persian,
English. Text by
Khashayar
Tonekaboni.
A Chain
Is Broken illustrates the
difficulties associated
with finding a new way -
in this case specifically
from the perspective of
an Iranian-American. The
work expresses feelings
of aspiration, optimisim,
and joy, even while still
recognizing that with
freedom comes a cost. For
more advanced choirs.
SATB choir with divisi & soprano voice solo, a cappella - Medium/Medium Difficul...(+)
SATB choir with divisi &
soprano voice solo, a
cappella - Medium/Medium
Difficult
SKU:
PL.0317
Composed by
Richard Lakey. Cathedral.
Choral, General. Octavo.
Paraclete Press #0317.
Published by Paraclete
Press (PL.0317).
Spirituals are
popular with audiences
for one simple reason:
they are direct in
emotional and textual
appeal. Such is the case
with Richard Lakey's
arrangement of My Lord
What a Mornin'. Mr Lakey
has set the for a large
choir (SATB with divisi)
to enrich the harmonic
palate, while the soprano
solo exploits both a rich
middle range and a
brilliant top for the
deep emotion of the work.
The rhythm of the piece
is quite free and the
choir members will want
to feel comfortable with
chromatic writing. This
is a moving setting of
this popular text that
will especially useful
for college as well as
choir members.
In Lust und Schmerzen Chorale SATB SATB, Piano [Conducteur] - Intermédiaire Carus Verlag
SSATB Choir, Piano - Level 3 SKU: CA.925800 Composed by Peter Cornelius. ...(+)
SSATB Choir, Piano -
Level 3
SKU:
CA.925800
Composed by
Peter Cornelius. Arranged
by Denis Rouger. Separate
edition to the CD.
Lieder, Secular choral
music. Full Score.
Composed 1854. Op. 4, No.
1. Duration 3 minutes.
Carus Verlag #CV
09.258/00. Published by
Carus Verlag (CA.925800).
ISBN 9790007249205.
Key: A flat major.
German. Text: Cornelius,
Peter.
Peter
Cornelius once described
himself as a
poet-composer, for he
wrote the texts for many
of his songs himself.
This is the case with In
Lust und Schmerzen, the
first song of the three
Liebeslieder which make
up op. 4. Cornelius
composed these songs in
1854 in Weimar, where he
was living near Franz
Liszt whom he greatly
admired. Liszt's
influence can be
discerned in the urgent
piano accompaniment and
the cumulative
chromaticism which
Cornelius chose as a
means of expressing the
emotional content of the
text in music,
alternating between Lust
und Leiden, between Kampf
und Ruh. The marking
Leidenschaftlich bewegt
[passionately agitated]
aptly describes the
character of the song.
This art song was
originally composed not
for chamber choir, but
for solo voice and piano.
Denis Rouger has
carefully adapted it to
suit the requirements and
expressive possibilities
offered by a larger
ensemble, without losing
the any of the qualities
of the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495).
SATB choir, none, piano reduction - Early intermediate SKU: GI.G-9962 Com...(+)
SATB choir, none, piano
reduction - Early
intermediate
SKU:
GI.G-9962
Composed by
Thomas Whitfield.
Arranged by Brandon
Waddles. African American
Church Music Series.
Sacred. Octavo. 8 pages.
GIA Publications #9962.
Published by GIA
Publications (GI.G-9962).
Composed
by George Frideric
Handel. Edited by
Christine Martin.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Handel. German title: Ode
For St.Cecilia'S Day.
Innovative practice aids,
Sacred vocal music,
Cantatas, Special days.
Set of Orchestra Parts.
Composed 1739. HWV 76.
Duration 50 minutes.
Carus Verlag #CV
10.372/19. Published by
Carus Verlag
(CA.1037219).
ISBN
9790007133795. Language:
English. Text: Dryden,
John. Text: John
Dryden.
During the
late 17th century English
musicians celebrated each
year on 22 November the
feast of St. Cecilia, the
patron saint of music,
with special concerts and
church services. With his
Ode for St. Cecilia's Day
Handel rejuvenated the
tradition of this
festival on St. Cecilia's
Day in 1732. This
so-called little St.
Cecilia Ode is a
musically joyful
glorification of the
power of music: two
festive choruses frame
five charming arias in
each of which a solo
instrument is used for
contrasting effect in the
baroque manner. Handel
allows the soloists a
wealth of freedom to
improvise and to display
their skills. This is
especially the case for
the organ, which was his
favorite instrument.
Score and parts available
separately - see item
CA.1037200.
(SATB) SKU: HL.48186155 Composed by Jean Gilles. Leduc. Baroque. Softcove...(+)
(SATB)
SKU:
HL.48186155
Composed
by Jean Gilles. Leduc.
Baroque. Softcover. 76
pages. Alphonse Leduc
#AL30152. Published by
Alphonse Leduc
(HL.48186155).
French
composer, Jean Gilles
(1668-1705) received his
musical training as a
choirboy in
Aix-en-Provence. His
substantial works are
entirely religious, Mass
for the Dead being no
exception. Gilles
catalogue comprises a
significant amount of
choral work. His choral
composing style often
alternate passages sung
by soloists and the
chorus, as is the case in
Mass for the Dead. His
musical style was
influenced by Andre
Campra, a leading Opera
composer of the day who
Gilles succeeded as music
master at the Cathedral
of Saint Etienne in
Toulouse. For all choirs
seeking alternative
repertoire, Mass for the
Dead provides a riveting
performance..
SATB choir, a cappella - Easy SKU: PL.9003 Composed by Robert Spearing. C...(+)
SATB choir, a cappella -
Easy
SKU: PL.9003
Composed by Robert
Spearing. Choral,
General. Octavo.
Paraclete Press #9003.
Published by Paraclete
Press (PL.9003).
Taken from the
Sarum rite, this text has
long been the object of
many composers' affection
and in this case, is
allowed to take shape
within a moderately
narrow vocal range. The
uncomplicated imitation
within the music enhances
the simplicity of this
ancient prayer as each
part sings each phrase,
rhythmically uniting at
the final request: God be
at my end..
(Arranged for SATB Choir Choral Score). By Kurt Weill (1900-1950). Arranged by G...(+)
(Arranged for SATB Choir
Choral Score). By Kurt
Weill (1900-1950).
Arranged by Gisela
Kanngieer. For Mixed
Choir. Choral. 24 pages.
Universal Edition
#UE33663. Published by
Universal Edition
Choir Secular (SATB choir) SKU: AP.46569 From the Broadway musical Elf...(+)
Choir Secular (SATB
choir)
SKU:
AP.46569
From the
Broadway musical Elf.
Composed by Chad Beguelin
and Matthew Sklar.
Arranged by Andy Beck.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Broadway; Christmas;
Movie; Secular. Choral
Octavo. 16 pages. Alfred
Music #00-46569.
Published by Alfred Music
(AP.46569).
UPC:
038081531441.
English.
In case
you had any doubt,
Broadway's musical
adaptation of Elf brings
us an adorable answer to
that classic Christmas
question! Festive lyrics
and a jubilant score are
sure to delight at all of
your holiday
performances. Andy's
arrangement is brimming
with the joy of the
season, no matter which
voicing you choose!
Motetten fur 5
Stimmen. Composed by
Orlande De Lassus. Edited
by Bernhold Schmid.
Softbound. Complete
Works. Vocal Music
Between Genres.
Renaissance/early
Baroque. Complete Works.
302 pages. Breitkopf and
Haertel #SON 339.
Published by Breitkopf
and Haertel (BR.SON-339).
ISBN 9790004802854.
10.5 x 13.5 inches.
Latin.
The present
volume contains the
Psalmi Davidis
Poenitentiales, seven
penitential psalms that
had already been
supplemented with the
motet Laudate Dominum de
coelis in the first
edition (1584). In the
Complete Edition,
however, the compilation
is preceded by the vocal
piece S u Su p e r per
Super (1567), which
experiments with
syllables. Though
reprinted many times, it
was assigned to various
genres according to its
place of publication:
while the piece was
considered as a motet in
Germany, in France it was
classified as a chanson
and in Italy as a
madrigal a unique case in
the reception history of
vocal music in the 16th
century. To this day we
still do not know the
significance of the vocal
text Super flumina
Babylonis, which
gradually evolves out of
syllables. Perhaps Lasso
wanted to depict a
biblical scene that
evokes the gradual
learning of a
language.
Hal Leonard Contemporary Festival Choral Series. Composed by Eric Tsavdar. Pop...(+)
Hal Leonard Contemporary
Festival Choral Series.
Composed by Eric Tsavdar.
Pop
Choral Series. Festival,
Concert, Pop, Poetry.
Octavo.
16 pages. Published by
Hal
Leonard