Performed by The Weavers. By Lee Hays. Arranged by Robert de Cormier. (SATB div...(+)
Performed by The Weavers.
By Lee Hays. Arranged by
Robert de Cormier. (SATB
divisi). Choral.
Festival. Size 6.75x10.5
inches. 12 pages.
Published by Hal Leonard.
(from Three Native American Songs). Composed by Kevin Memley. For Choral (SATB)....(+)
(from Three Native
American Songs). Composed
by Kevin Memley. For
Choral (SATB). Gentry
Publications. 12 pages.
Gentry Publications
#JG2445. Published by
Gentry Publications
SATB chorus, solo voices and piano SKU: JK.20420 Composed by Marvin Payne...(+)
SATB chorus, solo voices
and piano
SKU:
JK.20420
Composed by
Marvin Payne and Steven
Kapp Perry. Choral
Cantata, Choral SATB,
Difficulty Medium, Piano
Choir, Seasonal Music
Fathers Day, Seasonal
Music Mothers Day,
Special Events Home and
Family, Family,
Fatherhood, God the
Father, Jesus Christ -
Savior, Joy, Love,
Motherhood, Vocal Solo.
Christian, Inspirational.
Jackman Music Corporation
#20420. Published by
Jackman Music Corporation
(JK.20420).
Doctrine
and Covenants 138:47-48,
Alma 37:35*** Some Janice
Kapp Perry products may
require a few days
additional shipping time.
Thank you!
A
cantata written to
celebrate the
Proclamation on the
Family, for chorus,
soloists, and
readers. Original
songs include: Children
of God, In Whose Image Am
I Made?, Half a Million
Skies, We'll Make Our
Father's Dream Our Own,
God Gave You to Me, The
Song of Ages, Travelers
Who Shelter Here, Father
Mother We Need Your Love,
Come to the River, No
Other Love, The Path to
Joy, Our Brother Walked
This Way, Turning the
Hearts, Love One Another,
and We'll Make Our
Father's Dream Our
Own/This Is Our
Choice Composer:
Steven Kapp Perry &
Marvin Payne Lyricist:
Steven Kapp Perry &
Marvin
Payne Reference:
Doctrine and Covenants
138:47-48, Alma
37:35 *** Some Janice
Kapp Perry products may
require a few days
additional shipping time.
Thank you!
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002705
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Choral Score. 8 pages.
Duration 8 minutes. Carus
Verlag #CV 10.027/05.
Published by Carus Verlag
(CA.1002705).
ISBN
9790007181338. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score available
separately - see item
CA.1002700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002711
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Single Part, Viola 1. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.027/11. Published by
Carus Verlag
(CA.1002711).
ISBN
9790007189327. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and part
available separately -
see item CA.1002700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002709
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext. 1x
10.027/31 trombone 1, 1x
10.027/32 2 trombones, 1x
10.027/33 trombone 3, 1x
10.027/34 trombone 4.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Set of Orchestra Parts.
Duration 8 minutes. Carus
Verlag #CV 10.027/09.
Published by Carus Verlag
(CA.1002709).
ISBN
9790007189310. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and parts
available separately -
see item CA.1002700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002719
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Set of Orchestra Parts.
Duration 8 minutes. Carus
Verlag #CV 10.027/19.
Published by Carus Verlag
(CA.1002719).
ISBN
9790007181413. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and parts
available separately -
see item CA.1002700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002714
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Single Part, Viola 4. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.027/14. Published by
Carus Verlag
(CA.1002714).
ISBN
9790007189358. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and part
available separately -
see item CA.1002700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002715
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Single Part, basso
continuo. 4 pages.
Duration 8 minutes. Carus
Verlag #CV 10.027/15.
Published by Carus Verlag
(CA.1002715).
ISBN
9790007189365. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and part
available separately -
see item CA.1002700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002706
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Choral Score. 4 pages.
Duration 8 minutes. Carus
Verlag #CV 10.027/06.
Published by Carus Verlag
(CA.1002706).
ISBN
9790007181345. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score available
separately - see item
CA.1002700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002712
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Single Part, Viola 2. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.027/12. Published by
Carus Verlag
(CA.1002712).
ISBN
9790007189334. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and part
available separately -
see item CA.1002700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002749
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Single Part, Organ. 8
pages. Duration 8
minutes. Carus Verlag #CV
10.027/49. Published by
Carus Verlag
(CA.1002749).
ISBN
9790007189372. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and part
available separately -
see item CA.1002700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002713
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Single Part, Viola 3. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.027/13. Published by
Carus Verlag
(CA.1002713).
ISBN
9790007189341. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and part
available separately -
see item CA.1002700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002700
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Full score. 24 pages.
Duration 8 minutes. Carus
Verlag #CV 10.027/00.
Published by Carus Verlag
(CA.1002700).
ISBN
9790007171728. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course.
Malaika Chorale SATB SATB, Percussion(s) Carl Fischer
Angel. Composed by Fadhilli William Mdawida. Arranged by Russell L. Robinson. ...(+)
Angel. Composed by
Fadhilli
William Mdawida. Arranged
by
Russell L. Robinson. Sws.
Octavo. 16 pages.
Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9650.
Published by Carl Fischer
Music
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad
lib., 5 instruments ad
lib., basso continuo
SKU: CA.1002849
Chorale concert.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition. Organ. Sacred
concertos, Sacred vocal
music, Advent. Single
Part, Organ. 4 pages.
Duration 4 minutes. Carus
Verlag #CV 10.028/49.
Published by Carus Verlag
(CA.1002849).
ISBN
9790007189389. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorael concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking chorale
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. In the
chorale setting Wie schon
leuchtet der Morgenstern
Praetorius wrote for a
five-part ensemble which
is joined in some
sections by a four-part
capella. For the
ensemble, Praetorius
suggested both voices and
instruments, which he
uses in a sophisticated
texture of sound, the
instruments sometimes
duplicating the voices
and sometimes alternating
with them. Score and part
available separately -
see item CA.1002800.
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad
lib., 5 instruments ad
lib., basso continuo
SKU: CA.1002800
Chorale concert.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition. Sacred
concertos, Sacred vocal
music, Advent. Full
score. 12 pages. Duration
4 minutes. Carus Verlag
#CV 10.028/00. Published
by Carus Verlag
(CA.1002800).
ISBN
9790007171735. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorael concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking chorale
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. In the
chorale setting Wie schon
leuchtet der Morgenstern
Praetorius wrote for a
five-part ensemble which
is joined in some
sections by a four-part
capella. For the
ensemble, Praetorius
suggested both voices and
instruments, which he
uses in a sophisticated
texture of sound, the
instruments sometimes
duplicating the voices
and sometimes alternating
with them.
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad
lib., 5 instruments ad
lib., basso continuo
SKU: CA.1002805
Chorale concert.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition. Sacred
concertos, Sacred vocal
music, Advent. Choral
Score. 8 pages. Duration
4 minutes. Carus Verlag
#CV 10.028/05. Published
by Carus Verlag
(CA.1002805).
ISBN
9790007181352. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorael concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking chorale
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. In the
chorale setting Wie schon
leuchtet der Morgenstern
Praetorius wrote for a
five-part ensemble which
is joined in some
sections by a four-part
capella. For the
ensemble, Praetorius
suggested both voices and
instruments, which he
uses in a sophisticated
texture of sound, the
instruments sometimes
duplicating the voices
and sometimes alternating
with them. Score
available separately -
see item CA.1002800.
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad
lib., 5 instruments ad
lib., basso continuo
SKU: CA.1002819
Chorale concert.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition. Separate
instruments. Sacred
concertos, Sacred vocal
music, Advent. Set of
Orchestra Parts. Duration
4 minutes. Carus Verlag
#CV 10.028/19. Published
by Carus Verlag
(CA.1002819).
ISBN
9790007181420. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorael concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking chorale
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. In the
chorale setting Wie schon
leuchtet der Morgenstern
Praetorius wrote for a
five-part ensemble which
is joined in some
sections by a four-part
capella. For the
ensemble, Praetorius
suggested both voices and
instruments, which he
uses in a sophisticated
texture of sound, the
instruments sometimes
duplicating the voices
and sometimes alternating
with them. Score and
parts available
separately - see item
CA.1002800.
Pacific Dreams Chorale SATB [Conducteur et Parties séparées] - Facile De Haske Publications
SATB Choir - Grade 3 SKU: BT.DHP-0991451-050 Composed by Jacob De Haan. I...(+)
SATB Choir - Grade 3
SKU:
BT.DHP-0991451-050
Composed by Jacob De
Haan. Inspiration Series.
Set (Score & Parts).
Composed 1999. De Haske
Publications #DHP
0991451-050. Published by
De Haske Publications
(BT.DHP-0991451-050).
English.
Pacific
Dreams describes the
experience of Miguel, a
traveling composer from
Spain who, feeling
somewhat alienated from
his homeland, is
wandering through an area
of Sydney known as The
Rocks. At a small outdoor
market in a typical
street of this
oldcolonial
neighbourhood, he
discovers a print of
William DeShazos painting
Pacific Dreams Portrayed
in the painting is the
surf of one of the exotic
islands in the Pacific.
Next, with the impressive
Sydney Harbour Bridge
looming over the
narrowstreets of The
Rocks, he envisions
sultry Pacific beaches.
Suddenly a theme he once
composed about the lakes
in Japan comes to him. Is
it the Asian influences
present in cosmopolitan
Sydney that bring this
theme to mind? Or perhaps
the waters aroundSydney,
over which he could sail
to Tahiti? He is
uncertain. Could this
same theme be used to
create a new composition
about his feelings for
the metropolis Sydney?
How then to work his
Pacific Dreams into the
mix? Miguel is certainly
no fan ofHawaiian music.
Mayby he could use the
vocabularies of islands
like Hawaii and Tahiti,
their beautiful vowel
combinations being sung
ad libitum by a mixed
choir.With these ideas
and his newly purchased
print of Pacific Dreams,
he boards the Metroat
Circular Quay. He has a
final glimpse of the
harbour and the Sydney
Opera House as the train
races into the ground. On
to the hotel! To work! He
must compose!Maestoso :
Miguel is impressed as he
gazes upon the Sydney
Harbour Bridge. And yet,
hewants to go away from
this city. Away, to an
exotic island in the
Pacific.Steady Rock : In
the Rocks, musicians are
playing at a square.
Miguel basks in the
atmosphere but at the
same time he is
fantasizing about Hawaii
and Tahiti.Andante
Lamentoso :In his hotel
room, Miguel is feeling
sad and lonely in this
big city. He takes
comfort in his Pacific
Dreams.Allegro : Miguel
boards the boat that
takes him from Darling
Harbour to Circular Quay.
In his mind he is
traveling on to Hawaii.
Or is ithome, where the
bolero is playing? He is
pulled back to reality by
the skyline of
Sydney.
Wir
schlüpfen in die Haut
von Miguel und reisen mit
ihm nach Australien.
Einigermaßen
entfremdet von seiner
spanischen Heimat
schlendert er durch das
Viertel The Rocks in
Sydney. Auf einem kleinen
Markt entdeckt er einen
Druck des Gemäldes
Pacific Dreams von
William DeShazo. Das Bild
stellt die Meeresbrandung
auf einer exotischen
Insel im Pazifik dar.
Während die
eindrucksvolle Harbour
Bridge von Sidney vor ihm
auftaucht, ist er in
Gedanken bei den
heißen Stränden im
Stillen Ozean. Auf einmal
kommt ihm das Thema in
den Sinn, das er einst
über die Gewässer
Japans komponiert hatte.
Liegt es an den
asiatischen
Einflüssen, die im
kosmopolitischen Sydney
so vielfältig
vertretensind? Oder sind
es die Wasser rund um
Sydney, über die er
nach Tahiti segeln
könnte? Er ist sich
unsicher. Könnte er
genau dieses Thema für
eine neue Komposition
über die Metropole
Sydney verwenden? Wie
sollte er seine Träume
vom Pazifik, seine
Pacific Dreams, in
diese Mixtur einbringen?
Vielleicht könnte er
den Wortschatz von Inseln
wie Hawaii und Tahiti
für seine Komposition
verwenden. Und einen
gemischten Chor die
schönen
Vokalverbindungen ad
libitum singen lassen.
Mit diesen Ideen im Kopf
steigt er in die Metro am
Circular Quay. Auf ins
Hotel und frisch ans
Werk! Jetzt muss er
einfach
komponieren....
Behold That Star!. (SATB Choral Score). By Sally K. Albrecht and Jay Althouse. C...(+)
Behold That Star!. (SATB
Choral Score). By Sally
K. Albrecht and Jay
Althouse. Choir Sacred.
SATB choir. Choral
(Sacred); Choral Worship
Cantata; Larger Works;
Worship Resources.
Choral, Sacred. Choral
Score. 56 pages.
Published by Alfred Music
Publishing