By PDQ Bach. Arranged by Peter Schickele. For SSATB. S. 9. Duration 6:0. Published by Theodore Presser Company.

By Hal H. Hopson. For SSATB choir, organ (handbells, congregation). Choral Music. Music. Medium. Octavo. Published by MorningStar Music Publishers

Composed by Daniel Pinkham (1923-2006). For SSATB choir, optional organ. Easter, General. Octavo. 8 pages. Published by Ione Press

By Jan Pieterszoon Sweelinck (1562-1621). For mixed choir (SSATB) and basso continuo. Moseler Chorreihe. Choral score. 8 pages

By Spiritual. Arranged by Joel A Ross. Female chorus. For SSATB and Keyboard. Choral. Piano reduction/vocal score. Standard notation. 8 pages. Published by Carl Fischer

By Claudio Monteverdi (1567-1643). For 5 Voices (SSATB), 2 Violins and Continuo. Score. 24 pages. Published by Ut Orpheus

By Stephen Chatman. For SSATB choir, opt. medieval drum, opt. organ (Mixed Voices). Christmas. Choral. Published by E.C. Schirmer Publishing

SSATB Choir, Piano

SKU: CA.924800

Composed by Gabriel Faure. Arranged by Denis Rouger. Separate edition with CD. Organ music based on hymns, Lieder. Full score. Op. 1, No. 1. 8 pages. Duration 3 minutes. Carus Verlag #CV 09.248/00. Published by Carus Verlag (CA.924800).

ISBN 9790007246594. Key: D major. Language: French. Text: Hugo, Victor.

Composed by Ebenezer Beesley / arr. Hoffman. Arranged by Joseph Hoffman. For SSATB choir. Sacred, Hymn. Medium / Medium-Difficult (accompaniment). Octavo. Duration 3:15. Published by Sonos

By Leo Nestor. For SSATB Choir & organ. (Mixed Voices). General. Choral. Published by E.C. Schirmer Publishing.

By John Blow (1649-1708). Arranged by Richard Lyne. For SSATB choir and organ. This edition: CMSR71. Mixed Voices. Church Music Society publications. Sacred, Choral Leaflet. Vocal score. Duration 3'. Published by Oxford University Press

(15 Weltliche Madrigale). By Johann Hermann Schein (1586-1630). Edited by Adam Adrio. For SSATB choir/basso continuo. This edition: Clothbound, Complete edition, Urtext edition. Linen. New Schein Edition. Volume 8. Choral score, Anthology. Language: German. Composed 1624. Published by Baerenreiter Verlag

(from Mass in B Minor). By Johann Sebastian Bach (1685-1750). For SSATB choir, keyboard (organ or piano). General. Octavo. Scripture: Nicene Creed. 8 pages. Published by E.C. Schirmer Publishing Octavo General

By William J. Kirkpatrick / Arr. Lyon. Arranged by A. Laurence Lyon. Text: Anonymous. For SSATB Choir. Level: Medium. Duration 3:00. Published by Jackman Music Corporation.

Composed by Johann Sebastian Bach (1685-1750), edited by Alfred Durr. BWV 243. Study score for SSATB choir and mixed orchestra (3 tr, timp, 2 fl, 2 ob, 2 vl, vla, organ). Urtext of the New Bach Edition. With introductory text. D Major. Text language Latin. 58 pages. Published by Baerenreiter-Taschenparti turen (German import).

By Dietrich Buxtehude (1637-1707). For SSATB Choir, Basso continuo. This edition: paperbound. BuxWV 114. Missa brevis, Latin. Score. Language: Latin. 24 pages. Duration 8 min

(S.S.A.T.B., with Keyboard Accompaniment). By Johann Sebastian Bach (1685-1750). Edited by Robert Field. SATB chorus. For SSATB Chorus, Keyboard. Choir Loft Choral Series. Choral. Choral Part(s). Standard notation. 8 pages

SSATB choir divisi & piano/organ/orchestra (picc, fl, 2ob, 2cl, 2bsn, 2hn, perc, hp, str) - easy

SKU: OU.9780193530041

Composed by John Rutter. Christmas Songs & Carols - Mixed Voices. Choral Music. Vocal score with piano accompaniment. 16 pages. Duration 5'. Oxford University Press #9780193530041. Published by Oxford University Press (OU.9780193530041).

ISBN 9780193530041. 11 x 7 inches.

For SATB and piano or organ or orchestra This sprightly setting of a sixteenth-century English text tells the tale of a jolly shepherd named Wat. With an upbeat triple metre and a joyful swing feel, this carol has imaginative, contrasting textures, a memorable refrain, and a rousing finish.

Composed by William Byrd (1540-1623). Edited by William McKie. Music Sales America. Classical, Sacred. Octavo. 8 pages. Novello and Co Ltd. #MUSNOV290123. Published by Novello and Co Ltd.

Mixed choir (SSATB); organ ad lib - intermediate

SKU: HL.49029381

Composed by Martin Peerson. Edited by Marylin Wailes. This edition: Folding. Sheet music. Edition Schott. Score. 12 pages. Schott Music #ED 10291. Published by Schott Music (HL.49029381).

ISBN 9790220101953.

Composed by Andrew Lloyd Webber, Bagot, Geoffrey, and Louisa. Church Music Society Publications. Vocal score. 24 pages. Duration 9'. Oxford University Press #9780193708013. Published by Oxford University Press

SSATB choir, piano/organ

SKU: GH.GE-11875

Composed by Daniel SJ Schutte. Arranged by Malcolm Archer. With Language: Swedish. Gehrmans Musikforlag #GE 11875. Published by Gehrmans Musikforlag (GH.GE-11875).

ISBN 979-0-070-11875-0. 185 x 262 mm inches. Text: Kettil Skarby after Jesaja (Isaiah) 6 (Swedish text).

For kor SSATB och piano/orgel.

Composed by James Whitbourn. New Horizons. Vocal score. 12 pages. Duration 2.5'. Oxford University Press #9780193544680. Published by Oxford University Press

Composed by Neil Harmon. For SATB choir, Soprano Solo, Keyboard (Piano or Organ) or Full Orchestra. Medium. Choral score. Published by MorningStar Music Publishers

Composed by Claudio Monteverdi and Stanley M. Hoffman. Holy Week, Triduum/Three Days, Baroque. Instrument parts. Duration 2 minutes, 45 seconds. E.C. Schirmer Publishing #8695. Published by E.C. Schirmer Publishing

Composed by Judith Weir (1954-). Music Sales America. Classical. Octavo. 20 pages. Chester Music #MUSCH83743. Published by Chester Music

SSATB Choir

SKU: CA.966500

Composed by Paul Ayres. Edited by Stefan Schuck. Contemporary Choir Music. Sacred vocal music. Full score. Composed 2005. 8 pages. Duration 4 minutes. Carus Verlag #CV 09.665/00. Published by Carus Verlag (CA.966500).

ISBN 9790007167707. Text language: Latin/English.

Inte restingly, Ayres combines the Latin text of the hymn with his translation here: in the style of a free motet-like cantus firmus, he interprets the Latin text impressively in music, making use of glissandi, wide leaps and unison twelve-tone linear construction for the dramatic second verse with its deceptive vision of night. He places the motet sections after the translated text, but quite simply with the Gregorian cantus firmus and in the style of medieval organum, however with interesting, diatonically written dissonant sounds. This rewarding piece is challenging, but well worth singing in a concert or church service.