Ray Parker: Ghostbusters Fanfare [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Ray Parker, Jr. Arranged by Nick Baratta. For Marching Band. Marching Band. M...(+)
By Ray Parker, Jr.
Arranged by Nick Baratta.
For Marching Band.
Marching Band. Mega
Sounds for Marching Band.
Movie. Conductor Score
and Parts. 110 pages.
Published by Alfred
Publishing. Level: 3
(Medium) (grade 3).
Performed by Ray Charles (1930-2004), arranged by Michael Brown, Will Rapp. For ...(+)
Performed by Ray Charles
(1930-2004), arranged by
Michael Brown, Will Rapp.
For marching band.
Includes full score and
set of performance parts.
With full score notation
and standard notation.
R&B and Soul. 6.75x10.5
inches. Published by Hal
Leonard.
Composed by Percy Mayfield [Ray Charles]. Arranged by Doug Adams. Marching Band....(+)
Composed by Percy
Mayfield [Ray Charles].
Arranged by Doug Adams.
Marching Band. Marching
Band; Part(s); Score.
Easy Pops for Marching
Band. Grade 2. 121 pages.
Published by Alfred Music
By Raymond Scott. Arranged by Paul Murtha. For Marching Band (Score and Parts). ...(+)
By Raymond Scott.
Arranged by Paul Murtha.
For Marching Band (Score
and Parts).
Performance/Easy Limited
Edition. Grade 4.
Softcover. Published by
Hal Leonard
Marching Band Marching Band - 3 (Medium) (grade 3) SKU: AP.31667S Compose...(+)
Marching Band Marching
Band - 3 (Medium) (grade
3)
SKU: AP.31667S
Composed by Doyle
Bramhall and Stevie Ray
Vaughan [Brian Setzer].
Arranged by Roland
Barrett. Marching Band.
Mega Sounds for Marching
Band. Pop/Rock. Score. 12
pages. Alfred Music
#00-31667S. Published by
Alfred Music (AP.31667S).
UPC: 038081348414.
English.
Rock out
in the stands this year
with this sizzling
arrangement of the tune
made famous by Stevie Ray
Vaughn and the Brian
Setzer Orchestra. Another
winner from arranger
Roland Barrett!
One Foot Fanfare [Conducteur] - Facile Alfred Publishing
Marching Band - Grade 3 SKU: AP.47042S As Recorded by Walk the Moon(+)
Marching Band - Grade 3
SKU: AP.47042S
As Recorded by Walk
the Moon. By Ben
Berger, Eli Maiman, Kevin
Ray, Nicholas Petricca,
Ryan McMahon, Ryan Rabin,
Sean Waugman, and Walk
the Moon. By Ben Berger,
Eli Maiman, Kevin Ray,
Nicholas Petricca, Ryan
McMahon, Ryan Rabin, and
Sean Waugman [Walk the
Moon]. Arranged by Victor
Lopez. Marching Band;
Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. Pop. Score. 8
pages. Alfred Music
#00-47042S. Published by
Alfred Music (AP.47042S).
UPC: 038081541372.
English.
This
catchy tune from the band
Walk the Moon was
climbing the charts in
2018. Arranger Victor
López captures the
unique style and groove
with this stellar
arrangement.
By Gil Rodin And Bob Crosby, Music By Bob Haggart And Ray Bauduc. Arranged by Mi...(+)
By Gil Rodin And Bob
Crosby, Music By Bob
Haggart And Ray Bauduc.
Arranged by Michael
Story. Words by Gil Rodin
and Bob Crosby, music by
Bob Haggart and Ray
Bauduc / arr. Mike Story.
For Marching Band.
Marching Band. Big and
Easy. Level: 2 (Easy)
(grade 2). Conductor
Score & Parts. Published
by Alfred Publishing.
Marching Band - Grade 3 SKU: AP.47042 As Recorded by Walk the Moon...(+)
Marching Band - Grade 3
SKU: AP.47042
As Recorded by Walk
the Moon. By Ben
Berger, Eli Maiman, Kevin
Ray, Nicholas Petricca,
Ryan McMahon, Ryan Rabin,
Sean Waugman, and Walk
the Moon. By Ben Berger,
Eli Maiman, Kevin Ray,
Nicholas Petricca, Ryan
McMahon, Ryan Rabin, and
Sean Waugman [Walk the
Moon]. Arranged by Victor
Lopez. Marching Band;
Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. Pop. Score and
Part(s). 112 pages.
Alfred Music #00-47042.
Published by Alfred Music
(AP.47042).
UPC:
038081541365.
English.
This
catchy tune from the band
Walk the Moon was
climbing the charts in
2018. Arranger Victor
López captures the
unique style and groove
with this stellar
arrangement.
You Really Got Me Fanfare [Conducteur et Parties séparées] - Facile Alfred Publishing
By Ray Davies. Arranged by Michael Story. Words and music by Ray Davies / arr. M...(+)
By Ray Davies. Arranged
by Michael Story. Words
and music by Ray Davies /
arr. Mike Story. For
Marching Band. Marching
Band. Big and Easy.
Level: 2 (Easy) (grade
2). Conductor Score and
Parts. 120 pages.
Duration 1:41. Published
by Alfred Publishing.
Conzensus Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0960767-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0960767-020
Composed by Jan Van der
Roost. Inspiration
Series. Opening Pieces.
Set (Score & Parts).
Composed 1996. De Haske
Publications #DHP
0960767-020. Published by
De Haske Publications
(BT.DHP-0960767-020).
This stately
concert opener was
originally written by Jan
Van der Roost for a
special event in which
six respected wind
orchestras (two Belgian
and four Dutch) of
different composition
(two symphonic bands, two
fanfare bands and two
brass bands) were
featured during six
concerts. Each evening
brought forth a
performance by a
symphonic band, a
fanfare, and brass band,
so that the audience
could experience all
three types of ensembles.
This was indeed an
original concept.The
name, ConZEnSus, comes
from a combination of the
words, ‘Concert
Cyclus’ (concert
series) and
‘zes’ (Dutch
for ‘six’).
This leads to a new word,
which refers to
‘consensus’.
The general tenor of the
cycle isthus immediately
indicated. The richness
of color of the various
ensembles is revealed
through an open and
friendly atmosphere.
During all six concerts
(over a span of three
years), ConZEnSus
functioned as a permanent
opening number for each
orchestra. Thus the same
musical story was
portrayed in three
different packages.
Granada Overture Fanfare [Conducteur et Parties séparées] - Facile Curnow Music
Fanfare Band - Grade 3 SKU: BT.CMP-0498-01-020 Composed by Carmine Pastor...(+)
Fanfare Band - Grade 3
SKU:
BT.CMP-0498-01-020
Composed by Carmine
Pastore. Accolade Series.
Original Light Music. Set
(Score & Parts). Composed
2001. Curnow Music #CMP
0498-01-020. Published by
Curnow Music
(BT.CMP-0498-01-020).
Spain is a
country like no other.
Its scenic beauty,
colorful history and bold
arts and literature are
unique and legendary. In
this overture Carmine
Pastore skilfully
portrays this timeless
region of many contrasts
with the widely-varied
orchestration portraying
many of the opposing and
unique qualities of the
concert band.
Elburg Fantasy Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1135396-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1135396-020
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135396-020. Published by
De Haske Publications
(BT.DHP-1135396-020).
9x12 inches.
English-Dutch.
This
musical fantasy depicts
the history of the Dutch
fortified town of Elburg.
The work begins with an
atmospheric medieval
picture of the Convent of
St Agnes, the nunnery
that was built in the
first half of the 15th
century. We hear the
sound of the convent
bells together with an
upward motif, which will
reappear later in the
work. Next, the rest of
Elburg is featured,
including the fortress -
from which the bells of
the Sint-Nicolaaskerk
(Saint Nicholas Church)
are ringing. Then,
cheerful sounds can be
heard at the Vischpoort
(Fish Gate), where a
dancing group is
performing a 16th century
French folk dance (a
branle des chevaux). We
also hear old wagons
rumbling over the
town’scobble
stones. Trade made this
Hanseatic town a lively
place. The repetitive
upward motif first heard
in the introduction now
develops into a more
distinct feature,
reflecting the mercantile
spirit of the town
residents.Then follows
the slow middle movement,
in which the clock has
been turned back to the
time when Elburg was
still lying on the
Zuiderzee (which was a
bay of the North Sea),
and was struggling with
floods. After the second
St. Marcellus Flood
(1362) and the water
flood of 1367 it was
decided that the town
would be relocated. We
now hear the theme of
branle des chevaux in a
minor key, followed by a
death bell sounding in
remembrance of the
drowned citizens of the
former town. Back in our
own time, a slow,
expressive theme in
Baroque style mirrors
Elburg’s tranquil
places, such as the
Feithenhof (Feithen
Court) and the
Weduwenhofje (Widow
Court). Then the bustle
returns with motifs from
the introduction,
followed by an attractive
theme in which
present-day Elburg is
portrayed with its many
tourists. Now, suddenly,
there is an echo from the
past, depicting the
dramatic floods and wars
that once plagued the
town. This leads to the
grand closing theme:
branle des chevaux
is heard for a final time
from the perspective of
the historic town centre.
Deze muzikale
fantasie vertelt de
geschiedenis van de
Nederlandse vestingstad
Elburg. Het werk begint
met een middeleeuws
sfeerbeeld vanuit het
Agnietenklooster, het
nonnenklooster dat in de
eerste helft van de 15e
eeuw werd gebouwd. We
horen de kloosterklok
samen met een opwaarts
motief, dat ook later in
het werk terugkomt.
Vervolgens komt de rest
van Elburg aan bod,
inclusief de vesting -
van waaruit de klokken
van de Grote of
Sint-Nicolaaskerk
weergalmen. Dan klinken
bij de Vischpoort de
vrolijke geluiden van een
dansgroep die daar een
16e-eeuwse Franse
volksdans (branle des
chevaux) uitvoert.
Ook horen we oude karren
over de kinderkopjes van
de stad denderen.
Dehandel maakt deze
Hanzestad tot een
levendige plaats. Het
zich steeds herhalende
opwaartse motief uit de
inleiding krijgt hier een
nadrukkelijker karakter
en verbeeldt de
handelsgeest van de
stedelingen.Dan volgt het
langzame middendeel,
waarin de klok wordt
teruggedraaid naar de
tijd dat Elburg nog
direct aan de Zuiderzee
lag en te kampen had met
overstromingen. Na de
tweede
Sint-Marcellusvloed
(1362) en de watervloed
van 1367 werd besloten
dat de stad verplaatst
zou worden. We horen het
thema van de branle des
chevaux in mineur,
gevolgd door een
doodsklok, die de
verdronken inwoners van
de voormalige stad
herdenkt. Terug in onze
eigen tijd verklankt een
langzaam, expressief
thema in barokke stijl de
verstilde plekken in de
stad, zoals het
Feithenhof en het
Weduwenhofje. Dan keert
de levendigheid terug met
motieven uit de
inleiding, gevolgd door
een aansprekend thema
waarin het Elburg van nu
met zijn vele toeristen
doorklinkt. Plotseling is
er dan nog even een echo
uit het verleden: de
dramatiek van de
overstromingen en
oorlogen die de stad ooit
teisterden. Hieruit
vloeit het grootse
slotthema voort: de
branle des chevaux is
voor de laatste keer te
horen vanuit het
perspectief van de
historische
binnenstad.
Elburg Fantasy Fanfare [Conducteur] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1135396-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1135396-120
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2013. 52 pages. De Haske
Publications #DHP
1135396-120. Published by
De Haske Publications
(BT.DHP-1135396-120).
9x12 inches.
English-Dutch.
This
musical fantasy depicts
the history of the Dutch
fortified town of Elburg.
The work begins with an
atmospheric medieval
picture of the Convent of
St Agnes, the nunnery
that was built in the
first half of the 15th
century. We hear the
sound of the convent
bells together with an
upward motif, which will
reappear later in the
work. Next, the rest of
Elburg is featured,
including the fortress -
from which the bells of
the Sint-Nicolaaskerk
(Saint Nicholas Church)
are ringing. Then,
cheerful sounds can be
heard at the Vischpoort
(Fish Gate), where a
dancing group is
performing a 16th century
French folk dance (a
branle des chevaux). We
also hear old wagons
rumbling over the
town’scobble
stones. Trade made this
Hanseatic town a lively
place. The repetitive
upward motif first heard
in the introduction now
develops into a more
distinct feature,
reflecting the mercantile
spirit of the town
residents.Then follows
the slow middle movement,
in which the clock has
been turned back to the
time when Elburg was
still lying on the
Zuiderzee (which was a
bay of the North Sea),
and was struggling with
floods. After the second
St. Marcellus Flood
(1362) and the water
flood of 1367 it was
decided that the town
would be relocated. We
now hear the theme of
branle des chevaux in a
minor key, followed by a
death bell sounding in
remembrance of the
drowned citizens of the
former town. Back in our
own time, a slow,
expressive theme in
Baroque style mirrors
Elburg’s tranquil
places, such as the
Feithenhof (Feithen
Court) and the
Weduwenhofje (Widow
Court). Then the bustle
returns with motifs from
the introduction,
followed by an attractive
theme in which
present-day Elburg is
portrayed with its many
tourists. Now, suddenly,
there is an echo from the
past, depicting the
dramatic floods and wars
that once plagued the
town. This leads to the
grand closing theme:
branle des chevaux
is heard for a final time
from the perspective of
the historic town centre.
Deze muzikale
fantasie vertelt de
geschiedenis van de
Nederlandse vestingstad
Elburg. Het werk begint
met een middeleeuws
sfeerbeeld vanuit het
Agnietenklooster, het
nonnenklooster dat in de
eerste helft van de 15e
eeuw werd gebouwd. We
horen de kloosterklok
samen met een opwaarts
motief, dat ook later in
het werk terugkomt.
Vervolgens komt de rest
van Elburg aan bod,
inclusief de vesting -
van waaruit de klokken
van de Grote of
Sint-Nicolaaskerk
weergalmen. Dan klinken
bij de Vischpoort de
vrolijke geluiden van een
dansgroep die daar een
16e-eeuwse Franse
volksdans (branle des
chevaux) uitvoert.
Ook horen we oude karren
over de kinderkopjes van
de stad denderen.
Dehandel maakt deze
Hanzestad tot een
levendige plaats. Het
zich steeds herhalende
opwaartse motief uit de
inleiding krijgt hier een
nadrukkelijker karakter
en verbeeldt de
handelsgeest van de
stedelingen.Dan volgt het
langzame middendeel,
waarin de klok wordt
teruggedraaid naar de
tijd dat Elburg nog
direct aan de Zuiderzee
lag en te kampen had met
overstromingen. Na de
tweede
Sint-Marcellusvloed
(1362) en de watervloed
van 1367 werd besloten
dat de stad verplaatst
zou worden. We horen het
thema van de branle des
chevaux in mineur,
gevolgd door een
doodsklok, die de
verdronken inwoners van
de voormalige stad
herdenkt. Terug in onze
eigen tijd verklankt een
langzaam, expressief
thema in barokke stijl de
verstilde plekken in de
stad, zoals het
Feithenhof en het
Weduwenhofje. Dan keert
de levendigheid terug met
motieven uit de
inleiding, gevolgd door
een aansprekend thema
waarin het Elburg van nu
met zijn vele toeristen
doorklinkt. Plotseling is
er dan nog even een echo
uit het verleden: de
dramatiek van de
overstromingen en
oorlogen die de stad ooit
teisterden. Hieruit
vloeit het grootse
slotthema voort: de
branle des chevaux is
voor de laatste keer te
horen vanuit het
perspectief van de
historische
binnenstad.