Arranged by Harold Walters. For flute solo and piano accompaniment. Includes separate pull-out flute part. Format: set of performance parts. With standard notation, solo part and piano accompaniment. Americana. 9x12 inches. Published by Hal Leonard.

By John G. Mortimer. For 3 flutes and piano (keyboard). Swiss import. Play Along. Level: 2-2 . Sheet music and accompaniment CD. Published by Editions Marc Reift. (EMR 2252)

Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUOâ €™s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardentâ� � is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. Arranged by Franz Linden. This edition: urtext edition. Stapled. Performance score, Part. Baerenreiter Verlag #BA08738. Published by Baerenreiter Verlag

Composed by Dona Gilliam and Mizzy McCaskill. For flute and piano. Saddle-stitched. Made Easy. Beginning. Book and online audio. Published by Mel Bay Publications, Inc

Flute and Piano

SKU: IS.FP4175EM

Composed by Jef Schampaert. Woodwinds - Flute. Metropolis Music Publishers #FP4175EM. Published by Metropolis Music Publishers (IS.FP4175EM).

ISBN 9790365041756.

Joze f (Jef) Schampaert's 1952 Notturno e Danza (Nocturne and Danse) for flute and piano, written as a concours piece for the Royal Conservatoire Antwerp in Belgium, is a bit of a curious beast. While the rest of the Belgian school was experimenting with a return to lush romanticism (Alpaerts, Maes, and the musical progeny of Benoit), or beginning to prod the tonal bounds of listenable 12-tone and serialism (Constant and Verbesselt), Schampaert took towards a different sound: that of the Impressionists, transmuted through his distinctly Flemish touch. The Nocturne and Danse is no exception. The core of the Nocturne is a relatively straightforward melody, but it's quickly pulled apart into Debussyian fragments and melodic cells - a rhapsody in miniature, with touches of Ibert's stranger runs and figures through. The Danse retains a clearer sense of melody, but one that's even closer to Debussy and Ravel - grace notes and intertwined, changing runs are integral melodic material, by turns dark then playful. A small cadenza again touches on a sense of Ibert before the piece is brought to a quiet close.

Plus CD: Full performances and Play-Along-Tracks - Piano part to print. Arranged by Achim Brochhausen - Dirko Juchem. This edition: Saddle stitching. Sheet music with CD. Woodwind Solo. Plus CD: Full performances and Play-Along-Tracks - Midi files - Piano part to print. Play Along. Songbook and Play-Along CD/CD-ROM. 26 pages. Schott Music #ED 20125. Published by Schott Music

Flute and piano - Intermediate-Advanced

SKU: YM.GTW01097944

Composed by Various. Combination. Score and Part. Yamaha Music Media #GTW01097944. Published by Yamaha Music Media (YM.GTW01097944).

ISBN 9784636979442.

Flut e scores for famous songs from J-Pop to classical music. This selection is perfect for concert programs, recitals, encores, and more. The impressive and beautiful sound of these arrangements will captivate the audience.

By Martin Luther; Rowland H. Prichard; Wolfgang Amadeus Mozart; Anonymous; Antonin Dvorak; Charles F. Gounod; Franz Schubert; Hans Leo Hassler; Johann Pachelbel; Johann Sebastian Bach. Edited by Steven L Rosenhaus; William Arms Fisher. Arranged by Johann Sebastian Bach; Steven L Rosenhaus. For Flute Solo, Piano. Classical. Solo part with piano reduction. Composed 1999. 32 pages. Published by Theodore Presser Company.

Flute and Piano

SKU: IM.3825

Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Jutt. Score and Parts. International Music Co. #3825. Published by International Music Co. (IM.3825).

Mozart's sonata (originally for violin) brims with grace, elegance and wit. In three movements: Andantino cantabile, Allegro, Andante con variazioni.

Flute & Piano + CD Play Back / Play Along - Grade 1, Grade 2

SKU: MA.EMR-13765

Composed by Ted Barclay. Flute & CD Playback (Play Along) (+ Play Back / Play Along CD optional). Score and parts. Duration 11'45. Editions Marc Reift #EMR 13765. Published by Editions Marc Reift (MA.EMR-13765).

Cielito Lindo / Amazing Grace / Funiculi Funicula / Auld Lang Syne / La Cucaracha.

By Traditional. Arranged by J Van Der Goot. For Flute & piano. Classical. Level: intermediate. Book. 4 pages. Published by XYZ (German import).

By Various. Arranged by Ervin Monroe. For Flute and Piano. Classical, Chamber Music. Published by Little Piper

By Brian Henkelmann. For piano and flute. Advent, Christmas, Lent, Easter, Wedding, Holy Communion, General. Level: Easy-Moderately Easy. Published by Concordia Publishing House.

By Cadwell. For piano and flute. General. Level: Moderately Easy-Moderately Difficult. Published by Concordia Publishing House.

Flute and Piano. By Christopher Norton. (Flute). Boosey and Hawkes Chamber Music. Book only. 104 pages. Published by Boosey and Hawkes.

By Dona Gilliam and Mizzy McCaskill. For Flute. Solos. Made Easy. Sacred. Level: Beginning. Book/CD Set. Size 8.5x11. 48 pages. Published by Mel Bay Publications, Inc.

Composed by Francois Devienne (1759-1803). Edited by Jennifer Caesar. Score and parts. Published by Edition HH Music Publishers (HH.HH228-KBD).

Arranged by Jane Holstein. For Flute, Keyboard. Wedding and Sacred. Print Music Collection (Flute & Keyboard Book). Published by Hope Publishing Company.