Arranged by Robert Kerr. Arr. Robert Kerr. For String Orchestra. String Orchestra. String Orchestra. Level: 4 (grade 4). Conductor Score and Parts. 2 pages. Published by Alfred Publishing.

By Ruth Elaine Schram. String orchestra. Sacred. Octavo. Published by Monarch Music.

Arranged by Sean O'Loughlin. String orchestra. For violin I, violin II, violin III (viola TC), viola, cello, bass, piano. Score and parts. 70 8 pages. Duration 4 minutes, 9 seconds. Published by Carl Fischer

By André Campra. Arranged by Douglas E. Wagner. Orchestra. Part(s); Score; SmartMusic; String Orchestra. Belwin Very Beginning String Orchestra. Baroque; Masterwork Arrangement. Grade 1. 66 pages. Published by Belwin Music

String orchestra - Grade 2

SKU: RM.SMIT04045-CO

Composed by Traditionel. Arranged by Mickael Smith. Ochestre a cordes. Orchestra. Editions Robert Martin #SMIT04045-CO. Published by Editions Robert Martin (RM.SMIT04045-CO).

String orchestra - Grade 2

SKU: RM.SMIT04045-BA

Composed by Traditionel. Arranged by Mickael Smith. Ochestre a cordes. Orchestra. Full set. Duration 2 minutes, 40 seconds. Editions Robert Martin #SMIT04045-BA. Published by Editions Robert Martin (RM.SMIT04045-BA).

ISBN 9790231040456.

(For String Orchestra and Solo Violin). By Susan H. Day. Orchestra. Part(s); Score; SmartMusic; String Orchestra. Highland String Orchestra. Form: Variations. Grade 3. 128 pages. Published by Alfred Music

(1st Movement from Serenade in C Major for String Orchestra, Op. 48). By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Victor LÌ_pez. Concert Band. Concert Band; Masterworks; Part(s); Score. Belwin Concert Band. Form: Sonatina. Masterwork Arrangement; Romantic. Grade 3. 260 pages. Published by Belwin Publishing

By Carl Orff. Arranged by Stephen Bulla. Music for String Orchestra. Size 9x12 inches. Published by Schott.

Arranged by Law. For String Orchestra. Level: Grade 1. Score and set of parts. Published by Grand Mesa Music.

Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by John Caponegro. For standard string orchestra (883555) with opt. 3rd violin/viola T.C.. Concert String Orchestra Series. Grade 4. Score and set of parts. Published by Kendor Music Inc

Overture. Composed by Henry Purcell (1659-1695). Arranged by Andrew H. Dabczynski. Masterworks; Performance Music Ensemble; Single Titles; SmartMusic; String Orchestra. Highland/Etling String Orchestra. Form: Overture. Baroque; Masterwork Arrangement. Score. 12 pages. Duration 3:15. Highland/Etling #00-43848S. Published by Highland/Etling (AP.43848S).

Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Arthur Frackenpohl. Concert String Orchestra Series. Score and set of parts. Published by Kendor Music Inc (KN.10048).

Arranged by Robert Kerr. Arr. Robert Kerr. For String Orchestra. String Orchestra. String Orchestra. Level: 4 (grade 4). Conductor Score. 12 pages. Published by Alfred Publishing.

Arranged by Jack Bullock. Part(s); Score; String Orchestra. Belwin Beginning String Orchestra. Sacred. 76 pages. Published by Belwin Music (AP.43748).

Orchestra string orchestra - Grade 4

SKU: KJ.SO270F

Composed by Carlos Nunez. String Tracks. Score. Neil A. Kjos Music Company #SO270F. Published by Neil A. Kjos Music Company (KJ.SO270F).

Full of fiery energy and sublime grace, this unforgettable selection is a musical depiction of The Everglades. The darting melodic lines and daring rhythms will be sure to delight students and audiences alike. Full Score.

By Michael Hopkins. Orchestra. String Orchestra. Belwin Beginning String Orchestra. Grade 2. Conductor Score and Parts. 76 pages. Published by Alfred Music Publishing

(Castles of Ireland) Arranged by Robert W. Smith. Conductor's score and set of performance parts for string orchestra (8 - 1st violin, 8 - 2nd violin, 5 - 3rd violin/viola (treble clef), 5 - viola, 5 - cello, 5 - string bass, 1 - piano accompaniment, 3 - optional percussion). With performance notes and historical notes. Series: Orchestra Expressions Series. Published by Alfred Publishing.

Orchestra String Orchestra - Grade 3

SKU: FJ.ST6318S

Score Only. Composed by Ludwig van Beethoven. Arranged by Carrie Lane Gruselle. Series; String Orchestra. FJH String Orchestra. Masterwork Arrangement. Score. Duration 2:15. The FJH Music Company Inc #98-ST6318S. Published by The FJH Music Company Inc (FJ.ST6318S).

English.

The grace and simplicity of the bagatelle (light character piece) meets the intensity and passion of Beethoven in this arrangement for strings. Elegant articulations, light dynamics and fluid, soaring melodies shift to powerful driving eighth notes before a return to the quiet simplicity of the opening. A great way to feature a different side of Beethoven!

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

By Robert W. Smith. Conductor's score and set of performance parts for full or string orchestra (1 - 1st flute, 1 - 2nd flute, 2 - oboe, 1 - 1st clarinet, 1 - 2nd clarinet, 2 - bassoon, 4 - horn in F, 2 - trumpet, 3 - trombone, 1 - tuba, 2 - mallet percussion, 1 - timpani, 1 - percussion I, 2 - percussion II, 8 - 1st violin, 8 - 2nd violin, 5 - 3rd violin or viola (treble clef), 5 - viola, 5 - cello, and 5 - string bass). Series: Belwin Orchestra Intermediate Level. Published by Alfred Publishing.

Orchestra String Orchestra - Grade 1

SKU: CF.BAS5

Composed by Joseph Compello. SWS - FS. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 12+8+8+5+5+5+3+2 pages. Duration 2:30. Carl Fischer Music #BAS5. Published by Carl Fischer Music (CF.BAS5).

ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

Orchestra string orchestra - Grade 2.5

SKU: KJ.SO97C

Composed by Paul Scott. String Tracks. Score and parts. Neil A. Kjos Music Company #SO97C. Published by Neil A. Kjos Music Company (KJ.SO97C).

Commissioned by the Orchestra Division of the North Carolina Music Educators Association, this selection high-lights the rich sonorities of the viola section and graces all parts with integral melodic content. Grade 4, 9:10.

Orchestra string orchestra - Grade 2.5

SKU: KJ.SO97F

Composed by Paul Scott. String Tracks. Score. Neil A. Kjos Music Company #SO97F. Published by Neil A. Kjos Music Company (KJ.SO97F).

Commissioned by the Orchestra Division of the North Carolina Music Educators Association, this selection high-lights the rich sonorities of the viola section and graces all parts with integral melodic content. Grade 4, 9:10.

Orchestra string orchestra - Grade 3

SKU: KJ.SO262F

Composed by Shirl Jae Atwell. String Tracks. Score. Neil A. Kjos Music Company #SO262F. Published by Neil A. Kjos Music Company (KJ.SO262F).

In this serene and mysterious work, Ms. Atwell gives all sections engaging parts. Driven by a graceful melody and rich harmonies, Mist will make a wonderful addition to any middle school orchestra's repertoire.

By Richard Meyer. Orchestra. String Orchestra. String Orchestra. Contemporary. Grade 4. Conductor Score and Parts. 124 pages

Orchestra string orchestra - Grade 3

SKU: KJ.SO289F

Composed by Jeremy Woolstenhulme. String Tracks. Score. Neil A. Kjos Music Company #SO289F. Published by Neil A. Kjos Music Company (KJ.SO289F).

Featuring a tender and graceful melody, this subtle selection will allow your students to explore their reflective side. April is a softly celebratory piece dedicated to new beginnings.