By Bill Withers. By Bill Withers. Arranged by Robert Longfield, Adam Anders, and Tim Davis. Score and Parts. Discovery Concert Band. Grade 1.5. Published by Hal Leonard

Score Only Concert Band (Score) - Level 1.5

SKU: HL.4007054

By Bill Withers. Arranged by Robert Longfield. Flex-Band Grade 1. Oldies, Pop. Softcover. 12 pages. Duration 120 seconds. Published by Hal Leonard (HL.4007054).

UPC: 840126954845. 9.0x12.0x0.024 inches.

Featuring a tuneful melody and a hopeful message for today's world, here is Bill Withers' popular hit from the '70s scored in an easy flex format.

By Bill Withers. Arranged by Robert Longfield. Flex-Band Grade 1. Oldies, Pop. Softcover. Duration 120 seconds. Published by Hal Leonard

Concert Band/Harmonie/Fanfare Band - Grade 4

SKU: BT.DHP-1216332-215

Composed by Peter Kleine Schaars. Peter's Compact Collection. Original Light Music. Score Only. Composed 2021. 22 pages. De Haske Publications #DHP 1216332-215. Published by De Haske Publications (BT.DHP-1216332-215).

English-German-French- Dutch.

Funk is a very rhythmic music style that finds its origin in the 1960s. The American artist James Brown and the New Orleans-based group The Meters are considered the founders of this genre. Funk is characterized by an independentbass line that emphasizes each first beat of the bar (the one), as well as by a rhythmic combination of syncopated melodies and accompaniments with lots of harmonic additions. This style-conscious composition by Peter KleineSchaars contains a healthy blend of the harmonic ingredients as well as the rhythmic challenges of funk music. On the one hand, New Orleans Funk is an educational exercise with the rhythmic cells 9,10, 14, 15 and 16: on the otherhand, it is a funky highlight of your rehearsal or concert!

Funk is een sterk ritmische muziekstijl die in de jaren zestig van de vorige eeuw is ontstaan. De Amerikaanse muzikant James Brown en de uit New Orleans afkomstige groep The Meters worden beschouwd als de grondleggers van ditgenre. Naast een zelfstandige baslijn die elke eerste tel van de maat (the one) stevig benadrukt, wordt funk gekenmerkt door een ritmisch samenspel tussen syncopische melodieën en begeleidingen met veel harmonische toevoegingen.Deze stijlbewuste compositie van Peter Kleine Schaars bevat zowel de harmonische ingrediënten als de ritmische uitdagingen die erbij horen. Enerzijds is New Orleans Funk een pedagogische oefening met de ritmische cellen 9,10, 14,15 en 16, anderzijds is het werk een funky hoogtepunt van uw repetitie of concert!

Funk ist ein sehr rhythmischer Musikstil, der seinen Ursprung in den 1960er Jahren hatte. Der amerikanische Künstler James Brown und die aus New Orleans stammende Band The Meters gelten als die Begründer dieses Genres. Funkzeichnet sich durch eine unabhängige Basslinie aus, die jeden ersten Taktschlag (the one“) betont, sowie durch eine rhythmische Kombination von synkopierten Melodien und Begleitungen mit zahlreichen harmonischen Ergänzungen.Diese stilkonforme Komposition von Peter Kleine Schaars enthält eine gute Mischung aus harmonischen Zutaten sowie rhythmischen Herausforderungen der Funkmusik. Einerseits ist New Orleans Funk ein pädagogisches Übungsstück aus denRhythmus-Einheiten 9, 10, 14, 15 und 16, andererseits ist es auch ein funkiges Highlight für Proben oder Konzerte!

Né dans les années 1960, le funk est un style musical très rythmé. Le chanteur américain James Brown et un groupe de la Nouvelle-Orléans, The Meters, sont considérés comme les fondateurs de ce genre. Le funk se caractérise par uneligne de basse indépendante qui souligne le premier temps de la mesure, ainsi que par une combinaison rythmique de mélodies syncopées et d’accompagnements chargés d’adjonctions harmoniques. Adoptant pleinement ce style, lacomposition de Peter Kleine Shaars est l’heureuse fusion des ingrédients harmoniques, mais aussi des difficultés de la musique funk. D'une part, les cellules rythmiques 9, 10, 14, 15 et 16 font de New Orleans Funk un exercicepédagogique : d’autre part, cette pièce apportera une belle ambiance funky vos répétitions et vos concerts !

Arranged by James D. Ployhar. For Concert Band. Concert Band. Belwin Beginning Band. Gospel. Level: 1 (Very Easy) (grade 1). Conductor Score and Parts. 65 pages. Published by Alfred Publishing.

2,1 2,1 eb,3,bs 2,1; 2a sx, t sx, b sx; 4331; euph, timp, 3 perc Duration: 15' Movement I. Dixie Truckers Home (McLean, IL); II.Pecan Joe's (Newburg, MO); III. Wolf-Robe's Indian Trading Post (Tulsa, OK); IV. Regal Reptile Ranch (Alanreed, TX); V. Tucamcari Tonite! Study Score: available for sale Composed: 1998 Published by: Subito Music Publishing

Instrumentation: 2,1 2,1 eb,3,bs 2,1; 2a sx, t sx, b sx; 4331; euph, timp, 3 perc Duration: 15' Movement I. Dixie Truckers Home (McLean, IL); II.Pecan Joe's (Newburg, MO); III. Wolf-Robe's Indian Trading Post (Tulsa, OK); IV. Regal Reptile Ranch (Alanreed, TX); V. Tucamcari Tonite! Full Score & Set of Parts: available for sale Composed: 1998 Published by: Subito Music Publishing

A New Orleans Holiday Celebration. Arranged by Robert W. Smith. Holiday, Lighter and Novelty. RWS Concert Band Series. Score and parts. Duration 0:02:07. Published by RWS Music Company

Grade 3

SKU: CL.026-4911-01

With Optional Traditional Jazz Combo. Composed by Neeck. Concert Band. Extra full score. C.L. Barnhouse #026-4911-01. Published by C.L. Barnhouse (CL.026-4911-01).

A New Orleans Promenade is fun-filled from start to finish! This unique medley, arranged in traditional New Orleans Jazz style, consists of three classic songs, What A Friend We Have In Jesus, St. Louis Blues, and When The Saints Go Marching In. To spice things up even more, an optional jazz combo can be featured as part of the ensemble. This cheerful, engaging arrangement will provide a treat for your students and audience alike. Great fun, and excellent for small groups and distance learning!

Grade 3

SKU: CL.026-4911-00

With Optional Traditional Jazz Combo. Composed by Neeck. Concert Band. Score and set of parts. C.L. Barnhouse #026-4911-00. Published by C.L. Barnhouse (CL.026-4911-00).

A New Orleans Promenade is fun-filled from start to finish! This unique medley, arranged in traditional New Orleans Jazz style, consists of three classic songs, What A Friend We Have In Jesus, St. Louis Blues, and When The Saints Go Marching In. To spice things up even more, an optional jazz combo can be featured as part of the ensemble. This cheerful, engaging arrangement will provide a treat for your students and audience alike. Great fun, and excellent for small groups and distance learning!

A New Orleans Holiday Celebration. Arranged by Robert W. Smith. Holiday, Lighter and Novelty. RWS Concert Band Series. Score only. Duration 0:02:15. Published by RWS Music Company (CL.RWS-1719-01).

Concert Band - Grade 2

SKU: AP.48186S

Composed by Benjamin Hanby (1833-1867). Arranged by Michael Kamuf. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Young Band. Christmas; Sacred; Winter. Score. 20 pages. Duration 2:30. Belwin Music #00-48186S. Published by Belwin Music (AP.48186S).

ISBN 9781470654214. UPC: 038081556932. English.

Watch out! The Big Guy is hungry, and he wants Jambalaya! This reworking of the famous holiday carol incorporates jazz harmonies and a New Orleans inspired Second Line feel combining to create a fun and memorable holiday selection that your students and audiences will love! Let the good times roll! (2:30) This title available in MakeMusic Cloud.

Concert Band - Grade 2

SKU: AP.48186

Composed by Benjamin Hanby (1833-1867). Arranged by Michael Kamuf. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Young Band. Christmas; Winter. Score and Part(s). 280 pages. Duration 2:30. Belwin Music #00-48186. Published by Belwin Music (AP.48186).

ISBN 9781470654207. UPC: 038081556925. English.

Watch out! The Big Guy is hungry, and he wants Jambalaya! This reworking of the famous holiday carol incorporates jazz harmonies and a New Orleans inspired Second Line feel combining to create a fun and memorable holiday selection that your students and audiences will love! Let the good times roll! (2:30) This title is available in MakeMusic Cloud.

Grade 1

SKU: CL.011-1610-00

Composed by G. Sebesky. Young Concert Band. Score and set of parts. Composed 1981. C.L. Barnhouse #011-1610-00. Published by C.L. Barnhouse (CL.011-1610-00).

Simply one of the best pieces you can find to teach the youngest of players the combination of a good New Orleans sound mixed with a nice little dose of jazz. Gerald Sebesky gets the best out of your band with this very useful piece.

By Mark Williams. Music by Mark Williams. For Concert Band. Concert Band. Accent on Achievement. Conductor Score & Parts. Published by Alfred Publishing.

Concert Band (Score) - Grade 4

SKU: HL.4007074

Composed by Peter Kleine Schaars. De Haske Concert Band. Concert. Softcover. Duration 570 seconds. De Haske Publications #DHP 1216332-015. Published by De Haske Publications (HL.4007074).

UPC: 840126956740.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1094734-010

Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094734-010. Published by De Haske Publications (BT.DHP-1094734-010).

9x12 inches. English-German-French-Dut ch.

The Stadtmusikkapelle Wilten-Innsbruck (Austria) invited Belgian composer Jan Van der Roost to write a work to mark the bicentenary of the Tyrolean fight for freedom, which was settled in 1809. Various musical elements reflect this historical event. First, a hymn-like section rings out, based on melodic fragments from the ‘Tiroler Landeshymne’ (by Leopold Knebelsberger), which intertwine in a counterpoint-like arrangement. The second passage is more bellicose in character, and mirrors the fight of the Tyroleans - under the inspiring leadership of freedom fighter Andreas Hofer (1767-1810) - against Bavarian, French and Italian troops. Next, a broad, chorale-style melodyappears again: here, the imposing beauty of nature in Tyrol, and the amiable, lively temperament of the people who live in this mountainous region, are glorified.This is neither a programmatic work around an historical reconstruction, nor a politically inspired work: it is a combination of factual and cultural components, with an artistic and sonorous character. The use of the flugelhorn in particular gives Tirol Terra Fortis its ‘couleur locale’: for this beautiful instrument can invariably be found in the Austrian wind band. The commissioning music society had therefore specifically asked the composer to incorporate the instrument in this work. It certainly enhances the already extensive colour palette of the modern concert band!

Een hymne bestaand uit fragmenten van het Tiroolse volkslied. Strijdlustige klanken in het tweede deel. Tot slot een melodie in koraalstijl die de bewoners van Tirol en de indrukwekkende schoonheid van de natuur beschrijft. Hebt ual een idee? Tirol Terra Fortis is een programmatisch werk rondom de geschiedenis van Andreas Hofer en de vrijheidsstrijd van Tirol 200 jaar geleden. De bugel geeft dit kunstzinnige en klankvolle werk zijn bijzondere ‘couleurlocale†™.

Eine Hymne aus Fragmenten der Tiroler Landeshymne, kämpferische Klänge im zweiten Teil und schließlich eine Melodie im Choralstil, welche die eindrucksvolle Schönheit der Natur und die Menschen in Tirol beschreibt. Sie haben es erraten? Tirol Terra Fortis ist ein programmatisches Werk rund um die Geschichte Andreas Hofers und den Freiheitskampf Tirols vor 200 Jahren. Der Einsatz des Flügelhorns verleiht diesem künstlerischen und klangvollen Werk ein besonderes Lokalkolorit.

Le compositeur belge Jan Van der Roost a composé cette œuvre la demande de l’Orchestre d’Harmonie Municipal de Wilten-Innsbruck en Autriche pour les cérémonies commémoratives du bicentenaire de l’insurrection tyrolienne de 1809. Plusieurs éléments musicaux reflètent cet événement historique travers un climat joliment évolutif. L’orchestre énonce un thème hymnique basé sur des fragments mélodiques de l’hymne officiel du Land du Tyrol (ou Hymne d’Andreas Hofer composé par Leopold Knebelsberger) qui se mélangent et se confondent dans un arrangement en forme de contrepoint. Le dessin belliqueux du second mouvement rappelle la lutte des Tyroliens contre les troupesbavaroises, françaises et italiennes, l’instigation du combattant de la liberté Andreas Hofer (1767-1810). Enfin, on retrouve une mélodie de style choral qui évoque avec ferveur l’imposante beauté des paysages du Tyrol, et transmet la chaleur et le caractère jovial des habitants de cette région montagneuse. Tirol Terra Fortis n’est ni une reconstruction historique en musique (autrement dit, une œuvre programme), ni une œuvre politique. Son contenu repose sur une combinaison d’éléments factuels et culturels qui s’expriment travers une trame artistique très expressive. Le bugle a su conserver la fidélité des Orchestres d’Harmonie autrichiens. Intégré dans la texture orchestrale de cette œuvre de commande la demande expresse de la formation dédicataire, le bugle donne une couleur locale la composition et enrichit la large gamme des couleurs sonores de l’Orchestre d’Harmonie.

La Stadtmusikkapelle Wilten-Innsbruck (Austria) ha invitato il compositore belga Jan Van der Roost a scrivere un'opera per celebrare il bicentenario dell’Insorgenza tirolese, che ebbe luogo nel 1809. L'uso del flicorno, in particolare, conferisce al Tirol Terra Fortis il suo colore locale: questo bellissimo strumento si può sempre trovare nelle bande austriache.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1094734-140

Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2009. 40 pages. De Haske Publications #DHP 1094734-140. Published by De Haske Publications (BT.DHP-1094734-140).

9x12 inches. English-German-French-Dut ch.

The Stadtmusikkapelle Wilten-Innsbruck (Austria) invited Belgian composer Jan Van der Roost to write a work to mark the bicentenary of the Tyrolean fight for freedom, which was settled in 1809. Various musical elements reflect this historical event. First, a hymn-like section rings out, based on melodic fragments from the ‘Tiroler Landeshymne’ (by Leopold Knebelsberger), which intertwine in a counterpoint-like arrangement. The second passage is more bellicose in character, and mirrors the fight of the Tyroleans - under the inspiring leadership of freedom fighter Andreas Hofer (1767-1810) - against Bavarian, French and Italian troops. Next, a broad, chorale-style melodyappears again: here, the imposing beauty of nature in Tyrol, and the amiable, lively temperament of the people who live in this mountainous region, are glorified.This is neither a programmatic work around an historical reconstruction, nor a politically inspired work: it is a combination of factual and cultural components, with an artistic and sonorous character. The use of the flugelhorn in particular gives Tirol Terra Fortis its ‘couleur locale’: for this beautiful instrument can invariably be found in the Austrian wind band. The commissioning music society had therefore specifically asked the composer to incorporate the instrument in this work. It certainly enhances the already extensive colour palette of the modern concert band!

Een hymne bestaand uit fragmenten van het Tiroolse volkslied. Strijdlustige klanken in het tweede deel. Tot slot een melodie in koraalstijl die de bewoners van Tirol en de indrukwekkende schoonheid van de natuur beschrijft. Hebt ual een idee? Tirol Terra Fortis is een programmatisch werk rondom de geschiedenis van Andreas Hofer en de vrijheidsstrijd van Tirol 200 jaar geleden. De bugel geeft dit kunstzinnige en klankvolle werk zijn bijzondere ‘couleurlocale†™.

Eine Hymne aus Fragmenten der Tiroler Landeshymne, kämpferische Klänge im zweiten Teil und schließlich eine Melodie im Choralstil, welche die eindrucksvolle Schönheit der Natur und die Menschen in Tirol beschreibt. Sie haben es erraten? Tirol Terra Fortis ist ein programmatisches Werk rund um die Geschichte Andreas Hofers und den Freiheitskampf Tirols vor 200 Jahren. Der Einsatz des Flügelhorns verleiht diesem künstlerischen und klangvollen Werk ein besonderes Lokalkolorit.

Le compositeur belge Jan Van der Roost a composé cette œuvre la demande de l’Orchestre d’Harmonie Municipal de Wilten-Innsbruck en Autriche pour les cérémonies commémoratives du bicentenaire de l’insurrection tyrolienne de 1809. Plusieurs éléments musicaux reflètent cet événement historique travers un climat joliment évolutif. L’orchestre énonce un thème hymnique basé sur des fragments mélodiques de l’hymne officiel du Land du Tyrol (ou Hymne d’Andreas Hofer composé par Leopold Knebelsberger) qui se mélangent et se confondent dans un arrangement en forme de contrepoint. Le dessin belliqueux du second mouvement rappelle la lutte des Tyroliens contre les troupesbavaroises, françaises et italiennes, l’instigation du combattant de la liberté Andreas Hofer (1767-1810). Enfin, on retrouve une mélodie de style choral qui évoque avec ferveur l’imposante beauté des paysages du Tyrol, et transmet la chaleur et le caractère jovial des habitants de cette région montagneuse. Tirol Terra Fortis n’est ni une reconstruction historique en musique (autrement dit, une œuvre programme), ni une œuvre politique. Son contenu repose sur une combinaison d’éléments factuels et culturels qui s’expriment travers une trame artistique très expressive. Le bugle a su conserver la fidélité des Orchestres d’Harmonie autrichiens. Intégré dans la texture orchestrale de cette œuvre de commande la demande expresse de la formation dédicataire, le bugle donne une couleur locale la composition et enrichit la large gamme des couleurs sonores de l’Orchestre d’Harmonie.

La Stadtmusikkapelle Wilten-Innsbruck (Austria) ha invitato il compositore belga Jan Van der Roost a scrivere un'opera per celebrare il bicentenario dell’Insorgenza tirolese, che ebbe luogo nel 1809. L'uso del flicorno, in particolare, conferisce al Tirol Terra Fortis il suo colore locale: questo bellissimo strumento si può sempre trovare nelle bande austriache.

Concert band and batterie-fanfare instruments (natural horn brass band) - Grade 2

SKU: RM.CREP03555-BA

Composed by Alain Crepin. Orchestre harmonie et instruments batterie-fanfare. Orchestra. Full set. Editions Robert Martin #CREP03555-BA. Published by Editions Robert Martin (RM.CREP03555-BA).

ISBN 9790231035551.

Concert band and batterie-fanfare instruments (natural horn brass band) - Grade 2

SKU: RM.CREP03555-CO

Composed by Alain Crepin. Orchestre harmonie et instruments batterie-fanfare. Orchestra. Conductor's score. Editions Robert Martin #CREP03555-CO. Published by Editions Robert Martin (RM.CREP03555-CO).

Danceries by Kenneth Hesketh. Concert Band. For Wind Band. Part(s); Score; Wind Band. Faber Edition: Faber Wind Band Series. 20th Century; Masterwork. Published by Faber Music

Composed by Kenneth Hesketh. 5 or More; Performance Music Ensemble; Solo Small Ensembles; Wind Band. Faber Edition: Faber Wind Band Series. Form: Dance. 20th Century; Masterwork. Score. Faber Music #12-0571564704. Published by Faber Music

Arranged by Michael Brown, Adam Anders, and Tim Davis. Score and Parts. Discovery Plus Concert Band. Grade 2. Published by Hal Leonard

For Concert Band. Composed by Maurice Jarre (1924-). Arranged by Alfred Reed and Mark Rogers. Southern Music. Softcover. 22 pages. Southern Music Company #S947FS. Published by Southern Music Company (HL.172753).

For Concert Band. Composed by Maurice Jarre (1924-). Edited by Mark Rogers and Mark Rogers. Arranged by Alfred Reed. Southern Music. Concert. Softcover. Southern Music Company #S947CB. Published by Southern Music Company (HL.172752).

Band concert band - Grade 2

SKU: CF.YPS258

Composed by William Harbinson. Set of Score and Parts. Carl Fischer Music #YPS258. Published by Carl Fischer Music (CF.YPS258).

ISBN 9781491163580. UPC: 680160922376.

Homew ard is a lyrical ballad in ABA form. The composition presents few rhythmic challenges, allowing the ensemble to concentrate on beauty of sound, balance, dynamic nuance, phrasing, and expressive performance. The woodwind voices present the melody at the opening accompanied by a flute countermelody. Care should be taken to balance the two parts. The four-measure phrases call for tapered dynamics and freedom of the metric pulse at cadence points. A change of tempo and key, with a lean toward the minor mode, mark the contrasting B section (m. 9). Heed the dynamic markings that swell to a climax (m. 16) and then subside within this section. Take liberty to hold back the tempo at the percussion link to the forte restatement of A (m. 27) and the arrival of the fortissimo climax (m. 33). The coda (m. 35) should be presented slowly and serenely as the composition comes to a quiet close.

Band concert band

SKU: CF.YPS258F

Composed by William Harbinson. Full score. 12 pages. Carl Fischer Music #YPS258F. Published by Carl Fischer Music (CF.YPS258F).

ISBN 9781491163986. UPC: 680160922772.

Homew ard is a lyrical ballad in ABA form. The composition presents few rhythmic challenges, allowing the ensemble to concentrate on beauty of sound, balance, dynamic nuance, phrasing, and expressive performance. The woodwind voices present the melody at the opening accompanied by a flute countermelody. Care should be taken to balance the two parts. The four-measure phrases call for tapered dynamics and freedom of the metric pulse at cadence points. A change of tempo and key, with a lean toward the minor mode, mark the contrasting B section (m. 9). Heed the dynamic markings that swell to a climax (m. 16) and then subside within this section. Take liberty to hold back the tempo at the percussion link to the forte restatement of A (m. 27) and the arrival of the fortissimo climax (m. 33). The coda (m. 35) should be presented slowly and serenely as the composition comes to a quiet close.