Concert Band/Harmonie - Grade 3 SKU: BT.AMP-337-140 For the victims of...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-337-140
For
the victims of the
Japanese earthquake and
tsunami, March 2011.
Composed by Philip
Sparke. Anglo Music
Midway Series. Score
Only. Composed 2011. 16
pages. Anglo Music Press
#AMP 337-140. Published
by Anglo Music Press
(BT.AMP-337-140).
9x12
inches.
English-German-French-Dut
ch.
The composer
writes:On March 11th 2011
a massive 9.0- magnitude
earthquake occurred off
the coast of
north-eastern Japan.I'm
writing these programme
notes barely a week later
and the death toll caused
by the quake and
resulting tsunami already
exceeds 6000, with
thousands of people still
unaccounted for. I have
many friends associated
with many bands
throughout Japan and one
of these, Yutaka Nishida,
suggested I write a piece
to raise money to help
those affected by the
disaster. I was
immediately attracted by
the idea and have
arranged Cantilena (a
brass band piece recently
commissioned by the
Grenland International
Brass Festival, Norway)
for wind band, giving it
a new title tohonour my
friends in the Land of
the Rising Sun.I will be
donating royalties from
this piece to the
Japanese Red Cross
Society Emergency Relief
Fund and am delighted to
say that my distributors,
De Haske, who will
generously also donate
all net profits from
sales of this piece, have
pledged a substantial
advance payment to the
Red Cross so that what
little help this project
generates can be
immediate.It is my
sincere wish that this
'Band Aid' project will
allow wind bands around
the world support the
people of Japan, where
bands are a way of life
for many, in this
difficult time.Philip
Sparke
De
componist schrijft:Op 11
maart 2011 vond er vlak
bij de noordkust van
Japan een enorme
aardbeving - 9.0 op de
schaal van Richter -
plaats.Ik maak deze
werkbeschrijving
nauwelijks een week later
en het aantal doden dat
de aardbevingen de
daaropvolgende tsunami
hebben geëist, komt al
uit boven de 6000,
terwijl er nog steeds
duizenden mensen worden
vermist.Ik heb veel
vrienden die met orkesten
in heel Japan werken, en
een van hen, Yutaka
Nishida, steldevoor dat
ik een stuk zou schrijven
om geld bij elkaar te
krijgen voor hulp aan de
slachtoffers van de ramp.
Ik vond het meteen een
goed idee en ik heb
vervolgens Cantilena (
een brassbandwerk dat ik
recentelijk heb
gecomponeerd voorhet
Grenland International
Brass festival in
Noorwegen) gearrangeerd
voor harmonieorkest en er
een nieuwe titel aan
gegeven, als eerbewijs
aan mijn vrienden in het
land van de rijzende
zon.De royalty's die ik
voor dit werk krijg,zal
ik doneren aan het
Japanse noodhulpfonds van
het Rode Kruis, en ik ben
heel blij dat mijn
distributeur, De Haske,
die eveneens alle
nettowinst op dit werk
zal doneren, bereid is
alvast een grote
vooruitbetaling te doen
aanhet Rode Kruis, zodat
de hulp die uit dit
project voortkomt, hoe
bescheiden wellicht ook,
onmiddellijk in gang
gezet kan worden.Ik hoop
oprecht dat dit 'Band
Aid-project' het
blaasorkesten wereldwijd
mogelijk maakt de mensen
in Japante steunen - een
land waar blaasmuziek
voor velen een manier van
leven is.
Der
Komponist schreibt
über sein Stück:Am
11. März 2011
ereignete sich ein
Erdbeben der Stärke
9,0 vor der
nordöstlichen Küste
Japans.Diese
Werkbeschreibung schreibe
ich nur eine Woche
später. Die Zahl der
Todesopfer des Erdbebens
und des dadurch
ausgelösten Tsunamis
überschreitet bereits
die 6000, wobei noch
tausende Menschen als
vermisst gelten.Ich habe
zahlreiche Freunde in
Japan, die mit vielen
Blasorchestern im ganzen
Land verbunden sind.
Einer dieser Freunde,
Yutaka Nishida, schlug
mir vor, ein Stück zu
schreiben, um mit dem
Erlös den von der
Katastrophe betroffenen
Menschen zu helfen. Ich
war gleich begeistert von
dieser Idee und habe
daraufhin
Cantilena(ein
Brass-Band-Stück, das
ich jüngst für das
Grenland International
Brass Festival in
Norwegen komponierte)
für Blasorchester
bearbeitet und ihm zu
Ehren meiner Freunde im
Land der aufgehenden
Sonne einen neuen Titel
gegeben.Ich werde meine
Tantiemen für dieses
Stück dem Hilfsfonds
des Japanischen Roten
Kreuzes spenden. Ich bin
auch sehr froh, dass mein
Verlag De Haske, der
ebenfalls alle Erlöse
aus diesem Stück
spenden wird, dem Roten
Kreuz bereits im Voraus
eine bedeutende Summe
geschickt hat, damit der
kleine Beitrag, den
dieses Projekt beitragen
kann, sofort ankommt.Es
ist mein inniger Wunsch,
dass dieses Band
Aid“-Projekt
Blasorchestern auf der
ganzen Welt
ermöglichen wird, den
Menschen in Japan zu
helfen, wo Blasorchester
in dieser schweren Zeit
für viele ein Weg
sind, das Leben aufrecht
zu erhalten.“Philip
Sparke
La
recente tragedia del
Giappone, messo in
ginocchio dal terremoto,
ha spinto Philip Sparke a
comporre The Sun Will
Rise Again (Il sole
sorger nuovamente), un
brano che vuole essere un
messaggio di solidariet
al popolo nipponico, ma
anche un aiuto concreto:
gli introiti saranno
interamente devoluti, sia
dal compositore sia dalla
casa editrice De Haske,
alla Croce Rossa
giapponese.
America: Sweet Land of Liberty arranged by Michael Story and Michael Story. Conc...(+)
America: Sweet Land of
Liberty arranged by
Michael Story and Michael
Story. Concert Band.
Concert Band. Belwin
Beginning Band. 4th of
July; Contemporary;
Patriotic; Summer. Grade
1. Conductor Score and
Parts. Duration 1:49.
Published by Belwin
Publishing
Featuring: What Child Is This? / It Came Upon the Midnight Clear. Arranged by ...(+)
Featuring: What Child Is
This? / It Came Upon the
Midnight Clear. Arranged
by
Jerry Davis. Concert
Band;
Part(s); Score. Belwin
Young
Band. Christmas; Sacred;
Winter. 140 pages.
Published
by Belwin Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.
By Robert W. Smith. For young concert band. Command Series. Grade 2.5. Score and...(+)
By Robert W. Smith. For
young concert band.
Command Series. Grade
2.5. Score and set of
parts. Duration 1 minute,
55 seconds. Published by
C.L. Barnhouse
(I. The Way of the Ship, II. Mists and Mystery, III. Songs in the Salty Air, IV....(+)
(I. The Way of the Ship,
II. Mists and Mystery,
III. Songs in the Salty
Air, IV. Waltz of the
Clipper Ships, V. Finale,
introducing the S.S.
Eagle March). Composed by
Robert Russell Bennett
(1894-1981). Concert
Band. Concert Band;
Part(s); Score. Belwin
Classic Band. TV. Grade
5. 540 pages. Published
by Belwin Music
Arranged by Setting by Robert W. Smith. Concert Band. Concert Band. Belwin Begin...(+)
Arranged by Setting by
Robert W. Smith. Concert
Band. Concert Band.
Belwin Beginning Band.
Christmas; Multicultural;
Secular; Winter. Grade 1.
Conductor Score. 16
pages. Published by
Belwin Publishing
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
Loch Lomond Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
Wind Instrument Solo. Composed by Robert W. Smith. Concert Band; Performance Mus...(+)
Wind Instrument Solo.
Composed by Robert W.
Smith. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Symphonic Band.
Part(s); Score. 136
pages. Belwin Music
#00-BDM00018. Published
by Belwin Music
Amazing Grace Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:00.
Published by Manhattan
Beach Music.
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:00. Published
by Manhattan Beach Music.
Cajun Folk Songs Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:40.
Published by Manhattan
Beach Music.
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:40. Published
by Manhattan Beach Music.
Concert Band - Grade 1 SKU: AP.38296 Composed by Edvard Grieg. Arranged b...(+)
Concert Band - Grade 1
SKU: AP.38296
Composed by Edvard Grieg.
Arranged by Victor Lopez.
Concert Band; MakeMusic
Cloud; Masterworks;
Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Form: Prelude;
Transcription. Masterwork
Arrangement; Romantic.
Score and Part(s). 134
pages. Belwin Music
#00-38296. Published by
Belwin Music (AP.38296).
UPC: 038081440743.
English.
From
Grieg's Holberg Suite,
Op. 40, this setting of
the first movement is
exciting and a true
celebration of sound. It
is easy to rehearse and
will come together rather
quickly. It may be used
as an opener or closer in
the program. Enjoy this
authentic-sounding short
version from the
beginning to the
breathtaking finish.
Regal in nature, this
arrangement will be a
cherished addition to the
beginning band
repertoire, suitable for
contest and concert
settings. Bravo! (2:30)
This title is available
in MakeMusic Cloud.
By Michael Story and Michael Story. Concert Band. Concert Band; Part(s); Score; ...(+)
By Michael Story and
Michael Story. Concert
Band. Concert Band;
Part(s); Score;
SmartMusic. Belwin Very
Beginning Band. Form:
Overture. Grade .5. 132
pages. Published by
Belwin Music
Concert Band - Grade 2 SKU: AP.44913S Featuring: What Child Is This? /...(+)
Concert Band - Grade 2
SKU: AP.44913S
Featuring: What Child
Is This? / It Came Upon
the Midnight Clear.
Arranged by Jerry Davis.
Concert Band; Performance
Music Ensemble; Single
Titles. Belwin Young
Band. Christmas; Sacred;
Traditional; Winter.
Score. 20 pages. Duration
3:30. Belwin Music
#00-44913S. Published by
Belwin Music (AP.44913S).
UPC: 038081519319.
English. Traditional
Carols.
Fluidly
combining two beloved
holiday carols, What
Child Is This? and It
Came Upon the Midnight
Clear, this will be a
welcomed lyrical addition
to your holiday concert.
Cast entirely in 3/4
time, the arrangement
simultaneously serves to
welcome the season and
reinforce triple meter
while engaging all
members of your band.
Stunning! (3:30).
Composed by Scottish Folk Song. Arranged by Michael Story and Mike Story. Concer...(+)
Composed by Scottish Folk
Song. Arranged by Michael
Story and Mike Story.
Concert Band; Performance
Music Ensemble; Single
Titles; SmartMusic.
Belwin Beginning Band.
Form: Fanfare. Folk.
Part(s); Score. 162
pages. Belwin Music
#00-BDM01045. Published
by Belwin Music
Composed by Justin Williams. Concert Band; Performance Music Ensemble; Single Ti...(+)
Composed by Justin
Williams. Concert Band;
Performance Music
Ensemble; Single Titles;
SmartMusic. Belwin
Concert Band. Part(s);
Score. 180 pages. Belwin
Music #00-38366.
Published by Belwin Music
(AP.38366).
Windependence Series -
Master Level (Grade
4). Composed by
Edward Fairlie.
Windependence Master
Level. Concert.
Softcover. 20 pages.
Boosey & Hawkes
#M051663989. Published by
Boosey & Hawkes
(HL.48024536).
UPC:
888680905118.
9.0x12.0x0.069
inches.
Ever been
chased by a grizzly bear?
Hopefully Edward
Fairlie's exciting and
descriptive work will be
as close as you get!
You're taken on a
heart-thumping chase
through the forest, with
twigs snapping and trees
rustling. You lose your
predator momentarily,
allowing you to take in
your majestic
surroundings. But before
long you hear a noise,
and the chase is on
again. This work promises
to be a joy to perform
and a thrill for any
audience. Recorded by the
Christian College Senior
Wind Symhpony (Geelong,
Victoria, Australia) -
Andrew Dunlop,
director.
By Kevin Mixon. Concert Band. For Concert Band. Concert Band. Belwin Young Band....(+)
By Kevin Mixon. Concert
Band. For Concert Band.
Concert Band. Belwin
Young Band. Folk Song;
Multicultural. 2 (Easy)
(grade 2). Score. 24
pages. Published by
Belwin Publishing
Composed by Robert W. Smith. Concert Band; Performance Music Ensemble; Single Ti...(+)
Composed by Robert W.
Smith. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Score. 20 pages. Belwin
Music #00-BDM01019C.
Published by Belwin Music