Organ

SKU: SU.80101410

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101410. Published by Zimbel Press (SU.80101410).

Fantasy-Variati ons on Two Themes (2017) for organ was written for Heinrich Christensen in celebration of his significant 2017 birthday. The musical material for the work comprises two different themes. The first is a short melody by the Danish composer Carl Nielsen (1865-1931). (It was a sketch originally intended for inclusion in, but ultimately left out of, Nielsen's late organ work 29 Little Preludes.) This theme represents Heinrich's native Denmark. The second theme is the American folk-gospel hymn Angel Band. This theme represents Heinrich's adopted American homeland. It serves also as a remembrance of our dear mutual friend Harry Lyn Huff (1952-2016), for whom the tune was a particular favorite. Both these themes are developed freely in a set of alternating fantasy-variations. The opening variation begins with a dramatic pedal solo before quoting both themes. The second variation is a lyric setting based on the Nielsen melody. The third is a jubilant hornpipe on Angel Band. The fourth is an aria on a transformation of the Nielsen melody. The fifth is a gigue-toccata on Angel Band. The sixth is an atmospheric contemplation: lush chords in the manuals move slowly and hint at Angel Band while the Nielsen melody is heard for the first time in its complete original form on a high pedal stop. The seventh and final variation begins with a brief evocation of the harmonies of the late Daniel Pinkham (a mentor to both Heinrich and me) before going on to return dramatically and jubilantly to the opening music, bringing together both themes again in a bold conclusion. Instrumentation: Organ Duration: 15' Composed: 2017 Published by: Zimbel Press.

Organ

SKU: SU.80101467

For Organ. Composed by Carson Cooman. Keyboard, Organ. Study Score. Zimbel Press #80101467. Published by Zimbel Press (SU.80101467).

Variations on a Theme of Haydn (2017) was written for organist Christoph Hintermuller who asked for a work based on the national anthem of Germany. The anthem's tune was written in 1797 by Joseph Haydn (1732-1809). (In English-speaking countries, Haydn's tune is sung as the hymn AUSTRIAN HYMN, usually with John Newton's text Glorious Things of Thee Are Spoken.) The music consists of five contrasting variations plus a recapitulation of the opening variation. The first variation is broad and festive; the second variation is pastoral in character; the third has a scherzando character; the fourth is marked hypnotic and atmospheric; and the fifth is a quasi-musette. The first variation returns as a finale before a brief coda. Instrumentation: Organ Duration: 8' Composed: 2017 Published by: Zimbel Press.

Organ solo

SKU: CA.9123700

Composed by Various. Edited by Josef Friedrich Doppelbauer. This edition: Paperbound. Coppenrath Series. Orgelwerke Uber Themen Aus Dem Gregorian 1801401. Organ music based on hymns. Collection. 48 pages. Carus Verlag #CV 91.237/00. Published by Carus Verlag (CA.9123700).

ISBN 9790007113674.

Organ

SKU: HL.48185859

Composed by Naji Hakim. Leduc. Baroque, Post-1900. Softcover. 20 pages. Alphonse Leduc #AL29598. Published by Alphonse Leduc (HL.48185859).

UPC: 888680857431. 9.0x12.0x0.089 inches.

“Fant asy on several themes from the works of JS Bach for the full Organ, by Naji Hakim.”.

Organ

SKU: CA.9235200

Composed by Joseph Haas. This edition: Paperbound. Coppenrath Series. German title: Variationen Uber Ein Originalthema 6003101. Full score. Composed 1910. Op. 31. 20 pages. Carus Verlag #CV 92.352/00. Published by Carus Verlag (CA.9235200).

ISBN 9790007119256. Language: all languages.

Arranged by Lyndell Leatherman. For Organ. The FJH Sacred Organ Library. Medleys/Titles include: The Majesty and Power of His Name (Diadem and Coronation-All Hail the Power of Jesus' Name); Treasures Bring, Anthems Sing(We Three Kings and What Child is This?); Where Sorrow and Love Flow Mingled Down (When I Survey the Wondrous Cross and Beneath the Cross of Jesus); The Joys Awating (Jerusalem, My Happy Home and When I Can Read My Title Clear); Morning Tribute (Morning Has Broken and When Morning Gilds the Skies); An Ever-Present Comfort (All Will Be Well and God Will Take Care of you); Amazing, Infinite Love (The Love of God and My Savior's Love); Adoration to the King (We Worship and Adore You/O Come, Let Us Adore Him/Joyful, Joyful, We Adore Thee). Sacred. Level: Early Advanced. Book. P

Organ

SKU: SU.80101249

Composed by Bernard Scherr. Keyboard, Organ. Score. Zimbel Press #80101249. Published by Zimbel Press (SU.80101249).

This useful collection contains twelve organ preludes on familiar plainchant themes. Accessible for service or recital, the themes cover the entire liturgical year. Published by: Zimbel Press.

Organ

SKU: HL.48185271

Composed by Marcel Dupré. Leduc. Classical. Softcover. Alphonse Leduc #AL28716. Published by Alphonse Leduc (HL.48185271).

UPC: 888680859015. 9.0x12.0x0.249 inches.

Marcel Dupre: Themes libres et Sujets de Fugues Vol.2: Sujets de Fugues (Organ).

For Organ (Organ). Music Sales America. 20th Century. 18 pages. Novello & Co Ltd. #NOV010224. Published by Novello & Co Ltd. . 20th Century.

Composed by Michael Burkhardt. Recital Music, Offertories, Preludes, Partita/Variations, Postludes. Christmas, Hanging of the Green, Lessons and Carols, 21st Century. MorningStar Music Publishers #10-181. Published by MorningStar Music Publishers

Organ

SKU: HL.14042749

Organ. Composed by Leif Thybo. Music Sales America. Softcover. Edition Wilhelm Hansen #MF504. Published by Edition Wilhelm Hansen (HL.14042749).

ISBN 9788774844181. English.

Sumer Is Icumen In by Leif Thybo. Theme with six variations for Organ. In the March/April 2015 issue of Choir and Organ Magazine, Stephen Farr states that this witty and approachable partita is [a]n entertaining way to demonstrate the capabilities of a small instrument.

Composed by Mary Beth Bennett; Ludwig Diehn. Non Hymn-Based, Organ Recital Music, Preludes, Partita/Variations, Postludes. Secular, 21st century. Published by E.C. Schirmer Publishing

Organ

SKU: SU.80101219

For Organ. Composed by Colin Mawby. Keyboard, Organ. Score. Zimbel Press #80101219. Published by Zimbel Press (SU.80101219).

This work begins with a reflective theme, followed by six variations of differing characters -- ranging from introspective contemplation to joyous praise. Any of the variations can be played alone as a voluntary (and many have optional endings for that purpose). The entire work is highly suitable for either service or recital. 19 pages Published by: Zimbel Press.

Composed by Pierre Cochereau. Leduc. Classical. Softcover. Alphonse Leduc #AL23342. Published by Alphonse Leduc

Organ

SKU: SU.80101362

For Organ. Composed by Lothar Bandermann. Keyboard, Organ. Score. Zimbel Press #80101362. Published by Zimbel Press (SU.80101362).

A three movement (Ostinato, Scherzo, Fugue) work inspired by a footnote theme from Robert Schumann's piano work Carnaval. Instrumentation: Organ. Composed: 2012 Published by: Zimbel Press.

Organ Solo. Arranged by Diane Bish. Fred Bock Publications. Softcover. Size 9x12 inches. 35 pages. Published by Fred Bock Music Company.

By Gerald Near. For Organ. Lent, General. Sacred. Level: Medium. Single sheet. 7 pages. Published by MorningStar Music Publishers.

Organ

SKU: BR.EB-8041

Of the 'Musical Offering' by J.S. Bach. Composed by Jurg Baur. Solo instruments; Softcover. Edition Breitkopf.

World premiere: Dusseldorf, May 20, 1978

Music post-1945. Score. Composed 1977. 24 pages. Duration 13'. Breitkopf and Haertel #EB 8041. Published by Breitkopf and Haertel (BR.EB-8041).

ISBN 9790004174401. 9 x 12 inches.

During the intensive study of Johann Sebastian Bach's Musical Offering for the creation of a commissioned composition for wind trio, I had the idea of writing a larger organ work on the Royal Theme at the same time. This is how the Three Ricercare came into being. They are multi-part fantasies for organ, which - connected by the frequently transformed thematic material of the Musical Offering and the manifoldly reshaped B-A-C-H motif - alternate between free, rapsodic parts on the one hand and strictly structured parts on the other. For my 60th birthday, W. E. v. Lewinski wrote an appreciation under the title: Music in the span between constraint and freedom. This formulation aptly characterizes the new organ work. (Jurg Baur) CD: Martin Herchenroder CD Koch 3-1846-3 H1 Bibliography: Semrau , Arno: Polpyhone Orgelmusik von Johann Sebastian Bach bis Jurg Baur, Augsburg: Wissner 2001, darin besonders pp. 259-304 und 510-532. Richter , Reinhold: Zwischen Tradition und Avantgarde zwischen Zweifel und Hoffnung. Einige Notizen zur Chor- und Orgelmusik von Jurg Baur anlasslich des 85. Geburtstages im vergangenen November, in: Forum Kirchenmusik 54 (2003), Heft 6, pp. 23-31.

World premiere: Dusseldorf, May 20, 1978.

Organ - advanced

SKU: HL.49018083

In Memoriam. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Collection. Enjott Schneider knupft in seiner Orgelsinfonie Nr. 8 In Memoriam an Anton Bruckner an, verarbeitet variativ Themen aus dessen Sinfonie Nr. 8 und stellt diese aber dem Choral Wachet auf, ruft uns die Stimme gegenuber. Eine spannende und aufwuhlende Musik. Composed 2009. 62 pages. Duration 32'. Schott Music #ED20669. Published by Schott Music (HL.49018083).

ISBN 9790001168670. 9.0x12.0x0.24 inches.

In his Organ Symphony No. 8 'In Memoriam', following an idea of the cathedral organist Silvius von Kessel from Erfurt (and dedicatee of the work), Enjott Schneider carries on where Anton Bruckner left off, processes themes from the latter's Symphony No. 8 variatively and contrasts it to 'Haus-Choral des Erfurter Doms', 'Wachet auf, ruft uns die Stimme'. Bruckner's material is used as a starting point and further developed by Schneider in four movements: typically enough, the initial movement is called 'Metamorphosen' before an almost eerie atmosphere is created in a 'Scherzo sinistro'. The twelve-note series (in the third movement), embedded in a transcendental mood, eventually develops into the chorale which, now as main theme of the finale, amalgamates with Bruckner's stylistic moments and leads to a magnificent end - an exciting and rousing piece of music.

Composed by Jeno Takacs (1902-). For organ. Op. 121. 32 pages. Published by Doblinger Music Publishers

Organ - Intermediate

SKU: MN.10-497

Composed by Janet Linker. MorningStar Music Publishers #10-497. Published by MorningStar Music Publishers (MN.10-497).

UPC: 688670104978.

Janet Linker brings her stylish but sensible writing to this set of variations on a well-known tune, which have been out of circulation for a decade or so. We think you'll welcome them back! Contains an Introduction and statement of the theme, a Trio, a Trumpet Tune, a Pastorale, and a Finale. A hymn introduction and two stanza harmonizations are also included.

(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 528 pages. Published by Hal Leonard

Composed by Mary McDonald. Sacred. Lorenz Publishing Company #70/2249L. Published by Lorenz Publishing Company

Organ

SKU: SU.80101422

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101422. Published by Zimbel Press (SU.80101422).

Suite circulaire (2018) for organ is dedicated to Elisa Williams Bickers. The music takes a free, contemporary approach to the historical genre of circulating (or modulating) compositions, where the basic material moves through a variety of keys before returning home again. The goal is not simply to play a modulation game, but rather to construct a true musical discourse where the varied keys are an essential part of the concept. The first movement, Praeludium, is bright in character. Besides moving through varied keys, the movement is also animated with various looping patterns that provide another link to the circulating concept. The second movement, Ricercare, takes its content very literally from the title, which means to search out. Instead of being a proto-fugue, like many ricercares from the late Renaissance or early Baroque, the music searches through the keys by means of a wandering melody and a modulating accompaniment. The third movement, Toccata, is slightly manic in character. The syncopated theme heard at the start animates the movement as it moves through both tonal, modal, and bitonal/modal harmonies before reaching an excited conclusion. (When the suite is performed on an organ tuned in an unequal, circulating temperament, there is an additional circular effect provided by the quite varied key colors that are heard as the material moves through them.)Organ Duration: 14’ Composed: 2018 Published by: Zimbel Press.