Piano; Voice (Voice and Piano) SKU: HL.48015007 In Folk Styles. Co...(+)
Piano; Voice (Voice and
Piano)
SKU:
HL.48015007
In
Folk Styles. Composed
by Pavel Haas. This
edition: M202517673.
Boosey & Hawkes Voice.
Classical, Collection,
Contemporary. 24 pages.
Bote & Bock #M202517673.
Published by Bote & Bock
(HL.48015007).
UPC:
073999236736.
9.0x12.0x0.083
inches.
Contents:
Coz je vic! (It's Your
Affair) * Darek z lasky
(A Lover's Gift) * Krotka
holubicka (Doves are
Courting) * Zruseni slibu
(Broken Promise) *
Pripoved' (A Promise) *
Slzy a vzdychani (Tears
and Sight) * Statecny
jonak (Her Hero).
Piano/Vocal Piano; Voice SKU: HL.148619 Composed by Bob Cole, James Weldo...(+)
Piano/Vocal Piano; Voice
SKU: HL.148619
Composed by Bob Cole,
James Weldon Johnson, and
John Rosamond Johnson.
E.B. Marks. Vaudeville.
Softcover. 180 pages.
Edward B. Marks Music
#EBM148619. Published by
Edward B. Marks Music
(HL.148619).
ISBN
9781495029684. UPC:
888680078515.
9.0x12.0x0.492 inches.
With a Foreword by Thomas
Riis.
Late in his
life, composer J.
Rosamond Johnson (Lift
Ev'ry Voice and Sing)
submitted to his longtime
publisher, E.B. Marks, a
list of songs that would
comprise a volume of his
best early popular songs
written with his pre-1910
partner Bob Cole and his
brother, James Weldon
Johnson (Autobiography of
an Ex-Colored Man). That
list was never put into
print...until now.
Featuring an
introductionby Dr. Thomas
Riis (Just Before Jazz)
and several rare photos,
this new compilation is
the latest legacy
offering from the Marks
archive, which contains a
rich heritage of
turn-of-the-century
African-American, and
thus distinctly American,
pre-jazz-era popular
song. Includes: Ain't Dat
Scan'lous * Big Indian
Chief * The Big Red Shawl
* The Bleeding Moon *
Congo Love Song * The
Countess of Alagazam *
Fishing * I Don't Want to
Be No Actor Man No Mo' *
I'll Always Love Old
Dixie * I'll Keep a Warm
Spot in My Heart for You
* I've Got Troubles of My
Own * The Katy-Did, the
Cricket and the Frog *
Lazy Moon * Lit'l Gal *
Louisiana Lize * Lovely
Daughter of Allah * Ma
Mississippi Belle * The
Maiden with the Dreamy
Eyes * Mudder Knows * My
Heart's Desiah is Miss
Mariah * My Castle on the
Nile * Nobody's Lookin'
but de Owl an' de Moon *
Oh, Didn't He Ramble *
The Old Flag Never
Touched the Ground * On
the Road to Monterey *
The Pathway of Love *
Roll Them Cotton Bales *
Save It for Me! * The
Spirit of the Banjo! *
Sugar Babe * Two Eyes *
Under the Bamboo Tree *
When de Jack O'Lantern
Starts to Walk About *
When It's All Goin' Out,
and Nothin' Comin' In *
Who Do You Love?
Opera-comique en trois actes et quatre tableaux. Composed by Jacques Offenba...(+)
Opera-comique en trois
actes
et quatre tableaux.
Composed
by Jacques Offenbach
(1819-
1880). Edited by Jean-
Christophe Keck. Boosey
&
Hawkes Voice. Classical,
Opera. Softcover. 236
pages.
Boosey & Hawkes
#M202534724.
Published by Boosey &
Hawkes
Composed by Franz Joseph Haydn (1732-1809), edited by Ludwig Landshoff. Collecti...(+)
Composed by Franz Joseph
Haydn (1732-1809), edited
by Ludwig Landshoff.
Collection for voice solo
and piano accompaniment.
81 pages. Published by
C.F. Peters.
Voice and Piano - intermediate SKU: HL.50603593 Ed. crit. R. Parker-R....(+)
Voice and Piano -
intermediate
SKU:
HL.50603593
Ed.
crit. R. Parker-R. Ward -
Riduzione per canto e
pianoforte. Composed
by Gaetano Donizetti.
Ricordi. Softcover.
Composed 2020. Ricordi
#CP14161600. Published by
Ricordi (HL.50603593).
ISBN 9788881920709.
UPC: 840126945102.
8.0x10.5x1.3 inches.
Italian-English.
Do
nizetti's Lucrezia Borgia
was premiered at Milan's
Teatro alla Scala on 26
December 1833 and is
considered one of the
composer's most important
and innovative operas of
the 1830s. Although,
because of censorship
issues, particularly in
the south of Italy, it
was initially slow to
become popular, by the
late 1830s it had become
one of the composer's
most popular operas, both
in Italy and abroad, and
remained an essential
part of the composer's
oeuvre until at least the
end of the nineteenth
century. Remarkable for
its daring subject matter
(with an unconventional,
forceful heroine), it is
also renowned for its
challenging mixture of
the comic and the tragic,
something very unusual at
the time and clearly an
important influence on
Giuseppe Verdi's middle
period masterpieces. The
present reduction for
voice and piano derives
from the critical edition
of the score, recently
published in this
catalog: is based on
Donizetti's autograph
manuscript (housed in the
Ricordi Archives in
Milan), on the libretto
for the premiere, on
several printed editions
of voice and piano, and
on numerous additional
scores of the period. It
presents for the first
time all the numerous
additions that the
composer made to the
score over the course of
ten years: a fascinating
record of his changing
music dramatic attitudes
during this period. There
is also a synthetic
historical reconstruction
of the genesis of the
opera and of the
description of the
Sources as well as a
selection of most
interest to singers of
Critical Commentary
Notes.
Rappresenta
ta per la prima volta al
Teatro alla Scala il 26
dicembre 1833, Lucrezia
Borgia e considerata una
fra le piu importanti e
innovative opere di
Donizetti. Sebbene le
resistenze della censura,
soprattutto nel sud
Italia, ne causarono
inizialmente una lenta
diffusione, dalla fine
degli anni '30
dell'Ottocento essa
divenne uno dei lavori
piu popolari e
significativi del
compositore e tale rimase
fino alla fine del XIX
secolo. Notevole per il
suo audace soggetto (con
un'eroina non
convenzionale e dalla
forte personalita) essa e
rinomata anche per
l'impegnativa commistione
di comico e tragico, un
tratto piuttosto inusuale
per l'epoca, che ebbe una
chiara influenza sui
capolavori verdiani di
meta secolo. La presente
riduzione per canto e
pianoforte e condotta
sull'edizione critica
della partitura, da poco
pubblicata in questo
stesso catalogo: si basa
sul manoscritto autografo
di Donizetti (conservato
presso l'Archivio Storico
Ricordi di Milano), sul
libretto della prima
rappresentazione, su
alcune riduzioni a stampa
per canto e pianoforte e
su varie altre fonti
dell'epoca. L'edizione
presenta per la prima
volta tutte le aggiunte
che il compositore
apporto alla partitura
nel corso di dieci anni,
costituendo
un'affascinante
testimonianza dei
mutevoli approcci di
Donizetti alla materia
drammatico musicale
durante questa fase della
sua carriera. Il volume
comprende una sintesi
della ricostruzione della
genesi storica dell'opera
e della descrizione delle
fonti e una selezione di
Note del Commento Critico
fra quelle piu funzionali
alle esigenze di cantanti
e pianisti
accompagnatori.
The Pirates of Penzance. (The Slave of Duty). By W.S. Gilbert and Sir Arthur Sey...(+)
The Pirates of Penzance.
(The Slave of Duty). By
W.S. Gilbert and Sir
Arthur Seymour Sullivan
(1842-1900). For Piano
and Vocal. Masterworks;
Vocal (Opera) Score.
Faber Edition.
Masterwork; Romantic.
Vocal score. Published by
Faber Music
Edited by Amy Appleby, Liz Seelhoff Byrum. For voice and piano. Format: piano/vo...(+)
Edited by Amy Appleby,
Liz Seelhoff Byrum. For
voice and piano. Format:
piano/vocal/chords
songbook (spiral bound).
With vocal melody, piano
accompaniment, lyrics,
chord names,
illustrations and
introductory text.
Children's and Folk. 240
pages. 9x12 inches.
Published by Music Sales.
By Antonio Vivaldi. Edited by Antonio Vivaldie, Giovanni Maria Ruggieri. Arrange...(+)
By Antonio Vivaldi.
Edited by Antonio
Vivaldie, Giovanni Maria
Ruggieri. Arranged by
Clayton Westermann. For
Soprano voice and Alto
voice (Soli), Choir /
Piano. (Chorus and
piano). New Issues.
Baroque: Rococco/Gallant;
Sacred/Hymns. Vocal
Score. Text Language:
Latin, English. Composed
c1710. 80 pages. Duration
31 minutes. Published by
Serenissima.
Piano Accompaniment; Vocal (Voice and Piano) SKU: HL.287859 Voice/Pian...(+)
Piano Accompaniment;
Vocal (Voice and Piano)
SKU: HL.287859
Voice/Piano.
Composed by Isabelle
Aboulker. Music Sales
America. Classical.
Softcover Audio Online.
176 pages. Alphonse Leduc
#AL30758. Published by
Alphonse Leduc
(HL.287859).
9.0x12.0x0.636
inches.
Sonatas and
quartets aren't my thing.
Armed with this
self-knowledge, composer
Isabelle Aboulker placed
singing at the heart of
her creative activity and
garnered huge success in
a variety of genres such
as oratorio (The Man who
Staggered Through War,
1997), comic opera
(Monsieur de Balzac fait
son theatre, 1999),
childrens tales (Douce et
Barbe Bleue, 2002) and
the theatrical
adaptationof narrative
works (Une fille quon
appelle Boule de suif,
2014). Isabelle Aboulker
also devotes much
attention to melody, as
can be seen in this
collection presenting a
few of her most
enchanting successes. Her
prosodic clarity and
focus on the power of
words crystallises a
musical legacy that
stretches from Rameau to
Poulenc.This anthology of
melodies for voice and
piano - most of which are
written for all voices -
is delightfully eclectic:
the melancholyperfume of
the Lettre damour sits
beside the unnerving
eeriness of the merchant
of souls (Au marche de
Saint-Paul), while the
limpid music of the La
Fontaines Fables
contrasts with the fever
that animates Je taime, a
passionate vocalise
dedicated to Patritica
Petibon. A subtle,
sensitive art that
enchants all who lend an
ear.
By Jerry Silverman. By Jerry Silverman. For Piano/Vocal. SongBook. Archive Editi...(+)
By Jerry Silverman. By
Jerry Silverman. For
Piano/Vocal. SongBook.
Archive Edition. Western
American. Level:
Beginning-Intermediate.
Book. 112 pages.
Published by Mel Bay
Publications, Inc.