(1923) Piano: Left Hand. By Paul Hindemith. (Score). Schott. Book only. Size 8.25x11.75 inches. 74 pages. Published by Schott.

Piano/harpsichord and orchestra (solo: pno - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.PB-14620

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Hans-werner Kuthen. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

Solo concerto; Classical. Full score. 96 pages. Duration 34'. Breitkopf and Haertel #PB 14620. Published by Breitkopf and Haertel (BR.PB-14620).

ISBN 9790004211038. 10 x 12.5 inches.

Ludwig van Beethoven wrote his Piano Concerto no. 4 in 1805, thus contemporaneously with the opera Fidelio and the Symphonies nos. 5 and 6. The first performance took place on 22 December 1808 at the now legendary academy (subscription concert) in which Beethoven presented the two new symphonies and the Choral Fantasy op. 80 to the Viennese public for the first time. The work was first published that year by Breitkopf & Hartel. The autograph of the score is no longer extant. The principal source of the musical text on which the present edition is based is a scribal copy examined and corrected by Beethoven.

Piano/harpsichord and orchestra (solo: pno - picc.2.2.Eh.2.Bcl.2 - 4.3.3.1 - timp.perc - str)

SKU: BR.EB-10859

Urtext. Composed by George Gershwin. Orchestra; Softbound. Edition Breitkopf. Solo concerto; Early modern; Music post-1945. Piano reduction. 88 pages. Duration 36'. Breitkopf and Haertel #EB 10859. Published by Breitkopf and Haertel (BR.EB-10859).

ISBN 9790201808598. 9.5 x 12 inches.

After achieving sensational success with the musical Lady, be good! , with evergreens such as Fascinating Rhythm and The Man I love, as well as with his Rhapsody in Blue , Gershwin premiered his Concerto in F for piano and orchestra as a soloist at Carnegie Hall in 1925. Now, the new superstar of Broadway had also arrived at the center of New York's classical music scene. In its eventful history, the work went through numerous changes, cuttings, arrangements, many of which doubtful and unauthorized. Even the first and so far only printed orchestral score, edited by Frank Campbell-Watson, published in 1942 five years after Gershwin's death, contains many unauthorized interventions. Through years of research, editor Norbert Gertsch has succeeded in ridding the work of all unauthorized additions and alterations and thus reconstructing an Urtext in its original literal sense from the complex source material - from autograph sketches to early recordings. The first text-critical edition of the work is a joint production of Breitkopf (score/orchestral parts) and G. Henle Verlag (piano reduction).

Full Score. Composed by Poul Ruders. Music Sales America. Classical. Score Only. Composed 2017. 80 pages. Edition Wilhelm Hansen #WH32201. Published by Edition Wilhelm Hansen (HL.232526).

Piano/harpsichord and orchestra (solo: pno - picc.2.2.Eh.2.Bcl.2 - 4.3.3.1 - timp.perc - str)

SKU: BR.PB-15140

Urtext. Composed by George Gershwin. Edited by Norbert Gertsch. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Early modern; Music post-1945. Full score. 136 pages. Duration 36'. Breitkopf and Haertel #PB 15140. Published by Breitkopf and Haertel (BR.PB-15140).

ISBN 9790004214763. 10 x 12.5 inches.

After achieving sensational success with the musical Lady, be good!, with evergreens such as Fascinating Rhythm and The Man I love, as well as with his Rhapsody in Blue, Gershwin premiered his Concerto in F for piano and orchestra as a soloist at Carnegie Hall in 1925. Now, the new superstar of Broadway had also arrived at the center of New York's classical music scene. In its eventful history, the work went through numerous changes, cuttings, arrangements, many of which doubtful and unauthorized. Even the first and so far only printed orchestral score, edited by Frank Campbell-Watson, published in 1942 five years after Gershwin's death, contains many unauthorized interventions. Through years of research, editor Norbert Gertsch has succeeded in ridding the work of all unauthorized additions and alterations and thus reconstructing an Urtext in its original literal sense from the complex source material - from autograph sketches to early recordings. The first text-critical edition of the work is a joint production of Breitkopf (score/orchestral parts) and G. Henle Verlag (piano reduction).

Piano/harpsichord and orchestra (solo: pno - 1.2.0.2. - 2.0.0.0. - timp - str)

SKU: BR.PB-14560

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Hans-werner Kuthen. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

Solo concerto; Classical. Full score. 80 pages. Duration 24'. Breitkopf and Haertel #PB 14560. Published by Breitkopf and Haertel (BR.PB-14560).

ISBN 9790004211014. 10 x 12.5 inches.

Beethoven's autographs of the first three piano concertos opp. 15, 19 and 37 are the earliest of all orchestral scores which have survived integrally. Thanks to source studies, we know today that a first version of the Concerto in Bb major op. 19 had already originated in Bonn in 1790 at the latest. It was followed by a second version written in Vienna most likely in 1793 which included the Rondo in Bb major WoO 6 as finale. A third version followed most probably in 1794 and led to the fourth and final version, written in Prague in October 1798, as Beethoven sojourned there at the beginning of the concert season. (from the Preface)This autograph together with the autograph solo part which was made at the beginning of 1801 and the parts printed in the same year, are the main sources of the present edition.

Piano/harpsichord and orchestra (Solo: pno- 1.2.0.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15123

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttrich. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle VerlagEB 10825 is printed in score form; two copies are needed for performance. Our ed ition EB 8579 contains a Ferrucci Busoni cadenza for the Piano. Solo concerto; Classical. Full score. 88 pages. Duration 33'. Breitkopf and Haertel #PB 15123. Published by Breitkopf and Haertel (BR.PB-15123).

ISBN 9790004212738. 10 x 12.5 inches.

The C major Concerto K. 503 was held in particularly high esteem by Mozart, who, for example, put it on the program of his subscription concert at Leipzigs Gewandhaus in 1789, three years after it was written. This new edition is based on the autograph and also takes into account the first edition published by Constanze Mozart at her own cost in 1797.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst Herttrich to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.

Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.PB-15164-07

Urtext. Composed by Edvard Grieg. Edited by E.-G. Heinemann. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Study Score. 108 pages. Duration 30'. Breitkopf and Haertel #PB 15164-07. Published by Breitkopf and Haertel (BR.PB-15164-07).

ISBN 9790004215906. 6.5 x 9 inches.

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg.

Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.PB-15152

Urtext. Composed by Edvard Grieg. Edited by Ernst-Gunter Heinemann. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic. Full score. 108 pages. Duration 30'. Breitkopf and Haertel #PB 15152. Published by Breitkopf and Haertel (BR.PB-15152).

ISBN 9790004215579. 10 x 12.5 inches.

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg.

Eulenburg Audio Score Series. By Ludwig van Beethoven. This edition: EAS127. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 124 pages. Published by Eulenburg.

Eulenburg Audio Score Series. By Johannes Brahms. This edition: EAS131. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 134 pages. Published by Eulenburg.

Eulenburg Audio Score Series. By Peter Ilyich Tchaikovsky. This edition: EAS147. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 115 pages. Published by Eulenburg.

Eulenburg Audio Score Series. By Edvard Grieg. This edition: EAS133. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 117 pages. Published by Eulenburg