(Fassung Maunder). By Wolfgang Amadeus Mozart (1756-1791). Edited by Richard Mau...(+)
(Fassung Maunder). By
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Richard Maunder. Arranged
by Richard Maunder. For
SATB soli, SATB choir, 2
bassoons, 2
contrabassoons, 3
trombones, 2 basset
horns, timpani, 2
violins, viola,
cello/contrabass, organ.
This edition: paperbound.
KV 626. Score available
separately - see item
CA.4063000. Requiem; Use
during the church year:
End of the Church Year;
Mourning, Death. Level 4.
Piano/Vocal score.
Language: Latin. Composed
1791. 80 pages. Duration
50 min. Published by
Carus Verlag
By Antonio Salieri (1750-1825). Edited by Kelber, Rudolf. For SATB Soli, SATB Ch...(+)
By Antonio Salieri
(1750-1825). Edited by
Kelber, Rudolf. For SATB
Soli, SATB Choir, 2
Flutes, 2 Oboes, 2
Bassoons, 2 Horns, 2
Contrabassoons, Timpani,
2 Violins, Viola, Basso
Continuo. This edition:
paperbound. Full score
available separately -
see item CA.4094200.
Passions; Use during
church year: Lent and
Passiontide, Holy Week.
Piano/Vocal score.
Language: Latin. Composed
1776. 160 pages. Duration
105 min
Solo voices, choir,
orchestra (Solo SATB
voices, Mixed choir,
4Fl(Flote I-III muta in
Piccolo-Flote), 2
Ob+EnglHn, 3clar(clar III
muta in Bass-clar),
3bsn(bassoonott III muta
in Kontra-bassoonott),
4Hn, 4Trp, 3tbn, Tb,
3timp, Tri, Tr-Kl,
Be-Hang, Tam, Glsp, Gl,
Cel, 2 harp, Org, Str)
SKU: BA.BA06863
September 1927
Version. Composed by
Leos Janacek. Edited by
Jirà Zahrádka. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek. Series B,
Volume 5-II. September
1927 Version. Complete
edition, Score. 179
pages. Duration 41
minutes, 13 seconds.
Baerenreiter Verlag
#BA06863_00. Published by
Baerenreiter Verlag
(BA.BA06863).
ISBN
9790260105317. 34.2 x 27
cm inches. Text Language:
Church
Slavic.
“The
Glagolitic Massâ€,
one of the 20th century
masterpieces of sacred
music, has a very complex
genesis and constitutes
an intricate editorial
challenge.
This
new critical edition
presents two different
versions of the work in
two separate volumes
(B/5-I, BA 6862 und
B/5-II, BA 6863): the
“September
1927†version which
the composer completed
before the first
rehearsals and subsequent
premiere in Brno and the
version he partly
reworked for the first
Prague performance in
April 1928. This second
version was then revised
further and published
after Janacek’s
death by Universal
Edition Wien in 1930.
Known as the “final
authorised
version“, it has
been newly edited for
this publication which is
based on the
engraver’s copy of
the score prepared by
Janacek’s regular
copyist Václav
Sedlacek.
The new
Barenreiter edition also
contains an informative
preface
(Cz/Eng/Ger/Fr/Ru) as
well as detailed critical
commentary. The
“September
1927†version can
be seen more as a
supplement and appears
without text
commentary.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oratorio in three
acts. Composed by
George Frideric Handel.
Edited by Kenneth Nott.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series I,
Volume 30. Complete
edition, Score. HWV 70.
Baerenreiter Verlag
#BA04014_00. Published by
Baerenreiter Verlag
(BA.BA04014).
ISBN
9790006442935. 33 x 26 cm
inches. Text Language:
English. Preface: Nott,
Kenneth. Text: Thomas
Morell.
“Jeph
tha†is
Handel’s last
oratorio. Handel had to
break off from composing
several times because of
his increasing blindness
in 1751. The first
performance at the Covent
Garden Theatre in
February 1752 was the
last performance he
conducted before he went
completely blind. In
“Jephthaâ€,
Handel succeeded in
achieving the perfect
fusion between a biblical
plot and the spirit of
classical tragedy. With
great intensity and
dramatic expression he
highlighted in particular
the fates of Jephtha and
Iphis , thereby
portraying convincing and
complex
characters.
The
chorus “How Dark, O
Lord, are Thy
Decrees†at the end
of part two is of crucial
importance in the work
and is regarded as the
dramatic high point of
the oratorio.
The
vocal score is based on
volume I/30 of the
“Halle Handel
Edition†(BA 4014),
which contains the
complete critical version
of the music of the
oratorio for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oratorio in three
acts. Composed by
George Frideric Handel.
Edited by Hans Dieter
Clausen. This edition:
complete edition, urtext
edition. Linen. Halle
Handel Edition (HHA)
Series I, Voume 18, Nos.
1 2. Complete edition,
Score. Composed 1743. HWV
57. Duration 3 hours.
Baerenreiter Verlag
#BA04099_00. Published by
Baerenreiter Verlag
(BA.BA04099).
ISBN
9790006550111. 33 x 25.7
cm inches. Text Language:
English. Preface: Hans
Dieter Clausen. Text:
Newburgh
Hamilton.
Handel
composed Samson directly
after completing the
Messiah. After its
premiere in 1743 in the
Covent Garden Theatre in
London, the work rapidly
became one of the
composerâ??s most
successful oratorios
alongside Esther and
Judas Maccabaeus. This
probably had as much to
do with the popular Old
Testament story of the
libretto as with
Handelâ??s masterly
shaping of the arias and
choruses.
By
including some movements
in the appendix, this
edition makes it possible
for the first time to
perform the work in its
original 1741 version.
The edition is based
on the complete edition
volume of the Halle
Handel Edition (BA 4099),
offering the complete
music text of the
oratorio for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oratorium.
Composed by Franz Joseph
Haydn. Edited by Wolfgang
Gersthofer. This edition:
urtext. 1x 51.990/21
flute 1, 1x 51.990/22
flute 2, 1x 51.990/23
flute 3, 1x 51.990/24
oboe 1, 1x 51.990/25 oboe
2, 1x 51.990/26 clarinet
1, 1x 51.990/27 clarinet
2, 1x 51.990/28 bassoon
1, 1x 51.990/29 bassoon
2, 1x 51.990/30 double
bassoon, 1x 51.990/31
horn 1,. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
German title: Die
Schopfung 18. Innovative
practice aids, Sacred
vocal music, Oratorios,
Praise and thanks. Set of
Orchestra Parts. Composed
1798. Hob. XXI:2. 250
pages. Duration 105
minutes. Carus Verlag #CV
51.990/09. Published by
Carus Verlag
(CA.5199009).
ISBN
9790007225452. Language:
German/English. Text: von
Swieten, Gottfried. Text:
Baron von
Swieten.
The
primary source on which
the new Carus Urtext
edition is based is the
first edition of the
score from 1800. Contrary
to normal custom, Haydn
published the score
himself in order to avoid
unauthorized publications
and to present an
optimally designed
edition from an authentic
hand. With this original
document, which has been
compared with additional
relevant sources, Carus
now offers a musical text
based on the latest
musicological findings.
The critical report
provides all of the
important data concerning
the edition in a compact
form suitable for
practical use [practical
performance]. A detailed
foreword offers insight
into the genesis of the
work, its construction
and reception and
illuminates compositional
and theological and
spiritual-historical
aspects. In addition to
the score, with singing
texts in two languages
(G. van Swieten's
original German and
English text), in the
interest of legibility,
vocal and choral scores
will be offered in two
separate editions (German
or English). This work is
now available in carus
music, the choir app.
Score and parts available
separately - see item
CA.5199000.
In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Dettingen Te Deum Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
(Dettinger Te Deum). By George Frideric Handel (1685-1759). Edited by Benedikt P...(+)
(Dettinger Te Deum). By
George Frideric Handel
(1685-1759). Edited by
Benedikt Poensgen. For
Soli ATB, SSATB choir, 2
oboes, bassoon, 3
trumpets, timpani, 2
violin, viola, basso
continuo. This edition:
Paperbound. Praise and
thanks. Full score.
Language: English/German.
Composed 1743. HWV 283.
144 pages. Duration 40
min. Published by Carus
Verlag
Magnificat in D Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Set de Parties séparées] Carus Verlag
Composed by Jan Dismas Zelenka (1679-1745). Edited by Wolfgang Horn. For SA voca...(+)
Composed by Jan Dismas
Zelenka (1679-1745).
Edited by Wolfgang Horn.
For SA vocal soli, SATB
choir, 2 oboes, bassoon,
2 violins, 2 violas,
basso continuo, [2
trumpets, timpani]. D-Dur
(D major). German title:
Magnificat in D.
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Level 3. Complete
orchestral parts.
Language: Latin. Composed
1725. ZWV 108. Duration
11 minutes. Published by
Carus Verlag
In
Nativitate Domini in
nocte. Composed by
Jakub Jan Ryba. Edited by
Karlheinz Ostermann.
Arranged by Paul Horn. 1x
40.683/21 bassoon, 1x
40.683/31 clarino. Missa
Pastoralis In C
Zugl.Orgelstimme. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1808. 8
pages. Duration 16
minutes. Carus Verlag #CV
40.683/09. Published by
Carus Verlag
(CA.4068309).
ISBN
9790007220273. Key: C
major. Language:
Latin.
The Missa
pastoralis in C,
published here for the
first time, dates from
about 1808. It belongs to
a cycle of sacred pieces,
a ,,Cursus
sacro-harmonicus, which
Ryba planned as
Ordinarium and Proprium
settings for all the
Sundays and feast days of
the church year. The
Missa pastoralis in C is
a pastoral Mass for the
matutinal service at
Christmas. As in the
Missa Pastoralis in B
flat, in this Mass Ryba
makes use of concertante
instruments: trumpet and
a bassoon, an instrument
seldom employed
solistically in a Mass,
but which gives this work
a unique character. Score
and parts available
separately - see item
CA.4068300.
Cantata
for Quasimodogeniti
Sunday. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext. 1x
31.042/21 oboe 1, 1x
31.042/22 oboe 2, 1x
31.042/23 bassoon.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Easter
and Eastertide. Set of
Orchestra Parts. Composed
1725. BWV 42. 20 pages.
Duration 28 minutes.
Carus Verlag #CV
31.042/09. Published by
Carus Verlag
(CA.3104209).
ISBN
9790007205836. Language:
German/English.
Ins
tead of an opening chorus
Cantata BWV 42 begins
with a magnificent
Sinfonia in the style of
the Brandenburg
Concertos. It is possible
that Bach took this
movement from a concerto
which he had composed
earlier. The first aria,
for alto with obbligato
oboe and bassoon, could
be derived from the
middle movement of this
concerto. The heroic bass
aria, a statement of the
certainty of faith, forms
a weighty counterpart to
the opening movement.
Score and parts available
separately - see item
CA.3104200.
Composed
by Franz Schubert. Edited
by Stefan Schuck. 1x
70.065/21 flute 1, 1x
70.065/22 flute 2, 1x
70.065/23 oboe 1, 1x
70.065/24 oboe 2, 1x
70.065/25 bassoon 1, 1x
70.065/26 bassoon 2, 1x
70.065/27 double bassoon,
1x 70.065/31 horn 1, 1x
70.065/32 horn 2, 1x
70.065/33 trombone 1, 1x
70.065/34 trombone 2, .
Stuttgart Urtext Edition:
Schubert. Harmony parts.
Sacred vocal music, Lent
and Passiontide, Holy
Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. D 383.
Duration 37 minutes.
Carus Verlag #CV
70.065/09. Published by
Carus Verlag
(CA.7006509).
ISBN
9790007244729. Language:
German.
In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score and parts available
separately - see item
CA.7006500.
Cantata
for the 4th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Tobias Rimek.
This edition: urtext. 1x
31.177/21 oboe 1, 1x
31.177/22 oboe 2, 1x
31.177/23 bassoon.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Whitsun.
Set of Orchestra Parts.
Composed 1732. BWV 177.
16 pages. Duration 13
minutes. Carus Verlag #CV
31.177/09. Published by
Carus Verlag
(CA.3117709).
ISBN
9790007209803. Text
language:
German/English.
The
cantata Ich ruf zu dir,
Herr Jesu Christ begins
with an expansive chorale
arrangement, for which
Bach reverted to a proven
model: The four voices of
the solo ensemble take
over the chorale, in
which the melody lies in
the soprano. For stanzas
2-4 Bach chooses the aria
form with a highly
differentiated scoring
from movement to
movement, ranging from a
continuo Aria (1st
movement), up to an aria
accompanied by the
violin, with obbligato
bassoon and continuo. A
straightforward four-part
chorale movement
concludes the cantata.
Score and parts available
separately - see item
CA.3117700.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. 1x 31.149/21 oboe
1, 1x 31.149/22 oboe 2,
1x 31.149/23 oboe 3, 1x
31.149/24 bassoon, 4x
31.149/31
trumpet/timpani.
Stuttgart Urtext Edition:
Bach vocal. German title:
Man singet mit Freuden
vom Sieg. Sacred vocal
music, Cantatas, Special
days. Set of Orchestra
Parts. BWV 149. Duration
22 minutes. Carus Verlag
#CV 31.149/09. Published
by Carus Verlag
(CA.3114909).
ISBN
9790007208554. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and parts
available separately -
see item CA.3114900.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
Edition of selected
works, Urtext edition.
Linen. New Bach Edition -
Revised (NBArev) 1. New
revised version. Edition
of selected works, Score.
BWV 232. Duration 2
hours, 15 minutes.
Baerenreiter Verlag
#BA05935_01. Published by
Baerenreiter Verlag
(BA.BA05935-01).
ISBN
9790006556304. 33 x 26 cm
inches. Key: B minor.
Text Language: Latin.
Preface: Uwe
Wolf.
New revised
version.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by Bruce
Alan Brown and Daniel
Heartz. This edition:
Complete edition. Linen.
New Mozart Edition (NMA).
II/5/11. Complete
edition, Critical
commentary. K. 366. 266
pages. Duration 3 hours,
30 minutes. Baerenreiter
Verlag #BA04562_41.
Published by Baerenreiter
Verlag (BA.BA04562-41).
ISBN 9790006546633. 24
x 17.5 cm inches.
Language: Italian.
Giambattista
Varesco.
This
separately published
Critical Commentary
offers extensive
information on the
genesis, reception,
sources, and readings of
the works included in the
music volume.
Israel in Egypt Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
(Oratorio in three parts. Urtext of the Halle Handel-Edition). By George Frideri...(+)
(Oratorio in three parts.
Urtext of the Halle
Handel-Edition). By
George Frideric Handel
(1685-1759). Edited by
Annette Landgraf. For
Soprano Solo (2), Alto
Solo (2), Tenor Solo,
Bass Solo (2), Mixed
Choir (2)-SATB SATB, Oboe
(2), Bassoon (2), Trumpet
(2), Trombone (3),
Kettledrum, Strings,
Basso Continuo. Hallische
Handel-Ausgabe. Serie I,
Band 14.1 und 14.2.
Score; Urtext Edition;
Complete Edition (cloth
bound). HWV 54
Dramma per musica. Klavierauszug nach dem Urtext der Haydn- Gesamtausgabe (itali...(+)
Dramma per musica.
Klavierauszug nach dem
Urtext der Haydn-
Gesamtausgabe
(italienisch/deutsch). By
Franz Joseph Haydn.
Arranged by Barthel,
Ernst R. For 3 Soprano
solo, Tenor solo, 2 Bass
solo, Mixed Choir-SATB, 2
Flute, 2 Oboe, 2 Eh, 2
Clarinet (b flat), 2
Bassoon, 2 Horn, 2
Trumpet, Kettledrum,
Harp, Strings, Basso
continuo. Piano
Reduction/Vocal Score
(paperbound). Hob.
XXVIII:13. Published by
Baerenreiter-Ausgaben
(German import).
Le comte Ory Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
(Opera in two acts). Composed by Gioachino Rossini (1792-1868). Edited by Damien...(+)
(Opera in two acts).
Composed by Gioachino
Rossini (1792-1868).
Edited by Damien Colas.
For soprano voice solo/5
mezzo-soprano voice
solos/4 tenor voice
solos/4 baritone voice
solos/mixed choir/female
choir/men's
choir/orchestra (flute/2
flutes/2 oboe/2
clarinet/2 bassoon/4
horn/2 trumpet/3
trombone/timpani/percussi
on/2
violins/viola/cello/keybo
ard). This edition:
Edition of selected
works, Urtext edition.
Linen. Works of Gioachino
Rossini 5a b. Score.
Language: France, Text
Language:
France/English/Italian.
Published by Baerenreiter
Verlag