Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Single Part, Cello/Double
Bass. Composed 1725. BWV
183. 4 pages. Duration 15
minutes. Carus Verlag #CV
31.183/15. Published by
Carus Verlag
(CA.3118315).
ISBN
9790007050443. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score and part
available separately -
see item CA.3118300.
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Set of Orchestra Parts.
Composed 1725. BWV 183.
Duration 15 minutes.
Carus Verlag #CV
31.183/19. Published by
Carus Verlag
(CA.3118319).
ISBN
9790007136956. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score and parts
available separately -
see item CA.3118300.
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Single Part, Viola.
Composed 1725. BWV 183. 4
pages. Duration 15
minutes. Carus Verlag #CV
31.183/13. Published by
Carus Verlag
(CA.3118313).
ISBN
9790007050429. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score and part
available separately -
see item CA.3118300.
Cantata
for Exaudi. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. This
edition: urtext. 1x
31.044/21 oboe 1, 1x
31.044/22 oboe 2.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas. Set of
Orchestra Parts. Composed
circa 1724? BWV 44. 12
pages. Duration 22
minutes. Carus Verlag #CV
31.044/09. Published by
Carus Verlag
(CA.3104409).
ISBN
9790007205959. Language:
German/English.
The
cantata Sie werden euch
in den Bann tun, part of
Bach's first Leipzig
annual cycle of cantatas
and the earlier of two
compositions of the same
name, was probably first
performed on the last
Sunday after Ascension in
May 1724. The text is
concerned with suffering
and the Antichrist, both
of which are overcome by
Christian faith. By
employing all four ranges
in solo capacities Bach
creates the greatest
possible variety. It
opens, unusually, with a
duet for tenor and bass,
accompanied by two oboes
and basso continuo. Score
and parts available
separately - see item
CA.3104400.
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Single Part, Violin 1.
Composed 1725. BWV 183. 4
pages. Duration 15
minutes. Carus Verlag #CV
31.183/11. Published by
Carus Verlag
(CA.3118311).
ISBN
9790007050405. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score and part
available separately -
see item CA.3118300.
Composed
by Johann David
Heinichen. 1x 27.048/21
flute 1, 1x 27.048/22
flute 2, 1x 27.048/23
oboe 1, 1x 27.048/24 oboe
2, 1x 27.048/31 horn 1,
1x 27.048/32 horn 2, 1x
27.048/33 trumpet 1, 1x
27.048/34 trumpet 2, 1x
27.048/41 timpani.
Harmony parts. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. 72 pages. Duration
45 minutes. Carus Verlag
#CV 27.048/09. Published
by Carus Verlag
(CA.2704809).
ISBN
9790007199395. Key: D
major. Language:
Latin.
The Carus
program featuring music
of the Court of Dresden
has been expanded with
the publication of the
first edition of the
great masses of Johann
David Heinichen, who,
next to Hasse and
Zelenka, was the most
important musical
representative of this
capital of Saxony. A
peculiarity of this work
is the fact that
Heinichen inserted an
actual concerto movement
for solo flute, 2 oboes,
strings and continuo
between the Gloria and
Credo, which recommends
the Mass for concert
performances. Score and
parts available
separately - see item
CA.2704800.
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Single Part, Violin 2.
Composed 1725. BWV 183. 4
pages. Duration 15
minutes. Carus Verlag #CV
31.183/12. Published by
Carus Verlag
(CA.3118312).
ISBN
9790007050412. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score and part
available separately -
see item CA.3118300.
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott.
German title: Ein feste
Burg. Innovative practice
aids, Sacred vocal music,
Cantatas, Reformation
day. Single Part, Viola.
BWV 80. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
31.080/13. Published by
Carus Verlag
(CA.3108013).
ISBN
9790007045371. Key: D
major. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther, Salomo
Franck.
Bach's
Reformation cantata,
based on what is probably
Martin Luther's most
famous hymn, evolved over
a period of several
years. At the beginning
was a Weimar cantata for
Oculi Sunday 1716, now
missing, which was based
on the hymn with an
instrumental quotation in
the opening aria and with
the final chorale. In the
Leipzig years around
1730, Bach wrote a
cantata for Reformation
Day using this material.
It began with the first
verses of Luther's hymn
in a simple four-part
setting and also included
the other verses. Later
on, in the 1730s or
1740s, Bach replaced the
introductory chorale
movement with a chorale
setting which was unique,
spacious and motet-like
in its style; this -
uniquely in this respect
- incorporated the choral
writing in an
instrumental canon for
oboes and organ continuo.
The powerful opening
chorus is followed by
recitatives and arias
which reflect the full
breadth of Bach's art of
word painting and
emotion. One of Bach's
most magnificent
cantatas, one of the
greatest works in the
history of music. In
addition to the complete
performance material the
arrangements of movements
1 and 5 (with 3 trumpets,
timpani as playing score)
by Wilhelm Friedemann
Bach are available (Carus
3108089). Score and part
available separately -
see item CA.3108000.
St. Mark Passion Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
(Version Hellmann/Glockner). Composed by Johann Sebastian Bach (1685-1750). Edit...(+)
(Version
Hellmann/Glockner).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andreas Glockner.
Arranged by Diethard
Hellmann. For SAT vocal
soli, SATB choir, 2
flutes, 2 oboes/2 oboe
d'amore, 2 violins,
viola, 2 viola da gamba,
basso continuo, [2
lutes]. This edition:
Paperbound. Stuttgart
Urtext Edition. German
title: Markuspassion
Glockner. Oratorios,
Passions, Lent and
Passiontide, Holy Week.
Full score. Language:
German. Composed
1723/1964/2001. BWV 247.
Duration 75 minutes.
Published by Carus Verlag
Blessed ist the man Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Carus Verlag
(Cantata for the 2nd day of Christmas). Composed by Johann Sebastian Bach (1685-...(+)
(Cantata for the 2nd day
of Christmas). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Frieder Rempp. Arranged
by Paul Horn. For SB
vocal soli, SATB choir, 2
oboes, taille (oboe da
caccia, english horn), 2
violins, viola, basso
continuo. This edition:
paperback. Stuttgart
Urtext edition.
Christmas. Study score.
Text language:
German/English. Composed
1725. BWV 57. 36 pages.
Duration 28 minutes.
Published by Carus Verlag
Cantata
for the 1st day of
Christmas. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.091/21 oboe 1, 1x
31.091/22 oboe 2, 1x
31.091/23 oboe 3, 1x
31.091/31 horn 1, 1x
31.091/32 horn 2, 1x
31.091/41 timpani. Hymns
by Martin Luther: Gelobet
seist du, Jesu Christ.
German title: Gelobet
seist du, Jesu Christ 6.
Sacred vocal music,
Cantatas, Christmas. Set
of Orchestra Parts.
Composed 1724. BWV 91. 22
pages. Duration 19
minutes. Carus Verlag #CV
31.091/09. Published by
Carus Verlag
(CA.3109109).
ISBN
9790007046385. Key: G
major. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Cantata
for Quasimodogeniti
Sunday. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext. 1x
31.042/21 oboe 1, 1x
31.042/22 oboe 2, 1x
31.042/23 bassoon.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Easter
and Eastertide. Set of
Orchestra Parts. Composed
1725. BWV 42. 20 pages.
Duration 28 minutes.
Carus Verlag #CV
31.042/09. Published by
Carus Verlag
(CA.3104209).
ISBN
9790007205836. Language:
German/English.
Ins
tead of an opening chorus
Cantata BWV 42 begins
with a magnificent
Sinfonia in the style of
the Brandenburg
Concertos. It is possible
that Bach took this
movement from a concerto
which he had composed
earlier. The first aria,
for alto with obbligato
oboe and bassoon, could
be derived from the
middle movement of this
concerto. The heroic bass
aria, a statement of the
certainty of faith, forms
a weighty counterpart to
the opening movement.
Score and parts available
separately - see item
CA.3104200.
Composed by Michael
Haydn. Edited by Thomas
C. Pumberger. 1x
50.348/21 flute, 1x
50.348/22 oboe 1, 1x
50.348/23 oboe 2, 1x
50.348/24 bassoon, 1x
50.348/31 horn 1, 1x
50.348/32 horn 2, 1x
50.348/33 trumpet 1, 1x
50.348/34 trumpet 2, 1x
50.348/35 trombone 1, 1x
50.348/36 trombone 2, 1x
50.348/37 trombone 3, 1x
50. Vesperae Solennes De
Dominica Mh 321. Sacred
vocal music, Psalms,
Daily hours. Set of
Orchestra Parts. Composed
1782. MH 321. 98 pages.
Duration 30 minutes.
Carus Verlag #CV
50.348/09. Published by
Carus Verlag
(CA.5034809).
ISBN
9790007081508. Key: C
major. Language:
Latin.
Contents:
Dixit Dominus (Ps 109, C
major) Confitebor (Ps
110, E flat major) Beatus
vir (Ps 111, G major)
Laudate pueri (Ps 112, B
flat major) Laudate
Dominum (Ps 116, F major)
Magnificat
(Vespercanticum, C
major). Score and parts
available separately -
see item CA.5034800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. 1x
31.098/21 oboe 1, 1x
31.098/22 oboe 2, 1x
31.098/23 oboe d'amore.
German title: Was Gott
Tut, Das Ist Wohlgetan
Ii. Sacred vocal music,
Cantatas, End of the
church year. Set of
Orchestra Parts. Composed
1726. BWV 98. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.098/09. Published by
Carus Verlag
(CA.3109809).
ISBN
9790007047023. Key: B
flat major. Language:
German/English.
Sco
re available separately -
see item CA.3109800.
Cantata
for the 4th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Tobias Rimek.
This edition: urtext. 1x
31.177/21 oboe 1, 1x
31.177/22 oboe 2, 1x
31.177/23 bassoon.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Whitsun.
Set of Orchestra Parts.
Composed 1732. BWV 177.
16 pages. Duration 13
minutes. Carus Verlag #CV
31.177/09. Published by
Carus Verlag
(CA.3117709).
ISBN
9790007209803. Text
language:
German/English.
The
cantata Ich ruf zu dir,
Herr Jesu Christ begins
with an expansive chorale
arrangement, for which
Bach reverted to a proven
model: The four voices of
the solo ensemble take
over the chorale, in
which the melody lies in
the soprano. For stanzas
2-4 Bach chooses the aria
form with a highly
differentiated scoring
from movement to
movement, ranging from a
continuo Aria (1st
movement), up to an aria
accompanied by the
violin, with obbligato
bassoon and continuo. A
straightforward four-part
chorale movement
concludes the cantata.
Score and parts available
separately - see item
CA.3117700.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. 1x
31.063/21 oboe 1, 1x
31.063/22 oboe 2, 1x
31.063/23 oboe 3, 1x
31.063/24 bassoon, 1x
31.063/31 trumpet 1, 1x
31.063/32 trumpet 2, 1x
31.063/33 trumpet 3, 1x
31.063/34 trumpet 4, 1x
31.063/41 timpani. German
title: Christen, atzet 9.
Sacred vocal music,
Cantatas, Christmas. Set
of Orchestra Parts.
Composed 1715. BWV 63. 30
pages. Duration 27
minutes. Carus Verlag #CV
31.063/09. Published by
Carus Verlag
(CA.3106309).
ISBN
9790007043704. Key: C
major. Language:
German/English.
Wit
h its scoring for a large
number of performers, who
according to earlier
practice were divided
into various groups, this
Cantata is clearly a
festive work. In the
richness of its scoring
it was equalled, but not
surpassed, by Bach's
first Leipzig Cantate for
the Election of the Town
Council, BWV 119, of
1723. It is noticeable
that the words of BWV 63
relate to Christmas only
in the recitatives, while
the choruses and arias
express the praise of God
in general terms. Score
and parts available
separately - see item
CA.3106300.
Cantata
for the Sunday after
Christmas. Composed
by Johann Sebastian Bach.
Edited by Felix Loy.
Arranged by Paul Horn.
This edition: urtext. 1x
31.028/21 oboe 1, 1x
31.028/22 oboe 2, 1x
31.028/23 oboe 3, 1x
31.028/31 horn, 1x
31.028/32 trombone 1, 1x
31.028/33 trombone 2, 1x
31.028/34 trombone 3.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gottlob, Nun Geht Das
Jahr Zu Ende. Sacred
vocal music, Christmas.
Set of Orchestra Parts.
Composed 1725. BWV 28. 26
pages. Duration 16
minutes. Carus Verlag #CV
31.028/09. Published by
Carus Verlag
(CA.3102809).
ISBN
9790007205324. Language:
German/English. Text:
Neumeister, Erdmann.
Text: Erdmann
Neumeister.
Score
and parts available
separately - see item
CA.3102800.
Cantata
for 24th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Till
Reininghaus. This
edition: urtext. 1x
31.026/21 flute, 1x
31.026/22 oboe 1, 1x
31.026/23 oboe 2, 1x
31.026/24 oboe 3, 1x
31.026/31 horn. Stuttgart
Urtext Edition: Bach
vocal. German title: Ach
wie fluchtig, ach wie
nichtig 5. Sacred vocal
music, End of the church
year, Mourning, death.
Set of Orchestra Parts.
Composed 1724. BWV 26. 26
pages. Duration 17
minutes. Carus Verlag #CV
31.026/09. Published by
Carus Verlag
(CA.3102609).
ISBN
9790007205256. Language:
German/English.
Bac
h's cantata BWV 26
belongs to the Leipzig
cycle of chorale
cantatas, 1724/25, and it
was first performed on 19
November 1724. The
underlying 13-vers hymn
by Michael Franck
provided Bach and his
unidentified librettist
with an abundance of
metaphors and comparisons
which, from verse to
verse and movement to
movement, illustrate the
fleeting and transitory
nature of earthly life:
an impressive
musical-poetic exposition
of potent baroque
pictures of vanity..
Score and parts available
separately - see item
CA.3102600.
Cantata
for the 4th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Felix Loy.
Arranged by Paul Horn.
This edition: urtext. 1x
31.024/21 oboe 1, 1x
31.024/22 oboe 2, 1x
31.024/31 clarino.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ein ungefarbt Gemute Set
(3). Sacred vocal music,
Trinity. Set of Orchestra
Parts. Composed 1723. BWV
24. 12 pages. Duration 20
minutes. Carus Verlag #CV
31.024/09. Published by
Carus Verlag
(CA.3102409).
ISBN
9790007205133. Language:
German/English.
Sco
re and parts available
separately - see item
CA.3102400.
Cantata for the 9th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. 1x
31.094/21 flute, 1x
31.094/22 oboe d'amore 1,
1x 31.094/23 oboe d'amore
2. German title: Was frag
ich nach der Welt 3.
Sacred vocal music,
Cantatas, Mourning,
death. Set of Orchestra
Parts. Composed 1724. BWV
94. 24 pages. Duration 23
minutes. Carus Verlag #CV
31.094/09. Published by
Carus Verlag
(CA.3109409).
ISBN
9790007046651. Key: D
major. Language:
German/English. Text:
Kindermann, Balthasar.
Text: Balthasar
Kindermann.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. 1x 31.003/21 oboe
1, 1x 31.003/22 oboe 2,
1x 31.003/31 horn, 1x
31.003/32 trombone.
German title: Ach Gott,
wie manches Herzeleid 4.
Sacred vocal music,
Cantatas, Epiphany. Set
of Orchestra Parts.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/09. Published by
Carus Verlag
(CA.3100309).
ISBN
9790007041434. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
parts available
separately - see item
CA.3100300.
Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.101/21 flute, 1x
31.101/22 oboe 1, 1x
31.101/23 oboe 2, 1x
31.101/24 English horn,
1x 31.101/31 horn, 1x
31.101/32 trombone 1, 1x
31.101/33 trombone 2, 1x
31.101/34 trombone 3.
German title: Nimm von
uns, Herr 8. Sacred vocal
music, Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 101. 44 pages.
Duration 25 minutes.
Carus Verlag #CV
31.101/09. Published by
Carus Verlag
(CA.3110109).
ISBN
9790007047306. Key: D
minor. Language:
German/English. Text:
Moller, Martin. Text:
Martin
Moller.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. 1x 31.149/21 oboe
1, 1x 31.149/22 oboe 2,
1x 31.149/23 oboe 3, 1x
31.149/24 bassoon, 4x
31.149/31
trumpet/timpani.
Stuttgart Urtext Edition:
Bach vocal. German title:
Man singet mit Freuden
vom Sieg. Sacred vocal
music, Cantatas, Special
days. Set of Orchestra
Parts. BWV 149. Duration
22 minutes. Carus Verlag
#CV 31.149/09. Published
by Carus Verlag
(CA.3114909).
ISBN
9790007208554. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and parts
available separately -
see item CA.3114900.
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott.
Harmony parts. Innovative
practice aids, Sacred
vocal music, Cantatas,
Reformation day. Set of
Orchestra Parts. BWV 80.
12 pages. Duration 30
minutes. Carus Verlag #CV
31.080/89. Published by
Carus Verlag
(CA.3108089).
ISBN
9790007206840. Key: D
major. Text language:
German/English. Text:
Luther,
Martin.
Bach's
Reformation cantata,
based on what is probably
Martin Luther's most
famous hymn, evolved over
a period of several
years. At the beginning
was a Weimar cantata for
Oculi Sunday 1716, now
missing, which was based
on the hymn with an
instrumental quotation in
the opening aria and with
the final chorale. In the
Leipzig years around
1730, Bach wrote a
cantata for Reformation
Day using this material.
It began with the first
verses of Luther's hymn
in a simple four-part
setting and also included
the other verses. Later
on, in the 1730s or
1740s, Bach replaced the
introductory chorale
movement with a chorale
setting which was unique,
spacious and motet-like
in its style; this -
uniquely in this respect
- incorporated the choral
writing in an
instrumental canon for
oboes and organ continuo.
The powerful opening
chorus is followed by
recitatives and arias
which reflect the full
breadth of Bach's art of
word painting and
emotion. One of Bach's
most magnificent
cantatas, one of the
greatest works in the
history of music. In
addition to the complete
performance material the
arrangements of movements
1 and 5 (with 3 trumpets,
timpani as playing score)
by Wilhelm Friedemann
Bach are available (Carus
3108089). Score and parts
available separately -
see item CA.3108000.
Composed by Wolfgang
Amadeus Mozart. Edited by
Christine Martin.
Arranged by Volker
Blumenthaler. This
edition: urtext. 1x
51.262/21 oboe 1, 1x
51.262/22 oboe 2, 1x
51.262/31 horn 1, 1x
51.262/32 horn 2, 1x
51.262/33 trumpet 1, 1x
51.262/34 trumpet 2, 1x
51.262/35 trombone 1, 1x
51.262/36 trumpet 2, 1x
51.262/37 trombone 3, 1x
51.262/41 timpani.
Stuttgart Urtext Edition:
Mozart. Missa Longa
Rev.2005. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts.
Composed 1775. KV 262. 76
pages. Duration 25
minutes. Carus Verlag #CV
51.262/09. Published by
Carus Verlag
(CA.5126209).
ISBN
9790007224660. Key: C
major. Language:
Latin.
Leopold
Mozart described KV 262,
unlike Mozart's
considerably shorter
masses of the same
period, as a Missa longa.
The prolixity of some of
the movements and of
concluding fugues in the
Gloria and Credo is
indeed surprising. The
full orchestral scoring
also emphasizes the
ceremonial character of
this Mass. Score and
parts available
separately - see item
CA.5126200.
Composed
by Johann Ludwig Bach.
Edited by Hermann Max. 1x
30.006/21 oboe 1, 1x
30.006/22 oboe 2. German
title: Mache dich auf,
werde licht 2. Sacred
vocal music, Advent. Set
of Orchestra Parts. 16
pages. Duration 18
minutes. Carus Verlag #CV
30.006/09. Published by
Carus Verlag
(CA.3000609).
ISBN
9790007039516. Language:
German/English.
Sco
re available separately -
see item CA.3000600.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext. 1x
39.127/21 oboe 1, 1x
39.127/22 oboe 2.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Set of Orchestra Parts.
TVWV 7:16. Duration 12
minutes. Carus Verlag #CV
39.127/09. Published by
Carus Verlag
(CA.3912709).
ISBN
9790007215774. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and parts
available separately -
see item CA.3912700.
Responsum.
Composed by Johann Adolf
Hasse. Edited by Wolfgang
Hochstein. Arranged by
Wolfgang Hochstein. 1x
40.965/21 oboe 1, 1x
40.965/22 oboe 2, 1x
40.965/31 horn 1, 1x
40.965/32 horn 2. German
title: Domine Ad
Adiuvandum (Responsum).
Sacred vocal music, Daily
hours. Set of Orchestra
Parts. Composed circa
1737-1756. 8 pages.
Duration 2 minutes. Carus
Verlag #CV 40.965/09.
Published by Carus Verlag
(CA.4096509).
ISBN
9790007221430. Key: C
major. Language:
Latin.