Solo voices, choir,
orchestra (Solo SATB
voices, Mixed choir,
4Fl(Flote I-III muta in
Piccolo-Flote), 2
Ob+EnglHn, 3clar(clar III
muta in Bass-clar),
3bsn(bassoonott III muta
in Kontra-bassoonott),
4Hn, 4Trp, 3tbn, Tb,
3timp, Tri, Tr-Kl,
Be-Hang, Tam, Glsp, Gl,
Cel, 2 harp, Org, Str)
SKU: BA.BA06863
September 1927
Version. Composed by
Leos Janacek. Edited by
Jirà Zahrádka. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek. Series B,
Volume 5-II. September
1927 Version. Complete
edition, Score. 179
pages. Duration 41
minutes, 13 seconds.
Baerenreiter Verlag
#BA06863_00. Published by
Baerenreiter Verlag
(BA.BA06863).
ISBN
9790260105317. 34.2 x 27
cm inches. Text Language:
Church
Slavic.
“The
Glagolitic Massâ€,
one of the 20th century
masterpieces of sacred
music, has a very complex
genesis and constitutes
an intricate editorial
challenge.
This
new critical edition
presents two different
versions of the work in
two separate volumes
(B/5-I, BA 6862 und
B/5-II, BA 6863): the
“September
1927†version which
the composer completed
before the first
rehearsals and subsequent
premiere in Brno and the
version he partly
reworked for the first
Prague performance in
April 1928. This second
version was then revised
further and published
after Janacek’s
death by Universal
Edition Wien in 1930.
Known as the “final
authorised
version“, it has
been newly edited for
this publication which is
based on the
engraver’s copy of
the score prepared by
Janacek’s regular
copyist Václav
Sedlacek.
The new
Barenreiter edition also
contains an informative
preface
(Cz/Eng/Ger/Fr/Ru) as
well as detailed critical
commentary. The
“September
1927†version can
be seen more as a
supplement and appears
without text
commentary.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Serenade in three
parts. Composed by
George Frideric Handel.
Edited by Artie Heinrich.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) I, 9.2. 2nd
version. Complete
edition, Score. HWV 49.
Duration 1 hour, 20
minutes. Baerenreiter
Verlag #BA10700_00.
Published by Baerenreiter
Verlag (BA.BA10700).
ISBN 9790006550135. 33
x 26 cm inches. Text
Language: English,
Italian. Preface:
Heinrich, Artie. Text:
Gay, John / Hughes, John
/ Pope, Alexander /
Giuvo,
Nicola.
Handel set
the myth about the love
of the shepherd Acis for
the sea nymph Galatea
from Ovid’s
“Metamorphosesâ€
a total of three
times: in the cantata
“Aci, Galatea e
Polifemo†HWV 72
(1708), the masque
“Acis and
Galatea†HWV 49a
(1718) and finally the
pasticcio-like serenata
“Acis and
Galatea†HWV 49b
(1732) of which the
original version is now
made available in its
complete form for the
first time.
A
particular charm is
provided by the use of
two languages in the
serenata. The work was
originally conceived in
English, as was required
for the first
performance. However,
Handel’s Italian
singers were criticised
for their poor command of
English, – so in
the end, many numbers
were sung in Italian.
The extensive
appendix to the vocal
score includes the
additional arias and
newly composed movements
for the versions used in
the 1734 and 1736
performances.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Missa Divi Xaverii ZWV 12 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre - Avancé Barenreiter
Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, Mixed ch...(+)
Solo soprano voice, solo
alto voice, solo tenor
voice, solo bass voice,
Mixed choir-SATB,
orchestra (Soprano solo,
Alto solo, Tenor solo,
Bass solo, Mixed choir
(SATB), Orchestra) -
Level 5
SKU:
BA.BA09594
Composed
by Jan Dismas Zelenka.
Edited by Václav Luks.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Score. ZWV 12.
Baerenreiter Verlag
#BA09594_00. Published by
Baerenreiter Verlag
(BA.BA09594).
ISBN
9790260107526. 31 x 24.3
cm inches. Text language:
Czech, English, German.
Preface: Stockigt, Janice
B. / Luks,
Václav.
The
â??Missa Divi
Xaveriiâ? ZWV 12, an
expansive and unusually
richly scored work, marks
a highlight in the uvre
of Jan Dismas Zelenka
(1679-1745). It was
composed in 1729 while he
was working at the
Dresden court.
The
principal source of this
first edition is the
damaged autograph score
which had long been kept
under lock and key.
Passages missing because
of its damaged condition
have been supplemented
using secondary sources
or reconstructed by
Václav Luks, clearly
marked as such in the
musical text.
The
first performance to use
the present new edition
took place in the summer
of 2014, when it was
performed at the Utrecht
Early Music Festival. A
CD recording by Collegium
1704, conducted by
Václav Luks, has been
released by the label
Accent (ACC
24301).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Benvenuto
Cellini, premiered in
1838, is inspired by the
life of the legendary
Florentine goldsmith and
Renaissance figure. The
premiere was a disatster
yet even by Berliozâ??s
high standards it
contains music of
exceptional inventiveness
and beauty.
The
work is challenging not
least due to the three
versions which
exist:
I The
original version (Paris
1) as Berlioz composed
it II The version
premiered in Paris (Paris
2) after rehearsal and
copied into an archival
full score III The
Weimar version based on
the revival in 1852
following changes
suggested by
Liszt
Our edition
offers a solution to the
problem of publishing
operas which have been
heavily revised by their
composers, so that any of
its many versions may be
adopted on stage
today.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Messen, Band 5 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Holl, Mon...(+)
Urtext der Neuen
Mozart-Ausgabe. By
Wolfgang Amadeus Mozart.
Edited by Holl, Monika;
Kohler, Karl-Heinz. For
Soli, Mixed Choir,
Orchestra. Neue
Mozart-Ausgabe. Serie I,
Werkgruppe 1/1, 5. Score;
Urtext Edition; Complete
Edition (cloth bound).
Published by
Baerenreiter-Ausgaben
(German import). (BA4592
01)
Fairest Lord Jesus, We Love You Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur et Parties séparées + CD] - Intermédiaire Lillenas Publishing Co.
By David Clydesdale. Arranged by David Clydesdale. For SATB choir with vocal sol...(+)
By David Clydesdale.
Arranged by David
Clydesdale. For SATB
choir with vocal solo
(flute 1and2, oboe,
clarinet 1and2, bassoon,
F horn 1/2and3, trumpet
1/2and3, trombone 1and2,
trombone 3/tuba,
percussion 1and2/3and4,
rhythm, harp, violin
1and2, viola, cello,
string bass)
(2.2.0.2/2.2.3.0,timp,str ,SATB chorus) SKU: TM.03100SC Composed by Georg...(+)
(2.2.0.2/2.2.3.0,timp,str
,SATB chorus)
SKU:
TM.03100SC
Composed
by George Frideric
Handel. Score. Lucks
Music Library #A8816.
Published by Lucks Music
Library (TM.03100SC).
Prout edition.
No. 14 There were
Shepherds Abiding in the
Field; And Lo The Angel
Of The Lord Came Upon
Them; No. 15 And The
Angel Said Unto Them; No.
16 And Suddenly There Was
With The Angel; No. 17
Glory to God. Sc pg
117-126.
(2.2.0.2/2.2.3.0,timp,str ,SATB chorus) SKU: TM.03100SET Composed by Geor...(+)
(2.2.0.2/2.2.3.0,timp,str
,SATB chorus)
SKU:
TM.03100SET
Composed
by George Frideric
Handel. Set Type: A. Set
of parts. Lucks Music
Library #A8816. Published
by Lucks Music Library
(TM.03100SET).
Prout edition.
No. 14 There were
Shepherds Abiding in the
Field; And Lo The Angel
Of The Lord Came Upon
Them; No. 15 And The
Angel Said Unto Them; No.
16 And Suddenly There Was
With The Angel; No. 17
Glory to God. Sc pg
117-126.
Soloists, Mixed choir, Orchestra SKU: BA.BA05576 Composed by Franz Schube...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA05576
Composed
by Franz Schubert. Edited
by Rudolf Faber. This
edition: urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA05576. Published by
Baerenreiter Verlag
(BA.BA05576).
ISBN
9790006575954. 31 x 24.3
cm inches. Key: E-flat
major. Text Language:
Latin.
We know
relatively little about
the genesis of
Schubertâ??s Mass in
E-flat major (D 950)
which he completed in
1828, a few months before
his death. The work was
not performed during his
lifetime and we can only
speculate what might have
caused the composer to
write this Missa
solemnis.
In the
preface to this volume of
the New Schubert Edition,
editor Rudolf Faber
assembles all documented
facts. Furthermore, he
focuses on the accents,
which are such a
characteristic element of
Schubertâ??s autograph
scores, and explains how
Schubert used them in a
very differentiated
manner, in particular in
the Mass in E-flat major.
In order to do justice to
these subtle differences,
the New Schubert Edition
has introduced a new
symbol: an accent which
is flexible with regard
to its length and which
makes it possible to
visualize Schubertâ??s
sophisticated employment
of emphasis and
accentuation.
The
work is scored for large
orchestra (without
flutes), chorus, and one
soprano as well as two
tenors as soloists. In
Schubertâ??s autograph
the organ is not
explicitly called for,
but Ferdinand Schubert
added an organ part for
the posthumous premiere
on 4 October 1829 at the
Dreifaltigkeitskirche of
Vienna
Alservorstadt.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Commedia in due atti
(comedy in two acts).
Composed by Gioachino
Rossini. Edited by
Patricia B. Brauner. This
edition: Edition of
selected works, Urtext
edition. Linen. Works of
Gioachino Rossini, Volume
2. Edition of selected
works, Score.
Baerenreiter Verlag
#BA10506_01. Published by
Baerenreiter Verlag
(BA.BA10506-01).
ISBN
9790006552009. 33 x 26 cm
inches. Text Language:
Italian. Text: Sterbini,
Cesare.
Barenreiter
's publication of a new
volume of theWorks of
Gioachino Rossini, in
collaboration with the
Center for Italian Opera
Studies at the University
of Chicago, makes
available an edition of
the operaIl barbiere di
Sivigliawhich meets
modern demands. The
editors have recently
identified numerous
carelessly edited places
in the last critical
edition by referring to
additional sources. The
greatest changes relate
to the overture; for the
new edition, no fewer
than twenty different
autograph manuscripts
have been consulted.
A detailed appendix
containing alternative
vocal parts, advice on
ornamentation and
compositions by Rossini
significant in the
performance history of
the opera complete the
volume.
A
420-page Critical
Commentary is published
separately. With this, a
critical edition is now
available to
interpreters, enabling
them to perform Rossini's
,,Barber of Sevillewith
the greatest possible
confidence in the
accuracy of the musical
material. The performance
material is available on
hire, and a vocal score
will be published at the
end of 2009.
Through 1829 Rossini was
an extraordinarily
prolific composer of
operas, comic, serious,
and semiserious, in
Italian and French, as
well as of a great deal
of vocal and instrumental
music. He composed sacred
music, vocal treatises,
cantatas. Then, for many
different reasons, he
wrote very little music
for more than twentyfive
years, if we except some
songs and the ' Stabat
Mater' . Only after he
left Italy definitively
for Paris in 1855 did he
find his voice again.
Between 1857 and
1868 a fresh group of
masterpieces issued from
his pen, the so-called '
Peches de vieillesse'
(Sins of Old Age),
including chamber music,
songs, and the 'Petite
Messe Solennelle'.
Philip Gossett,
General Editor of Works
of Gioachino Rossini, is
the Robert W. Reneker
Distinguished Service
Professor at The
University of Chicago and
a professordi chiara
famaat the University of
RomeLa Sapienza. He is
also general editor of
The Works of Giuseppe
Verdi.
Barenreiter in
cooperation with the
Center for Italian Opera
Studies at The University
of Chicago will publish
ten volumes in the series
Works of Gioachino
Rossini, in critical
editions, during the
period 2007-2011. These
are all volumes that were
not issued in theEdizione
critica delle opere di
Gioachino Rossini.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cantatas IV-VI.
Composed by Johann
Sebastian Bach. This
edition: urtext. 1x
31.248/91 oboe 1, 1x
31.248/92 oboe 2, 1x
31.248/93 horn 1, 1x
31.248/94 horn 2, 4x
31.248/95
trumpet/timpani.
Stuttgart Urtext Edition:
Bach vocal. German title:
Weihnachtsoratorium 4-6
N.N.E. Sacred, Stuttgart
Urtext editions; Use
during church year:
Christmas. Set of
Orchestra Parts. Composed
1734. BWV 248. 96 pages.
Carus Verlag #CV
31.248/79. Published by
Carus Verlag
(CA.3124879).
ISBN
9790007211585. Language:
German/English.
Wit
h the edition of the
Christmas Oratorio within
the framework of the
Stuttgart Bach Editions,
Carus presents a
scholarly edition for
practical performance.
The basis for this
publication are Bach's
autograph score and the
original parts. The
conducting score contains
an appendix with a
concise Critical Report
which provides
information about the
sources and their
readings; when necessary,
the latter are discussed
in more detail,
especially with regard to
how the editor arrived at
solutions for questions
of articulation which
differ from those found
in previous editions. The
representative,
clothbound volume is
supplemented by a study
score as well as a choral
score, a vocal score and
complete orchestral
material. In the
orchestral material short
excerpts containing the
conclusions of the secco
recitatives are rendered
with cue notes in
separate vocal systems
printed above the score
where the
instrumentalists pause,
thus enabling them make
their entrances in the
movements which follow
these recitatives. This
work is also available in
carus music, the choir
app! Score and parts
available separately -
see item CA.3124800.
Composed
by Giovanni Benedetto
Platti. Edited by Leo
Langer. Arranged by Paul
Horn. This edition:
Paperbound. Sacred vocal
music, Masses, Latin.
Vocal score. 44 pages.
Duration 25 minutes.
Carus Verlag #CV
40.677/03. Published by
Carus Verlag
(CA.4067703).
ISBN
9790007074258. Key: F
major. Language:
Latin.
The first
edition of a Missa in F
by Giovanni Platti (ca.
1690-1763) is a rarity.
Platti served at the
Court of the Counts of
Schonborn-Wiesentheid,
and during his more than
40 years of service at
the Court he worked for
more than five masters
and each of them knew how
to make use of his
musical abilities. Thus,
in addition to his
position as a virtuoso
oboist, singer and
violinist, he was also
entrusted with the
musical education of
musicians. The Missa in F
major is primarily a
composition for choir; it
is very singable, its
construction is
transparent and it is
accompanied by only four
strings and an organ.
Score available
separately - see item
CA.4067700.
Composed
by Johann Ernst Eberlin.
Edited by Wolfgang
Furlinger. South German
church music of the
Baroque. Missa Quinti
Toni 1100501. Sacred
vocal music. Choral
Score. 16 pages. Carus
Verlag #CV 91.018/05.
Published by Carus Verlag
(CA.9101805).
ISBN
9790007113926. Key: C
major. Language:
Latin.
Eberlin
wrote some 250 church
music works at Salzburg,
thus creating a
repertoire which later
strongly influenced
Mozart. His masses are
distinguished by harmonic
and melodic subtleties,
but most of them are
effective even in
performances with
restricted resources.
This mass is one such
work, a rewarding
prospect for every church
choir. Score available
separately - see item
CA.9101800.
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Franz Xaver Sussmayr.
Carus Choir Coach.
REQUIEM (SUssMAYR).CCC.
Requiem. Compact Disc.
Composed 1791. KV 626.
Carus Verlag #CV
51.626/46. Published by
Carus Verlag
(CA.5162646).
Key: D
minor. Text language:
Latin.
The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score
available separately -
see item CA.5162600.
Messa
delle Benedicenza.
Composed by Michael
Haydn. Edited by Josef
Friedrich Doppelbauer.
This edition: Paperbound.
Sacred music of the
Vienna classic. Missa Sti
Dominici Mh 419 1000401.
Sacred vocal music. Vocal
score. Composed 1786. MH
419. 44 pages. Carus
Verlag #CV 91.008/03.
Published by Carus Verlag
(CA.9100803).
ISBN
9790007094706. Key: C
major. Language:
Latin.
The masses
of Johann Michael Haydn
are masterworks in the
church music repertoire
and they were widely
appreciated during his
lifetime, as is proved by
the many copies made of
them. The Missa Sancti
Dominici belongs, through
its mooring with trumpets
and drums, in the
category of the missa
solemnis. It also owes
its tonal splendour
partly to the richness of
its compositional
process, marked by
sometimes rapid
alternation between
choral and solo passages.
This is a richly
rewarding, fascinating
work for accomplished
choirs to perform, not
only at festive services.
Score available
separately - see item
CA.9100800.
Composed
by Johann Ernst Eberlin.
Edited by Wolfgang
Furlinger. South German
church music of the
Baroque. Missa Quinti
Toni 1100501. Sacred
vocal music. Single Part,
Cello. 8 pages. Carus
Verlag #CV 91.018/12.
Published by Carus Verlag
(CA.9101812).
ISBN
9790007230272. Key: C
major. Language:
Latin.
Eberlin
wrote some 250 church
music works at Salzburg,
thus creating a
repertoire which later
strongly influenced
Mozart. His masses are
distinguished by harmonic
and melodic subtleties,
but most of them are
effective even in
performances with
restricted resources.
This mass is one such
work, a rewarding
prospect for every church
choir. Score and part
available separately -
see item CA.9101800.
Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. BWV BWV
69a. 8 pages. Duration 25
minutes. Carus Verlag #CV
31.069/61. Published by
Carus Verlag
(CA.3106961).
ISBN
9790007206697. Text
language:
German/English.
Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900.
Composed
by Giovanni Benedetto
Platti. Edited by Leo
Langer. Arranged by Paul
Horn. Complete orchestral
parts. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts.
Duration 25 minutes.
Carus Verlag #CV
40.677/19. Published by
Carus Verlag
(CA.4067719).
ISBN
9790007220211. Key: F
major. Language:
Latin.
The first
edition of a Missa in F
by Giovanni Platti (ca.
1690-1763) is a rarity.
Platti served at the
Court of the Counts of
Schonborn-Wiesentheid,
and during his more than
40 years of service at
the Court he worked for
more than five masters
and each of them knew how
to make use of his
musical abilities. Thus,
in addition to his
position as a virtuoso
oboist, singer and
violinist, he was also
entrusted with the
musical education of
musicians. The Missa in F
major is primarily a
composition for choir; it
is very singable, its
construction is
transparent and it is
accompanied by only four
strings and an organ.
Score and parts available
separately - see item
CA.4067700.
Messa
delle Benedicenza.
Composed by Michael
Haydn. Edited by Josef
Friedrich Doppelbauer.
Sacred music of the
Vienna classic. Missa Sti
Dominici Mh 419 1000401.
Sacred vocal music.
Single Part, Violin 1.
Composed 1786. MH 419. 12
pages. Carus Verlag #CV
91.008/11. Published by
Carus Verlag
(CA.9100811).
ISBN
9790007230005. Key: C
major. Language:
Latin.
The masses
of Johann Michael Haydn
are masterworks in the
church music repertoire
and they were widely
appreciated during his
lifetime, as is proved by
the many copies made of
them. The Missa Sancti
Dominici belongs, through
its mooring with trumpets
and drums, in the
category of the missa
solemnis. It also owes
its tonal splendour
partly to the richness of
its compositional
process, marked by
sometimes rapid
alternation between
choral and solo passages.
This is a richly
rewarding, fascinating
work for accomplished
choirs to perform, not
only at festive services.
Score and part available
separately - see item
CA.9100800.
Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. BWV BWV 69a. 12
pages. Duration 25
minutes. Carus Verlag #CV
31.069/64. Published by
Carus Verlag
(CA.3106964).
ISBN
9790007206727. Text
language:
German/English.
Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900.
Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. BWV BWV
69a. 8 pages. Duration 25
minutes. Carus Verlag #CV
31.069/62. Published by
Carus Verlag
(CA.3106962).
ISBN
9790007206703. Text
language:
German/English.
Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900.
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Franz Xaver Sussmayr.
Carus Choir Coach.
REQUIEM (SUssMAYR).CCC.
Requiem. Compact Disc.
Composed 1791. KV 626.
Carus Verlag #CV
51.626/47. Published by
Carus Verlag
(CA.5162647).
Key: D
minor. Text language:
Latin.
The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score
available separately -
see item CA.5162600.
Cantatas I-III.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Carus sheet
music series: Vocal
scores XL. German title:
Weihnachtsoratorium 1-3.
Sacred, Oratorios;
Stuttgart Urtext
editions; Use during
church year: Christmas.
Single Part, Organ.
Composed circa 1734. BWV
248. 48 pages. Duration
90 minutes. Carus Verlag
#CV 31.248/49. Published
by Carus Verlag
(CA.3124849).
ISBN
9790007088484. Language:
German/English.
Wit
h the edition of the
Christmas Oratorio within
the framework of the
Stuttgart Bach Editions,
Carus presents a
scholarly edition for
practical performance.
The basis for this
publication are Bach's
autograph score and the
original parts. The
conducting score contains
an appendix with a
concise Critical Report
which provides
information about the
sources and their
readings; when necessary,
the latter are discussed
in more detail,
especially with regard to
how the editor arrived at
solutions for questions
of articulation which
differ from those found
in previous editions. The
representative,
clothbound volume is
supplemented by a study
score as well as a choral
score, a vocal score and
complete orchestral
material. In the
orchestral material short
excerpts containing the
conclusions of the secco
recitatives are rendered
with cue notes in
separate vocal systems
printed above the score
where the
instrumentalists pause,
thus enabling them make
their entrances in the
movements which follow
these recitatives. This
work is also available in
carus music, the choir
app! Score and part
available separately -
see item CA.3124800.
Cantatas I-III.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Paul Horn. This
edition: urtext. 1x
31.248/21 flute 1, 1x
31.248/22 flute 2, 1x
31.248/23 oboe 1, 1x
31.248/24 oboe 2, 1x
31.248/25 English horn 1,
1x 31.248/26 English horn
2, 4x 31.248/31 3
trumpets and timpani.
Stuttgart Urtext Edition:
Bach vocal; Carus sheet
music series: Vocal
scores XL. German title:
Weihnachtsoratorium 1-3.
Sacred, Oratorios;
Stuttgart Urtext
editions; Use during
church year: Christmas.
Set of Orchestra Parts.
Composed circa 1734. BWV
248. 106 pages. Duration
90 minutes. Carus Verlag
#CV 31.248/09. Published
by Carus Verlag
(CA.3124809).
ISBN
9790007211462. Language:
German/English.
Wit
h the edition of the
Christmas Oratorio within
the framework of the
Stuttgart Bach Editions,
Carus presents a
scholarly edition for
practical performance.
The basis for this
publication are Bach's
autograph score and the
original parts. The
conducting score contains
an appendix with a
concise Critical Report
which provides
information about the
sources and their
readings; when necessary,
the latter are discussed
in more detail,
especially with regard to
how the editor arrived at
solutions for questions
of articulation which
differ from those found
in previous editions. The
representative,
clothbound volume is
supplemented by a study
score as well as a choral
score, a vocal score and
complete orchestral
material. In the
orchestral material short
excerpts containing the
conclusions of the secco
recitatives are rendered
with cue notes in
separate vocal systems
printed above the score
where the
instrumentalists pause,
thus enabling them make
their entrances in the
movements which follow
these recitatives. This
work is also available in
carus music, the choir
app! Score and parts
available separately -
see item CA.3124800.
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Franz Xaver Sussmayr.
Carus Choir Coach.
REQUIEM (SUssMAYR).CCC.
Requiem. Compact Disc.
Composed 1791. KV 626.
Carus Verlag #CV
51.626/45. Published by
Carus Verlag
(CA.5162645).
ISBN
9790007171858. Key: D
minor. Text language:
Latin.
The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score
available separately -
see item CA.5162600.