Violin SKU: HL.360036 Composed by Various. Instrumental Folio. Chris...(+)
Violin
SKU:
HL.360036
Composed by
Various. Instrumental
Folio. Christian, General
Worship, Worship.
Softcover. 120 pages.
Published by Hal Leonard
(HL.360036).
ISBN
9781705122822. UPC:
840126947168. 9.0x12.0
inches.
This
glorious collection
provides hours of
repertoire for
instrumentalists.
Includes: Amazing Grace
(My Chains Are Gone)
â?¢ As the Deer â?¢
The Blessing â?¢ Build
My Life â?¢ Do It Again
â?¢ Draw Me Close â?¢
Everlasting God â?¢
Goodness of God â?¢
Great Are You Lord â?¢
Here I Am to Worship
(Light of the World)
â?¢ How Great Is Our
God â?¢ In Christ Alone
â?¢ Living Hope â?¢
Mighty to Save â?¢
Oceans (Where Feet May
Fail) â?¢ Open the Eyes
of My Heart â?¢ Shout
to the Lord â?¢ 10,000
Reasons (Bless the Lord)
â?¢ This Is Amazing
Grace â?¢ Way Maker
â?¢ Yet Not I but
Through Christ in Me
â?¢ Your Name â?¢ and
many more!
Celtic / Irish, Perfect binding, World. Sacred. Book and online audio. 108 pag...(+)
Celtic / Irish, Perfect
binding, World. Sacred.
Book
and online audio. 108
pages.
Mel Bay Publications, Inc
#31036M. Published by Mel
Bay
Publications, Inc
(A Violin Technique Book for Group Classes and Private Instruction). By Kathryn ...(+)
(A Violin Technique Book
for Group Classes and
Private Instruction). By
Kathryn Bird Kinnard. For
Violin. String - Violin
Studies or Collection.
Book. 44 pages. Published
by Alfred Publishing.
Violin. Arranged by Robert Van Beringen. De Haske Play-Along Book. Book and CD P...(+)
Violin. Arranged by
Robert Van Beringen. De
Haske Play-Along Book.
Book and CD Package. Size
9x12 inches. 43 pages.
Published by De Haske
Publications.
by Craig Duncan. For fiddle. method. You Can Teach Yourself. All Styles. Level: ...(+)
by Craig Duncan. For
fiddle. method. You Can
Teach Yourself. All
Styles. Level: Beginning.
Book/CD Set. Size
8.75x11.75. 80 pages.
Published by Mel Bay
Publications, Inc.
Chamber Music Violin SKU: PR.144407530 Composed by Lauren Bernofsky. 12 p...(+)
Chamber Music Violin
SKU: PR.144407530
Composed by Lauren
Bernofsky. 12 pages.
Duration 10 minutes, 30
seconds. Merion Music
#144-40753. Published by
Merion Music
(PR.144407530).
ISBN
9781491136614. UPC:
680160687992.
A
violinist herself, Lauren
Bernofsky has described
SONATA FOR SOLO VIOLIN as
drawn from
autobiographical
inspiration, including
gestures from Bachâ??s
beloved Partita in E
Major. Bernofsky opens
with a Preludio movement
whose references to Bach
may be disguised, but
they are surely lurking.
The second movement is
lusciously contrapuntal
with the idiomatic
finesse of a violinist
composing for her own
instrument, while
musically journaling the
emotional pain of living
through 2020. The third
and final movement is
aptly marked
â??white-hot,â? and
the music certainly
is. My SONATA FOR SOLO
VIOLIN was commissioned
by violinist Megan Healy
as part of The Maud
Powell Project, which
celebrated the 100th
anniversary of the
ratification of the 19th
Amendment. The project
included the creation of
five new works for solo
violin inspired by and
dedicated to the memory
of pioneering American
violinist Maud Powell
(1867-1920). Healy
premiered the sonata on
May 8, 2021 at PianoForte
Studios in Chicago.Among
the works Powell most
frequently performed in
her recitals was the
â??Preludioâ?
movement from Bachâ??s E
major Partita, and I
decided to refer to that
music in my own first
movement, also titled
â??Preludio.â? The
beginning subtly reflects
Bachâ??s opening
three-note motive,
wherein the music dips
down a semitone and then
comes back up. This
melodic material returns
throughout the movement
in various forms. I also
refer to Bachâ??s
sixteenth-note dominated
texture, and the gesture
in the third measure,
which outlines a perfect
fifth and then fills it
in with notes that
alternate between a scale
and a pedal tone. The
corresponding passage in
my piece occurs in the
same place, measure 3.
Apart from these
references to Bach, my
sonata is much more
modern sounding,
especially in its
chromatic character.I was
still thinking of
Bachâ??s solo violin
writing while composing
the second movement,
particularly the
polyphonic nature of the
slow movements, where the
melodic interest moves
around between the
voices. Emotionally, I
wanted my movement to
reflect the acute sadness
I had been experiencing
over the political and
social situation in the
United States as I wrote
the piece. I realized
that this is a
historically noteworthy
time in U.S. history,
marked not only by
political unrest, but
also by a challenge to
the very values that I
consider essential to
what makes a person
fundamentally human. I
wanted to create a record
of that pain in my
music.The final movement
is marked
â??White-hot.â? It is
imbued with a relentless,
passionate intensity.
Wanting again to reflect
aspects of our own time,
I included glissandi that
refer to rock music,
specifically the
â??fall-offsâ? I
frequently hear played by
electric guitarists. I
borrowed from another
(completely different)
musical tradition as
well, one that is
near-and-dear to my
heart: Klezmer. Klezmer
(Eastern European Jewish
folk music) is
characterized in part by
scales colored by
augmented seconds, and is
often performed by solo
instrumentalists who
improvise embellishments
like quick grace notes.
The second, more lyrical
theme in this movement is
my nod to Klezmer
style.While this piece is
an homage to Maud Powell,
I also think of it as my
own musical
autobiography, as it
combines some of my
favorite aspects of
music, and is played on
my own instrument.
Violin. Arranged by
Various.
Book; CD; Play-Along;
String
Series; Worship
Resources.
Instrumental Solo Series.
Contemporary Christian;
Pop;
Sacred. 32 pages.
Published
by Alfred Music
for Solo Violin. By Augusta Read Thomas. String. Size 9x12 inches. 4 pages. Publ...(+)
for Solo Violin. By
Augusta Read Thomas.
String. Size 9x12 inches.
4 pages. Published by G.
Schirmer, Inc.
Incantation exhibits
Augusta Read Thomas'
enthusiasm for the
violin. The five-minute
work sings out, with
beauty and grace, always
with a richness and
elegance. Falling loosely
into an ABA form, it
ends, as it were, on a
question, with a major
seventh hanging in the
air, unresolved.
(The Highland Fiddle Music of Aonghas Grant). Composed by Aonghas Grant, with Ba...(+)
(The Highland Fiddle
Music of Aonghas Grant).
Composed by Aonghas
Grant, with Barbara
McOwen, Laura Risk, and
Peggy Duesenberry. For
fiddle. Wire bound.
Beginning-Intermediate.
Book and online video.
Published by Mel Bay
Publications, Inc
Scottish Fire Violon [Partition] - Intermédiaire Mel Bay
Traditional and Original Tunes for Fiddle from 1762 to the Present. By Bonnie Ri...(+)
Traditional and Original
Tunes for Fiddle from
1762 to the Present. By
Bonnie Rideout. For
Fiddle. Solos. Maggie's
Music. Scottish. Level:
Intermediate. Book. Size
8.75x11.75. 56 pages.
Published by Mel Bay
Publications, Inc.
An instructional and performance DVD for violinists of all ages. By Janice Tucke...(+)
An instructional and
performance DVD for
violinists of all ages.
By Janice Tucker Rhoda.
For Violin. Instructional
video; performance video.
Level: Intermediate.
Instructional DVD.
Duration 90 minutes.
Published by Carl
Fischer.
By Mark Weeg. For Fiddle & Violin. Solos. Fiddle Tunes. Level: Beginning-Interme...(+)
By Mark Weeg. For Fiddle
& Violin. Solos. Fiddle
Tunes. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75. 88
pages. Published by Mel
Bay Publications, Inc.