For
violin and Orchestra.
Composed by Dan Welcher.
Premiere: Paul Kantor,
Violin, Aspen Festival
Orchestra, conducted by
the composer.
Contemporary. Large
Score. With Standard
notation. Composed
December 26 1992. 186
pages. Duration 25
minutes. Theodore Presser
Company #466-00040L.
Published by Theodore
Presser Company
(PR.46600040L).
Violin, Flute, Clarinet,
Bassoon, French Horn,
Viola, & Violoncello
SKU: SU.50031920
For Violin, Flute,
Clarinet, Bassoon, French
Horn, Viola, &
Violoncello. Composed
by William Sydeman.
Chamber Music, Mixed
Ensemble, Strings,
Violin. Score & Parts.
Seesaw Music Corp
#50031920. Published by
Seesaw Music Corp
(SU.50031920).
For Violin and
Orchestra. Composed
by Behzad Ranjbaran.
Contemporary. Large
Score. With Standard
notation. Composed 1994.
144 pages. Duration 31
minutes. Theodore Presser
Company #416-41366L.
Published by Theodore
Presser Company
(PR.41641366L).
UPC:
680160585755.
From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violins open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movements primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violinas open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movementas primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violin's open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement's primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notionof
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures.The notes of the
violin’s open
strings (G, D, A, E) also
influenced many of the
melodic and harmonic
elements of my violin
concerto. The opening
tutti is mostly based on
intervals of a perfect
4th and 5th. The primary
material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes:1 st
movement: A-D-A2nd
movement: D-G-D3rd
movement: E-A-EThe
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement’s
primary theme. While the
movements share similar
musical materials, each
one is definedby
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and
unforgivingferocity. The
second movement is
haunting, mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
fromthe previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell.
Fivescape Violon [Conducteur et Parties séparées] Seesaw Music Corp
Violin, Clarinet, Marimba, French Horn, & Piano SKU: SU.50033160 For V...(+)
Violin, Clarinet,
Marimba, French Horn, &
Piano
SKU:
SU.50033160
For
Violin, Clarinet,
Marimba, French Horn, &
Piano. Composed by
Gunther Tautenhahn.
Chamber Music, Mixed
Ensemble. Marimba. Score
& Parts. Seesaw Music
Corp #50033160. Published
by Seesaw Music Corp
(SU.50033160).
Score and Parts Clarinet; Piano; Violin (Score & Parts) SKU: HL.50565803 ...(+)
Score and Parts Clarinet;
Piano; Violin (Score &
Parts)
SKU:
HL.50565803
For
Violin, Clarinet and
Piano. Composed by
Nicolas Bacri. Editions
Durand. Classical,
Contemporary. Softcover.
Editions Durand #DF15926.
Published by Editions
Durand (HL.50565803).
Violin - beginning SKU: SP.TS556 Composed by Tony Santorella. Reference; ...(+)
Violin - beginning
SKU: SP.TS556
Composed by Tony
Santorella. Reference;
Educational. Reference,
Educational. Chart. 4
pages. Santorella
Publications #TS556.
Published by Santorella
Publications (SP.TS556).
ISBN
9781585609161.
Due
to the success of our
Instrumental Fingering
Posters, we thought it
would be helpful to
create a smaller version
that could be tucked
comfortably into any
method book as a
reference guide.
Unbeknownst to us after
days of research, we were
left with countless
questions, much
confusion, and a slew of
poorly crafted images
from contradicting
publications. That being
said, we realized that
there weren't truly any
trustworthy resources in
print and decided to
address the void. We
consulted experts in
every category asking
questions until both we
and they and we were
satisfied. Finally, a
guide to fingering for
beginners that even the
experienced players will
find beneficial.
Santorella's Basic
Fingering Charts are
essential for anyone that
picks up an instrument.
Initially intended for
beginners but after
understanding the
importance of false
fingerings or more
appropriately called,
alternate fingerings
their necessity is vital
for playing certain
musical passages on a
particular instrument. In
addition, after observing
the difficulties that
students had in
identifying key
signatures, we decided to
include the Circle of
Fifths diagram and every
major scale in two
octaves in every key
including their
enharmonic counterparts.
After all was said in
done, we now know, we now
have the best educational
products available for
fingering in the
industry. Our Basic
Fingering Charts are
perfect for private
students, classroom
study, or simply for a
quick and easy reference
guide while practicing at
home. These graphic
reference guides for
assorted brass, reeds,
woodwinds, and orchestral
strings are specifically
available for Clarinet,
Bass Clarinet, Trumpet,
Flute, Piccolo, Recorder,
Baritone Horn, Trombone,
Bass Trombone, Alto Sax,
Soprano Sax, Tenor Sax,
Baritone Sax, French
Horn, Euphonium, Tuba,
Oboe, Bassoon, Violin,
Viola, Cello, and Bass.
Every chart displays the
entire range of each
instrument by clearly
depicting the fingering
for each note including
all their enharmonic
substitutions. Each chart
includes a diagram
identifying the levers,
valves, keys, slides,
frets and more of each
and every instrument.
Learn where, when, and
why to place your
fingers. Now is the time
to truly start playing
with assured
confidence.
Kasace No. 2 Violon [Conducteur et Parties séparées] Seesaw Music Corp
Violin, Oboe d'amore or Clarinet, Percussion, & Piano SKU: SU.50019150 (+)
Violin, Oboe d'amore or
Clarinet, Percussion, &
Piano
SKU:
SU.50019150
For
Violin, Oboe d'amore or
Clarinet, Percussion, &
Piano. Composed by
Jiri Laburda. Chamber
Music, Mixed Ensemble.
Score & Parts. Seesaw
Music Corp #50019150.
Published by Seesaw Music
Corp (SU.50019150).
Chamber Music Clarinet, Contrabass, Percussion, Piano, Violin, tenor Saxophone <...(+)
Chamber Music Clarinet,
Contrabass, Percussion,
Piano, Violin, tenor
Saxophone
SKU:
PR.11441304S
For
violin, Bb Clarinet, Bb
Tenor Saxophone, Double
Bass, Piano, and
Percussion. Composed
by Chen Yi. Premiered at
Kerrytown Concert House
in Ann Arbor, MI.
Contemporary. Full score.
With Standard notation.
Composed 2006. 16 pages.
Duration 5 minutes.
Theodore Presser Company
#114-41304S. Published by
Theodore Presser Company
(PR.11441304S).
UPC:
680160620357. 8.5 x 11
inches.
The mixed
sextet The Han Figurines
is a musical realization
of my impression of the
Chinese clay figurines of
the Eastern Han (25-220
A.D.). Have you seen the
shapes of the enraptured
storyteller, the vivid
acrobat, and the moving
dancers with long
sleeves? They are in
highly exaggerated forms
and postures, in large
and sweeping movements --
the innocent and bold
images symbolize the
strength, motion, and
speed. It's the beauty of
the crude and primitive
power of humanity in its
conquest of the material
world. --Chen Yi. The
mixed sextet The Han
Figurines is a musical
realization of my
impression of the Chinese
clay figurines of the
Eastern Han (25-220
A.D.). Â Have you seen
the shapes of the
enraptured storyteller,
the vivid acrobat, and
the moving dancers with
long sleeves? Â They
are in highly exaggerated
forms and postures, in
large and sweeping
movements — the
innocent and bold images
symbolize the strength,
motion, and speed.
 It’s the
beauty of the crude and
primitive power of
humanity in its conquest
of the material
world.—Chen
Yi.
Quartet Violon [Conducteur et Parties séparées] Seesaw Music Corp
Violin, Clarinet, Trumpet & Doublebass SKU: SU.50032380 For Violin, Cl...(+)
Violin, Clarinet, Trumpet
& Doublebass
SKU:
SU.50032380
For
Violin, Clarinet, Trumpet
& Doublebass.
Composed by William
Sydeman. Chamber Music,
Mixed Ensemble. Score &
Parts. Seesaw Music Corp
#50032380. Published by
Seesaw Music Corp
(SU.50032380).
Voci Violon [Conducteur et Parties séparées] Seesaw Music Corp
Violinn, Clarinet & Piano SKU: SU.50018350 For Violinn, Clarinet & Pia...(+)
Violinn, Clarinet & Piano
SKU: SU.50018350
For Violinn, Clarinet
& Piano. Composed by
Karl Korte. Chamber
Music, Piano Trio. Score
& Parts. Seesaw Music
Corp #50018350. Published
by Seesaw Music Corp
(SU.50018350).
Commissioned
for and dedicated to
Voices of Change for
their 10th anniversary
Published by: Seesaw
Music.
Inventions and Airs Violon [Conducteur et Parties séparées] Seesaw Music Corp
Violinn, Clarinet & Piano SKU: SU.50018650 For Violinn, Clarinet & Pia...(+)
Violinn, Clarinet & Piano
SKU: SU.50018650
For Violinn, Clarinet
& Piano. Composed by
Leo Kraft. Chamber Music,
Piano Trio. Score &
Parts. Seesaw Music Corp
#50018650. Published by
Seesaw Music Corp
(SU.50018650).
Arranged by Artem Vassiliev. For Violin. This edition: ED13168. Schott Master Pl...(+)
Arranged by Artem
Vassiliev. For Violin.
This edition: ED13168.
Schott Master Play-Along
Series. 12 favourite
works from the Classical
era, with authentic
orchestral backing
tracks. Play Along.
Collection and Play-Along
CD. 28 pages. Published
by Schott Music.
Sketch Book Violon [Conducteur et Parties séparées] Doblinger
For Violin, Clarinet and Piano. Composed by Gernot Wolfgang. Chamber musi...(+)
For Violin, Clarinet
and Piano. Composed
by Gernot Wolfgang.
Chamber music. Wind-piano
chamber music. Score and
set of parts. Published
by Doblinger Music
Publishers (DB.07-00365).
12 Pieces from the Classical Era in Easy Swing Arrangements Violin Book/CD. By V...(+)
12 Pieces from the
Classical Era in Easy
Swing Arrangements Violin
Book/CD. By Various.
Arranged by Mark
Armstrong. This edition:
ED13101. String Solo.
Edition with CD. 32
pages. Published by
Schott.
Violin. Arranged by Joachim Johow. (Violin). De Haske Intl Play Along Book. Book...(+)
Violin. Arranged by
Joachim Johow. (Violin).
De Haske Intl Play Along
Book. Book and CD
Package. Size 9x12
inches. 28 pages.
Published by De Haske
Publications.
Songs and Themes from the Latest Movies and Television Shows (Violin). Arran...(+)
Songs and Themes from the
Latest Movies and
Television
Shows (Violin). Arranged
by
Various. Book; CD; Play-
Along; SmartMusic; String
Series. Alfred's
Instrumental Play-Along.
Movie; Pop; TV. 28 pages.
Published by Alfred Music
(Violin). For Violin.
Book; CD; Play-Along;
String Series.
Instrumental Solos
Series. Pop; Pop/Rock.
Grade 2; Grade 3. 52
pages. Published by
Alfred Music
(60 Traditional Pieces - Book/CD). Composed by Various. Arranged by Iain Fraser....(+)
(60 Traditional Pieces -
Book/CD). Composed by
Various. Arranged by Iain
Fraser. For Fiddle.
String Solo. Softcover
with CD. Schott Music
#ED13700. Published by
Schott Music
Violin. Arranged by
Various.
Book; CD; Play-Along;
String
Series; Worship
Resources.
Instrumental Solo Series.
Contemporary Christian;
Pop;
Sacred. 32 pages.
Published
by Alfred Music
Chamber Music Violin SKU: PR.114422260 For solo violin. Composed b...(+)
Chamber Music Violin
SKU: PR.114422260
For solo violin.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration
0:09:00. Theodore Presser
Company #114-42226.
Published by Theodore
Presser Company
(PR.114422260).
ISBN
9781491133866. UPC:
680160683352. 9 x 12
inches.
Legends of
the phoenix are found in
stories from ancient
Egypt and Greece. While
each culture possesses a
range of stories
encompassing the myth,
these tales tend toward
similar traits: a sacred
bird with brilliantly
colored plumage and
melodious call lives for
typically 500 years, then
dies in a nest of embers,
only to be reborn among
the flames. Phoenix
Rising consists of two
movements: I. Dying in
Embers represents an old
phoenix settling on top
of a pile of embers and
breathing its last
breath; II. Reborn in
Flames depicts the
newly-born phoenix
getting its first taste
of flight. Legends of
the phoenix are found in
stories from ancient
Egypt and Greece. While
each culture possesses a
range of stories
encompassing the phoenix
myth, these tales tend to
share similar traits: a
sacred bird with
brilliantly colored
plumage and melodious
call lives for typically
five hundred years; then
the bird dies in a nest
of embers, only to be
reborn among the
flames.In Egyptian
stories, the phoenix
gathers scented wood and
spices for its
funeral/rebirth pyre,
then collects the ashes
from its earlier
incarnation and flies
them to the temple of the
sun in Heliopolis to
offer as a tribute to the
sun god.In Greek myths,
the phoenix was
approximately the size of
an eagle and was adorned
with red and gold
feathers; it would fly
from either India or
Arabia to Heliopolis to
give its offering. The
bird’s association
with immortality and
resurrection are
particularly intriguing
aspects of these tales,
giving numerous writers
(including William
Shakespeare, C.S. Lewis,
and J.K. Rowling) a rich
resource for their own
stories.Phoenix Rising
consists of two
movements. I. Dying in
embers represents an old
phoenixwho is settling on
top of a pile of embers
and breathing its last
breath. II. Reborn in
flames depicts the
newly-born phoenix
getting its first taste
of flight.Phoenix Rising
was commissioned by
saxophonist Christopher
Creviston, who has
recorded the work on the
Blue Griffin label. The
composer has also made
editions of the work for
flute and for clarinet
(also available from
Theodore Presser
Company).
Mixed Ensemble (Score) SKU: HL.286537 For Violin, Cello, Flute, Clarin...(+)
Mixed Ensemble (Score)
SKU: HL.286537
For Violin, Cello,
Flute, Clarinet, Piano
and Percussion Score.
Composed by Bent
Sorensen. Music Sales
America. Classical.
Softcover. Duration 480
seconds. Edition Wilhelm
Hansen #WH30144A.
Published by Edition
Wilhelm Hansen
(HL.286537).
Parts for The
Deserted Churchyards by
Bent Sorensen. Score
available: WH30144.
(20 Short Recital and Study Pieces for the Intermediate Player). Composed by...(+)
(20 Short Recital and
Study
Pieces for the
Intermediate
Player). Composed by John
Walker. Edited by Justyna
Lutow-Resch. For violin,
piano. Score and Audio
CD.
28 pages. Published by
Carl
Fischer
By Mark Weeg. For Fiddle & Violin. Solos. Fiddle Tunes. Level: Beginning-Interme...(+)
By Mark Weeg. For Fiddle
& Violin. Solos. Fiddle
Tunes. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75. 88
pages. Published by Mel
Bay Publications, Inc.
For
Violin, Viola and Chamber
Ensemble Score.
Composed by Bent
Sorensen. Music Sales
America. Classical.
Score. Composed 2002. 54
pages. Edition Wilhelm
Hansen #WH30143.
Published by Edition
Wilhelm Hansen
(HL.14030959).
ISBN
9788759857427.
English.
Funeral
Procession for Violin,
Viola and Chamber
Ensemble was composed in
1989 as a commission from
the Sonanza Ensemble. The
music is, apart from a
few swarming bursts, slow
and silent. Dynamic is
almost stripped away, and
the musicians play as
faintly as possible -
almost inaudibly.
Arranged by various, ed. Bill Galliford. Play-Along; String Series. Instrument...(+)
Arranged by various, ed.
Bill Galliford.
Play-Along;
String Series.
Instrumental
Solos Series. Country;
Pop;
Radio. Book; CD. 24
pages.
Alfred Music #00-47348.
Published by Alfred Music