With online audio of piano accompaniments. By Various. By Various. For Classical Players. Broadway. Softcover Audio Online. 64 pages. Published by Hal Leonard

Violoncello & Piano or CD Play Back / Play Along - Grade 3, Grade 4

SKU: MA.EMR-55031

Composed by Jan Valta. Score and parts. Duration 37'17. Editions Marc Reift #EMR 55031. Published by Editions Marc Reift (MA.EMR-55031).

I. Skalitz 1403 / II. Talmberg & Lady Stephanie / III. Sigismund's Army At The Gates / IV. Losing Father's Sword & Parents Theme / V. Fist Fight / VI. Rattay / VII. Good Luck Son / VIII. Millers Theme / IX. Town Square / X. The River Sassau Theme...

Cello and piano

SKU: M7.SAE-22-01

Composed by Lucian Moraru. Sheet music. Piano reduction with solo part. 16 pages. SonArt Edition #SAE 22-01. Published by SonArt Edition (M7.SAE-22-01).

ISBN 9790707651551.

This is a unique improvisation for Cello and Piano based on a theme by Erik Satie and to which other original themes have been added. The work will certainly be a delight for the public because the sound material is treated in both classical and jazzy style. Certainly this is a piece to be enjoyed by the players, but audiences have shown that they too share the same pleasure, for sure it is a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

By Ludwig van Beethoven. Edited by Stutschewsky. For violoncello, piano. 12 Variations on a theme by Handel(Judas Maccabaeus)(WoO45); 12 Variations on a theme by Mozart(The Magic Flute)(Op.66); 7 Variations on a theme by Mozart(The Magic Flute)(WoO46). Published by C.F. Peters.

Cello, Piano

SKU: CA.1530700

Composed by Anton Eberl. Edited by Randolph Scherp. This edition: Paperbound. German title: Variations Sur Un Theme Russe Op.17/Vcpft. Full score. Composed 1801/02. Op. 17. 32 pages. Duration 15 minutes. Carus Verlag #CV 15.307/00. Published by Carus Verlag (CA.1530700).

ISBN 9790007096571. Language: all languages.

For Cello and Piano. Composed by John Williams. John Williams Signature Edition - Strings. Movies. Softcover. Published by Hal Leonard

Cello and Piano

SKU: IM.3846

Composed by Bernhard Romberg. Edited by Gulrukh Shakirova and Susan Moses. Score and Parts. International Music Co. #3846. Published by International Music Co. (IM.3846).

A delightful set of variations on an original theme by a leading figure in early Romantic cello music.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.49046442

Cello and Piano. Composed by Richard Strauss. String Solo. Classical. Softcover. 80 pages. Duration 1560 seconds. Schott Music #CB301. Published by Schott Music (HL.49046442).

ISBN 9781540094780. UPC: 842819113003.

The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss's early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current editionas a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the developmentsection (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss's Cello Sonata now makes it possible to follow Strauss's compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance.

Cello and piano

SKU: BO.B.3652

Composed by Jordi Cervello. Published by Editorial de Musica Boileau (BO.B.3652).

Sonata for cello and piano was written between September and October of 2010. It is made up of three movements, each of which has unique characteristics. The first, Allegro appassionato, is monothematic, although the theme itself is presented in several ways. Following a vigorous start featuring cello cadenza, the movement is developed with a lively feel, alternating lyrical fragments with other energetic ones. Its conclusion is resounding.
Meanwhile, the second movement, Quasi un lamento, is introspective and fragile. A long melody is sustained by a delicate and transparent piano accompaniment, evoking once again the theme of the first movement and concluding with a Lento of descending piano harmonies while the cello follows, in octaves, with heartfelt glissando.

The third movement, Scherzando-Allegro, is a light-hearted game between the piano and the cello. The main theme is repeated once again, this time with a binary time signature. The cello uses ricochet (the rebounding of notes in a bow stroke), as well as natural and artificial harmonies in quick time. The piano part unfolds completely naturally, excluding any gratuitous artifice.

The piece lasts approximately 20 minutes.

Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

Volume 1 Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024686

Tarantelle - Trois Andante - Marche chinoise. Composed by Jacques Offenbach. Edited by Jean-Christophe Keck. Boosey & Hawkes Chamber Music. Classical. Softcover. 48 pages. Bote & Bock #M202535332. Published by Bote & Bock (HL.48024686).

ISBN 9781540058768. UPC: 888680952938.

Jacqu es Offenbach was not only a composer of inexhaustible imagination, but also a virtuoso cellist. Even after his first years in Paris, he liked to perform as a musician again and again. To mark his 200th birthday in 2019, the Offenbach Edition Keck OEK publishes original compositions by the 'Mozart of the Champs-Elysees' for 'his' instrument plus piano accompaniment. The pieces are suitable for amateur studies and concert performances alike - not only in the anniversary year! Some of them were already available in older separate editions, some of them have been unpublished until now. In the present edition, they are published in three volumes according to their musical relation, based on the multiple award-winning editorial standards of the OEK. Vol. 1 contains dance-like pieces (Tarantelle / Trois Andante / Marche chinoise), Vol. 2 baroque-style parodies (Musette / Chant des mariniers galants dapres Rameau / Tambourin dapres Rameau) and Vol. 3 Romantic character pieces (La Course en traineau / Introduction et valse melancolique / Reverie au bord de mer / Deux ames au ciel).

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024688

Le Course en traineau, Introduction et valse melancolique, Feverie au bord de mer, Deux ames au ciel. Composed by Jacques Offenbach. Edited by Jean-Christophe Keck. Boosey & Hawkes Chamber Music. Classical. Softcover. 56 pages. Bote & Bock #M202535356. Published by Bote & Bock (HL.48024688).

ISBN 9781540058782. UPC: 888680952952.

Jacqu es Offenbach was not only a composer of inexhaustible imagination, but also a virtuoso cellist. Even after his first years in Paris, he liked to perform as a musician again and again. To mark his 200th birthday in 2019, the Offenbach Edition Keck OEK publishes original compositions by the 'Mozart of the Champs-Elysees' for 'his' instrument plus piano accompaniment. The pieces are suitable for amateur studies and concert performances alike - not only in the anniversary year! Some of them were already available in older separate editions, some of them have been unpublished until now. In the present edition, they are published in three volumes according to their musical relation, based on the multiple award-winning editorial standards of the OEK. Vol. 1 contains dance-like pieces (Tarantelle / Trois Andante / Marche chinoise), Vol. 2 baroque-style parodies (Musette / Chant des mariniers galants dapres Rameau / Tambourin dapres Rameau) and Vol. 3 Romantic character pieces (La Course en traineau / Introduction et valse melancolique / Reverie au bord de mer / Deux ames au ciel).

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024687

Musette - Chant des mariniers galants d'apres Rameau - Tambourin d'apres Rameau. Composed by Jacques Offenbach. Edited by Jean-Christophe Keck. Boosey & Hawkes Chamber Music. Classical. Softcover. 52 pages. Bote & Bock #M202535349. Published by Bote & Bock (HL.48024687).

ISBN 9781540058775. UPC: 888680952945.

Jacqu es Offenbach was not only a composer of inexhaustible imagination, but also a virtuoso cellist. Even after his first years in Paris, he liked to perform as a musician again and again. To mark his 200th birthday in 2019, the Offenbach Edition Keck OEK publishes original compositions by the 'Mozart of the Champs-Elysees' for 'his' instrument plus piano accompaniment. The pieces are suitable for amateur studies and concert performances alike - not only in the anniversary year! Some of them were already available in older separate editions, some of them have been unpublished until now. In the present edition, they are published in three volumes according to their musical relation, based on the multiple award-winning editorial standards of the OEK. Vol. 1 contains dance-like pieces (Tarantelle / Trois Andante / Marche chinoise), Vol. 2 baroque-style parodies (Musette / Chant des mariniers galants dapres Rameau / Tambourin dapres Rameau) and Vol. 3 Romantic character pieces (La Course en traineau / Introduction et valse melancolique / Reverie au bord de mer / Deux ames au ciel).

Score & Parts Cello

SKU: HL.51481132

For Violoncello and Piano. Composed by Jean-Louis Duport. Edited by Norbert Gertsch. Henle Music Folios. Classical. Softcover. 42 pages. G. Henle #HN1132. Published by G. Henle (HL.51481132).

UPC: 840126989656. 9.0x12.0x0.35 inches.

“More than 20 years ago I was called upon by friends, artists, and aficionados to write about fingerings for the violoncello,” then-famous Berlin cellist Jean-Louis Duport thus opens his “Essai” from 1806, dedicated to “Professeurs de Violoncelle.” His methodology revolutionized cello technique, and the 21 etudes printed in its appendix are still regarded today as perhaps the most important set of studies for all budding cellists. Modelled after the volumes of etudes for violin, Henle is also issuing the Urtext here, together with all original fingerings and bowings, while also offering alternatives by the famous cellist and teacher Wolfgang Emanuel Schmidt. This edition also offers a second cello part provided by Duport for accompaniment.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

(Cello Part And Piano Score)

SKU: HL.48186482

Composed by Reynaldo Hahn. Leduc. 24 pages. Alphonse Leduc #AL30749. Published by Alphonse Leduc (HL.48186482).

Reynaldo Hahn: Works for cello and piano [AL 30 749] For quite some time, posterity remembered Reynaldo Hahn (1874-1947) for just a handful of songs and the operetta Ciboulette, overlooking the incredible diversity of a catalogue as eclectic as it is appealing. Yet his chamber music contains many little-known treasures: thus, cellist Steven Isserlis, in his preface, hastens to hail the first modern edition of these two scores, which he regularly plays in recital, so much does their beauty enchant the audience. Published in 1911, the Two Improvisations on Irish Airs for cello and piano turn out to be the transcription of his first and third Preludes for piano four hands (1894). These folk themes come from the collection Songs of Old Ireland, published 12 years earlier by Charles Villiers Stanford: gracefully and tenderly, The Little Red Lark unfurls a melancholic tune of which the regular foundation respects the breadth of phrase typical of folk songs; in The Willow-Tree, the lover begs his beloved in vain to take him in her arms one last time before he lies down, lifeless, in the shade of the tree. Beyond this sensitive exploration of the Irish soul, Hahn offers us a journey into the past: the Variations chantantes sur un air ancien develop a theme borrowed from Cavalli?s opera Xerse. In this aria (1660 version: Act IV, sc. 6), Ambassador Periarco dreams of moving away from court intrigues to be able to taste the pleasures ?to which the gods have destined him?. Reynaldo Hahn?s variations succeed in maintaining the sweet simplicity of this theme, as noble as it is refined. Let us wager that this publication will delight cellists and pianists alike: it contains some nuggets. Deux improvisations sur des airs irlandais (The Little Red Lark, The Willow-Tree) Variations chantantes sur un air ancien.

Composed by Peter Ilyich Tchaikovsky (1840-1893), arranged by John York, edited by David Brown, Raphael Wallfisch. Set of performance parts for cello and piano. Urtext. With bowings, fingerings, introductory text and performance notes. Op. 33 (original version). 42 pages. Published by C.F. Peters. )

Set of Parts Cello; Chamber Music; Piano Accompaniment; Violin (Ensemble)

SKU: HL.51481532

Set of Parts for Violin, Cello and Piano. Composed by Felix Bartholdy Mendelssohn. Henle Music Folios. Classical. Softcover. G. Henle #HN1532. Published by G. Henle (HL.51481532).

UPC: 840126989298. 9.25x12.25x0.357 inches.

After the great success of his first Piano Trio in d minor op. 49, some five years passed before Mendelssohn set to work on a new composition for this formation. But then the c-minor Trio came into being in a relatively short period in March/April 1845 and was published around a year later. Much more sombre in character than the sibling work, this second trio is also considered much more difficult in terms of technique (above all in the piano part). Thus, it has always stood somewhat in the shadow of the earlier trio. However, chamber music aficionados generally regard it as the more mature and challenging work in terms of compositional technique. The trio, taken from the volume Mendelssohn • Piano Trios HN 957, is now available from Henle for the first time also as a practical single edition.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Cello and piano - easy to intermediate

SKU: HL.49044195

Composed by George Gershwin. Arranged by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. String. Inspiriert von den 24 Preludes Chopins begann George Gershwin er Mitte der 20er Jahre selbst 'Preludes' fur Klavier zu schreiben. Diese verbinden klassische Momente mit Jazz-Elementen zu einem wirkungsvollen Ganzen, konnen einzeln oder als kleine Jazz-Son. Softcover. 16 pages. Schott Music #ED21485. Published by Schott Music (HL.49044195).

ISBN 9790001190879. UPC: 840126933604. 9.0x12.0x0.065 inches.

The melodies from George Gershwin's (1898-1937) musicals, from 'Porgy and Bess', from orchestral pieces like 'Rhapsody in Blue' or 'An American in Paris', we all know them! But the career of the young musician started as a pianist in a music publishing house where he was to encourage customers to buy music by playing it. Soon he began to compose music himself and caught the attention of the Broadway, which paved the way to his international career. Inspired by Frederic Chopin's 24 Preludes, he began to write his own 'Preludes' for the piano in the mid-1920s: Of the five preludes composed by him, he used two for the violin composition 'Short Story' and presented the other three at a concert on 4 December 1926. These 'Preludes' combine classical moments and jazz elements into an effective whole and can be played individually or as a little jazz sonata (fast - slow - fast). Thanks to the present arrangement, the charming miniatures are now available in a version for solo instrument and piano accompaniment.

for Violoncello and Piano or Two Violoncellos. By James Hook. EMB. Size 9x12 inches. Published by Editio Musica Budapest.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024838

Cello and Piano Reduction. Composed by Magnus Lindberg. Boosey & Hawkes Chamber Music. Classical. Softcover. 100 pages. Duration 1500 seconds. Bote & Bock #M060123436. Published by Bote & Bock (HL.48024838).

ISBN 9780851627946. UPC: 840126908787. 9.0x12.0x0.256 inches.

Commissione d by the Orchestre de Paris, and first performed by them in 1999 with soloist Anssi Karttunen, conducted by Esa-Pekka Salonen. The work is cast in a 25-minute span punctuated by an improvised cadenza. Performers not wishing to improvise may substitute Boria from Lindbergs solo cello suite Partia, which is included in the publication. Diapason commented, The writing is homogeneous, virtuosic, energetic, with the cello up near the bridge almost without interruption in a highly taut style which travels at a quickstep through all the possibilities of the instrument. Those possibilities include scordatura (for both soloist and orchestral cellos) and the so-called 'seagull' glissando.

Special Import titles are specialty titles that are not generally offered for sale by US based retailers. These items must be obtained from our overseas suppliers. When you order a special import title, it will be shipped from our overseas warehouse. The shipment time will be slower than items shipped directly from our US warehouse and may be subject to delays.

Edited by George A. Speckert. Stapled. Ready to Play. Performance score, part(s), anthology. With Language: German/English. 43301 pages. Baerenreiter Verlag #BA10632. Published by Baerenreiter Verlag (BA.BA10632).

For Cello and Piano Reduction. Composed by Richard Strauss (1864-1949). Edited by Peter Jost. Henle Music Folios. Softcover. G. Henle #HN1468. Published by G. Henle

Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jens Dufner. Henle Music Folios. Classical. Softcover. 73 pages. G. Henle #HN1473. Published by G. Henle

Score and Parts Cello

SKU: HL.51481469

For Violoncello and Piano. Composed by Richard Strauss. Edited by Peter Jost. Henle Music Folios. Classical. Softcover. 64 pages. G. Henle #HN1469. Published by G. Henle (HL.51481469).

UPC: 840126989649. 9.0x12.0x0.258 inches.

Fingering Michael Korstick; fingering & bowing for cello Johannes Moser Aside from the Piano Quartet op. 13 and the Violin Sonata op. 18, the Cello Sonata numbers among the most mature works of chamber music from Strauss' early oeuvre. The influences of Mendelssohn, Schumann, and Brahms are noticeable, while leaving sufficient space for a very personal tonal language, often with surprising rhythmic and harmonic turns of phrase. Strauss subjected the first version completed in early 1881 to a radical revision over the winter of 1882/83; the opening movement was thoroughly reworked, the two subsequent movements rewritten completely. It was worth it, because after the premiere in Dresden, the composer wrote to his mother, “My sonata garnered extraordinary acclaim, the applause was enormous, congratulations came to me from all sides.”.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Flute, Cello and Piano

SKU: HL.14029849

Composed by Judith Weir. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV120616. Published by Music Sales (HL.14029849).

8.5x11.75x0.409 inches.

Commissione d by the Lontano Ensemble, and first performed by them on 21st January 1981. In this piece, one instrument per movement is given musical prominence over the other two. Duration: c. 15 minutes.

For Cello and Piano Schott Student Edition Repertoire. Composed by Hugo Schlemueller. Edited by Martin Mueller-Runte. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 12. 32 pages. Schott Music #SE1005. Published by Schott Music (HL.49045443).

Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jens Dufner. Henle Music Folios. Classical. Softcover. 50 pages. G. Henle #HN1475. Published by G. Henle