(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathleen Horvath, Robert D McCashin. Instructional book and accompaniment CD for cello. Series: New Directions for Strings. 56 pages. Published by The FJH Music Company Inc.

By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.

For Cello. By Various. Instrumental Folio. Christmas. Softcover. 96 pages. Published by Hal Leonard

Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edition: urtext edition. Cloth bund. Barenreiter Urtext. Urtext of the New Bach Edition - Revised (NBArev). Performance Score(s), anthology. BWV 1007-1012. Baerenreiter Verlag #BA05258. Published by Baerenreiter Verlag (BA.BA05258).

Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edition: urtext edition. Paperback. Barenreiter Urtext. Urtext of the New Bach Edition - Revised (NBArev). Performance Score(s), anthology. BWV 1007-1012. Baerenreiter Verlag #BA05257. Published by Baerenreiter Verlag

(Cello). Arranged by Various. For Cello. Book; CD; Play-Along; String Series. Easy Instrumental Solos. Grade 1. 48 pages. Published by Alfred Music

By Robert Frost. Edited by Gerald Fischbach. (String Coll/Study). orchestra method. Level: Intermediate. Music book. Published by Neil A. Kjos Music Company.

(Cello II part). By David Popper and Carter Enyeart. For cello. Cello 2 part. 35 pages. Published by International Music Company

Violoncello - Level 5

SKU: BA.BA11071

Composed by Matthias Pintscher. In a folder. Part II of the cycle Profiles of Light. Performance score. Composed 2015. 4 pages. Baerenreiter Verlag #BA11071_00. Published by Baerenreiter Verlag (BA.BA11071).

ISBN 9790006562015. 42 x 29.7 cm inches.

“Now II” is the second part of a triptych of chamber pieces entitled “Profiles of Light”. The first part is written for solo piano (Now I, BA 11073), the second for unaccompanied cello. The two instruments are then combined in the concluding third part, Uriel (BA 11013).

All three pieces were inspired by the Abstract Expressionist paintings of the American artist Barnett Newman. Newman's work has had a formative impact on Matthias Pintscher's artistic philosophy: what does it mean to reduce things to essentials while seeking maximum immediacy of expression? Several of Newman's paintings have a radiant light of uncommon intensity, yet resembling a dark illumination. The same sort of thing is found in the late works of Franz Schubert, where a comparable profundity and retrospective yearning likewise shine through the surface of even the brightest tonalities.

This is a piece about resonances, about the inward and outward givens of existence, about life itself: 'I find the cello a highly suitable instrument for depicting such existential conditions'.

Violoncello

SKU: BA.BA05278

Composed by Johann Sebastian Bach. Edited by Andrew Talle. This edition: Facsimile, Urtext edition. Paperback. Barenreiter Urtext. Urtext from the New Bach Edition - Revised (NBArev). Performance score, anthology, Facsimile. BWV 1007-1012. Baerenreiter Verlag #BA05278_00. Published by Baerenreiter Verlag (BA.BA05278).

ISBN 9790006569625. 32.5 x 25.5 cm inches. Preface: Talle, Andrew.

When we think of the cello, we automatically think of Bach’s immortal cello suites. They are the very core of cello literature, their timeless beauty accompanying cellists from their student years throughout the height of their professional careers.

Consideri ng the works’ significance, the great number of editions in existence is not surprising. However, the composer’s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing.

In this two-volume edition of Bach’s cello suites, Andrew Talle now presents an entirely new view of the relationships between existing sources. The first volume contains the edited musical text, which comes as close to the composer’s original intention as the surviving source material allows: “This edition does not constitute a perfect reconstruction of the lost autograph; that is something no editor could claim to accomplish. Instead, I have attempted to supply musicians and researchers with a reliable version of the surviving musical text of the six cello suites, and to convey a sense of the many possibilities Bach encouraged his musicians to explore.”The second volume presents, for the first time, synoptically arranged facsimiles of the handwritten sources as well as the first print (with Suite No. V also including Bach’s own arrangement for lute), allowing readers to compare any specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources, making editorial decisions transparent and self-evident.

Andr ew Talle’s edition is supplemented by a comprehensive discussion of the instrument for which the suites were created, as well as information regarding musical interpretation during Bach’s time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Jean-Louis Duport, edited by Martin Rummel. for violoncello. Fold out pages where you need them. Ad libitum cello part included with fingerings and bowings for today's cellists. German / English brochure with playing tips and references to where the techniques can be found in the standard cello literature. Published by Baerenreiter-Ausgaben (German import).

Written by Mary Cohen. Instructional book for cello. Essential skills and pieces for beginner to grade 1 level. 48 pages. Published by Faber Music.

(An Innovative Mathod for Adults Returning to Play). Arranged by Doris Gazda Larry Clark. For Cello. 48 pages. Published by Carl Fischer

Cello

SKU: IM.3726

Composed by Friedrich Dotzauer. Edited by Carter Enyeart. Method. International Music Co. #3726. Published by International Music Co. (IM.3726).

This newly edited Volume IV features virtuosic pieces which prepare the cellist for concerto-style playing. Includes rapid arpeggios over multiple octaves, double-stops all over the fingerboard, cadenzas, etc.

Composed by David Ashley White (1944-). Secular, 20th Century. 16 pages. Published by Galaxy Music Corporation (EC.1.3412).

Violoncello

SKU: BA.BA10936

Composed by Robert Lindley. Edited by Valerie Walden. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, anthology. Opus 15. Baerenreiter Verlag #BA10936_00. Published by Baerenreiter Verlag (BA.BA10936).

ISBN 9790006567287. 31 x 24.3 cm inches. Preface: Walden, Valerie.

Robert Lindley (1776–1855) was the premier cellist in England for more than 50 years. In 1822 he became the first professor of cello at the Royal Academy of Music in London, where he remained until his retirement in 1851. Lindley, an esteemed and much sought-after teacher, wrote not only the present “Capriccios” but also a cello method, several concertos, and chamber music in which the cello is prominently featured.

The “Capriccios and Exercises” contain a multitude of fingering patterns in related major and minor harmonies, exercises for the thumb position and many passages of double stops, all within a melodious framework. Barenreiter’s scholarly performing edition is edited by Valerie Walden, offering cellists and teachers outstanding new material for use in lessons.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Violoncello - difficult

SKU: HL.49045324

Version for Cello. Composed by Chaya Czernowin. This edition: Saddle stitching. Sheet music. String. Classical. Softcover. Composed 1981. 12 pages. Duration 720 seconds. Schott Music #CB 287. Published by Schott Music (HL.49045324).

ISBN 9790001159678. UPC: 841886030657. 9.0x12.0x0.069 inches.

The original version for violin dates from 1981, thus being one of the early works by the Israeli composer who teaches at Harvard University. About 35 years later, in 2015, Chaya Czernowin arranged the solo piece for the cellist Christina Meissner and also wrote a version for viola solo. In this early creative period, her tonal language shows the slow introduction of the sound of new music.

By Carter Brey. For Cello. E.B. Marks. 8 pages. Published by Edward B. Marks Music