In All Major and Minor Keys. Composed by J. B. Albert. Edited by Julie DeRoche...(+)
In All Major and Minor
Keys.
Composed by J. B. Albert.
Edited by Julie DeRoche.
Book.
With Standard notation.
32
pages. Carl Fischer Music
#O99X. Published by Carl
Fischer Music
For 2 Clarinets or Clarinet and Alto Sax. Composed by Matthias Petzold. Clar...(+)
For 2 Clarinets or
Clarinet
and Alto Sax. Composed by
Matthias Petzold.
Clarinet,
Saxophone, Music Styles
&
Regions, Classical, Solos
and
Duets. Book and Insert
with
CD. 52 pages. Published
by
Mel Bay Publications, Inc
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Michael and Kimberl...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Michael and Kimberly
Davenport. For bass
clarinet duet. This
edition: 2nd Edition.
Classical; classical
period. Parts. 5 pages
(each part). Published by
Alea Publishing
Edited by Douglas Woodfull-Harris. Stapled. Ready to Play. Playing score(en) (2)...(+)
Edited by Douglas
Woodfull-Harris. Stapled.
Ready to Play. Playing
score(en) (2),
anthology. 31/31 pages
pages. Published by
Baerenreiter Verlag
(BA.BA10636).
For Wind Octet 2 Horns (E-flat/B-flat), 2 Oboes, 2 Clarinets, 2 B. Compos...(+)
For Wind Octet 2 Horns
(E-flat/B-flat), 2 Oboes,
2 Clarinets, 2 B.
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Egon Voss.
Henle Music Folios.
Softcover. G. Henle
#HN1254. Published by G.
Henle (HL.51481254).
String Quartet (with ad
lib, Double Bass, Flute,
Oboe, Clarinet, Bassoon,
Horn). By Jacques
Offenbach. Arranged by
Wolfgang Birtel. (Score
and Parts). Schott. Book
only. Size 9x12 inches.
74 pages. Published by
Schott.
11 Duets for Flute 2 Flûtes traversières (duo) [Partition + CD] - Intermédiaire Mel Bay
For 2 Flutes or Clarinet and Flute. Composed by Matthias Petzold. Clarinet, ...(+)
For 2 Flutes or Clarinet
and
Flute. Composed by
Matthias
Petzold. Clarinet, Flute,
Fife and Oboe, Music
Styles and
Regions, Classical, Jazz,
Solos and Duets. Book and
Insert with CD. 52 pages.
Published by Mel Bay
Publications, Inc
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann.
The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Second violin (2. Violin) - Level 3 SKU: BA.BA07897-75 Composed by Claude...(+)
Second violin (2. Violin)
- Level 3
SKU:
BA.BA07897-75
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. 8 pages.
Baerenreiter Verlag
#BA07897_75. Published by
Baerenreiter Verlag
(BA.BA07897-75).
ISBN
9790006564392. 32.5 x
25.5 cm
inches.
Debussy's
Premiere Rhapsodie is one
of two concertante works
completed, premiered and
published during his
lifetime. He was
commissioned to write it
in 1909 for the final
examination at the Paris
Conservatoire in 1910.
Debussy orchestrated it
in the summer of 1911.
While transferring the
clarinet part from the
already published version
for clarinet and piano,
he made a few subtle
changes, particularly in
m. 201, which has been a
bone of contention among
clarinettists for over a
century. The present
scholarly-critical
publication is the first
Urtext edition of the
orchestral version. It
draws on every known
source and takes into
account a previously
ignored source that sheds
new light on the
piece.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas
Schmidt-Beste. Linen.
Complete Works. Romantic
period. Complete Works.
116 pages. Breitkopf and
Haertel #SON 431.
Published by Breitkopf
and Haertel (BR.SON-431).
ISBN 9790004803103. 10
x 12.5 inches.
A
mystifying question of
versions surrounds the
Italian: right after the
world premiere in London,
Mendelssohn is
unsatisfied with his
symphony. Since he no
longer has the score with
him, he writes it down
afresh (except for the
opening movement), but
stops at three quarters
of the way. In the
meantime, trusted experts
weigh in with their
views. Fanny Hensel
writes to her brother: I
dont like the change in
the first melody at all;
why did you make it?
Nevertheless, Felix
continues to busy himself
with the first movement,
but ultimately finds no
more time for it and
leaves it primarily in
the form of the complete
early version of 1833,
which is published
posthumously and remains,
to this day, a standard
repertoire piece in all
concert halls. The
revised torso, in turn,
was long ignored. It was
published in this volume,
yet it is clear that the
three movements of the
incomplete final version
of 1834 were from the
composers viewpoint not
at all ready for
publication, seeing that
Mendelssohn had never
critically reviewed them
after having penned
them.
(Movement 2 from Symphony No.6). Composed by Vincent Persichetti (1915-1987). Co...(+)
(Movement 2 from Symphony
No.6). Composed by
Vincent Persichetti
(1915-1987). Concert
Band. For Flute I, Flute
II, Piccolo, Oboe I, Oboe
II, Clarinet (in Eb),
Clarinet I, Clarinet II,
Clarinet III, Alto
Clarinet (in Eb), Bass
Clarinet, Bassoon I,
Bassoon II, Alto
Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Cornet I,
Cornet I. Classical.
Score and Set of Parts.
Standard notation. Opus
69. 8 pages. Duration 3
minutes. Theodore Presser
Company #165-00093.
Published by Theodore
Presser Company
Clarinet and Piano SKU: AP.36-60440001 Composed by Alban Berg. Clarinet. ...(+)
Clarinet and Piano
SKU:
AP.36-60440001
Composed by Alban Berg.
Clarinet. Master Woodwind
Series. Score.
LudwigMasters
Publications
#36-60440001. Published
by LudwigMasters
Publications
(AP.36-60440001).
ISBN
9798888521748. UPC:
676737684600.
English.
Alban
Berg's (1885-1935) Vier
Stücke für Klarinette
und Klavier (Four Pieces
for Clarinet and Piano),
Op. 5, was composed in
1913. They are his only
true miniatures as,
shortly after he wrote
them, a fateful and
somewhat traumatic lesson
with his tutor Arnold
Schoenberg drove the
young Berg to abandon
small-scale works
altogether, turning
towards large extended
orchestral works at his
teacher's heavily
critical insistence. Each
of the four movements (1.
Mäßig; 2. Sehr langsam;
3. Sehr rasch; 4.
Langsam) constantly
changes in tempo,
articulation, timbral
effects, and dynamics
throughout. Despite
Schoenberg's criticism in
1913, the work did
finally premiere on
October 17, 1919,
ironically at
Schoenberg's own Society
for Private Musical
Performances in Vienna.
Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Jewish-American Wedding Music from the Repertoire of Dave Tarras. By Various Com...(+)
Jewish-American Wedding
Music from the Repertoire
of Dave Tarras. By
Various Composers.
Arranged by Joel Rubin.
(Clarinet). Schott. Size
9x12 inches. 47 pages.
Published by Schott.