15 selections of some of J.S. Bach's most treasured compositions in accessible arrangements for budding instrumentalists with online demo and backing tracks for download or streaming with the popular Playback features allowing the player to adjust pitch, change keys, slow down audio, and more. Pieces include Adagio, Bist Du Bei Mir, Bourrée in E Minor, Jesu, Joy of Man's Desiring, Minuet in G Major, Polonaise in G Minor, Sheep May Safely Graze, Sleepers, Awake (Wachet Auf) and more. / Saxophone Tenor

Voici une partition musicale pour Saxophone que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique cette partition a pour titre Classique Saxophone Mib N0106 Sonate N03 Violon:Adagio. C'est l'éditeur Leduc sous la référence AL20846 qui a les droits pour éditer cette partition. / Saxophone / Partition

Voici une partition musicale pour Saxophone que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique cette partition a pour titre Classique Saxophone Mib N0049 Adagio. C'est l'éditeur Leduc sous la référence AL19648 qui a les droits pour éditer cette partition. / Saxophone / Partition

La référence GB3349 de l'éditeur Billaudot dont l'auteur célèbre est Bouvard Jean, qui a pour titre ADAGIO ET RONDE POPULAIRE, a été écrite et composée pour Saxophone et plus particulièrement pour Saxophone En Mib Et Piano. Cette partition musicale appartient à la catégorie Classique. / Saxophone En Mib Et Piano / Partition

La partition Classique Saxophone Mib N0104 Sonate N01 Violon:Adagio Allemande Gigue a été composée pour Saxophone. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Saxophone / Partition

Historical information about Händel's Water Music Suites is limited, but certainly these works were intended for two, possibly three, parties given by King George I on the Thames River, London, between 1715 and 1736. Händel and his orchestra played on a barge. Since then the some twenty-two separate original pieces have been organized into three Suites and nicknamed 'Water Music?, each having a separate key and likely corresponding to these river parties. This transcription of Water Music Suite II for saxophone quartet has two purposes: to make this music available to saxophonists for performance and education, and to provide in one volume the entire Suite II. The exception to the latter, because of the limits of endurance, is the exclusion of the short Adagio, a brief interlude between the fi rst two movements. Included though are the Allegro, Hornpipe, Minuet, Lentement, and Bourree. These works were originally meant for an outdoor performance, and one of the original intentions of the saxophone was to play in French military bands, also an open-air purpose. The original scoring of brass, woodwind, and string instruments (but no continuo) transcribe well for saxophones. Matching the ranges of instruments of the original to the saxophone quartet was a primary objective. In addition, this arrangement strives to disperse melodic material to all four saxophones so as to make the arrangement pleasing to all the members of the quartet while providing variety to an audience. Any dynamic, articulation, and tempo markings are to be taken only as suggestions so as to allow interpretation by the performers. The musical study and performance of all styles while using examples of composition and performance that represent excellence is necessary for saxophonists who wish to be well-rounded musicians. For the above reasons saxophonists are urged to listen to recordings of the original orchestration in order to learn and imitate proper interpretation of Baroque style. There are currently a number of excellent recordings of Handel's Suites on period instruments, such as (but not limited to) those by conductors John Eliot Gardiner, Christopher Hogwood, and the ensemble Tafelmusik. The Lewis-Clark State College Saxophone Quartet has for many years enjoyed performing Suite II for concerts, ceremonies and social settings, and I thank Advance Music for the opportunity to bring these great works to the profession. / 4 Saxophones (SATBar)

Partition arrangée pour saxophone des plus grands titres classique au cinéma. Joshua Fit the Battle of Jericho (trad.) - Fantasia, Valse des Fleurs extr. de Casse-noisette (Tchaikovski P.I.) - All by Myself (Carmen E.) - C'est si bon (Betti H. et Hornez A.) - Les Visiteurs, Concerto pour violon (Mendelssohn F.) - Nobody Knows The Trouble l've Seen (Trad.) - The Pink Panther (Mancini H.) - Mission impossible (Schiffrin L.) - Les Aventuriers de l'Arche perdue, Raider's March (Williams J.) - Quatre mariages et un enterrement, Adagio (Albinoni T.)

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

Six solos for a flute and a bass. Opus V, parte 2da. (Transcription pour flûte à bec et basse continue de la seconde partie de l'opus V de Corelli). Edition : Walsh and Hare, London, s.d. (=1702)Présentation de Susi Möhlmeier et Frédérique Thouvenot : biographie - bibliographie - lecture de la partition - suggestions.En 1702, Walsh publie cette très utile transcription pour flûte à bec de la seconde partie de l'opus V de Corelli, paru à Rome en 1700. Publication en parties séparées : fluto primo - fluto basso. L'orthographe des titres est celle de l'original de Walsh. / Flûte A Bec Et Basse Continue / 76 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

12 Favourite Works From The Classical Era, With Authentic Orchestral Backing Tracks. Faire vivre de la musique de l'époque classique ! Ce livre et CD pack caractéristiques 12 oeuvres classiques, arrangés par Artem Vassiliev. Amusant et attrayant pour tous les âges, ces pièces ont mélodies de la ligne supérieure accessible convenables pour les joueurs de grades norme 3-5. T/ Recueil / Saxophone Ténor

Par SINGELEE JEAN BAPTISTE. / Niveau : Assez Facile / classique / Répertoire / Saxophone en Sib et Piano

Ces morceaux de six caractères proviennent de célèbre cycle piano 'Musica ricercata' du Ligeti. Maintenant sauvages, maintenant joviale, maintenant contemplative, maintenant excité - chacune de ces miniatures est un joyau immanquable. Les bagatelles minimalistes existent déjà dans les arrangements populaires / Quatuor De Saxophones (Soprano, Alto, Tenor, Baryton)

Haendel était un compositeur qui a toujours gardé un oeil sur le goût dominant, courants politiques et de la mode. Cette prise de conscience est perçue à la fois dans l'influence italienne et anglaise dans ses compositions avec beaucoup de sa musique présentant des caractéristiques Regal et festive. Dans ce livre, vous trouverez douze morceaux délicieux de bien connue des oeuvres telles que la Water Music, Royal Fireworks et le Messie. Le CD contient les versions complètes de chaque morceau avec une version avec la partie solo manque. / Saxophone Alto / 24 pages / niveau : Elementaire / Partition Cd